our third release comes from alex picone an artist and early supporter of our label that we deeply respect for his many skills both in the studio and in the dj booth, and his musical approach that allows him to stay away from trends and clichés. the 3 tracks contained in this ep have been road tested in alex’s live at hoppetosse back in february and weekly dj sets and for us they represent the peak of his relentless audio research into achieving his best mix and eq’ing, so much so this ep comes to you without any audio mastering, recorded straight out from alex’s gear.

hailing from nashville, tennessee - a city better known for being the cradle of country music, jaundice and dzee form the backbone to the future dz duo, which has way less to do with johnny cash than with the hague sound, and their latest offering for the label they help co-run, tram planet records, although tracing rings of fire in its wake, further ratifies that lineage.
a shape-shifting collection of post-apocalyptic detroit electro and squelchy acid grooves sieved through filthy filters - perfect to play in your muscle car while speeding the highway at night, splint mask finds the duo at their most epic and unhindered. premiering today through our channels, sawed off is a high-octane 303 fuelled racer blazing with a hint of unit moebius weirdness and off-the-cuff rugged hardware spritz. if you like your electro scruffy, grinding and aggro like we do, future dz have you covered. get in the zone and feel the burn, you’re in for a treat.

special limited edition ep curated and formed by the united music minds of melliflow & cartulis music.

there is a point where memory and vision meet. the point where sparks and vertigo are produced and where imaginary landscapes produce sounds and visions. from this friction of times and places are born the music of the common series 07 (las canchas). star maps, existential paths, fables and planetary vision are filtered in the living mixer of the producer marco erroi and returned in the form of soundscapes, sudden encounters and lightning strikes, beyond the known places. 200 limited copies!

welcome to janx records first release. the debut ep features kevin over, sarp yilmaz, frag maddin and boj angler. four friends and four cuts of naughty sample-based house music. all tracks recorded with love in berlin, istanbul, essen and ibiza. available as digital release as well as strictly limited vinyl with silk screen cover art, hand-printed and packaged by the artists themselves. vital sales points: various artists ep featuring sarp yilmaz (istanbul) with former releases on apparel music, swink music kevin over (essen) with former releases on e.g. madhouse records, 4lux, rough recordings frag maddin (berlin) with former releases on e.g. madhouse records, upon.you, kakudo records, etc. boj angler (ibiza) with former releases on esance

this is the first of many bernadette trax vinyl only releases to come. named after my mother who got me started in all this, bernadette trax is my personal label, a vehicle for my music and a labour of love, specifically my love for deep underground house music of all kinds. the culmination of 30 years of influences, clubbing and too many late nights, this ep features my wonderfully talented friend and vocalist anna krestense gantelius glahn. hope you like it and play it

two solid tracks of pure machine driven acid house music which were written, produced and mastered in the north. both tracks are certified roy cropper and were mastered by mick clarke (iron blu). thanks for supporting vinyl and keeping it alive. we create to share our passion with like minded souls and aim to bring you the best of the north.

new zealander julien dyne is a multi-instrumentalist with a long and impressive history of collaborative, live and solo musicianship. best known for his solo work on bbe and having worked with the likes of theo parrish, steve spacek, andreya triana and lord echo - one of soundway’s most successful artists. dyne has also accumulated a number of accolades over the course of a 10-year career including but not exclusive to being hotly tipped by both moodymann and gilles peterson.
dyne’s new project for 2018 is an 11-track lp on miles cleret’s extolled soundway label. demonstrating a shift in gears and movement toward a more uptempo, afro inspired sound ‘teal’ melds instrumental flair with astute production and a persistent grain of impassioned, effortless soul. the album features fellow new zealanders lord echo and mara tk, long term band-mate ladi6, fat freddy’s drop trumpeter toby laing, plus australian vocalist tim guy and jazz luminaries jonathan crayford and john bell. this is a body of work for the listener and the dancer alike with a mood as fitting for headphones as it is for the floor, with the double vinyl album cut loud at 45 rpm.

