rave bangers from 14anger & dep affect, remixed by codex empire.

** phat remixe package **

“the final sickness”, originally released in 1993, is another the mover masterpiece and its ten tracks transmit a crunchy thick and cold tone. edging to a rather industrial side of the techno spectrum, the pcp-spirit is carried throughout the release. every piece plunges to the bottom of darkest depths without remorse, leaving no space for the mild-mannered music lover. an eerie blend of hefty, yet intellectual 909 beats and chewy analog synths unite this collection of gems. haunting sequences, spooky effects and tough drums create an extraordinary venture for your deepest senses! if you’ve been into productions by the mover and planet core productions, you may just experience the pinnacle of his intensity with the final sickness. it can’t get more pcp than that!

cool house 2tracker

repress, translucent orange vinyl - gold cover
the ambientist hurled oneself into adventures with his own 90 s interpretation of ambient, leftfield, breakbeat and uk electronica.
for fans of traumprinz or rising sun

• o/v/r = james ruskin and karl o connor aka regis
• celebrating 25 years of downwards
• 500 copies
• mastered and cut by matt colton

the tel-aviv based label parallax brings yogg and pharaoh together for their 8th vinyl release. it starts off with the epic title track, a laid-back bassy groove surrounded by crispy hits and shifted electrical noises, building up to a climatic second part which fuses a lot of the producers unique soundscapes, all on a hypnotic pounding rhythm section. this is followed by a quirky broken electronica short, -ompti-, chopped-up modular sweeps and lush melodic hints create this uniquely structured a2 track. the b-side starts of with -maurice-, a more direct and intensive techno cut, which also breaks into an energetic – wobbly 2nd section which also features many of their unique sound explorations in a dramatic final section. b2, -abadei- has a deeper buildup approach for most of it, starting from a pure yet uneven rhythm section, and growing into a mass of counterparts and layers of noise and crackle. the ep ends with an unlisted locked-groove, an intense and dirty industrial-techno groove.

triple vinyl in triple gatefold sleeve.

big news on the apparel tronic side. were here to celebrate another step forward of our newest label introducing the 7th release on the catalogue & 2nd on vinyl, by an artist we really admire and were delighted to have on board with us: julian habib aka inkswel, on this project with his alias that dude inkswel. the man himself created an 8 tracks lp which truly represents our spirit of experimentation, this time round steering towards a more jazzy influenced hip-hop, shaped up staying true to the sound we love. the sound lp features dope collaborations such as the detroit vocalist and multi-instrumentalist brownstudy singing on the opening and title track, the amazing progressive artist maia von lekow giving her voice for b1 track mother alongside mista monk, the superb han litzs flute and trujillo on kellin it & also divine species on galaxies and mr. shem rapping on a3 track dedicated to mr. schem. this work is a bold and captivating selection of different styles belonging to the same soul orchestrated by inkswel and his musical mastermind, listening to the sound is like jumping on a caravan for a journey where every track is a different stop: crunching beats, deep bass lines, psychedelic melodies. the ingredients for this amazing recipe are all coming from different parts of the planet, a place that inskwel seem to have written on his palms seen his capability of bringing different music influences under the same roof, where he finally invited apparel tronic to hang for a bit. racks such as ‘snooker club and ‘viejos delve into more caliginous, idm territory.

8-track aural excursion into the depths of anxiety and back.... only 50 copies

ltd repress gold edition . 50 copies only
the ambientist hurled oneself into adventures with his own 90 s interpretation of ambient, leftfield, breakbeat and uk electronica.
for fans of traumprinz or rising sun
file under:
ambient, breakbeat, deep house, drum n bass, leftfield, new age, jungle

mark barrott is the man behind international feel, roca, future loop foundation, as well as being a founding of the balearic boy-band talamanca system alongside gerd janson & lauer. nature sounds of the balearics is marks debut lp on running back incantations. most music does not come out of nowhere. arising and appearing in a pre-existing system of influences, cross-references, roots, memories and desires, it either directly points towards a heritage or into the future. mark barrotts nature sounds of the balearics is a bit of both

