flume is a 20 year old beatmaker from sydney. he got his first taste for producing at age 13 from the most unlikely of places - a music production program he found in a cereal box. sleepless is flumes debut single and has enough lush pads, chopped and chipmunked vocals, saw synths and awesome percussion to impress any fan of hudson mohawke, flying lotus, seekae or space dimension controller.

>a correction< is the new album from fieldhead and continues the dusty, bereft sounds of previous releases – they shook hands for hours (home assembly 2009) and riser (gizeh 2010). 2010 saw paul elam depart the uk for vancouver, canada and there is no doubt that the vast northern candian landscapes have influenced the new fieldhead material. the familiar tape hiss, scratchy, decaying atmospheres remain in place but with a correction elam has managed to sculpt a vaster, more expansive palate of sounds. minimalistic on first listen, a correction is a record which slowly unfurls on multiple listens to reveal subtle melodies and details that dont distract from the overal ambience but in fact set apart fieldheads music from many other, safer artists within the genre.
limited edition 180 gram vinyl, includes code for free mp3 download of the full album.

three speaker-smashing bombs suited for sweaty dancefloors and cars equipped with booming systems

ziros debut release aims squarely for the dark heart of the dancefloor. punishing 4x4 kicks ride thunderous, swollen basslines to devastating effect. its an astonishingly simple formula but it serves as a bold statement of intent from the young producer. early support from the likes of mosca and brackles on rinse fm and bbc radio 1 saw ziro invited to record a guest mix for mary anne hobbs xfm show back in january - a significant feat for a producer with no releases to his name. backing up the title tracks, a stunning, hypnotic remix from man of the moment om unit flips oni on its head, wrongspeed style.

a classically trained pianist from the age of six, jarrah mccleary grew up in the sticky heat of the northern territory, australia. his previous project, the dirty secrets saw the band working between australia and london with iconic producer and engineer, nick terry (klaxons, libertines). after working on ideas for a new record for over two years, in early 2011, mccleary declared a new album and boarded the airplane, bound for los angeles. between splashes of yacht rock, trop-pop and nods to peter gabriel (thanks to the iconic 80s yamaha dx7 synth), a short summer experience in the city where dreams are made lead to tracks tinged with hints of hopeful house music strewn with the sleaziness of venice beach and too much free poured tequila. and so, panama was born. magic is a modern summer anthem. and what better way to celebrate the party season than some bonus remix action by the worlds most avid dance enthusiasts? the sydney-based quartet join forces with dfa heavyweights and panama fans, midnight magic and gavin russom (the crystal ark) on remixing duties for their debut release.

first up is tabou for the people by sofrito specials featuring l barrabas which twitch edited for his dj sets a couple of years back. the lovely people at sofrito kindly gave permission for it to be included on this release. its a relentlessly driving slab of 4/4 afro funk with horn explosions. next up is the 10th and final track in twitchs cumbia series. the first 8 were released on japans lets get lost label and the missing number 9 is being saved for a future release. colombias cumbia was born out of african influences. this track is based around a sample from colombian cumbia legend andres landero and is an attempt to fuse traditional cumbia sounds with up to date production styles. the end result is a slow motion hypnotic cumbia retaining the haunting melancholia inherent in the original sample. leading the aa side, twitch passed a wild highlife song by ghanas atakoru manu to glasgows super talented auntie flo (whose highly recommended future rhythm machine album recently saw a release) to play around with. auntie flo cut it up and added additional drums and bass to come up with this euphoric modern highlife groover

rosario born argentinean franco cinelli has been firmly rooted behind the decks since the tender age of 14. drawn by the call of the drums and having researched the creation of music through computers and samplers, the mid 90s saw cinellis first productions taking shape. rapidly becoming a key player on the argentine scene, franco played throughout the country, holding a residency at the prestigious el sotano. his first forays to europe came in 2003, but it was 2005 that his own music really made an impact. having released a handful of releases and mix compilations on smaller labels, it was his picaro ep with bruno pronsato that really brought him to the attention of the music world. since then, franco has gone on to release and remix for a number of established imprints including ilian tape, produkt, claque musique, hello repeat, airdrop , international freakshow, alphahouse and the label of his great friend kasper, esperanza. in 2011 following his critically acclaimed >planet dub< debut ep on bass culture records, franco cinelli finally achieved global recognition with his massive underground remix of cassius >sound of violence< that placed strongly in many of the end-of-year top 10 best remix of 2011 lists. today franco returns to bass culture records for a new take on his trademark deep & techy house with 4 original tracks on the >take me back< ep