beraadgeslagen, or drummer lander gyselinck (stuff., labtrio, etc) and keyboardist / singer fulco ottervanger (stadt, de beren gieren, etc) together on the tandem. a musical think tank with drums, keys, texts and bells. for ten years they have been playing together in the most invisible places, but every now and then they show themselves to the world with disco classics that never reached the market. soulful and unpredictable. funcy 2018. balancing between surrender and control, that s how beraadgeslagen, and music in its entirety, is at its best.de standaard like the music at an amusement park attraction the efteling fairies on acid, something like that, or as a mo wax groove that was teleported from the nineties. – de morgen

russia s underground party and podcast series abcd (any body can dance) have decided to launch their own label and geo-referencing has become a major aspect in the choice of artists for the first release. xan and honeälome are from one provincial town of votkinsk, which character left a solid imprint on the work of both musicians. experimental yet atmospheric house grooves with electronica influences and leftfield breaks for your listening pleasure!

finally after years of quality techno and music,pushmaster discs is proud to present the 20th release of the label with the label boss mattia trani and his solo ep.
this time mattia chosed a banging tune “time struggle” with the first new school version, classic heavy techno beat with saturated 303 sub melodies and a futuristic pad to complete this version. the old school version is more percussive acidic, no pad melodies, no compromises, just straight to the point for killing every dance floor.
in the b side there’s a perfect rework from a dutch techno master steve rachmad as sterac, more 909 clean beat rhythmic and minimal detroit infected. the last track “floating life” is a typical drum’n’bass spirit influence of mattia, 170 percussive beat with space pads typical of 90 jungle works in the uk.

as i m always evolving, every now and again i need to make a point about my latest sound. curveballs has been especially written to showcase the full range of my current sound and features a carefully selected collection of tracks designed for a club environment. riva starr dance musics prolific italian-born london-based sharpshooter riva starr set to release fourth artist album curveballs via adam beyer s revered truesoul records. riva starr has been shaking up the world of dance music with his eclectic and unpredictable palette of sounds and styles for over a decade. over the years, he has racked up numerous accolades and achievements including releasing 3 acclaimed albums (if life gives you lemons, make lemonade in 2010, hand in hand in 2013 and definition of sound in 2016), having a myriad of single/ep releases on some of dance music s most established labels (snatch! records, hot creations, relief, crosstown rebels, dirtybird) and amassing an impressive remix resume of artists including audion, groove armada, dennis ferrer, usher, estelle, london grammar, fatboy slim, reboot and david morales. with all of this success and experience under his belt, the time has come for the talented italian to deliver his much awaited fourth long-player, curveballs comprising of 12 stellar tracks inspired by current club sounds and old school music elements, driven by starr s endeavor to produce music that stands the test of time. the lp s striking opener, always gets things underway and sets the tone with its powerful house groove, warm chord stabs and divine soulful vocal courtesy of legendary house diva jocelyn brown. elsewhere, there s the funk-driven disco-tinged piknik, the uplifting needin u esque disco loco, the dark and commanding the hole (release your soul) and the pounding peak-time synth-laden roller give me love. other highlights include, the infectious breakbeat workout britcoin, the techy electro-tinged fresh and the experimental synth-driven techno gem analhog. the album concludes with 3 fine cuts in the form of the bass heavy tr-909 laden ride, the funk-fueled house groover mantra (early in the morning) and an exclusive deep-house-esque dub version of give me love to round off yet another essential long-player from one of dance music s much-loved artists

on the occasion of the third release, we re glad to welcome french dj and music producer dan ghenacia, head behind godeep (his new solo project) and one-third of apollonia, as well as live performer and music producer argenis brito, resident at club der visonäre for over 8 years now and where he hosts his boom n bust party. whereas dan ghenacia proposes an indisputably more grooving and dancefloor-driven version of david k s aquatic machine dream (ts07) that came out at the end of 2016, argenis brito — for his part — delivers a rather dubby and minimalistic interpretation of david k s daydreaming ailleurs (ts10) which was the first track that be released on tone series.