love makes the world go around. “two”, the second album by the soul session, is full of love. ralph kiefer, multi-instrumentalist, composer, arranger and producer from south germany embarks on a stylistically diverse journey into soul, jazz, funk and world music. being a highly respected session musician in the jazz as well as the crossover scene, kiefer made a serious impact in 2011 with “one”, the first soul session album. “one” was built on a solid backbeat of soul, hip hop and funk, while “two” now takes a step further into a spiritual and eclectic dimension. “quantraversa” featuring the voice of las vegas based neo-soul queen georgia anne muldrow is the mind- blowing opener of this album, a truly deep and intense rhythmic statement. quantraversa is a word which you will not find in any dictionary, but that is not the point, says ralph kiefer. “this album is a journey to the inner self. the recording process was like meditation. i often started with a loop, or an idea for a melody. it evolved from there and i simply let it happen. when i involved the lyricists and vocalists, my drafts sometimes took a completely different paths and ended in something unexpected and beautifully new.” the double vinyl is housed in a gatefold sleeve with download code included.

(180 gr, clear vinyl, incl dl card) having already unleashed a considerable amount of collaborative magic with the planetary funk: 22 light years series of remix eps, luke slater has now upped the ante with six full sides worth of material,all of them injecting the spirit of classic p.a.s. into new sonic organisms. behind the controls: marcel fengler, psyk, lucy, slam, octave one, function and ksp.

strong lp output by synectics on musique pour la danse

(3lp embossed gatefold cover with printed inner sleeves) ravaged and warped breakbeats haunted by wailing euphoric noise, vivid and graphic reflections of fractured post-industrial hardcore, moments of poetry flashing within a thick impending fog. this is our soundtrack. a unique and visionary achievement, a wholly origina future of beauty and despair: brutal, gritty, alive and urgent, blooming in the ruins, spiralling and raw, howling with life.

limited remastered reissue on transparent orange double vinyl.

the new album from kev brown on blue & black splattered vinyl.

“breathe the machine” is the first installment of dojostudio and presents a musical world rich in harmonics, low frequency and melodic impact, yet with enough space in between to allow that perfect breathing room essential for powerful dance cuts. “breathe the machine” portrays a world that initially feels robotic, yet instills an organic fluidity known only to come from humanoid beings, breathing life into a system littered with code and coldness. billy dalessandro presents 3 original cuts, plus a rendition of the title track by mike shannon.

dj support from: kahn & neek, mala, rsd, joker & many more.
* big, bad and heavy! two of pinch’s biggest dance floor bangers, remixed by one of uk dubstep’s hardest hitters, kromestar. guaranteed rewinds. * ‘the boxer’ first appeared on tectonic back in 2010, fusing grime and dubstep with tribal drums and tearing squarewave bass. kromestar stays true to the original but switches his stance to swing hard with a left hook, southpaw style. after a moody build up, the intro breaks away into a brief moment of calm, before bass comes out fighting, throwing knock out punches hard and fast. tried and tested dancefloor damage of the highest order. * flip then for an equally dangerous remix of pinch’s deep medi release ‘swish’, from back in 2011. simple, effective and deadly, kromestar gives this classic an update, setting it up for another few years of wheel-ups

on the 4-track ep “the material turn” moritz simon geist turns materials into sounds

mangled records twentieth release also marks 20 years since its first release. to celebrate the occasion here are two of ray mangs better known and loved tracks together on one 180gram mangled 12inch for you! number one first surfaced on his solo debut 96 noid release. it gained widespread support in the clubs and went on to be featured on both dfps de-luxe house of funk and groove armadas back to mine compilations as well as his own mangled lp. look into my eyes is a blissed out balearic gem that featured on the b side of rays 10 dfa release and instantly became a firm favourite for many.

