>that placid track< has been in the hands of some lucky individuals for some time now, making its way across dancefloors from berlin to new york, bristol to tokyo.
dark disco references are heavy throughout with a great use of strings licks, a slo-motion vocal sample and a classic cowbell keeping everything nicely in check. as with most of octobers productions though he still has one foot firmly inside berghainrendering this essentially disco track into something with more of a late night, broody edge.

murmur return with a brace of killers, their first new material since mean 011s split release with bovill back in 2008. over the course of the half dozen years since beginning their meanwhile imprint, murmurs output has been so sparing, evanescent, and epitomising the labels low-key approach to steppers house music and horizontal techno with an implicit electronic beatdown sound, that acknowledges their pitched down sound, so heavily influenced by their early south african adventures and exploits.

like >the final breaths of a game boy caught in the reeds and burbling under the waters< (nme), luke abbotts >holkham drones< has been making waves in all of the right places, and now as it finally drops in your record store of choice, the ripple effect begins to spread out across the world. >holkham drones< looks set to catapult luke from his provincial norfolk outpost of the uks burgeoning electronic underground straight into critics end-of-year best-of lists, in one fell swoop.

the amiably deranged erdbeerschnitzel, alias the dark side of the meat is called tim keiling, half of whose life has been spent making music. with his self-distributed album pathetik party, dispersed among an inhibited, then startled public in free download grab bags,he demonstrated the lavish, unrestrained use of the musical propeller, drawing on influences from drum&bass, elektro, breakbeat, hip hop, techno, deep house & disco.

mlms live show now incorporates a full brass section and drummer, accentuating the elements of carnivalesque ska and heightening their collective energy. this, combined with johnnys unique lyrical style, sees the band form a new fuller sound, merging their playful melodies with a powerful back line. young british singer, jessie ware (who has also sung for jack penate), a bright new talent, has also joined them to offer soulful vocals. the >lovestruck< ep reveals a more refined method of writing infectious and original british music. their new approach to composition harbors their recognized style, whilst showing a progression as serious songwriters. for the release of the ep the band has been working with producers such as clive langer (madness) and charlie hugall (florence and the machine).

originally recorded between 1974 and 1978 at industrial records studio in london >the space between< album was first released as a 90 minute cassette in 1980 on throbbing gristles industrial records label. it wasnt until 1991 that it was again released by mute records on cd. although tracks from >the space between< have appeared on numerous compilations since its release, the album has never been available on vinyl until now.

brand new boka records in a double-barrelled month for the label, swiftly following on from the innasekt 12 inch, matt-u & riskotheque pop up with easily their biggest tune on the scene >guillotine growl< another one from the archives that has been knocking around on dubplate for a while, big worldwide dj support for a tune with one of the sickest hooks around, menacing and ugly bizness! on the flip matt-u gets his deep, dark roller head on for >double blind< a tune first showcased on the mary anne hobbs radio 1 show, arguably his finest solo output to date making this an insta-bagga release!
support from mary anne hobbs (radio 1), bunzer0 (subfm), dj madd, von d, vista, afterdark, south bound hangers and many more.

>listenin to the records on my wall<, the first single from skreams second album on tempa - the much anticipated and highly acclaimed >outside the box< - has long been in demand and is now finally being released on vinyl. >listenin to the records on my wall< is the perfect introduction to why skreams current level of success is just the beginning. its a joyful, ragingly energetic celebration of the last quarter decade of british street music, inspired by the hardcore and jungle records used by his older brother hijak who was part of grooverider<s internatty crew. its also a brilliant pop record that makes perfect sense to everyone who grew up surrounded by the breaks and beats of the 1990s ? and to those who didnt.

the martinez/mesteo remix of the club classic >under the water< is the first leg in a series of remixes to be patiently released throughout 2010 - initiated by one half of the original brother brown outfit, atle, now operating under the moniker one brother. the martinez/mesteno mix has only been sent to a carefully selected handful of friends and family around the world (less than 15 movers and shakers). simply to see if we can give this mix the longestpossible and well deserved (we think anyway) run for itsmoney. please do enjoy!

over the past twelve months, new york based manik has been residing at the top of many peoples one-to-watch-lists off the back of his >park to the slop< ep on josh winks ovum recordings (which also led to releases on four:twenty and fresh meat). the 24 year old is rapidly building a reputation with his work and it gives us immense pleasure to welcome him to komplex de deep. both the title track and flip >space & truth< take us on elegant and sensual, oldskool journeys.