mit seinem longplay-debüt tritt der produzent und sänger aus sacramento endlich mal selbst ins licht der Öffentlichkeit. als mitmusiker von zach hill, techniker und co-produzent der dirty projectors und gitarrist für marnie stern stand raleigh moncrief stets in der zweiten reihe, auf >watered lawn< rückt er ganz nach vorn. selbst gemachter elektronik-soul, sich vortastende psychedelic, das ganze im steten wechselspiel aus hell und dunkel und folkig intim vorgetragen. dabei schmiegt sich moncriefs herzschmerziger falsett an westafrikanische gitarren, synthie-effekte und verhallte beats. aus melodien werden rhythmen, aus moll wird dur, aus r&b grunge. und manchmal klingt es wie ein in acetat getauchtes stück von panda bear.
limitiert auf 1000 kopien, inklusive mp3-downloadcode

its strange to think that it was only 2010 that saw the first records from christopher manik, aka manik. since exploding onto the scene with his debut ovum release he has gone on to develop and strengthen his own sounds & styles. never pigeonholed, the young new yorker has confidently and creatively placed his music on a variety of the hottest labels of today, whilst always managing to maintain his own unique identity.

continuing motechs 10 year celebrations and a kick-ass party at londos fabric last month, dj 3000 now presents 10 years of motech (the remixes) part 2 ep ahead of the full length remix cd due this summer. part 1 already saw both dj 3000 and sascha sonido take on gerald mitchells belly dancer from mt-008. now uk techno legend, mark broom takes a brief break from his beardman imprint to add this killer interpretation for an impressive opener. next up we turn to goodlifes kiko who doesnt disappoint with his driving new rendition of dj 3000s defiant (mt-015), toughening up the original but still maintaining its funk-fuelled roots. the rest of the ep features a remix a track taken from franki juncas 2011 album invisible moods. firstly,ill be around gets the remix treatment from detroits luke hess, whose releases have appeared on the likes of echocord, kontra-musik and the mighty planet-e delivers a moodier take on things, with deep pads and a grooving beat.

their debut full length album including >american wheeze<! for the first time ever on vinyl! 180 grams audiophile vinyl! insert with lyrics!

36 hours in. the lights are flickering and the sweat is pouring out of you like the thoughts that you re trying to write down, to get down the words, to put down the message, to translate all the ideas that keep appearing in your head. ideas like uninvited guests that keep showing up and refusing to leave. somewhere though, there s a truth in there. you know it because you saw it. you know it because you felt it. because when you knew that even though there were ten million reasons why you should go to bed now, why you should go to bed straight away. that you should put these silly things down and stop trying to create and just get some sleep already. that you should stop trying to wrestle the ideas in your subconscious down to the ground so you can actually capture and express them to others. but you persist.

satoshi tomiie biggest hit was >tears<, a collaboration with frankie knuckles that was released on ffrr back in 1989. the release of the single was a ground breaking moment, at a time when the huge movement of house and techno was in its infancy. more than 20 years later and satoshi has just completed the building of his brand new studio in new york city. with his focus having been firmly on his dj touring for many years,interspersed with releases and remixes, its now time for the saw recordings boss to enjoy his very own new flight deck. straight up is a track that displays the true and original acid house sound! says systematic boss marc romboy of the first single to come out of tomiies studio. having immediately snapped up the tune for the label he called his good friend alex niggemann in berlin who, sharing his friends opinion and love of the track, spontaneously set about producing his own interpretation.