frigio consistently plumb the depths of electronics to find new material, and this time the madrid imprint has unearthed, in the murky currents, a real gem. tecwaa is the solo project of york based producer paul fawcett, a musician who discovered his sound in the british warehouse parties of the early nineties and went on to nurture it with movie scores, detroit techno and homegrown electronica. his debut brings together three pieces of original machine music alongside a very special remix. the menacing -the eighth circuit- broods into being. looming synthwork is further darkened by distant vocals, house percussion keeping time in this sinister opener. -mantra & machine- has similar attributes. adopting clean rhythms, the track refuses to sit comfortably in any genre pigeonhole as tecwaa weaves a work of cerebral depth. charles manier introduces the flip with his take on -fervour-, tadd mullinix returning to frigio for the first time since his superb remix as jtc of juanpablo s -dream- in 2010. a funk laden work of hip hop breaks and industrial distortion where manier explores blackened moods and horrorshow grooves. the original of -fervour- closes, showing another side of fawcett s style, bpms drop as foundations are laid bare in this stark conclusion.

produced by producerlegend toby wright (korn, alice in chains, stone sour)!

raw electro influenced energetic, industrial styled analog techno

this is a stunning journey into soulful house music

7 inch singles were instrumental to the development of the jamaican music industry, more affordable than full lengths for the consumer, they also allowed the labels to turnaround what was being recorded into music played from their booming sound systems as quickly as possible. in that spirit, get on down will be reissuing some of the most crucial jamaican sides on 45, staring with the maytals “monkey man.” recorded in 1969, the cut was a smash hit in jamaica and hit number 47 when released in the uk in early 1970. “monkey man” went on to be highly influential on the british two-tone movement of the later 70s with the specials offering up a ripping version of the cut on their 1979 debut. the b side, “night and day”, though not a chart-burner, is certainly one of the most solid rock-steady cuts you’ll ever encounter rife with bubbly keys, tight snares and toots hibbert’s incredibly soulful vocals.

the law of seven refers to the spiritualist philosopher gurdjieffs idea that the evolution of phenomena proceeds according to a universal seven-step process. clay tells us that while this idea did not strictly factor into the composition of these tracks, you could abstract some elements into the musical creation process. gurdjieff was quite a thinker, but also composed music so i thought the lines i was drawing carried some weight. in particular his notion that creation proceeds through increasing restrictions which i find to be incredibly relevant to my process at least. time limitations and performance settings particularly seem to allow me to be far more productive than just working freely with no solid end point in mind

hosono’s solo career would take many twists and turns from this point forward, with forays into exotica, electronic, ambient, and techno, culminating in the massive success of techno pop group yellow magic orchestra (ymo), who made their debut in 1978. admired by artists ranging from van dyke parks to mac demarco, hosono continues to forge ahead as he heads into his fifth decade as a musician. with the re-release of his key albums for the first time outside of japan, his genius will be discovered by a whole new generation of fans around the world.

* following the completely sold out Ôimagine Ð a Ð nationÕ and Ôle fusionÕ reissues, anotherday brings you a very special release from the vault of the enigma that is spencer kincy, aka gemini - we are very proud, and extremely excited to present geminiÕs first 4 releases, lovingly re-mastered! * originally released on relief records, the chicago techno label headed up by cajmere, these releases were geminiÕs introduction into the worlds of house and techno, and contain some of his most vital works. * as one of chicagoÕs most mysterious and revered characters, the story of gemini, aka spencer kincy has become something of a myth in recent years Ð blazing a trail throughout the 90Õs, prolifically releasing over 200 tracks from 1994 to 1999, spencerÕs music had shades innovation and soul few of his peers could match. then, suddenly, at the peak of his career, he disappeared. * as before, this album has been licensed directly from the man himself, and the money made from its exploitation will go directly to him.