>in alto mare< was on of the biggest italian hits of the 80s performed by loredana berte - member of the biggest artists of all time - made in italy know this song. in 2004 >in alto mare< gets revisted and retwisted in a new millennium version produced by 2black feat. wendy lewis, who transformed the song in a bilingual song with funky lyrics and original italian chorus. and once again it was one of the biggest hits in summer 2004 and licensed worldwide in almost all countries. now its time again to revamp the song but this time in a pure jamie lewis & purple music style in collaboration with the visualboys & stefano mattara. the song has just been tested, and believe us its still amazing when you hear the whole club singing the song. italian does it better? yesssss!!!

everybody loves summer & house music, and of course so do we! these four tracks by our italian and spanish friends have already been hammered on various open air floors by the usual suspects, and especially marco effe s track chesley had people running up into the dj-booth trying to find out what it is. well, today we finally have the answer.
but also romano and luca, who both have made a name for themselves with releases on break new soil as well as various other imprints are showing why they are two of the keyplayers of modern house-music from italy. and last but not least danny serrano & hector coutu deliver a classic groove monster that will bring new boosts of energy to preparties, prime-time sets and after-hour dancefloors as well.

supplement facts records continue their rich run of form by handing a label debut to detroit-native lee curtiss. the >and we all fall down< ep has been one of the most hotly anticipated from the israeli label and is set to become the soundtrack to the last echoes of summer. we continue to dance, as the days grow short our nights become longer and lees ep is the perfect accompaniment�.>i can hear you arthur<, a tribute to one of lees long-time music heroes, arthur russell, is an emotional escape. with russell being a direct sound-inspiration for the release, we are treated to a longing for a far away love. with waves of sound that build and cascade, accompanied by pillow-talk whisperings, all creating eight minutes of rhythmic, warm grooves. arthur never sounded better. after the body-swaying vibes of the a, side b brings the perspirec-electronic throb and hip-grinding action of labor of love. after yearning for arthur, we are more than appeased with the beautifully sultry and ever so intimate vocals of stephanie selvaggio. with its rhythmic guitar opening belying its true intention, labor of love develops into a sensual dancefloor cut with stephanies vocals floating effortlessly with the acidic beats as she drives us �crazy, and we all fall down is a perfect example of an artist at his most vunerable. its brutally honest sound invites the listener in with open arms and wraps itself around them like a warm cashmere blanket. as the brutal realisation that summer is almost over starts to sink in�its worth taking comfort in records like this, that make the transition that much easier.

following the massive summer release by the revenge, disco deviance returns with number 15 in the series and the debut release from the uk based nocturnal music posse. both edits have been championed by greg wilson in his dj sets over the last year to fantastic response and are seriously fresh, dj-friendly versions that are ready to ignite the dance floor. first up is ælove explosionÆ a cracking version of æsweet thingÆ by convertion. packed full of dance floor joy, it drops like a bomb and is a seriously good slice of ecstatic disco reworked for todayÆs dance floors. while over on the flip, the vincent montana produced goody goody classic æit looks like loveÆ gets cut up, extended and dubbed out to produce a truly stunning new take on this amazing track. both are respectfully edited, lovingly re-mastered and cut loud at 45 rpm for maximum dance floor pleasure and dj delight.

eddie c comes from canada and has been enjoying house music since 1987. his refreshingly old school approach has led to some mighty fine releases over the past few years on jisco music, 7 inches of love, flashback, wolf music, need want, sleazy beats, kolour and many other top imprints earning him a well deserved and growing reputation as a top producer and dj. for his debut release on home taping he kicks things off in trademark style with the sample driven, moody groover ætell meÆ. next up he flicks the switch and whips up a stompinÆ house workout on the get-down-and-sweaty warehouse grooves of æorganizedÆ. on the flip, rising aussie house maestro tornado wallace takes ætell meÆ one step deeper into basement territory and works it into an epic nu school refix. and finally, a cheeky vinyl only hidden track ædub up the editÆ provides an essential dj tool. 100% house music from two producers on top of their game.

