mystical and proper techno! -marbacka- is a song originally written and composed by marbacka for one of their side projects, -the marbacka side project-. it was later made famous by another recording artist, who covered the song and released it as the second single from hen second studio album. however, not until this artist recorded and produced the version along with $ it become a worldwide hit. a music video, which has been described as iconic, was shot and received heavy rotation. its feelings explore an abandoned lover s point of view. on this special edition -marbacka- is surrounded by previously unreleased material and reworks.

unreleased tracks by the chicago master ...
ron maney also known as dj skull lived in the southside of chicago (il, usa). his musical career started during the summer of 1986, while recovering from a broken bone. during the following years he homed his craft, djing first at basement parties, building his reputation to go on to larger events such as, loft and hotel parties, and eventually the infamous music box and power plant clubs. at the age of fifteen ron shopped his first demo at trax records. there he first met chicago s legendary dj ron hardy, working as a&r for trax records. two years, and a new alias later (dj skull) later while at the power plant, chicago s own steve poindexter heard a dj playing one of rons tracks, and met ron. steve was now a&r at saber records and invited ron to release some tracks. so in october of 1991 dj skull s first record -n.r.g. music- was released. in 1993, he released the ep -the stomping grounds- on djax-up-beats, which was more noted than the first one. over the years that followed dj skull released lots of ep s on several labels. he has become well-respected producer and dj in the techno industry

sumerian fleet aka alden tyrell and mr pauli with vocalist zarkoff. their debut eponymous ep was released on clones west coast series in 2010 and the sturm bricht los ep came out in 2012 on the creme eclipse branch of creme organization.

in 1988 krs one made the poignant declaration of never trusting a big butt and a smile on boogie down productions song *jimmy*. truer words have never been spoken. fast forward 2 years later, bell biv devoe are smashing the charts (urban to pop) with their debut single *poison*, and in taking krss words of wisdom the exact phrase - never trusting a big butt and a smile has a major part of the chorus. the world over was singing it.

a re-issue from the classic stable. this time a little something from early 90s chicago - written by mystic bill and carl giamerese the record was a staple part of luke solomon and kenny hawkes dj sets throughout the girls fm and bar rumba / space years.

2011 system was started as a platform for underground music in minneapolis. after many club, warehouse, and livestream events system is now launching a record label for 2014. behind you is the debut release from system records. there will be a small 250 piece run of white vinyl inside record jackets designed and hand printed by local minneapolis artists.

among a thousand projects, para one is back on the dance floor with club, a new album which was not meant to be one, but believe it or not: its serious stuff! *the passion album is the background for this, as i decided to reshape it for my live act*, explains para one.
the double vinyl lp includes a cd-copy of the full album.

as ljudverket is a heavily art-influenced label, the second release was made as a part of an sound installation for an exhibition in helsinki. rasmus hedlund & tuomo väänänens 2x12 inch album consists of 80 locked groove loops, 20 on each side. the installation itself holds 4 vinyl players, where every side of the records are represented as a sound source, from where the participators could themselves choose a random loop and thus create their own soundscapes. this is one for the collectors, and no more than 200 copies are being produced.

teranga beat proudly presents dexter johnson & le super star de dakar in their last performance before their departure to abidjan in 1969. mastered from the original tape this recording captures the energy and quality of these most spectacular performers. the group was led by the inimitable dexter johnson, a saxophonist whose unique timbre influenced generations of horn players in senegal and who can stand with pride next to the great jazz musicians.
the 2x12 inch lp comes out in a deluxe 60s style cover with a bonus track & mp3 download code and a booklet including photos & liner notes outlining dexters musical career.

anthem alert! uplifting breakbeat techno in golden 1990s leaning style... first edition was sold out in ultra fast time...

label maker alberto sabatini drops a stellar spring grenade in the form of roboto (we are) on save the black beauty. having featured such renowned artists as fnm and sasse, it was time for sabatini to step into the spotlight with his own production. the introduction was made with his remix for sasses flushing meadows which showed his roots firmly to the italo & early proto house territory. now with roboto, sabatini takes an italo vibe and mixes it with contemporary house elements and creates a joyful, yet sinister late night belter. on the remix tip italian meister fabrizio mammarella who dips the original in disco sprinkles and lets the sun in

this vinyl is very special colab between europes biggest goa-psytrance organisations. all artists on this vinyl, performed on the freaks united party in february 2014 without receiving any fee. this benefit party was held in belgium. it was an huge succes and after this one party the vinyl was immediately a fact. the organisations (artists) that are involved: global aura, greentree records & sita records.