after a rip-roaring tour of the us with his live band at the end of 2011, a healthy wedge of new remixes under his belt for the likes of david lynch, the dø, the drums and m83, copenhagens anders trentemøller remains in the spotlight. last year also saw the release of reworked / remixed, a must-have double cd release featuring some of the inspired producer‘s favourite remixes, and his pick from remixes of his music by other artists

any fan of drum & bass will know the name cyantific. having built a reputation as a leader of the new school d&b generation, jon stanley is now approaching a decade of releasing incredible music thats equally at home on the dance floor as it is on your ipod or in your car. last year saw cyantific unleash an incredible single for ram records, as well as bounce it / obey on his own self-titled cyantific record label. here we have the follow up to that release and its undoubtedly another exciting 12 inch, packed with plenty of cyantifics trademark energy. effortlessly combining sharp production skills with graceful musicality, you can always be assured that a new cyantific record is one to watch out for and this new single is certainly no exception. mirador takes the lead, opening with huge sweeping sound fx and a bouncing synth line that harks back to a classic ram sound. its not long before you notice cyantifics signatures though, as he brings in vocal snippets and washing pads that gradually build and grow before a monster bassline drops into the mix. this one undeniably straddles the line between restrained musical class and outright dance floor mayhem. on the flip side defect comes in at an infinitely more paranoid level. strings are infused with urgency and rolling breaks thunder along, dragging you kicking and screaming towards the inevitable drop. you wont be disappointed when it hits either, grinding bassline sections are juxtaposed with obsessive synths, all pulling you deeper into cyantifics musical world.

edits may be dead, but just when your elitist attitude comes to a head and you think you re on top of your game, there will always be someone deeper, faster and still motivated enough to rekindle your digging desires. where blackdisco volume 10 saw the return of lovefingers and nitedog, volume xi pushes forward into new territory (and with a new aesthetic) by welcoming a group of three deep diggers who shun musical trends and their inherent fakers. dea, albion & spacelex combine their vinyl-mining efforts to unearth some real diamonds from the rough. deas cut malaka is a floater with a funky sailboat vibe, while his complimentary cut taubat takes the tired jungle disco vibe to new level with its triumphant synth-led chorus, an absolute stunner that could be extended for 20 minutes. on the flip, albion spoons water over the coals, steaming up the joint with an uptempo percussion bomb as if santana had a disco secret, and spacelex rides us out with a sexy rock groove complete with mysterious male voiceover, almost as if someone lowered the volume to whisper in your ear.

part 2 of 2. elevation recordings was born in 2001 in a little city called galway, in the west of ireland - fathered by darran nugent aka aruba. over the last ten years the label has featured both homegrown and international talent with names like tigerskin, wareika, scope, kink, chris lattner, soul minority, gavin herlihy and snuff crew dropping by to make remixes. 2010 saw the vinyl side resurrected in the form of elevation limited and so far it has drafted in the talents of aldo cadiz, jakob seidensticker, tomika, einmusik, feygin and more. this 10 year album showcases the flavour of where the label is now with a hot selction of tracks from germanys snuff crew, aldo cadiz (chile), julian sanza (2020 vision) - who drops a dirty disco mutant monster called >elevation<, livio and roby (desolat), alejandro vivanco (cadenza), darran nugent and pavel lenchenko (mood music) and more. enjoy the party.

part 1 of 2. elevation recordings was born in 2001 in a little city called galway, in the west of ireland - fathered by darran nugent aka aruba. over the last ten years the label has featured both homegrown and international talent with names like tigerskin, wareika, scope, kink, chris lattner, soul minority, gavin herlihy and snuff crew dropping by to make remixes. 2010 saw the vinyl side resurrected in the form of elevation limited and so far it has drafted in the talents of aldo cadiz, jakob seidensticker, tomika, einmusik, feygin and more. this 10 year album showcases the flavour of where the label is now with a hot selction of tracks from germanys snuff crew, aldo cadiz (chile), julian sanza (2020 vision) - who drops a dirty disco mutant monster called >elevation<, livio and roby (desolat), alejandro vivanco (cadenza), darran nugent and pavel lenchenko (mood music) and more. enjoy the party.