yore welcomes ibex to the yore family. tony ollivierra aka ibex, who is no stranger at all to the world of detroit house music, known for his outstanding releases on carl craigs >planet e< or his hot gems on 3rd ear and rushhour, returns in full effect on our 26th release. here he brings us four tracks, so deep (and yet grooving without a doubt), unique and full of class, that it still leaves us simply speechless. the music on this ep is so rich and full of musical ideaÆs, like we havent heard it since a very long time. one can tell you need history and expertise behind to drop something like this and ibex sure has what it takes. hes been releasing high quality house music since early 2000 and has been touring as a dj since the mid nineties, which all you can sense in his music. this is one of our personal favourite releases so far and we can only strongly recommend to get your copy while they last. killer ep not to be missed and already a classic today!

>hurt inside< is mixture of old school house and uk funky. the track is currently been supported by a range of djs including marcus nasty, brackles and dj footloose. >intruder< contains raw beats and bass.

truth, undoubtedly new zealands greatest dubstep export, have been making a huge impact around the world with their heavy bassline riddims. truth have a style that defies categorization, encompassing an array of melodies, vocals and spacious beats that range from half-step stompers to the deeper profound realms of sound, all with one common element which underpins every track, a heavy bassline riddim that lays sheer force on any system heavy enough to handle it. the badboys of new zealand dubstep team up for their first single on argon records. bombay sapphire takes you on a trip through bass, while worlds apart flips the script for a jazzy dubstep experience. two incredible tunes, one essential argon single.

boka records hit release number 30 and they have delved deep into the dubstep archives on this one. innasekts >cluster< has been around on dubplate for well over a year now with the dubstep heads still demading its release, its finally here! this one packs a punch, ultra deep and heavy basslines with innasekts signature technological atmospheres. backed with their remix of sumones (planet mu) track >zombie<, a voyage into deep and atmospheric drumstep. its been a while since innasekts releases on rottun recordings and the rumour is this could be their final release under this name. dj support coming from the likes of scuba, faib, bunzer0, matt-u, moldy & truth.

engine music is delighted to present this next release from german wunder-trio, triad. comprised of henree with releases on soul:r and c.i.a under his belt, bastikal, headhoncho of the much respected phunkfiction label and l flow a classically trained musician and avid analogue synth collector. as triad they belong to the new breed of producers, reexamining the conventions and reinvigorating the experimentation in the dnb genre which has been lacking unitl late. two slices of mature, open minded dnb with spellbound on the a side. a subdued, bass heavy stepper with a naughty bassline switch up. fortune on the flip is a little half tempo number with dubbed out samples and a sultry bassline. or as we like to call it: a slow grinder. fans of the current autonomic sound should not sleep on this! dj support from goldie, teebee, calyx, lenzman and flight amongst others.

phonica records limited offshoot returns with a second 12 inch from the man that kickstarted the label iori. the okinawan producer, whose >galaxy / urge< 12 inch won praise from across the board, has been working prolifically and this is only a brief glimpse of things to come. first up is >spatiotemporal< - a ten and a half techno odyssey towards the deeper echelons of the genre. starting off as a simple drum attern, >spatiotemporal< slowly but steadily builds up, with iori bringing layer after layer of synths proper mid-paced cosmic techno!! its definitely one of those tracks that need to be left to do their work preferably on a loud soundsystem! on the flip, weve secured the remix talents of one of the hottest names in techno at the moment. all the way from cold sweden, skudge have made quite a name for themselves in the last year, with solid releases on their own imprint. their remix of >grit< more than exceeded our expectations. its a masterpiece of stripped down techno that brings to the fore all the parts we like from the original, while taking it in a completely different direction. special artwork by pedro carvalho de almeida.

limited pressing especially for the subway destination lp if you havent heard about this one you have been living under a rock!one of noah ds biggest tunes to date has gotten the vip treatment. for a while now this one has smashing up the dancefloors & festivals left and right from the atlantic. a seeeriousss vip for a seeeriousss riddim. heavy play support comes from the likes of europe heads, skream, benga, joker, hijak, 16bit, trolley snatcha, doctor p, flux pavilion, 501, the others, emalkay, noah d, antiserum, 12th planet, spl, djg, broken note, n-type, seven, matt-u, akkachar, taz buckfaster, marlow, hatcha, jakes, komonazmuk & alot more!

