solarism is the result of a common fascination for landscapes and a passion for contemplation. after two decades of an unbreakable friendship, we have finaly imaginated this protean entity to express what contemplation has offered us and how it connects us to the world, describing those experiences through music compositions, dj performances and welcoming other artists to release their art.after our first release with arno e. mathieu -existance project-, we are really proud to welcome one of our musical friend on solarism, the non-stop track maker from home invasion label, franck roger !on a1 franck brings a real fusion of cosmics and classic deep house vibes, remembering his first love with electronic music but definitely oriented to his nowaday modern vision of sounds. the melodic groove of the calimbas percussions drives you till the heart of the track and his swinging drum, to never let you go and brings you up in a neverending hypnotic mind dance. on b1, arno e. mathieu version push the hypnotic vibe of -tiger in the hood- using the original arpegiator theme, and brings the track to a deep techno level for a textured and anthemic experience. ponctuated by a strings hit appearence and supported by a non stop heavy bass-line, the track progression brings us till a melodic synth conclusion true to arno fusionned style... welcome back in solarism

this ep starts with “stitched-, which begins by a rough & anxious introduction with a drone bass and a dissonance pad. then a steamroller sub bass engaged itself into an insane run drived by a brushing arpeggiated synth and sharpened cymbals. college road, the eponym track is a bright energetic trippy techno track influenced by house grooves & sonorities, for club use (not only). the last track bkr is a live construct track with both hardware and software stuff to create a freaky bouncing groove.

the second chapter of the startup label series starts with the dreamy * oaas*. its gravitating ambient body music picks up right where startup label 1 left off. the sparkling dust of quarry_s has settled, and mutates into a liquid morphing bass drizzle. moving on to ‘found_weaver’ the hazy synths find a more rhythmical form accompanied by a staccato groove. when the record is flipped a new world gets exposed on the track * wolf*. a more consistent and articulate track with a killer groove. startup label 2 explores the musical map of clubland travelling further than the dance floor, not afraid of venturing behind the * here be dragons* signpost.

early support from raresh, akufen, and jan krueger, next up on sol asylum is non other than julie marghilano with her innerspace ep. taking the listener to another dimension of sound, she brings her range of musical knowledge to create a solid package with a stunning remix from fred p. starting things off on a analog journey with “innerspace” we move through an interstellar universe with detailed grooves full of percussive splatters and echoing synths that moves us into a dream like state of mind. conjuring the jazz planet in berlin with“katzbachjazz”you are immediately transported to a galaxy of sound with galloping percussion and a classic techno layout. using more 909 techno drum elements she creates a whirlwind of sound with a delicate touch. taking things a little bit deeper with “cosmic karma” she presents a heavily detailed drum structure full of violin experimentation that creates a dark atmosphere but still bringing an uplifting and joyous vibe. finishing off the package is something unique from fred p who julie asked to remix for her due to her enormous respect for him. the emotionally charged remix of“cosmic karma” shows a different side of fred p while still keeping his signature sound in tact. the remix takes us through an ever-evolving voyage through time and space.

drivetrain (detroit, usa) – “my world”…it’s all about orchestral melodies, tribal drumming and an erogenous female temptress. derrick thompson architects a moody, late night narcotic. motomitsu (paris, france) – “where you go”…toxic bass underlines a barrage of timely stabs and a soulful refrain to deliver an uplifting groove essential. melodymann (brussels, belgium) – “to make you feel what i feel”…high-powered house intensity. from the quaking bass line and percussive automation to the vocal proposition this is pure dynamic energy. dawan (tunis, tunisia) – “strangers”…a dark and spellbinding debut, rich with dreamy pads, heavy subs, bewitching chants and a dash of acid. -deep, darkened, rhythmic seduction is onyx adore-

splendor & squalour number 3 sees brame & hamo return to their rising imprint. since the boys ep lamajs secrets on dirt crew we have seen them do a string of remixes for labels such as kolor ltd, heist & their very successful remix for harry wolfman and loz goddards uncle buck on dirt crew. all these releases have kept a steady momentum going for the sligo boys in the house scene. for this ep we have a full 3 tracker consisting of all original cuts. the ep kicks off with kebab dreams which takes us on a trip to the moon with greasy drums and saucy groove. up next is the mpc workout cert city paying homage to their hometown of sligo. closing the ep we have retch wretchedness which takes a darker turn showing us the spookier side of brame & hamo while still keeping the jazzy touch. a peak time track for sure.