photek stands mercilessly on the edge. a sonic scientist, pushing both his sounds and fans expectations to the outermost limits since 1994, he floods the footnotes of electronica like mp3s clutter up your hard drive. 2011 saw him drop a series of sounds that reflect the truest perception of him. driven by his years of studio discipline, sharpened by an acute awareness that he will be received by the heads that know him well and ears that dont know him at all. destination tomorrow: photeks decorated past and diligent work ethic leads us here. the new music you have heard from photek in 2011 is yet another chapter in a life spent overdosing on sonic nuances and boundary testing. in the past 12 months his new material has been remixed by the brightestyoung stars of dance music - boddika, falty dl, addison groove and breach to name a few. in turn, photek has remixed for the likes of moby, jess mills, distance, ray lamontagne and was part of daft punks tron remixed package - for which he has been nominated for a grammy. his newly re-launched label, photek productions, has this year released the >avalanche ep< which garnered international support from tastemakers such as benji b, gilles peterson, skream, annie mac, zane lowe and more, and the >aviator ep<.
comes with code for free download of this release.

the italian slok consider himself more a great pasta chef than an underground contemporary electronic music artist...by the way, he had big influence on the italian breakbeat, drumnbass and jungle scene with his two debut albums they call it jungle and freak 2000, both produced for the renowned irma records. after a natural change to electronic and personal house music beats and sounds in 2006, the international club hit lonely child, released with the collaboration of satoshi tomiie & hector romeros saw recordings label (defmix production), boosted his musical career quickly. his discography also includes releases and remixes on hi profile records labels like get physical music, my favorite robot, circle music, one records, turbo, om, harthouse, plastic fantastic (stereonova), futic tokyo and many more. he currently runs on his own imprint electronic petz, a structure created for support brand new talented electronic music minds. in 2010 he released two different albums: rain, on alex flatners label circle music germany, and the fat pasta grooves on electronic petz. after an intense studio work and sounds research, the year 2012 promises to be full of new collaborations including the release of a new artist album and a live set.

the friendship with jason lanox and henk goes way back into the early days when we started holding parties on an old shipyard in amsterdam. from the first moment henk was captured by the productions of jason lanox. henk followed him closely and saw him grow as a person, producer and performer. the first album >burning every bridge that i cross to find some beautiful place to get lost< was the reason to finally realize the long kept ambition to start henk recordings.

this compilation contains some of the vital and most important music ever committed to vinyl. it covers the first recording years of elvis aron presley, years which saw him progress from teenage memphis truck driver earning 35$ a week to a multi-millionaire performer with the music and movie worlds squarely at his size 11 feet.
double 180 gram heavyweight vinyl in gatefold cover.

if you have seen tiga play a festival set over the past few months, then you saw him play at least three to five clouds tracks, with at least one of them being >optic<, >future blaster<, or >vaults<.
these scottish ladmen are some of the most promising producers working today, combining brutish, visceral force with real intelligence and control. they use no gear whatsoever, crafting their bombs from malware in public chatrooms, giving voice to a generation living in the digital ether between the moon and glaswegia city.
for the remix, clouds asked to enlist a hero of theirs, the swedish techno master jesper dahlbäck, who adds another excellent remix to his massive catalog and further cements his place in the turbo hall of endless respect.

elevation recordings was born in 2001 in a little city called galway, in the west of ireland - fathered by darran nugent aka aruba. over the last ten years the label has featured both homegrown and international talent with names like tigerskin, wareika, scope, kink, chris lattner, soul minority, gavin herlihy and snuff crew dropping by to make remixes. 2010 saw the vinyl side resurrected in the form of elevation limited and so far it has drafted in the talents of aldo cadiz, jakob seidensticker, tomika, einmusik, feygin and more. this 10 year album showcases the flavour of where the label is now with a hot selction of tracks from germanys snuff crew, aldo cadiz (chile), julian sanza (2020 vision) - who drops a dirty disco mutant monster called >elevation<, livio and roby (desolat), alejandro vivanco (cadenza), darran nugent and pavel lenchenko (mood music) and more. enjoy the party. coverart by: emiliocaccaman (ita)