amigos has been gathering the finest techno producers on amazing records that are strongly supported by the best djs. cristian varela, dj murphy and many many others. again nono ep brings together some of the best producers of the moment. produced by portuguese dj link and spanish monster pepo, includes massive hardgroove tracks >gool roll< and >killer instinct< perfect pumping dancefloor material. and also two fantastic remixes from spanish producers of the moment aitor ronda and fer br who strongly contributed with great techno music on this ep! place your pre-order now! this is another amigos you must have in your case. watch out for amigos010. to come out this summer with some of the best bombs of the year.

literon returns! after his release on frantic flowers 2 years ago it has been silent ... until now! rawer house tracks with a dirty groove. old schoolish house beats combined with phat production and deep sub bass. perfect tracks for dark clubs with a blazin sound system.

>the voices< is the debut 12 inch from bobby and annie. drawing on their experiences as residents at the mint club, uk, the pair have crafted a versatile ep that sits as comfortably in a peak time set as it does on a hazy 6am dance floor. taken from a collection of vocal out-takes the voices have been cleverly obscured through various production techniques and layered around drums and old school analogue synth lines to unique effect. the results are two haunting, hypnotic, yet upbeat dj tools. the title track, >voices<, uses deftly interwoven vocal samples as the focus and driving hook. shuffled percussion takes a back seat amidst a discordant, attention-grabbing synth interlude that harks back to the playful garage sound of90s chicago house. the outcome is dramatic, intense and functional. on the b-side, >loose ends<, is a more rugged affair that gives the bass and drums centre stage. the vocals are pitched and trippily float in and out of the track whilst the familiar sound of fairlight stabs punctuate the groove. the effect is eerie, yet accessible, and rounds off this stunning ep.

eglo records reaches its tenth release, with another acid dripping banger courtesy of west londons funkineven aka stevie j. taking things a little harder than on his previous two records, heart pound jacks its way across the dancefloor, in a collision of chi-town and ldn beat based funk. another space comes even harder, drawing on a touch of early rave and hardcore, its twenty tenà it just went on a journey before it got here. funkineven has been busy of late, remixing for hyperdub recording artist ikonika, darling farah and practicing as part of the fatima live band, who made their debut appearance for deviation at fabric on wednesday, supporting bilal

hey today! are the phenomenal groundbreaking production, dj and live duo raik krause and robert nickel who share studio rooms with digitalism in a hamburg based world war ii bunker.
hey today! have tweaked various legendary tunes on hipster labels such as kitsune (paris), bang gang (sydney) and on tigas canadian label turbo, followed by strong remixes for people like boys noize, zombie nation, tiga, empire of the sun, digitalism, shazam, moonbootica and others.
the current single >strange< is continuing the story of the previous success with the - as edbanger busy p described it - lfo meets herbie hancock sounding single >talk to me< which was released on turbo and became one of the biggest tunes of 2010.
>strange< has now been signed to dr. lektroluvs label and will definitely become a very big tune too. the single will be released with strong remixes by boris dlugosch (who recently released the amazing >bangkok< on erol alkans label phantasy music), polymorphic (from proxys label mako) and gomma records labelhead munk (remember >la musica<!). for sure an amazing package!!

planetary assault systems needs no introduction having been at the heart of techno since 93.taken from the first mote-evolver ep, gt is remixed and reworked to bring a classic bang-up-to-date!

sascha dive has been successful both as a producer, and as a dj. when you talk with him about club music, and in particular house music, you almost get the impression of talking to a human encyclopaedia. his expert knowledge combined with his definition of contemporary club tunes makes his sets a unique experience. he takes the audience on a trip towards the future and the past, and at the end of the night gently back into the here and now again.