the space groove odyssey of the natural yogurt band continues in the black grooves of the milky way. after exploring the majestic neptune and its 13 moons, revealing one of the best-kept secrets of the cosmic-groove ascending jazz universe, natural yorgurt band continues its mission as david bowman and franck poole of clarke and kubrick, in 1968 simple coincidence or bad shot of the not so artificial and petty intelligence of carl900 the story does not say it (yet) but we can think that the sound of this new 45t of four intergalactic gates brings incredibly futuristic answers the mysterious origins of this music that lives in us! -everything will be fine- we slip from the depths of the galaxy before inviting us to wave on the moogulation of a dreamlike -punchbag-. everyone seeks his groove and tnyb leaves us free to choose our path, preferably milk, on a -this way or that way- beautiful to cry the stars. do not miss that they perform miracles ... has anyone ever heard of turning water into wine? wait ... oh my gods!

two of the most refreshing artists in drum & bass today, villem & mcleod deliver their lp vision on spearhead records. having made waves throughout the scene in recent years with releases on a multitude of labels, their musicality mixed with dance floor flare sets the scene for the debut long player. funky, introspective at times, the album travels across v&m’s sound palette to create a beautifully crafted showcase that cements their status in 2018.
-we wrote the lp over a two year period of dramatic changes for us both, girlfriends, marriages, births, and deaths, it was this that fed back into the album. us trying to navigate our way through life, using that as inspiration to complete a dream we’d always talked about. writing an album is a different challenge than writing singles or an ep, it takes you deeper into how we want our sound to be remembered, more thought of the overall aesthetic, and ultimately more satisfying once we had completed it.- villem & mcleod 2018

strategy (100% silk, kranky) arrives on the nite owl diner serving up 4 rave inspired cuts. strategy channels early beltram with driving energy & recontextualized sounds as well as layers of lush pads into an epic emotional experience. the future shock ep is a future electronic classic

debut lp from safa pressed on 180g 12- in a ltd edition of 300 copies w/ inlay artwork by maria kassab & text by judy of seas on modular mind. sonic venture into the complexity of physical spaces and human interactions.

this record is a bomb! it had to be said.. telegraph is proud to present tom ellis new ep. a four tracks project (+ 1 digital bonus) that showcases the huge talent of this special uk house producer. all tracks are dancefloor killers, always funky and groovy they are full of creativity evolving into different atmospheres. a tribal exotic flavour on some tracks bring a fresh vibe into his productions, tom s music definitely is very human and always musical. tom s highly acclaimed and ever growing discography spreads far and wide through labels such as hartchef, minibar, trimsound (his own imprint), logistic, archipel, floppy funk, morris audio and telegraph. he regularly performs live around europe and can be witnessed displaying his bass guitar skills along side label partner leif with their trimsound live project.

in his long career as a pioneer of sound, the advent has become a legend in every sense of the word. back with a new offering for our revamping of thema recordings, dorian blue is the sound of an artist who truly hasn t lost their stride. never afraid to bend around genres and cliches, he throws the whole of dance music history into a blender. as he is known for, the advent breathes new life into different versions of his tracks, with back-splitting electro to 909 workouts that will leave your feet throbbing for more. we here at thema are honored to work with such a master to help get us in touch with our roots. play it loud, play it fast.

‘you can’ stares directly into the haze and the strobes of the transformative night-out documented throughout gabe gurnsey’s debut lp, ‘physical’. undoubtedly one of the record’s most outright hedonistic moments, ‘you can’ finds gabe cheekily intoning an invitation to dance, get high, or both, assisted by a deeply trippy sonic atmosphere and a seductive, twilight bassline.
in the spirit of classic extended edits, the ‘extended dub’ version unpicks and expands on each of these elements, retaining the solid groove of the original while transforming it into a heady dancefloor tool. a staple of electro for the past two decades, the hacker meanwhile continues his recent hot streak with his remix of ‘you can’. firmly executed with his usual cyber-militancy, his simple but effective reimagining is littered with elasticated synth stabs, urgent oscillations and an audible desire to transform gurnsey himself into a man-machine.