after the success of their first ep, gilbr and dj sotofett joined forces again for an impromptu jam in the versatile studio. while one was recording, the other arranged it on the fly, creating the impression of a live band playing: organs, live bassline, percussions, live delay feedback and so on ... the result? two tracks of jungle hypnosia.

correspondants 28th release, polina, delivers another brooding, evocative ep for the label, this time from the agents of time polyhedron: a fusion of ideas and concepts that make up a single reality. the italian trio of andrea di ceglie, fedele ladisa, and luigi tutolo came together in the summer of 2013, and their inaugural album was released via stem records in january of the following year. the group uses both analog and digital equipment to refine their unique amalgam of progressive, techno, and ambient music.

second release on ivan smagghe and the ginger princes les disques de la mort imprint of left-bank exoticism and sonic mind melding comes courtesy of burgeoning protégé manfredas. they said les disques de la mort was about unknown geniuses and old flames… it is!

now ovo, the eagerly awaited new luca bacchetti ep, is here! with this work on his endless imprint, luca seems to be delineating a new soundscape, maintaining the psychedelia he introduced into his productions a few years ago, but now more synthetic and in some ways even minimalist. in ovo we can find a brace of dancefloor tracks, no gravity and the space between us, that maintain and harness luca s emotional and intricate atmospheres whilst also employing powerful sounds and elements that embrace the movement of the body. mature, emotional techno, where ethereal dream-like atmospheres find a singular expression and their own distinct identity. it is no coincidence that the whole ep was recorded entirely high up in the tosco emiliano apennines: a place where, for luca, nature is the element that most influences this new aural pathway. as he himself states: “it’s this contrast between isolated lands and the chaos of the big city that produces this state of being: a new dialogue. they are two worlds which overlap within my soul: when i’m in new york i think of these mountains and when i’m here i think of the bustle of tour life .. but it’s up here that i find the seed, in this case ovo.”

for the second instalment from quantum entanglement we delve into the misty past, a time when moving parts ruled the dance, when the power of the night rested on a needle and a bassline, and before cdjs calculated the bpm for you…you had to touch things, buy things, and the bassline ruled over all. acid thunder, a classic by fast eddie, was the first dance record i ever bought. it was important. the guy who sold it to me, at the time a spotty school kid in his school uniform, was called john stapleton, and the shop was sidetrax in bristol.

franz meersdonk und günther willers aka rdf are back on the road. the speedometer obviously tweaked, turned up and back on track. on the way tramper simon sunset got on board, et voila: made himself comfortable in the back cabin. left a bunch of wood back there. they drove the semi right into the sawmill and took care of the rough pre-cut themselves. cutter lowtec supported the two street heroes with all he’s got, or rather, he actually applied his own cutting-machine-operation. simon sunset’s wood cuttings were molded by a bunch of saws, slicers, and files. and for a final fine-tuning herb lf came running out of the canteen. and lo and behold, the machines spit out three beautifully stable pieces of wood with the finest texture- pattern captured in a stable frame of bark. so good was the material to begin with that nothing was left over for old, stinky bark mulch

limited album pre-sampler on blue transparent vinyl!
pleasure zone and ali nasser was from the beginning on more than just a relationship – we are family! and so we proudly want to tell you that alis first artist album called *all we need* will be released on pleasure zone! so many fantastic tracks – that is why we decided to produce also an album pre-release. well … here it is - enjoy while waiting for more!
pressing on transparent, light blue coloured & marbled vinyl.

in einer zeit, in der egozentrische schauspieler ihre talentfreiheit im game propagieren, hat sich mistahnice dagegen entschieden das typische debüt-album zu produzieren und tritt stattdessen alleine ins rampenlicht. er kehrt zurück zu seinen ruhrpottwurzeln, wo rap noch immer die gesellschaft reflektiert. er hat ein album kreiert, das sich durch teamgeist auszeichnet. der coach carter des rap hat nur die besten spieler berufen, die in dieser konstellation noch nie zusammen auf dem platz standen, aber trotzdem in der lage sind jedem gegner das fürchten zu lehren. der unbändige siegeswille wurde jedem spieler eingeimpft. inspiriert durch das live zusammenspiel mit witten untouchable, möchte mistahnice die ohren des zuhörers zu einem basketballcourt machen, um ihm einen dunk nach dem anderen einzuschenken. nice ist ein teamplayer durch und durch, zwar nicht aus witten, aber dennoch untouchable! die beiden songs -whiskeybars- und -psychiater- sind bereits als single auf vinyl erschienen und es gibt jeweils ein musikvideo dazu. auf dem label werden die kommenden alben von lakmann (creutzfeld & jakob) und weiteren mc größen des ruhrgebiets veröffentlicht sowie auch von neuen talenten.