hear all the music: in comfort and style headphones that could reproduce the true dynamics of today�s music were a rarity�until the legendary beats� studio� hit the scene. now, a new headphone in the beats tradition, beats solo.� brings you amazing sound in a smaller, lighter on-ear design. with beats solo, you�ll hear every sonic detail the musicians and recording engineers laid down in the studio. deep bass. hard hitting drums. bold midrange. and clean, undistorted highs. all in a comfortable fit you can wear for hours.perfect while on the move solos are compact and incredibly lightweight and ready for your active lifestyle, gym work out, or frequent travel. the tri-fold design allows solos to fit into the included compact carrying case. with beats solos getting a great music experience has never been easier.controltalk: the ultimate in ipod control and hands free calling with the built-in controltalk remote on the beats solo� headphone cable, you get on-cable control of your music, as well as easy, high quality hands-free calling. you�ll enjoy quick-access music playback control, like volume, play/pause and tracking, without having to dig for your ipod. plus, the high-grade mic and high-resolution, sound-isolating headphones all combine to let you hear and be heard much more clearly�and conveniently�than you ever could with the phone to your ear.a natural fit with solos, you feel the music, not the headphones. plush, on-ear cushions comfort your ears and form an acoustic seal that keeps the sound in and noise out. remote and mic supported by ipod® nano (4th/5th gen), classic (120gb), touch (2nd gen), iphone 3gs and newer, but not all blackberry. remote supported by ipod shuffle (3rd gen). requires software v. 1.0.3 for ipod nano (4th/5th gen), 2.0.1 for classic (120gb), and 2.2 or later for touch (2nd gen). support for blackberry varies by model.

hailing from leipzig in germany is an artist whos music has been pricking up many ears across the global underground over the last few years. its hard to put a finger on what it is about kassem mosses productions that make repeated listening a must, but the intricacy, fresh arrangements and musical depth definitely play a part in attracting labels such as the highly respected techno imprint workshop, the legendary soma records and now nonplus are honoured to present his latest 12 inch. a) kassem mosse � >we speak to those< first up on the a-side we have >we speak to those< a 4/4 track of the highest quality that keeps you guessing from start to finish. the rugged and raw kick and bassline immediately set the foundations for the incoming awkward chord stabs whilst reversed beats lazily slur in and out over the main groove giving the track the unnerving feeling that its almost changing tempo. random sound effects and a non conforming arrangement make this track about as predictable as the english summer. one listen to this and youll immediately understand why this artist is getting love from some of the scenes biggest players at the moment. aa) kassem mosse � >hi res< phased drum machine breakbeat patterns and stutered percussion redolent of the early detroit techno uprising give this track an outstanding quality of being able to conjure up the same feelings of hope and optimism for electronic music that the aforementioned era managed to. thought provoking chord progressions take your mind on an excursion to the future and leave you gagging for an extended trip. think skyways, flying cars and towering metal buildings footed with dark abysmal underworlds and youll get the drift. they don t come much deeper than this one

yousef the a&r from circus recordings consolidating his status as an international dj, producer, club promoter and music aficionado with ever greater impact. the international love has never been stronger for yousef. after plays in syria, ibiza, south africa and south america. he had releases on plastic city, circus recordings and many more. remixes for dj sneak, fergie and tobii so alex flatner decided to sign himfor a release on harthouse.

future balearica is a brand new compilation on needwant. compiled by the brand new production duo fete, the album brings together a selection of modern balearic moments in music. balearica has always been difficult to define and this compilation brings together a snapshot of some of the bands acts such as

isomer transition, also known as rj valeo, is producer and live performer from brooklyn, new york. after producing for a many years, his productions caught the attention of the moodgadget label and then pheek from archipel. he has released on both imprints and both were well received and respected, songs in his discography have been featured on both maryanne hobbÆs the breezeblock and magdaÆs fabric compilation. musically, isomer transition wears many hats and he offers race car productions the most avante-garde and futuristic of his repertoire. from the bursting and driving communication breakdown to the playful melodies of yellow orange flowers, all the way to the deep and thoughtful composition of on the verge of a breakdown, isomer transitionÆs expert attention to the most exacting sonic details will be sure to inspire both mind and body

for remote areas 28th release we welcome back production duo makcim & managemend. moscow born makcim has been djing since 1999 and is known for producing and playing deep, rhythmic, sexy, music. his music partner in crime - managemend (aka roel van otterdijk) is always on the hunt for brilliant loops of chunky, deep, soulful, minimalistic sounds but firmly believes that humans -not computers- give music the magic touch. they are back again with two quality tunes for the dancefloor. fur cage presents the deeper, funkier side of techhouse life with its rich, dark chocolate vocal snippets melted across a belching bass. fraggle stick car û high hats peak on top of warm percussive expressions to create a rolling dance rhythm packed with warped sounds and distorted snippets

somehow effortless minilogues tracks hover and make contact ... a special aura has been there from the beginning ... with these remixes we felt there was a lot of musical ground to be conquered. so we asked dominik eulberg, max cooper and the new artist freska to interpret&#8232,,,,, this true traum classic.