the next installment on aus music sees the return of a relatively new addition to the roster rob glassett aka fold. throughout previous 12inches on manmakemusic and electric minds and on his outstanding netflix & chill debut for aus last year - fold has laced together dusty house grooves built with a classic approach to sampling funk, disco and soul records. next up - his lennys jam ep starts up with a dub techno groove built with delayed and panned stabs and sharp, pacy drums. rosie lea lays out a rich and sunny groove as a playful sample filters into focus over deftly treated drum kit samples and a buoyant bass line. tracksuits and tennis shoes then follows up with a no-nonsene party jam a short funk link is set over a booming kick that closes up a nicely varied package.

was wäre die welt ohne singende pop-pianisten? man denke nur an billy joel. oder an stevie wonder. ja, und was wäre die welt ohne jazz?! man denke etwa an lady day oder john coltrane. oder die nächste steuererklärung. na, und was wäre die popmusik ohne krokodile?! man denke an prince. oder an donald fagen. na, und was wäre dieser text ohne albrecht schrader, den wundervollen pop-pianisten aus der hansestadt hamburg, der aber schon seit einigen jahren in der domstadt köln wohnt. leben in der großstadt, so der titel seiner kommenden ep spannt mühelos den bogen von steely dan über prefab sprout bis erobique und palmingers „songs for joy-. die stimme sitzt, die finger fließen und die seele tanzt. das oben drauf auch noch große pop-poesie geschrieben steht, kann man nur noch als absoluten glücksfall deuten: -das problem am kalenderspruch ist der kalender und nicht der spruch-, singt schrader in „pathos im alltag-. bevor man sich in diesem text in solchen sprüchen verirrt, bloß um die luxuriöse Ästhetik dieser musik zubeschrieben, bleibt am ende nur die dringende empfehlung diesen künstler doch einmal aus zu checken, wie man szene-deutsch zu sagen pflegt. up + coming dieser typ! keine frage...

for his first solo vinyl only, ange siddhar navigates between his usual groove and dark influences. delivering four tracks melting techno, acid and minimal styles featuring two of his closer parisian friends: cesko & illan nicciani.

spell pets backwards to get step. spell step forwards to find pets going back to basics. step is the new concept vinyl only label from the founder of pets, catz n dogz, that highlights the rawest forms and root functions of quality club music. step finds the fundamental groove with undertheradar house and techno that is isnt afraid to be rough around the edges.

miss sunshine is back on random island! she s definitely not brought the sun with her, rather opting to throw you straight into a black hole with nothing but earth-shattering bass, spaced-out bleeps and sweeps to keep you company. on the flip, souls reemerge is another assault on the senses, massive distorted arpeggios towering over a relentless beat. finally, the closing anti hero will shake the life back into you with its highly efficient, jacking groove.

jumpmono records is the brand new label from uk techno brothers, anti-slam & w.e.a.p.o.n. after the growing success of their digital only label, jumpstereo records, it was only a matter of time before the brothers went back to their roots and created a label not only for the digital world but also heavily focused on vinyl.
for the first release we happily welcome one of the finest producers of the past few years, raul mezcolanza, with his incredible track called diagram.
on remix duties we have super duo, spektre, who bring a superb, harder techno edge to the release. etai tarazi takes care of the second remix with a more stripped back and melodic approach that works perfectly across dance floors and label bosses, anti-slam & w.e.a.p.o.n. finish off the release with their usual energetic, groove driven style.

the title track gets a great remix by the underground techno legend mike humphrieswho delivers a re-constructed fat groove and funky techno soul.

first volume of the new label space disco focused on high quality edits produced by some of the best remixers around the world.

concord club releases 5, 6 & 12 all bundled up for one special price!

liebevoll überarbeitete disco-, boogie-, soul- und funk-klassiker in vorzüglicher tonqualität. das doppel-vinyl erscheint im klappcover.

the third edible release comes from a producer weve admired for many, many years. a consistent and truly dependable master of the jackin groove since the late 1990s, brett johnson has flexed his musical muscle for some of our favourite labels. singles for derrick carters classic, dj sneaks magnetic, freerange and visionquest have been record box staples for eats everything over the years, so its a big fat hello and welcome to brett on the snack attack ep.