this is a reissue of a short-lived and obscure uk dance music label. a compilation of tracks featured on releases across 3 ep’s between 1991 and 1993 incorporating recently emergent dub techno and progressive acid house sounds. nation of noise was conceived in the early 90 s, following a meeting of minds between the producer and ambient soho mainstay django, and vocalist jon martin (of pizzaman fame) at the legendary soho institution: the brain. plate 1 is a fully remastered reissue of the first nation of noise record - xes noiz, featuring 4 locked grooves. plate 2 takes two tracks off both the lockgroove and super bubble ep s. one side is smooth, after-hours deep house whilst the other reaches for two progressive, acid cuts. fully remastered.

limited edition cream coloured lp with bonus 12 inch. solipsism is an archival release of music from mike simonetti’s tenure as owner of italians do it better records, spanning from 2006-2013. during that time mike wrote a lot of music. some of it was used for films, some for tv commercials, some for fashion shows and he even released a record or two.

limited edition of 500 copies on transparent & black splattered double vinyl, housed in a gatefold sleeve.
deru aka benjamin wynn is an emmy award winning american composer and music producer. deru’s last record, 1979, dealt with individual human emotions. his new project, torn in two, zooms out and deals with human existence as a whole. it finds feelings of frustration, dissociation and anger, but from a high vantage that affords perspective and allows the project to include acceptance, beauty and tranquility. torn in two is set for release on october 19th via friends of friends (anenon, shlohmo, perera elsewhere). the music lives in evolving landscapes of violence and beauty, with compositions that shape-shift, flutter, and decimate one s sense of time and place. the album is a collection of microtonal pieces where the pitches were derived from acoustic instruments, and processed woodwind and brass recordings. both represented new directions for wynn, and the results are pieces that are more dynamic and full-spectrum than his previous body of work. they explode into walls of distortion and recede into quiet acoustics.

hard-hitting latin-tinged super-group grupo magnético formed from backgrounds in funk, hip-hop, punk and soul, united by a love of eddie palmieri, tito puente, ray barretto, fania and classic new york salsa. working with legendary musicians from cuba, venezuela and america (who had played and recorded with many of the names who d originally inspired the group), the circle was complete as the album was mixed in new york by grammy winning latin producer aaron levinson.

mukatsuku kicks off the incoming autumn period with two delicious slabs of dreamy jazzual bliss from spanish artist and multi-talented musician marc friedli aka skymark. both tracks are presented here in a single form for the first time. “flying fantasy” is taken from the “resistance sonore” album on marc’s own label imprint modern sun from 2016 here in an exclusive instrumental version. on the flipside “rhodes e serenidade” is lifted from the “waves from the nucleus” long player from 2015.

the next installment in cold diamond & mink’s soul investigations introduces a three part harmony group from california. “my my my baby” is a smoking hot group harmony groover that should drop a few jaws at your next dj set. thee baby cuffs was born out of love for soul music and chicano culture. their first 45 “where did our pride go”, came out in 2017 on the raza del soul label, covering an unsung early 70’s larry saunders production. “my my my baby” continues on the same lane of midtempo soul over funky drums and soulful horn lines. the lyric is your middle of the road love song material, but the group harmony lifts it right off the ground like it’s meant to happen in this kind of music. get a few copies and rock the instrumental on the b-side before dropping the vocal, if you feel like it. soul music that’s this potent is better enjoyed in excess.