this time we welcome our very first italian artist, fausto messina. well known within his countrys house scene, fausto is renowned for his legendary parties, >the better day< and >kisses from venice<, in his home city of milan. an expert dj, fausto has, over the past couple of years, transferred those skills to the studio. his productions have already seen releases on wir, big city beats, suara and international freakshow and have been licensed by sven vath for his æseason eightÆ cocoon compilation. todays diynamic ep sees him serve up a tasty platter of beats. driving, powerful and wickedly funky, with beautiful balkan elements. with loco dice already giving early support on >boungaville<, this ep is set to rock the summer floors! enjoy!

nicolas reinbold and david lamant, have been studying and playing electro music for many years, but in 2009, they decided to link their musical knowledge and background to create a new musical project, called the outsiders. in order to make their project alive, they also created a label called elektro korp records. to date, they have made a vinyl call evaporate e.p. that feature two tracks from them and a remix from perc (c.l.r., drumcode, perc trax) they have pressed those tracks in limited edition (500 marbled vinyls).

what an absolute stormer, for those of you who have never heard this record, get ready to be blown away. initially out in 1992 inner citys pennies from heaven was just the most perfect house anthem, i think it was kevins tunnel mix which was the killer mix, here it has been strung out just a little by the slow to speak people. all the crucial elements are still there, amazing vocal, the most uplifting of pianos, ridiculously simple yet deadly bassline and fantastic crisp garage beats. really they dont get much better than this, watch em go on nye when you drop this. awesome!

hypnotize to mesmerize. thatÆs always been mark eÆs thing. enjoying a sterling reputation as an editor as well as establishing his own label merc with a string of well made 12inches and two dope compilations, the man from birmingham complements our little label again with some original productions. starting with out with nobody else, mark puts love on top of love. unfortunately for you - and good for us - you have to fetch a second copy to go back and forth with the weighty bonus beats. flip side: the wolf is a murky trip into classic cavernous house music with a bottom-heavy ruffneck sound and an attention drawing siren. that alarm bell is also included in a minute-long extra fx section and for those that cannot get enough, seeks and ye shall find a locked-groove. people who like to carry their record collection around on a hard-drive, will also be pleased to know that there is an additional track to be found on the digital release (no locked grooves there, were afraid). its a contemplative force called stoneleigh express. e is for earthquake!

after appearing on record for the first time as part of cologne tape (magazine 1), barnt now releases his debut on magazine: the ep what is a number, that a man may know it? is a hypnotic and free-floating haze, heavily influenced by the dance floor. few times before has the psychedelic energy of the 1970s been combined with techno house in such an idiosyncratic way.

one of the key artists in japan is so inagawa. his first tack of relaxine has been mixed by harley & muscle in >deep house part 1< compilation album. next up is >cabaret to cabaret ep<, tracks which new style of deep house, featuring deep and groovy sound. so inagawa info: started his career, influenced by the jesus and marychain,the smith and so on. >cabaret< released from french famous label telegraph record in 2005. this aesthetic minimal abstract track was licenced by tobi neumans mix cd, and its become a bomb. he keep releasing constantly from milnormodern, rrygular, fenou, trimsound, minimood, goosehound, unfoundsound, multivitamin by both of so inagawa and the suffragettes. better not to miss his live, dj in the clubs around.

after leaving behind the somalian pirates, geiom is cruising the sunny waters of the indian ocean when he picks up a distress signal on his scanner. he follows the signal until he locates a tiny remote island and a guy called bowly, who said that he was on his way from france to the new world, but got totally lost. judging by the age of the map he was using its easy to see how. bowly spent his time on the island hanging out with the locals who amuse themselves by creating a unique style of music on some amazing handcrafted instruments. geiom helps bowly get on his way again, and leaves him with a more useful map. some months later, bowly beams over his music as a gift from his new found homeland in canada ? the tracks are like some strange mutation of those distant tropical players and the uk-based pirate radio transmissions that bowly has been tuning into ? geiom loves the result and decides to send them straight over to transition in london for mastering and release on berkane sol. this 12 has been getting played by selectors like ? subswara crew nyc (soul motive), brackles (rinsefm), grevious angel (soul jazz), martin kemp (blunted robots), cooly g (hyperdub), shortstuff (ramp), spamchop (wigflex), oneman (rinsefm)?