simon bakers debut album traces saw the london based producer record a superb, honest reflection of his influences and took his deep house sound into a long playing format that was critically acclaimed across the board. let me in was one of two tracks that featured vocals from debukas that were highlights of the album, and it returns in original album version and with an excellent remix from lee curtiss. lee curtiss is currently riding high after great releases on spectral sound and get physical, an excellent cd compilation for watergate and as part of the visionquest collective. his version is a remix in the truest form, he treats the original with respect, but twists and turns it very much into his own track, perfectly fine tuned for club sets and soundsystems. this combined with the awesome original provides another essential simon baker and 2020vision collaboration

its been nearly four years since marc romboys last appearance on ovum, alongside tyree cooper on the mighty lost. today sees a return for the german as he teams up with another of the labels new breed, kink. bulgarian strahil velchev makes a return to ovum for the first time since his 2010 rachel ep shot him onto the scene. the success of that release and his array of productions since, have lead to kink becoming one of the most in demand producers of today. equally in demand is mr romboy, with 2011 being yet another year of success. his and stephan bodzins luna album kicked off the year in style and saw the pair embark on a huge global tour. singles and remixes for tronic, bedrock and 8bit have followed as well as productions with blake baxter and paris the black fu. marc has also surprised many, with his superb current house rework of terrence parker. the sampletastics vol. 1 ep sees the pair turn in three choice cuts of, as the name suggests, sample-lead house. a perfect selection of tools for the most discerning of djs. take your pick!

eugene albert, born and raised in san francisco and now residing in berlin, is an artist on the rise. with a musical passion ignited first by electro, a move to bologna in 2009 introduced him to the deeper shades of house. eugenes first solo productions as yooj saw their release this summer and quickly garnered a host big name support. today he takes another major step in his production career with the release of

when no one is watching ramona, is usually listening to future times records and beautiful swimmers all days. maxmillion dunbar is not only half of those aquanauts, but also running the label and releasing music as max(million) d(unbar). what a guy! hanging out in the vague territory between slow-motion house with a hip hop feeling or dubby and dubious fun music, his melodious approach is extremely hard to categorize but all the more enjoyable. >polo< already saw the light of day on >max trax for world peace<, but ramonas favorite dj ata and live at robert johnson manager oliver hafenbauer were so much in love with the bleepy bonbon that they offered it a place by their fireside. now cautiously modified, fine-tuned and extended for its label home, its a rainforest serenade for beatnik boys and girls, with all the ingredients you want from tha d. the only kid able to thrown down the gauntlet in front of maxi is frankfurts melody man phillip lauer (arto mwambe, brontosaurus, etcetera etcetera). turning >polo< into one of his trademark sluggish bass line barrage tracks with falsetto synths and sharp snares. get your vogue brogue out.

limited to 250 pieces / first 100 in marbled purple. a side is spinning your bloody veins on the dancefloor. mad.b side let everyone fly. we saw people who couldnt handle so much love. new. different. changed. but still zckr records. playmodul – >null vier< is the title of our 5th release, without any frills. see with your ears, hear with your eyes.

vae victis records kicks off his records catalogue with a 4 tracks ep where raw house and techno get mixed up thru machines and then recorded on tape. the project, a 6 hands affaire, sees teaming up three of the most interesting artists of the moment: the analogue cops, duo already known for their imprint restoration records and for their moodymanns remix under the appointment moniker and blawan, the uk producer who saw his debuts released last year by imprints such as hessle audio, warp, r&s and soon on clone who represents, alongside fellows james blake, pearson sound a.k.a ramadanman and joy orbison, the young breed of talentented new uk producers. promising start for this new label!!