7 inch singles were instrumental to the development of the jamaican music industry, more affordable than full lengths for the consumer, they also allowed the labels to turnaround what was being recorded into music played from their booming sound systems as quickly as possible. in that spirit, get on down will be reissuing some of the most crucial jamaican sides on 45, staring with the maytals “monkey man.” recorded in 1969, the cut was a smash hit in jamaica and hit number 47 when released in the uk in early 1970. “monkey man” went on to be highly influential on the british two-tone movement of the later 70s with the specials offering up a ripping version of the cut on their 1979 debut. the b side, “night and day”, though not a chart-burner, is certainly one of the most solid rock-steady cuts you’ll ever encounter rife with bubbly keys, tight snares and toots hibbert’s incredibly soulful vocals.

molly s new record for groovement is a blissful 4 track ep, a journey between solar andunar moods to be played on different environments in clubs or at home.needs- ep is built on elegant drum grooves - strut of the new french house wave - intertwined with akind of nocturnal fred p vibe and subtle detroit-esque astral sounds. if going deeper in electronic music history one can even hear echoes of early svek releases.

phonogramme, the house subdivision of parent label and integral parisian record shop syncrophone dedicates itself directly to the french music scene, with previous releases from the likes of professor inc, john jastszebski, aleqs notal and a handful of other local heads. phonogramme continues to keep things close-to-home through the labels next edition presented by gibs, who s most notably known for works on his own imprint, an.art records – a family run label with music shared by himself and his two brothers. find an oasis kicks off the release with rolling organic percussion before progressing elegantly into layered emotive lead synths and mellow bass stabs. jarkarta is a subdued deeper house cut, filled with an uplifting, undulating melody and raw lo-fi elements collectively creating a luscious calming effect. last up, der germain offers up a fluid, groove filled number balanced with charming, jazzy flutters and tender keys providing a warm, breezy atmosphere to the end the release.

for this new release, the french uk am-bass-ador comes back with a 5-tracker ep, on the infamous imprint brothers from different mothers, expanding a bit more his tempo range with few special riddims. influenced by dancehall music this ep collects five party-oriented moods and interpretations of the genre with simo cell’s signature and sound design skills.

after labels debut in 2017, the second transmission is coming from life notes recordings. french producer life recorder is going further with his new motion process id shaping a way to present another side of his music maybe darker but always showing love for emotional pads and atmospheres and willing to share something behind the music. -outside the algorithm- presents 3 new deep techno tracks born from moods and feelings and here a reaction towards a music/art scene nowadays often ruled by social medias algorithms, image and egos. technology can help us on the way even sometimes building bridges with the offline world but we have to reflect and preserve ourselves from wrong feelings and frustrations built from the digital era.

stocker s revenge takes place as a short story inspired in a vampire theme where the author transmits his homeland legacy to a contemporary musical field, sotries and legends of chaste lineage that have inspired musicians and artist for centuries with concerns for the tenebrous chronicles , making different recreations of it with cruelty and vileness as its main element. orlock 101 is a new talent in european scene which inspires his artistic framework in the myth created by bram stocker, this transilvanian artist debuts as producer with the next soil records release.

up next on phonicas main label we present harrison bdps life unlimited 12inch. over the past few years harry has burst onto the scene with a prolific run of releases for labels such as lost palms, piff and music is love, displaying a wide-ranging sonic palette whether it falls under classification as house, techno, electro, garage... or whatever else he turns his hand to! the 12inches lead track life unlimited starts off as a euphoric italo-flavoured piano-house banger before breaking down into a bleep-tastic middle and back again. it hits all the right spots and will no doubt tick all the boxes for djs looking for a sure-fire peak-time jam! on the b-side the music takes a deeper turn with the immaculately produced dub-techno of fish in the tank which is then followed by the stunning uk garage inspired its all good - this one gets seriously under your skin! its rare for a producer to nail such a variety of different styles on a single record, yet we feel this 12inch truly underlines harry’s versatility yet still displaying his signature sound. three very different tracks, all recognisably harrison bdp.

aos’ boundless love for music is apparent in everything she does. as a producer, a dj, and an event organizer with seattle’s secondnature and tuf collectives, kayla waldorf’s vision eschews traditional categories and genre boxes in favor of an ecstatic spontaneity. her dj sets are well known for their playful energy and narrative threading between many different styles. violent light is aos’ first offering on secondnature’s own label, and it captures this playful essence. the title track’s stomping groove (complete with rave whistle) sets the tone, while lullaby and what/why move into headier territory composed of dusty synths stabs and clouds of vocal effects. finally, secondnature’s own fugal delivers a remix that flips what/why into a rolling depth charge.