the future disease lives up to its name: a maelstrom of driving bass, otherworldly screams, and speaker destroying kick drums inch us ever closer to satronicas prophecies of doom and destruction! with this 4 track ep, satronica cements his position as one of the worlds premier hardcore industrialists. this monster delivers a bone crushing collaboration with hardcore legend unexist along with two tracks of pure unadulterated satronica madness! and if that isnt enough, witness a body hammering remix by industrial technos new dominator - waldhaus! satronicas tracks have recently been featured within the worlds best known hardcore compilations on labels like thunderdome, moh, neophyte records, and traxtorm. he is dj-ing and bringing his massive live show to the worlds premier hardcore festivals like q-base, dominator, and e-mission. the mission is clear: freedom for the masses from the soul killing pollution of commercial music! industrial strength records is proud to present innovator & scholar of chaos - satronica! for your listening displeasure!

our search for real club music gems has led us to hamburg, where a young man and his nord modular has been attracting our attention for quite a while now: benjamin brunn.
at least since his workshop005 release, he has modulated his way straight in our hearts. unlike other artists, he knows how to let his synthesizers speak and tells us little stories, while always searching for new romanticfrequency ranges. so >my heart< tells us a story, from the in-ear adapter straight into the heart.

in recent years lil silva has been responsible for some of the uks biggest underground bangers, with his uniquely stripped-back, heavyweight style blending jacking house with the raw sonic energy of 1st generation grime.
following up on his ltd white label release in april, night slugs are proud to present night skanker, lil silvas iconic new ep.
the four melodic, synth-laden tracks are typically raw and grimey but also run deeper with a newfound luminescence. constructed from a robotic new sound palette, silvas tuff flange-funk drum programming and twisted carnival rhythms are permeated by razor-sharp neon synths, jacking cowbells, massive slabs of sub bass and even silvas own sampled vocals. these are industrial-size riddims for worldwide dancefloor demolition!

echospace are proud to announce the third ep from the forthcoming cv313 album, >dimensional space<. this release marks the first remix from one of the uks most revered talents -- king midas sound (the bug) who manages to take the original in a direction one would never expect, creeping and trembling right at the very core of your very being. this is truly the midst of something beautiful, its haunting, infectious and has no restrictions to gravity, this is truly something to float in. next we have a heady subliminal interpretive from seattles, rafael anton irisarri as the sight below (ghostly) there is a reason why his sound has even turned the head of radiohead front man thom yorke and if i had to guess i would say its rafaels emotional range, he tugs right at the heart strings. this mix is as narcotic as you would expect, a slow motion dream where in every twist and turn a new detail unfolds, its like visiting an unexplored world -- subtle and hypnotic. on the b side (our first sound snippet) we have a more 4/4 number culled from deepchord presents: echospace (modern love) live set from this past year. this one has been tried and tested at countless shows and club floors around the world. its all about that syncopated bassline, a subterranean bottom and an atmosphere as deep as the ocean floor -- this is underwater space funk.

pelacha has been focused on her playground project in the past few years, with the support of her friends, she now decides to pursue a project that will round up her musical career: the launch of red sonja records, certainly a very personal way of understanding techno, which has been an obvious part of her career up to this date. this passion now results in two releases. and this is just the beginning... the first release contains pelachas cuts in their purest style, techno without additives, a drum and bass line that absorbs the spotlight, led by a line that sets the synth pace - simple and effective. heiko lauxs interpretation gives this track a german touch, tight bass and a touch of surround development sound pure and highly hypnotic.

after a long break, enemy is back with a brand new limited release. the limited ones are the very special releases on enemy that have been tested on dustins dj sets all over the world. this collab with mark broom is one funky tune that keeps on rocking from start till end. incredible driving, with a throbbing bassline and perfectly timed percussion. flip it over for the special edit select vs. gary beck remix!! great release once again from the enemy camp!