2010 saw the trans-atlantic combination of american erick morillo & european eddie thoneick hitting the studio and creating a dancefloor bomb! the duo team up agan with vocalist shawnee taylor for stronger with remixes from tristan garner / chuckie & gregori klosman this has been smashing up the clubs all summer long.

rhein-main based tag team diggler & franksen go back some way in the history of frankfurts electronic scene. around 2000 diggler honed his reputation as a master of dubby techno for a whole decade. his early tracks like >boogiemonster< are blueprints of cool. period. today he is still rollin out crisp and deep techhouse beats that combine musical finesse, compositional tension and club appeal. having released about six albums and countless tracks and remixes for labels from raum…musik to cocoon and from resopal to level non zero, diggler is still on the hunt for the proper dose of beat hypnosis.
for their >morning blue ep< diggler teams up with frankfurts radio legend franksen who hosts germanys eldest dj show, todays you fm clubnight. franksen saw a string of releases over the last two years, collaborating for labels such as suara, dieb.audio, kommmitmusik, plastic city and more.

opening up the first of two wicker & steel remix eps is clr’s tommy four seven, a producer whose own debut album came out to a great response earlier this year. tommy switches start chopping’s 4/4 rhythms for his own broken beat foundation and adds a whole new world of bass to the track. the original’s pads echo around the soundscape as each break brings back a tougher version of the beat.

its only natural that martyn has risen above the cliches and pitfalls of the vacuous dj world. over his 15 years djing, 6 years producing, and 4 years a&ring his 3024 imprint, the holland-born / washington dc-based artist has forged his own path every step of the way. his multi-leveled career has kept balance with a focus on art, and his every sacrifice is preserved in an endless dedication to music. as a continual record buyer and beat seeker, martyn is a beacon of hope through leagues of passion-less djs and producers, the ghost people: plastic, hollow shells that focus only on the in-the-now grooves or keeping in line with trends.
double 12 inch white vinyl in gatefold cover, including code for free digital download of the full album.

jazzanova lands on wurst! early dj support comes from soul clap, radio slave, dimitri from paris, ewan pearson, sebo k, rob mello and slow hands. weve done the unthinkable, scored the unimaginable, and wrangled none other than jazzanova (!) for an über-limited one-sided vinyl-only release. while >i can see< feat ben westbeech came out a few years back, filippo moscatellos most excellent disco version never saw the light of day - until now, of course. doesnt much more sunshine-filled and soul-drenched than this stellar take on the esteemed berlin collectives original, and we are both honored and humbled to get to work with both jazzanova and their label sonar kollektiv, and of course filippo himself, on this very special release. filippo moscatello started to produce music in 1994 under the dj naughty moniker, and has since gone on to work with labels like gigolo, eskimo, and moodmusic to name but a few, releasing the artist albums disco volante (gigolo) and pagliaccio (moodmusic), as well as the acclaimed compilation, one naughty night in berlin (eskimo). in addition to his production work, filippo maintains a club residency at cookies in berlin called luv dancin where hes played along special guests like moodymann, jerome sydenham, ata, bottin and loud e.

2010 saw the trans-atlantic combination of american erick morillo & european eddie thoneick hitting the studio and creating a dancefloor bomb! the duo team up agan with vocalist shawnee taylor for stronger with remixes from tristan garner / chuckie & gregori klosman this has been smashing up the clubs all summer long.

>selfish love< finally out on transparent blue vinyl now! no song could summarize your memorable weekends better than pedro cazanovas >selfish love<. no extensive, wild dancing required, just grab someone special and house those bodys. the tracks beat and andreas vocals evoke feelings of pure happiness and camaraderie. impossible not to smile during the track ... i even saw tears joy at the party. hope you all enjoy it as much as we do! the 12 inch includes the massive most wanted gregor salto rmx ... pure joy !

the album also features a song co-written by agnetha fältskog. although she had composed much of her swedish solo output, the song disillusion , for which she wrote the music, is the only song released on an abba album to feature a songwriting contribution from her.

played by tini, ricardo villalobos, audiofly, matthias meyer, jimpster, hosh, till von sein, raresh, federico molinari, shlomi aber, eurokai, kruse & nuernberg, p.toile, reto ardour, patlac and many more. the sun can compare! our summer session - listen and feel! baalsaal is in love with this one . mr. rockford inc. delivers an absolut vocalstunner introducing terry lovique armstrong on the mic. follow him and please stay... a1 please stay (who is 121 remix) an hommage to those old strictly days where sweet vocalism ruled. no cheese, no cream. just a driving basement groover to spread love. a2 midnite soul a perfect warm up jazzmoody example by mr. rockford, that really hits the stompfunkin nail. everglades soundtrack it is what we called it to. i think i saw a dinosaur or is it just a dream. b: please stay ( jay haze rmx ) this one does the warehouse of those days interpretation and has it a little darker and edgier. jay who is such a pleasure to have on board drives it gaga till the grande finale enlighten us double xl. the way jay includes the vocs nearly took it to hazy fantazy land.