„spectral decay” is a collection of musical reflections about the paradoxical contemporary state of humankind, whereas its own technological, social, cultural and economical development seems to entrench the possible points of a structura downfall. the narrative of „spectral decay” starts with heavy, mesmerizing industrial vibes. due to the notable sound design techniques of japanese artist tetsumasa, his hefty piece „nex” evolves into a harsh but still amazingly cinematical music sculpture. subsequent mid-tempo composition „onzour shayatini” by meer dynamically follows the dark, experimental path of drone and noisy structures. violent accents smoothly lead to the deconstruction of drum & bass patterns and turn into strident 90s metal riffs. the track progressively penetrates obscure subterranean abysses and becomes a perfect introduction to the next theme by yuji kondo – „hades”. in greek mythology hades was the ancient god of the underground kingdoms, darkness, death and metals. therefore, kondo’s music piece turns into an infernal portrayal of the underworld where tenebrous layers of bass frequencies, raw textures and drexciyan sounds build up an enormous and lasting tension. side b begins with the track „anthropocene” produced by arboretum co-founder – mogano. the whole composition refers to the present geological epoch we live in, characterized by environmental pollutions, depletion of fossil fuels and accelerated urbaniza- tion of the world. it is a deeply conceptual soundscape of a powerful system, that incorporates both – the destructive forces of technology and the infinite energy of the whole universe, that interweave in a devilish dance of post-techno, breakbeat and dub tones. thereafter, ~raw in his piece „poly bios” pictures the interference of human structures in the nature. creating a mosaic from indus- trial and tribal, organic sounds, he tells a mystical story of fear, hope, escape and primeval instincts. the narration concludes with an atmospheric composition of nwrmntc – solo project of ana quiroga from experimental ambient duet lcc. „beyond” is a boundless, spectral reflection on collective human consciousness, where haunting vocals evoke a recon- dite, ineffable pain, leaving the listeners in a profoundly meditative state. laura polan&#769,ska

altyma themes is the musical reflection of a roadtrip. plastic synths, acapulco shirts, neon lights and fever dreams blended together into a diverse record containing a mix of balearic house, 80s dance and a touch of lush dream pop.

motorcity wine recordings returns in fine style with its second ep featuring a swashbuckling blend of house and jazz sounds from detroiters and their compatriots. rising live techno star haz mat leads this 12” with a house-tinged boogie funk cover of blue six’s “music & wine”, complete with vocoder and massive drums. kuumba reunion band slides through next with the afro-jazz number “3 fingered fist (jabbar)”, a cut loaded with hand drums and chunky saxophone solos for the jazzdancers and listeners alike. motorcity wine guest and london native aroop roy kicks off the flip with a dubbed out beatdown house joint, a brilliant midtempo track perfect for the dread moments of the night. last but certainly not least, the hughes/smith quintet finish the release with an uptempo jazz-funk piece, with generous amounts of fender rhodes and call-and-response melodies. only 500 vinyl pressed enjoy the soulful sounds of detroit.

pal joey (aka joseph longo) came up in the heady days of new york street culture, amidst b-boying, boom boxes and an unusually entrepreneurial spirit of beat-making. beginning with crude “pause tapes”, he was soon making tracks with drum machines and sampled vocals, all painstakingly assembled with razors and reel-to-reel. working at vinylmania, where larry levan might be found shopping for records in his pajamas, helped joey’s entrance into the city’s nascent house music scene, and he was soon working with everyone from krs-one to sade to the orb, whose “little fluffy clouds” he tweaked for stateside tastes.
true to his city’s inclusive spirit, pal joey consistently blurs the lines between disco, house and hip-hop, dropping scraps of old soul and recent rap alike over his skipping drum patterns and head-nodding keyboard lines. joey’s records (under his principal moniker and also aliases like earth people and soho) have appeared on jive, epic, talkin loud, wave and coco machete. he also has run three labels of his own - loop d’ loop, cabaret and footstompin records.
limited pressing, be quick!