dark entries are honored to reissue the 2nd full length from carolyn fok / cyrnai, an asian-american female solo artist from the bay area. originally released by ladd-frith in 1986, this reissue adds 4 unreleased bonus tracks recorded during the same period. each copy includes a 16-page zine with lyrics, photos and notes by carolyn. all songs have been remastered by george horn at fantasy studios.

lock yourself into the beat, but don’t become prisoner to it. the techno pioneer jeff mills understands that only too well. in his quest to liberate himself from the tyranny of the sequencer, mills couldn’t wish for a better partner than the father of afrobeat.

tribal pulse is 5 years old, and we re celebrating with a special series of vinyl and compilation releases, and parties in some really insane locations, including a unique birthday celebration in the beautiful highlands of scotland. first up we have boom merchant s i see the future available on 180g vinyl and containing contributions from italian slammin techno kingpin johnny kaos and maltese 303 sniper acidulant. the title track is a morphing, energetic futurist techno cut. a powerful, bass-driven groove works alongside complex analogue percussion sequencing and growling distortion before detroit-style chords and atmospherics move in to take you higher, before slamming you back into the dark groove once again. this one is a real bomb waiting to go off. for sub mission boom merchant combines forces once again with johnny kaos, and in keeping with the theme of the ep, the results are dark, distorted and full of flavor. the track roars through lashings of sub and relentless machine bleeps, drums and noises, jumping in and out of breakbeats with a monster reese bass chasing you down from start to finish. to round off the ep, acidulant does what he does best, stripping the original back to its bare elements, looping the vocal and creating a roland-heavy roller full of squelchy goodness. we see the future, and we are bringing it to you on wax. we hope these tracks put a smile on your face.

contactless debuts on uttu with 4 electro cuts for the head, the whip and the club. taking inspiration from boombass, electro-electronix, the lead track static takes you on an electrosoul journey to the beyond, updating the motor city template with fresh styles. cybernetik jerkin is a prime slice of hi speed funk, sure to get those feet workin and jerkin’. robot wreckin crew introduces the most bad-assed cybernetic b-boy crew around, with added flavour ready for the sub-woofer in your trunk, whilst e.p. closer downpour twists the program even further to include drum and bass influenced melodic elements over steady electro beats. 4 cuts guaranteed to inject emotion into our increasingly automated society!

the patchouli brothers deliver four raw tunes, looped for optimum dancefloor ecstasy. on the a side he wonders is a squelching synthy, guitar laden gem, extended and reworked for full cosmic galacticness. a mighty joy follows up with a slice of gospel disco gold, expertly tweaked to enrich your soul with spiritual goodness. on the b side can t stop christy is laced with a good helping of slap bass and trumpet flurries alongside the elusive christy trading licks with that hazy distorted guitar. closing out the ep. take you there channels the glory days of disco into a six-and-half-minute reglammed opus.

following a killer acid-piano house 12inch and contributing a test pressing-certified new-disco chug to a split release with tuff city kids (both) on terre des pommes in 2014, the working elite further refine their ability to soundtrack festivities with rockman / born again. while rockman conveys an understatedly cinematic mood with repeated imitation string cycles over crisp electro foundations, born again presents a new wave / rave endurance test, summoning perspiration from dedicated day-dancers with its metronomic hammer of a beat overlaid with motivating synth-lines like marching toys. on the flip, saap and lauer (tuff city kids) provide inventive interpretations of these tunes, reshaping rockman into a stomping, flashing-lights electro jam while born again gets a delightfully multi-dimensional digi-dub treatment complete with acid-reggae breakdown over a 4/4 house beat.