one of the most charismatic and respected djs in poland, eltron (aka eltron john) presents what is probably the most expressely club-oriented record in transatlantyk history. his four track offering sounds much like his sets - ferocious and subtle, raw and sophisticated at the same time. the main mix of b&s blends druggy deepness inspired by the vibe of 90s tribal america with uk funky riddims, creating the sort of pneumatic house groove that never fails to get the party rocking. this simple, yet meticulously produced tune has already been road-tested and received enthusiastic feedback from a number of jocks around europe, and the vinyl version seems destined to strengthen its deserved banger-with-a-message status. the dub version of fuses layers of darker, industrial bleeps with a classic break and a rather healthy dose of echo. trippy and rough, yet exhilarating - it is exactly the kind of track you want to hear in a dark warehouse. switch to the b-side for the light , where sampled vocals, pitched-down drums and fuzzy pads are combined to form a unique specimen of lo-fi r n b, eltron-style. this hazy groove is guaranteed to guide dancers ever-so-gently into the light of the morning. finally, reprise exposes the bare bones of the original. with its dubby, in-your-face quality, it is one for the track heads, definitely.

savas pascalidis delivered 4 tracks timeless techno for his 1st ep on children of tomorrow called right on for the darkness. a mix between deep techno tracks and more darker techno but always with a proper groove

4 years in the making, in partnership with teranga beat the current leading label for senegalese music, analog africa proudly offer an insight into the musical adventures that were taking place in the major senegalese cities during the 60s and 70s. this compilation, reflects the unique fusions of funk, mbalax, cuban son and mandigue guitar sounds that transformed dakar into west africa’s most vibrant city.
the double vinyl release comes in a gatefold sleeve and includes a download code.

italian rudeboy ivan iacobucci brings his brand of lowdown funk-influenced tech house to apollonia with this sterling three-tracker. over two decades of hard work and dedication to his craft has culminated in ivan’s untainted reputation and widespread respect within the underground from true heads like zip and, of course, the apollonia boys. his love of jazz in evident throughout this ep which is full of subtlety and depth, pulsating b-lines and smooth chords are interlaced with razor-sharp percussion and delicate keys. the first track ‘old in on’ has a laid back, though driving, groove, pushing forward with a hefty bassline that is perfectly counterbalanced by the light twinkling keys and barely-there pads. ‘scris frumos’ encapsulates more of an ominous, tribal feeling with intricate effects trickling through every pore of its deep, dark exterior. its atmospherics keep you intrigued, voices echo in the background and a few moments of softened chimes really intensify the already mysterious vibe. ‘mini ass’ channels more of that electro-funk that forms the foundation of ivan’s love for music, haywire radio pulses prance around stuttered beats, giving it a slightly cosmic feel, while pipes add a more organic nuance to the track. absolutely masterful work from ivan, and another inspired addition to the apollonia catalogue.

the third ep of the trilogy works following the releases d6&d7 from sundance in 2012 and flying one hand from op.disc in 2015 comes this one. a) side is the unreleased dub version of the previously released same titled track. b) side is the fine interweave of radiqs percussion + fumiyas base/beat groove with soul vocals. the sound is different from the style of dirtriix works and the each has its distinctive own groove.

padez is a producer from a town near mannheim which meant growing up fully submersed into the vibrant electronic music movement of mannheim and frankfurt area, but his influences grow roots deeper into the golden age of hip-hop, as well as jazz, soul, funk etc… he started producing in 2009, sharing music just in between a circle of friends, and it was not until 2013 that he had his first digital release out on basti grub’s hoehenregler records. in the meantime he took the chance to dive deeper into the sound with his friends sedee. releases on valioso recordings and medeia records among others can be expected as a result of this collaboration. the love reloaded ep on kanzyanis jesus loved you label is his first vinyl release and a homage to the music he is essentially influenced by. the ep features 3 intrinsically groovy tracks, permeated with heavy baselines and driven by upbeat, slightly broken rhythm patterns, oozing a sublime soulful vibe at the same time. truly a dance-floor delight!