two powerful dub-techno tracks perfect for the dancefloor and smoky rooms. grad_u is a musician and dj based in vilnius, lithuania. since 2005 he is focusing on the deeper side of techno. during the years he released tracks and remixes for various labels like knowone, grounded in humanity, echocord. he also runs two of his own imprints: redscale and greyscale records. “balance” only on vinyl only and ltd threehoundred. 180-gram wax.

coming off the acclaim of pablo — designated by pitchfork as “best new music” and a candidate for the song of summer 2018 — greene drops a three tracker for ghostly’s spectral sound imprint that finds him in fine form.

ltd blue white marbeled edition. etui records continues its 20th anniversary with the first full-length by label founder insect o. >atacama< is a compilation of 10 tracks showcasing his wide range of music production skills. beside his music he also shares a big passion for traveling and video filming. back in his studio he creates memories about his journeys. he combines analog synthesizers tones with sounds of his modular system, endless echoes and warm reverbs.

new label alert! the inaugural release from the new la- based label, lemak records, has arrived. with a focus on new and upcoming talent as well as our favorite veterans, the label slides through hard and fast breaks, slowed down & spaced out minimal, with some electro-inspired heaters in-between. with a new label also comes a new collaboration. featuring music from the ferngully express, the latest project from miami stalwarts kyle parker (sports records) and goiz (red ember/metamorphic recordings), the ferngully express ep includes a selection of tracks that intertwines the two artists in a variety of ways. this first releases hits the spot for a lover of minimal, fast breaks, and some electro inspired bangers. a well-rounded release that offers music for any occasion, we hope you close your eyes and enjoy the the ferngully express ep. always with love, lemak records.

brassfoot makes his dba debut following a number of appearances at the dba presents parties. since breaking through with his apron ep on funkinevens world-leading label in 2015, brassfoot has turned heads with releases on uttu, paul du lac s bio rhythm, and his own seminal nca recordings. on the indentured servitude ep brassfoot showcases his own unique stepping house and techno flavour across six tracks, with time to meditate and reflect between the party-starting peak timers also included. blinds down, crouched over my desk, i switch on my machines. whatever the final result is, i wouldn t even bother unless i was having fun first. sometimes theres just one tiny portion of magic after a long recording session, but its always about the enjoyment first. its dark inside and it influences the mood of the music. it s also dark outside and it s obvious where that leaves its mark. (brassfoot, 2018)

underground town is born in the heart of the swiss alps. surrounded by nature and breath taking views we throw unique events where quality music and the vibes of the mountains melt together to create an atmosphere where groove and true emotions are the key players.
for our first release we count with 4 artists that have shared with us their love and spent some time with us this past winter season and now we want to give you all a quality piece of each of these great artist and humans.

hosono’s solo career would take many twists and turns from this point forward, with forays into exotica, electronic, ambient, and techno, culminating in the massive success of techno pop group yellow magic orchestra (ymo), who made their debut in 1978. admired by artists ranging from van dyke parks to mac demarco, hosono continues to forge ahead as he heads into his fifth decade as a musician. with the re-release of his key albums for the first time outside of japan, his genius will be discovered by a whole new generation of fans around the world.

life is complex and since the only way out is through, complexity demands to be embraced. as a label dedicated to bringing two unique minds together for each record, inkblots has always aimed at uniting kindred spirits by making their differences audible. with two contributions each by berlin’s irakli and stanislav tolkachev, the fourth instalment of haiku’s imprint makes no exception. instead, it might be its most exceptional offering yet. just like the principle of the rorschach test at the conceptual core of the label, the musical perspectives offered on inkblots 004 are minimalistic at their base but open up a pathway into two complex musical minds.