were back with the second jack cassettes series! following the success of the first jack series, weve decided to pull heavyweights out of the treasure trove of chicago reel to reels acquired by still music last year. this second series is another incredible glance into our beloved house music through some lost radio mixes salvaged from reel to reels by jerome derradji. we start with a superb one hour mix from frankie knuckles circa 1986 and dive straight to the hot mix 5 with edward get down crosby and his insane mixes, full of edits and original beat traxx. a small detour to miami is made with a killer electro mix by wgci guest joe magic. pull out the tape deck, move the furniture away and jack!

were back with the second jack cassettes series! following the success of the first jack series, weve decided to pull heavyweights out of the treasure trove of chicago reel to reels acquired by still music last year. this second series is another incredible glance into our beloved house music through some lost radio mixes salvaged from reel to reels by jerome derradji. we start with a superb one hour mix from frankie knuckles circa 1986 and dive straight to the hot mix 5 with edward get down crosby and his insane mixes, full of edits and original beat traxx. a small detour to miami is made with a killer electro mix by wgci guest joe magic. pull out the tape deck, move the furniture away and jack!

were back with the second jack cassettes series! following the success of the first jack series, w’ve decided to pull heavyweights out of the treasure trove of chicago reel to reels acquired by still music last year. this second series is another incredible glance into our beloved house music through some lost radio mixes salvaged from reel to reels by jerome derradji. we start with a superb one hour mix from frankie knuckles circa 1986 and dive straight to the hot mix 5 with edward get down crosby and his insane mixes, full of edits and original beat traxx. a small detour to miami is made with a killer electro mix by wgci guest joe magic. pull out the tape deck, move the furniture away and jack!

soul dynamite pull no punches with the follow-up to their first release and go straight for the jugular with some vintage mr lif fire a 45 splitting mr lifs seven-and-a-half minute return of the b-boy into parts 1 and 2 one on each side. thats not quite as weird as it sounds for on lifs critically acclaimed debut full-length from 02, i, phantom, the el-p produced return of the b-boy features a fade and then a complete change of beat change for the epic third verse. the first half is dark, space-funky boom-bap while the second half is er even darker, and a bit faster, space-funky boom-bap. either side though, you’ll be able to revel in such a-grade lyrical excoriation of race relations in the states as, theyre defacing masterpieces, just to blast to pieces/ what’s dope and hope that wed accept a wacker thesis. jesus! black vinyl.

too $hort’s legendary 1992 effort “shorty the pimp” is back in effect on vinyl thanks to the hip hop preservationist at get on down. though many don’t consider this to be one of too $hort’s strongest releases, the project did move well over 80.000 in its first week of release landing at number 6 on the billboard top 200. taking the title from the incredibly rare 1973 blaxploitation film, too $hort does what he does best on shorty the pimp: funk beats, oastful braggadocio, a few conscious rhymes and layers of straight up pimp talk. the lyrical content can certainly be considered comical and entertaining. “shorty the pimp” is also a stand out project for producer ant banks who did many of the beats for the project, his first works with too $hort with many more to follow over the next decade. oddly enough, one of the best comments on “shorty the pimp” comes from a random guy on the internet who commented on his experience listening to the release, “i ran my car into a tree after listening to ‘it don’t stop’ definitely made for cars with the booming systems!”

hot on the heels of the well received dirty channels vs danny russell watchin out/ frazelle today is the day (linkwood edit), we bring you more twelve inch heat. this time in the shape of an unreleased nugget from funk and soul legend, bobby boyd, the founding member and lead singer of bobby boyds congress - who metamorphosed into the lafayette afro rock band, after bobbys departure in 1971. on the a-side, producer and engineer extraordinaire bob blank - whos worked closely with the likes of arthur russell, taana gardner,sun ra, larry levan and kid creole - turns out a mix that hits the sweet spot between boogie and proto-house with a hint of latin freestyle. whilst the flip sees darting synths and swirling pads layered over a tight machine groove, as bobby reminds us of the simply joy that dancing can bring.