fat dog records continues its quest to deliver timeless electronic music with this polished four track ep by mark hand. deeply personal and reflective peripherals is a milestone for mark whose previous releases have been championed by the likes of prosumer, soulphiction, session victim, russ gabriel and hunee.-jaded- and -another broken sunday- draw inspiration from detroit capturing the beauty of cosmic techno perfectly. assumptions features samples of marks late father playing saxophone alongside sun ra resulting in a profound and meaningful example of modern jazz fusion whilst the title track peripherals draws the ep to a close with a delicate piece of poignant ambience

tina m. howell is the truth. in 20 years she has wore many hats. poet, monologist, vocalist, songwriter, she has played with some of the best known and unknown talent in the city of chicago todd e. swope is a producer, arranger and composer from chicago, illinois. todd is a multi instrumentalist that has a variety of eclectic music influences ranging from jazz, blues,reggae,hip-hop,rock,funk, folk and dance music. major influences include john coltrane, jimi hendrix, bob marley, muddy waters, curtis mayfield, prince & bob dylan. the chicago native embraces the diverse music and culture of chicago. this love of music and culture helps define the sound that is chi-town gumbo. in underground disco circles, us crate digger rahaan young is considered something of an unsung hero. a formidable dj and talented producer, the windy city veteran has forged a reputation as one of chicago s finest underground exports.

label heads collabo

known for his contributions for lumberjacks in hell, seven limited or black key records, giovanni is a talented musician/dj from south italy, producing music for over a decade now. for his faces records debut, gio is going deep, straight back to his latin/jazz roots with la dame et le conga and what u feel like. while paying tribute to the old ny/garage sound on tell you what i do cherry on the top, detroit legend rick wade offers a new take on the title track, crafting a magnificent deep mix of la dame et le conga recommended to every deep house fans and children of the drum

jackie brown enters 2016 with new 12 inch from el nino andres - a four track ep called “she understood duke ellington”. as with his previous releases, croatian producer offers his take on house music thats influenced by jazz, soul and funk. drum machines, samplers and antons improvisations on his piano and rhodes make for an ep of warm, melodic and groovy house music. everything is rounded up with amazing artwork from maximilian moser.

embracing disco, techno and house music in all its declinations, what ever not introduces now british artist reformed society, project started by house producer harsh puri as a consequence of djing and collecting records since 1998, debuting with a four track old school house ep, optimistic chaos coherently fitting with the italian imprint philosophy. ‘hope’ has that solar, yet dusty groove folding distorted rhythmics and joyful pads around an insistent lead dubby pattern and shimmering synths. ‘optimistic chaos’ is again smooth but lightly gloomy, until a pause intoxicates one’s body and mind filling them with inebriating ambients. ‘incognito’ delivers a deep driving atmosphere here, featuring dogged, crisp drums together with minimalist, yet momentary cosmic motives. for the closing cut ‘detracid’, the artist cooks up a brew of acid lines with the usual charming synths and vivid hats, building a light sense of tension fired up by the warm, heady sound scapes. each track is similar to the last, stiffening the musical timbre of the label, confirming the producer’s strong artistic identity as a consequence.

yoruba records is proud to open 2016 with a forward thinking ep and album teaser from yoruba fan favourite toto chiavetta. hailing from catania, sicily, his deeper influenced house sound is a hit at yoruba and we couldnt be more excited to welcome him back. this ep opens with the beatless mix of * impermanence*, the title track from his forthcoming album. tshaka campbells vocals lend unbelievable perspective to this jazzy, guitar-led chill out track, while also giving listeners some serious food for thought, an easy track to lose yourself in. up next is * take care*. influenced by the classic chicago sound, this bass line driven cut pushes the style in new directions while maintaining an absolute dance floor focus, a must-have to kick off the year. we close with * be the wind*. this techy, spaced out groove is well suited for the late night hours, its moody synth lines gently tease as you await the addition of the dance floor ready percussive combination. we hope you enjoy the forward thinking sounds of this release as much as we’ve been excited to bring them to you.

second release for patrick gibin aka twice and his ‘collective blends’ project which includes musicians from his home town verona - italy : for this release the collective invited special guest clara hill on vocals. the raw hypnotic moog bassline together with the brazilian influenced hi-hats and rhythms of the title track “time goes by” build a solid atmospheric groove elevated by clara hills’ vocals, that give the track that unique soulful swing. on the flip, volcov’s spaced out dub version of “time goes by” is as deep as it gets and the third track, phanareega, keeps the energy high with its combination of live acoustic/electronic drums, sharp bassline and anthem strings.

welcome to the fifth installment of the the opium audio flower series. featuring a percussive and minimalistic trip by the label boss destrict. a journey into contaminated rhythmical patterns and warn pads that are distinctive of his own style. the release follow on the b-side with a trippy reinterpretation of the original mix made by the destrict partner in crime u-more. the release feature also 2 locked groove, one from the russian talent sil and one tool form the u-more remix.