since and002 when derek kaye offered his skilful reworks of chaka khan s ain t nobody and players association s turn the music up , his profile has gone from strength to strength with a dedicated soundcloud following and a number of memorable club appearances, most notably at motion in november 2013 when he shared the bill with a&r edits curator greg wilson, closing the night with a back-to-back session - the first time the pair had dj ed together in over 30 years

>> oh it was gorgeousness and gorgeosity made flesh. the trombones crunched redgold under my bed, and behind my gulliver the trumpets three-wise silverflamed, and there by the door the timps rolling through my guts and out again crunched like candy thunder. oh, it was wonder of wonders. and then, a bird of like rarest spun heavenmetal, or like silvery wine flowing in a spaceship, gravity all nonsense now, came the violin solo above all the other strings, and those strings were like a cage of silk round my bed. then flute and oboe bored, like worms of like platinum, into the thick thick toffee gold and silver. i was in such bliss, my brothers.<

*** ltd repress *** groove line records announces its first release!!! make it last forever was originally released in 1978 on red greg records. donna mcghees only solo album was produced by dance legends greg carmichael and patrick adams. to this day, the underground disco classic remains in demand with rare mint copies selling for up to £120 on ebay, etc. groove line records is proud to release the first ever official vinyl reissue of the album in a deluxe 2xlp edition, freshly mastered from the original tapes. the gatefold edition features liner notes and interview with patrick adams. both discs are pressed on high quality 180 gram vinyl

recorded at johns last night at the vagabond nightclub in downtown miami during this years miami music week, live in miami features 37 tracks and nearly 4 hours of the very best underground electronic music, spanning across more than two decades. showcasing a wide selection of new and classic records ranging from (nicole - a small entrance to a large spectrum and laurent garnier - acid eiffel)digweeds latest opus effortlessly takes us through a vast array of sounds, eras and genres from what was an incredibly special night back in march of this year

double a-side, >souvenirs< is a absolutely great glamorous disco track. when you hear this track, you will love everyone and the world around you. pure disco music as it should be for the late 70s, and comparable with the great salsoul orchestra. souvenirs was a huge hit in the legendary studio 54<

taken from a mysterious acetate cut by derrick may in 1987 this release was originally penned for kms offshoot pheerce citi. both these sides were later released - the darkside = as a relic (by longer than long ago) and tic tic tic was later released on the limited edition compilation as music institute 20th anniversary as untitled. both tracks are however, very hard to get on vinyl and have now been re issued as loud 45rpm pressings in pheerce citi artwork and remastered for 2014. great techno obscurity!

when chateau flight was approached to participate to this live project of covers of terry riley, together with le cabaret contemporain, they immediatly said yes. it was the occasion to play great music from a majeur influence of them, and also to play it live with some great musicians. the live experience went so great that they decided to go in the mythical vogue studio (around paris), to record it. the idea was to have a full live take, no edits, to capture the magic of the improvisation. cabaret contemporain is 2 prepared double basses, 1 drummer, 1 guitar player, 1 prepared piano. chateau flight(i:cube and gilb-r) providing the electronics sounds and the mixdown here is the result.

let -exu- under your skin and you will find a dream worth every breath and heartbeat it takes. this dream belongs to you now and it s up to you how you make it your own.