this newest installment of the ongoin series presents four very different hardspace mixes, each one of which allowing a different shade of len fakis musical guise to shine through. on guidance a quick-paced bounce grooves on top of a three-note bassline, suspenseful strings and sensous vox giving the track an unsuspectedly burning itch. equally smacking, yet both tribal and technoid is his rework of f.e.x‘s never give up, which keeps breaking down in order for the slicing hats to come back in and do their magic. tackling a current uk-techno-favorite on the flip, randomer & cadans‘ anchor has got a grimey grind to it, which here gets churned into an even more wicked version of a twisted trip down the rabbit hole. closing the ep out on a bleeping note, ribé‘s outlines is a deep-spacious, echo-laden affair, oscillating in tune and zoning alongside skitting percussives. as with all releases of lf rmx, the proceeds of this record will be forwarded to the berlin organization straßenkinder e.v. to be used in actions against child poverty.

"moscow is the city full of posh decorations. like a black hole, it’s gorging clouds of chaotic ideas. madly fast, it’s flooded with shallow hippies, jealous dealers and susceptible artists. everyone desires to have its own piece of luck, looking for the shortest way to some easy life. most of the nomads arrive from the capital suburbs and other big cities of immensely corrupted russia. everyone can tell a tale from outskirt. senseless rivalry and art falsity together make the special demands: your tale has to amaze, to inculcate; you must do something notable, freaky one and truthful. to dare to let it. there are no any rules. your voice has no matter, the only important is a sales skill. the local scene is tired of identical copying outside world’s standards. thereby the more your approach is unacceptable, the more valued is it. but the more it’s valued, the faster it will depreciate. the glossy shell with cheap content is the way to survive in such a tight plexus of cruel love, substance abuse and electronic music."

herbert bodzins revival ii is the next exciting vinyl highlight on this young label. it features completely unreleased electronic music which was recorded between 1979 and 1982. check!

former member of dublin punk band the threat, stano released his debut lp on scoff records in 1983. recorded in alto studios, the irish artist eschewed live performances in favour of fusing collaborative, improvised, experimental music with spoken word-poetry. the lp featured contributions from fellow irish musicians and artists such as michael o shea, roger doyle, donald teskey, vinnie murphy, detroit born jerome rimson and is a seminal document of irish postpunk

limited repress. for the 5th vinyl in the series, andu simion, with his arctic circle ep, takes us on a trip outside the realm of the customary vibes you find on the gfd label. vinyl only

konduku returns for a series of club focused records on nousklaer audio. the k series will launch with the 3-tracker emerald island. music and photography by konduku.

det ar grymt i norr is a compilation of exclusive tracks by artists reflecting the contemporary swedish underground electronic music scene: alvar, celldod, dissocio modus trans, hjarnkultur, agent side grinder, kinder aus asbest, aemit and yabibo hazurfa (special scandinavian letters not included). the title of the compilation, swedish for it s grim up north describes the atmosphere perfectly - in swedish, grymt also means cool. the gloomy cover was designed by erik soderberg. subtitled swedish synthetic darkness, the music on the album is intense, hard and cold at first listen but boiling with emotions underneath the surface. expect industrial, ebm, coldwave, acid and everything on the spectrum between electro and ambient. thank you for the music.

for their second installment, more human than human bene tleilax imprint choose a real, hidden talent from the endless submerged underworld. guenter raler is a young tleilaxu with a strong attitude for mutations and blending realities, where weightless grime and post-techno convive with a singular taste for contaminated ghost malwares and delicate non-binary trajectories. mobile energy is a journey into digitally-represented emotions, drowned into a shapeless reality. the ep is an overwhelming and transforming flux of music, a comfortable space filled by neon lights. the boundaries of guenter råler’s music are blurred: no predicted end, no repetition.

the long musical tradition of electro-disco, italo style, foregrounds innervisions newest release. bringing together five producers for a celebration of their cosmic past and future-forward present, romantico disco ep is a resolutely italian affair.

mop mop is the brainchild of andrea benini, musician, producer, dj who has been active for more than ten years exploring a large variety of musical genres, from club to jazz music. „kiss of kali“ is the name of his second album - originally released in 2008 only on cd, now available on vinyl for the first time.