the year is off to a good start! the highly anticipated new rising sun album is going to be released any day now. we are very proud to press this incredible record on vinyl. the lamentations of rising sun leaves nothing to be desired and is full of surprises. it defies categorization and shows influences of the past while taking us into the future. the bass and groove have a special energy and will inspire you to listen to this record religiously. it goes directly into the heart and soul. vinyl tastes better!
the double 12 inch release includes a download code.

way back in 1996, at the height of the widely acknowledged golden period for electronic music, d-saw a.k.a andré winter released a true classic on hamburgs highly influential superstition label. track 10:30 stood the test of time, becoming widely regarded as a key moment in european techno music history, despite its modest impact at the time. now, 20 years later, andré revisits the source material courtesy of some killer remixes on oliver huntemanns senso imprint. hamburg’s own h.o.s.h. (holger behn) delivers an epic twist to the cut, widening out the spaces and adding his own techy signature to the original. re.you offer up another flavour altogether, maintaining the iconic synth pulse of the source but introducing an infectious, driving groove. dubspeeka throw a bit more grit in into proceedings with a tough, machine funk mix, while andre winter himself reworks his classic into a slow burning groover that effortlessly showcases the elements that make this track so timeless.

after moods, an album full of fantastic and contemporary designs of electronic music which constantly flirted with modern classic designs hildenbeutel releases the remix-ep, all produced by himself like he often used to do in former days. the result is a package of five remixes (four on vinyl, the download version with a bonusstrack). you can hear the neo trance-influences of artists such as kink or others as well as the fine feel for the understanding of peaks and arrangements without gimmicky showing off. at the latest with the driving and upbuilding groove of lost - retouched the shaman in the desert peeps out from behind the cactus and offers psychedlische gifts. henceforward it is: everybody for himself and all together.

first light is the first full-length album of original songs from easy star all-stars. the easy star all-stars have built a huge following around the world, having sold over 350.000 records and played shows in over 30 countries on 6 continents. the band - a collective from the nyc scene overseen by producer/guitarist michael goldwasser - has always played original music in its live set, some of which was released on until that day, an original ep in 2008. first light is an important step in the band’s story, demonstrating a wide range of approaches to reggae, from progressive to classic, roots to futurist, confirming the all-stars place as one of the most influential acts on the us reggae scene. the album includes 12 songs and one dub, with guest appearances by the meditations, cas haley, junior jazz, lady ann and tony tuff.
the vinyl release includes a download code.

most famous for his remix of stevie wonder signed sealed delivered, smash hunter aka dj smash was released on the mowtown remixed project, alongside such heavyweight bedfellows as dj spinna, jazzy jeff and king britt. smash was also prolific compiler, producer and label boss for the acclaimed fat jazzy grooves series on new breed jazz.

astute wax enthusiast brothers vibe brings forth the third installment of his mixx split series, meant to cast light on what the multi-label boss is notorious for: soulful house music! also signing the opening track 0.95lonliness , the american prodigy takes us on a deep incursion, skillfully layering classic house beats over uplifting sounds into a heart racing groove. newcomer eddie merced follows up with a deep and dreamy offering, infusing trancy vibes into a futuristic bassline for a full 6:29 minutes of midtown cruisin . delving further into the deep ambient realm, japanese producer tominori hosoya doles out some tribal sounds for his spatial track -paradise-. closing tune -deep space- gives away just a bit of the surprise in its title, as george p injects his signature tech house oomph in a contrasting murky bassline.

the 3rd ep from dirreta run by dj wada known as a legend in japanese techno scene. wada create his very own grooves with some groovy bass and freestyle jazz drum samples

transmitting from their mist-filled, strobe-lit lair, group niob join the ranks of pomelo with an ep of pure-bred, cavernous underground techno. founded by prolific cheap records alumni and long-standing pomelo contributor gerhard potuznik (aka g.d.luxxe, gdx, pin-ups in exile) and his hardware-obsessed partner martin sovinz (aka dibek), group niob follow up their previous releases on their jointly run phlox imprint with two tracks of techno perfection: ‘nue’ starts the ep in high tension mode – grumbling bass lines, endless echoes, and a punishing groove complement the track’s subarctic atmosphere. on the flip side, ‘target’ turns the heat up a notch with a warm, rolling bass, hypnotic chords and dubbed out stabs, dubbed out and acidified by pomelo’s own daniel lodig for his ep-closing remix

chilenian duo c. cordova & deep kontrol breezes into the resopal label with their conversation ep. this brace of music comes strictly from the south american mind: electronic dancefloor tracks with an air of futurism. -wir im wir- fuses a bouncing, morning groove with stabbing operatic vocals and light synth keys. -not god- keeps things raw and minimal - furry snares, rolling beat structure, hallucinatory blips bleeps and a certain kinda jack. -storyteller- completes this ep: in a minimal and most modern house way. this ep goes straight tot he dancefloor.