-exu- was written by andre kronert over a six month period. andre kronert, our hero of deep grooves, is a true knight of the electronic scene, a great supporter that never sleeps and always puts our music and our well-being first. without andre s helping hand and passion, things would surely not be the same.

andre, thank you for everything you do, for sharing your feelings and your dreams! stockholm limited

first pressing in bloody red, not transparent, 180g vinyl!

delft 002 welcomes another new name to the fold: it s been four long years since the last officially released original jpls material but the wait was worth it, with the producer making his delft debut with fall off distance , an acid techno nuclear weapon that s been causing panic when dropped on isolated testing sites thus far. label boss la-4a subtly reshapes the original into a more streamlined techno monument on the b1, while longtime jpls fans will be pleased to discover the producer at his weird & sinister best with the b2, remove

always hard at work unearthing interesting new projects or forgotten old gems, opilec music is now serving up a retrospective compilation of highly esteemed chicago producer jordan fields best work from 1986 - 1991. field has been active now for some thirty years (on labels like rush hour, headphoniq and mo wax) but his best work was arguably done in his first decade or so. now opilec boss i-robots has been given access to a collection of field s early recordings and has selected, compiled & conceived this project himself. it will be presented as a full-length album but will also arrive in a few select ep parts, with this being the first one

reynier hooft s (aka deniro) second solo 12 inch on tape records amsterdam. he is one of the reasons the label was started in the first place and this release shows exactly why! in the last two years he released a handfull of deeper and melodious tracks, but with *atavism* deniro shows a totally different side of his talent. the title track atavism is a classic sounding banger, while throwback complements the ep as a deep and subtle counterbalance.

ianda music is a label that was created to promote and support the development and creativity of the music industry within the global community. each of the “i&#916,,,,,nd&#916,,,,, music” releases offers a totally unique, high quality sound experience. the label seeks to develop and boost the talent of the artists in order to commercialize and promote their music through a wide range of formats and platforms shops & distributors. “i&#916,,,,,nd&#916,,,,, music” discovers, develops and manages music and artists to use in recordings and related uses such as remixes, live performances, video jockey (vj), dj sets .

anchored between the end of the 80s and the beginning of the 90s, when industrial music courted funk, when electro(nica) made a shy appearance and house was visceral and plaintive, also inspired by current r&b productions and futuristic hip-hop, tropics of love is a slow tempo record that shines like a steel sun and rings diabolically romantic.
the double 12 inch lp comes in gatefold sleeve with cd-copy of the full album included.

for this versatile classic we have chosen to rerelease the old songs, released by other labels which have been long exhausted. pergola was released on the italian label neroli in 2001, like a tribute to milans club pergola, while rise and fall was released on the compilation trip do west in 2003 . after more than a decade, finally they are remastered and available again

pauls rather unique vocals lie somewhere between david bowie and richard butler of the psychedelic furs. all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. each lp includes 2 postcards with live photos, a list of instruments used and quotes, that are suitable for mailing. this collection highlights a lost duo with a big sound on par with ultravox, human league, omd or devo.

returning to hypeltd after only a few short months, the analogue cops seem the perfect artist pairing for the label, carving out an unashamed love of raw, pummeling, dirty house grooves and choice samples. 2013s in plain clothes ep was passionately received by many, and the italian team are back for more with the hot brass dance ep

nice price deal !!! free usa is the first full-length album by protect-u, the washington, dc-based duo of aaron leitko and future times records co-founder mike petillo. the record was written, recorded, and mixed throughout 2013 at protect-us home studio and mastered by matt colton at alchemy mastering. the tracks on free usa were jammed into being and then laser-cut into exact shapes. on their two future times eps - double rainbow and world music - leitko and petillo poured layers of ambient drift onto nearly-steady house foundations, creating long and propulsive zone-outs.

dustin zahn makes his album debut in march 2014 with the release of monoliths on adam beyers drumcode label. gestating over a period of a four years during break from releasing original solo material, monoliths sees the minneapolis native capturing the full breadth of his production style in the long-player format for the first time. having become a mainstay of the drumcode line-ups for their berghain residency and beyond, the challenge was set for the berlin-based zahn to build upon the reputation he has established in the past decade-and-a-half since he first arrived on the scene, during which time he has also given a platform to artists such as dvs1, minilogue, psyk and truncate via his enemy records imprint.

doc scott was on the decks. it was at tribal gathering (i think), 1996, standing in front of a wall of speakers to one side of the stage, enjoying myself, like you do, when this sound started growing inside my brain. my head was then ripped clean off my shoulders! words are still hard to find! it was the first time i ever heard shadow boxing and its the only thing i still remember from that night. om units 2014 remix is paired with the 1996 original.
dj support from: fabio, mark pritchard, friction, surgeon, toddla t, laurent garnier, pinch, zinc, baliey, rob both, billy nasty, krust & john b.