played by ewan pearson, dubfire, dave seaman, hernan cattaneo, mihalis safras, seth troxler, pig&dan, thomas schumacher, troy pierce, karotte, sebrok, ramon tapia, carlo lio ,.. text: october 2010 saw the release of dapayk solos debut ep for herzblut recordings. >futu< with its array of inventive sounds and structures was an instant smash, warmly received by both djs and dance press alike. the >bevita< ep sees dapayk make a much welcomed return to the label

2nd techno shot from new french label jaygone music, and further step to bring you 4 heavy tracks for heavy sound systems. a-side includes groovy loop + fat saw synth in a dancefloor killer, and b-side is actually a 50% detroit hybrid. dont even have to choose, thanks 4 tracks vinyl

limited to 1000 copies on cyan blue 180 gram vinyl. includes collage booklet and code for free album download.

heavyweight vinyl + download code.

the new leena is by toronto-based sean miller - an artist who has previously released on some of the leading dance music labels of today: steve lawlers viva music, satoshi tommies saw recordings, audioflys supernature, nic fanciullis saved records, 2000andones area remote and various collaborations with renowned artists. miller has built a strong and vibrant dj/producer career over the past ten years, which his new ep >c mon thats it< on leena stands testament to with its well honed production style and creative flare.

rosario born argentinean franco cinelli has been firmly rooted behind the decks since the tender age of 14. drawn by the call of the drums and having researched the creation of music through computers and samplers, the mid 90s saw cinellis first productions taking shape. rapidly becoming a key player on the argentine scene, franco played throughout the country, holding a residency at the prestigious el sotano.

>3rd album< by shocking blue is strangely enough not their third full-length album but their fourth and was originally released in 1971. this reissue comes with six bonus tracks consisting of singles and b-sides on 180 grams audiophile vinyl in gatefold sleeve.

the first release on use of weapons saw heavy support from djs across the board - jocks such as jimpster, the revenge, the unabombers, bill brewster, tornado wallace and more all gave their support to the inaugural release.
following on from deep space orchestras >trust skynet< ep, cottam heads up use of weapons 002 with a killer track already turning the heads of those that know. needing no introduction after a series of sellout releases on his own self-titled label, the mysterious lancastrian brings strings, acid and a building drum track to a release that is sure to widen eyes on the dancefloor and beyond.

gobble gobble is a majestic and pulsating force drawing as much from the visceral and poetic indie rock of pixies as the electronic production of dan deacon or crystal castles, while remaining entirely unclassifiable. these canadians have created a grass-roots movement with their mobile rave infinitour 2010 which lasted from june to november and saw them playing suburban gardens, private homes, small indie venues, as well as pop montreal and cmj. hundreds of blog posts by the likes of stereogum and nme, a series of amazing singles, an appearance on debontons 2nd compilation, and a nomination by pitchfork as best new hope of 2011 have secured their position as poster children for the brave new pop scene. with boring horror they give their listeners not just the single by the same name, but also a b-side (eat sun, son) and two other original bonus tracks (seizure to the metronome, as well as two remixes commissioned by debonton to spice up the package. generous, emotional, exciting, and completely avant-garde, gobble gobble is a hurricane of freshness for the audience and the listener. limited edition of 500 units worldwide.

repress in black vinyl !!! with coreshine voodoo, wunderkind lone makes his r&s debut and we are super hyped to have him along for the ride! with these 6 tracks we have got a honing of the styles we saw on display on emerald fantasy tracks with a stronger focus on the floors of detroit & chicago, which sits so perfectly in the newly invigorated r&s camp.