cant stop listen the origlinal.. wow ...relative 16th instalment sees label head john swing back at the controls with a killer four track ep. the title track “get rhythm” comes with relative’s signature gritty house sound in its original mix while the arp mix shakes peak time dance floors with hypnotic arpeggios and rumbling drums. the b side opens up with a relentless african congas ride boosting the rhythmic section with an energetic afro feel. the -other version- closes this meteoric ep with a deep, jackin cut-throat groove.

radiating from the online world through a limited batch of puristic, meddling drum-programmed experiments, this three-track debut is a pure tour de force in experimental, jazz-infused, worm-hole techno and house. the undulating 808 underpins the overtly spectral sound-design canvas deployed across the ep, from the scatter-delayed percussive proto-congas on *-* to the piano melancholia employed on *--* and the erratic time-stretched mood-shift that pivots around the centre of the 11 minute jam *---*.

** released on vinyl only **!!
in the space of two short years shlømo has quickly established himself alongside the likes of marcelus, bambounou, francois x and the antinote records crew as a key figure in paris’ current techno generation. having established his own taapion records label in 2013 and built a roster around a core of local producers including roman poncet, pvnv and antigone, in addition to enlisting stephen brown, conforce and sterac as remixers for the label’s releases so far. for its fifth release, bright sounds - run by fellow parisian kennedy smith - revisits last year’s rechaïm ep (bsrx003), with a trio of remixers offering their own takes on shlømo’s established deep and expansive sound. first up is the aforementioned 50 weapons artist bambounou, who offers a dynamic groove-based version of the title track that bounces along an elastic kick drum with cut-up fragments of the original’s atmospheric pads providing further impetus. label owner kennedy smith takes on theory is the worst by bringing its dub textures to the for while filling the track’s empty spaces with intricate drum patterns. finally, italian techno pioneer donato dozzy turns grounded queen into a classic dozzy slow-burning techno trip, with his trademark layered sound complimenting the track’s subtle rhythmic backbone.

die beiden remixe transferieren moderats erste singleauskopplung auf ganz unterschiedliche dancefloors: paul woolford, einer der großen britischen djs und producer, der mit seinem aufsehen erregenden projekt special request die unerbittlich hämmernden breakbeats der frühen neunziger in die gegenwart holte, strukturiert das stück mit einer extrem harten, gebieterischen bassdrum entschieden neu. den gesang präsentiert er sehr dosiert, umso effektiver aber nach dem break. die breakbeat loops und präzis gesetzten klangsplitter vom original geben dem track einen elektrisierenden funk, der ihn für bass music- und house-djs gleichermaßen unverzichtbar macht. der berliner answer code request gehört dem künstlerstamm des berghain-labels ostgut ton an. er geht den entgegengesetzten weg und entwickelt seinen remix weniger aus dem groove, als der atmosphäre und emotionalität des tracks. fetzen von apparats stimme orchestriert er mit packenden hooklines und wunderschönen synthesizern, die das stück zu einer der stärksten technonummern der saison machen.

sfx recordings is proud to present the new max cohle release. this young french men sign here is third release on sfx recordings and his first vinyl ! fantastic four originals tracks will compose this new ep. a full journey into deep micro house perfectly mixed in between groove, fatness and creative fresh hypnotic sound. watch out for the new hits of the new talent from paris !

repress - afrobeat makers vol. 3 >> nu guinea comes back with a joint venture between comet records and early sounds recordings. by re-working the original magic drum patterns from the afrobeat master tony allen, they created a compilation of tracks which is charged by a voluminous electronic jazz-funk imprint.

the double drop label present the second of three parts from the invisible cities collective, made up of luca c & brigante plus guests. following the summers moments in between (featuring ivan smagghe remixes), in my garden finds the guys carving a sumptuous slo-mo house groove, with a rather special secret collaborator on vocal duties. the result is something lush and unique. the original is backed with a fine interpretation from the mole, and the super cool edge of our love completes the package. the new music from invisible cities doesnt stop there. next up is part 3, sunkissed with remixes from apiento and special dubs from mad professor.