argentinian dj and producer, ernesto ferreyra, provided cadenza with a rich and inspirational album back in 2010, the intricate and balanced el paraiso de las tortugas was a masterclass in minimal electronic dance. four years on, and ernesto returns to lucianos label with the insight single, and a precursor to another album for the label, slated for october release. voltage poem displays a huge progression for ernesto, a stomping, elastic backbeat, peppered with live percussion, shakers and micro glitches dances around the mechanical funk of the bassline.

russian producer sanys has impressed with a series of raw techno records on his downfall theory label - and his latest release further showcases his talents. dominance starts with atmospheric synth washes before a granular bass and relentless percussion propel it forward. like previous sanys releases however, this is not straightforward linear techno and a rumbling vocal and insistent drums will keep the listener engaged. my concern sees sanys opt for a different approach, with a pulsing bass and a crystalline synth line going up and down the scales, intertwined with a vocal snippet, while told you so features another stylistic shift. on this occasion, it s back to the darker sound that was audible on some of the earlier downfall theory releases. tight, snappy drums and robust, insistent claps provide the basis for a droning, murky bassline that cuts through the arrangement like a lighthouse rays in the dark of night. finally, irish producer eomac, one half of lakker, delivers a version of dominance that centres on lithe broken beats, ghostly melodies and insidious tonal shifts. as its title suggests, dominance shows sanys has become a master of the techno form.

nach releases auf mule, ghostly und ki records erscheint das vierte album des koelner elektronikers till rohmann aka glitterbug auf gold pandas notown-label. ein grund für diese entscheidung war gold pandas brillanter, metropolen-erweckender, von reisen beeinflusster zweitling half of where you live (2013), der glitterbug maßgeblich zu den deepen und erhabenen klanglandschaften auf dust inspirierte.

the skokie intruder ep is the first ever release by the french / american producer royer. his productions reflect astounding sampling skills and a penchant for detroit style grit and groove. skokie intruder was mastered and cut by helmut erler at dubplates and mastering and will be a hand stamped red label in edition of 300. featured on the release is a remix by brian leeds (huerco s., royal crown of sweden) under a new alias: independence ave. orchestra.

despite making a impression with rough-hewn techno records on taanstafl and his own tallmen imprint, brian mitchell aka tallmen.785 is a relative newcomer to the genre. arriving in berlin to continue studying jazz guitar – a craft he’d been learning in new york from legendary jazz musicians ornette coleman and lawrence d. ‘butch’ morris – it was a long night in berghain that steered him toward electronic music

damn, time is running by. after releasing mono negros 3rd strike ep in february, label head ante perry is musically responsible for the 3rd be an ape release. 1980 was a great year for him, because he was born in it. born in 1980 its a hommage to a decade, which influenced him a lot

taste of honey is proud to present the true sound of the early 80 : change was an italian-american post-disco group formed in bologna, italy in 1979 by businessman and executive producer jacques fred petrus (1949-1986), mauro malavasi and davide romani.

dachshund was born and raised in geneva, switzerland. he got his first introduction to music in the 90 s, playing guitar in reggae bands. that was the beginning of his long lasting love story with dub music. he produced his own dub music in the following years, at the same time learning about every piece of studio equipment. with his roots in dub music, dachshund first experimented with electronic music in 1997, producing his own jungle and drum n bass tracks. his music turned more into house and techhouse and was released on several imprints while playing live sets all over the world. we give him a warm welcome to the 8bit family!

wolfram says: i started to record the track cant remember when i was in africa and some riots happened in egypt in 2013. it was a weird time so it turned out to be a dark tune with robotic vocals. i recorded the vocals for the track talking to you when i was on tour with andy butler in the hotel room on my macbook air. basically its him saying this beat is talking to you and i recorded some burp sounds on the flight and train home. i invited him to my home studio to change the demo vocals, but he felt asleep on the chair next to me. so, i thought maybe i should just the use the demo macbook vocals.

the cellar boyz *pay me* is taken from ben cenacs timeless cozmic house ep on thug records. pay me which was recorded in 1986 is the only track from the cozmic house e.p that had available parts. the stems for deeper & deeper, seems to me & who loves you were never recorded. this was due to the fact that all of bens projects through out the 90s were tracked midi only at mix down, with only the vocals being recorded to tape! thug would never have had the opportunity to release ben cenacs cozmic house 12 inch if it had not been for simoncino. simoncino did all the a&r for the record. a gift not only for thug but any fans of ben cenacs amazing productions. with that in mind, simoncino has provided 2 remixed versions of pay me, alongside a remix from close friend nicholas!