unknown johnny cash writings brought to life as new songs by chris cornell, ruston kelly & kacey musgraves, rosanne cash, alison krauss & union station, brad paisley and more. comes as double vinyl in gatefold sleeve with download code included.

lena willikens is the kind of artist whos only capable of following one path her own. in many ways, shes the archetypal selector, an unpredictable dj who often eschews all notions of genre in favor of what she describes as different temperatures, different time zones, different moods and a healthy portion of chaos. although her methods have certainly proven effective on the dancefloor, willikens also refuses to be bound by its traditional limitations.

almost ten years ago, back in november of 2009, before lets play house was even a humble basement-bar and hotel-lobby party, jacques renault quietly released a four-track ep on hole in the sky, an imprint run by canyons leo thomson and ryan grieve, called favicon, that was both a snapshot of new york citys glitter-dusted disco-revival haze and the culmination of the first few years of renaults career through the club circuit. it quickly became a cult classic and set in motion much of what followed for renault it added some fuel to the fire that was runaway, his project with marcos ca

timeless legend are a soul group from columbus, ohio. their “synchronised” album from 1980 is one of the rarest rare grooves and both original copies and the single “i was born to love you” currently sell for over £1.000 a copy. for rsd, love vinyl in conjunction with expansion bring you an earlier 1979 single “everybody disco” (itself worth over £200), a remix and “i was born to love you” on a 12” single limited to 750 copies. the remix of “everybody disco” is by the mighty zaf & phil asher who command major respect from the current disco scene and have transformed the song into what will become one of the most significant disco style dance releases of 2018. this is the first and only time for these tracks on 12” single.

debütalbum von cindy lee, dem experimentellen no-wave/blues/trans-pop-projekt des ehemaligen women- und androgynous mind-sängers/gitarristen patrick flegel. die 12 düsteren songs kombinieren anmut, verzerrung und süße zu einem intensiven pop-klassizismus, der stark an eraserhead erinnert.

you seek shelter in the dreams that would break your life if they were real. and because you cannot live your dreams, you dream of me, make me your phantasy. at some point, you will seek shelter back in reality because you cannot stand your dreams. and what you dreamt of last night will be todays bitter reality. i am real and i can stand it.

here appear is an invocation, a salutation, and a celebration — of past and perfect lives, forgotten and remembered, exchanged and borrowed. eve essex’s solo debut is a multi-instrumental fea(s)t combining synthesizer, drum machine, alto saxophone, piccolo, electric organ/harpsichord, harmonica, slide whistle, bells, guitar pedals, and voice— composed, arranged, and performed by essex herself. what began as an improv set at berlin’s harlekin bar, developed over the past two years into a complete body of work evoking multiple time periods, genres, characters, and sonic landscapes.

the past few years have seen berlins frag maddin release material on waze & odysseys w&o street tracks, rough recordings and egg londons what came first as well as offering up a remix on roog & dennis quins ep for madhouse where her returns to here for a full ep featuring remixes from fellow berlin based acts black loops and kevin over. taking the lead on the package is the zauberflo&#776,te with its skippy hi-hats, hooky organ licks, hypnotic rhodes melodies and vocal cuts all further fuelled by a snaking sub-bass groove to create a slice of authentic house for one of the leading labels of the genre. black loops turns in a remix of the zauberflo&#776,te next, stripping things back to a deeper, more refined feel with spiraling, filtered elements of the original wandering around swinging 909 drums to create a groove-drive counterpart to the original. focus opens the latter half of the package, the second original from frag maddin which employs chugging square wave bass tones and dynamically evolving drums alongside tension building strings and choppy stabs before keving over closes the package with his gritty take on focus, featuring crunchy drums, dusty chords and cleverly arranged string and key samples.

standard doppelvinyl im gatefold sleeve inklusive mp3 downloadkarte.
der wahl-new-yorker chrome sparks veröffentlicht vielseitiges debütalbum auf counter records! chrome sparks (aka jeremy malvin) weiß, wie er seine tracks im besten licht stehen lässt. sein selbstbetiteltes debütalbum, das via counter records (ein ninja tune-sublabel) erscheint, sticht heraus mit einem funkelnden sound: eine euphonie aus hiphop, house und hell leuchtender arbeit am synthesizer. die platte ist das endergebnis jahrelanger arbeit in malvin’s marinewerft (seinem studio in brooklyn) und einer abgelegen hütte nördlich von new york. allein dort hat er einen ganzen monat allein zugebracht, um den ablenkungen der stadt zu entkommen und um diesen prozess zu destillieren, was anschließend zu einer periode intensiver kreativität wurde. auf dem album selbst finden sich zusammenarbeiten mit dem australischen duo kllo (ghostly) und body languages’ angelica bess (die auch bereits mit machinedrum kollaborierte). das album ist sowohl ergebnis eines obsessiven produktionsansatzes als auch über die rastlose jagd nach neuen ideen. sein kreative mentalität wurde sowohl durch live-auftritte als auch studiogegniedel geprägt. sie ist das grundgerüst, das es ihm erlaubte, so viele diffuse ideen wirklichkeit werden zu lassen, die schlussendlich in einem hervorstechenden und vielfältigen debütalbum resultieren.

repress alert! matlock s finest rhythm plate resurface brandishing a new label in pressed for time, and what better way to inaugurate it than revisiting one of their key tracks. released back in 2002 on the mantis label run by atjazz, lean part 2 was a wonderfully sleazy slab of deepness notable for the lascivious vocal hook that hung slinkily over the production throughout. it still sounds superb some 13 years on and is backed with an unreleased version that was done in the same period, along with deliciously freaky new leaner mix from the pair.

groove odyssey records are truly excited to release the debut album from our very own paris cesvette entitled celestial (my journey among stars). paris cesvette’s celestial (my journey among stars) is the audio memoirs of a producer and musician that from the very start has always been amongst great musical company. a creative soul, born into a home where music was the currency, her inquisitive nature and desire for knowledge had her studying her father’s record collection, embracing her mother’s passion for music and then, what happened after that, is what we hear today. her vision of combining the sounds she lived for, with the music inside of her is finally represented in one physical work. each song on celestial reflects a moment in paris’ journey and every artist sings each song with a greater purpose. on listening you will realise that every song was tailor-made for each star. paris believes that you get an artist at their best when you let them be the true artist they are. “my role as the producer and the visionary is that it’s my job to make their sound become our sound and among all of us we are like stars in a constellation, together we make one and that s what makes this celestial, my journey among stars complete.”

matt flanagan has been making music as defekt, ess and tinfoil for the past few years, so who better to put out the debut release on first cut? we decided early on that there was no point in repeating his admittedly fine back catalogue, so matt went off one evening and did a 30-minute live jam on his machines. there was no real plan, but between us, we picked the three best bits, which you now own. then we had to come up with a name. initially, we toyed with the idea of calling it ‘fekt’ but then decided that only a local audience would appreciate the joke and that it wouldn’t travel well. octal step then emerged as the clear favourite. we sealed the deal to release ‘toner head’ over a cup of takeaway coffee on a bench in the stephen’s green cente in dublin. and why is gunter walraff on the other side of this sheet? well, he seems like a cool guy. plus he’s german and has a moustache - what’s there not to like about that?

dark bliss is the debut lp from galcher lustwerk. deep and sultry house topped off with lush baritone vocals.

nice price deal !!! this is the first remix that todd rundgren has ever done for another artist. this is at least what rundgren nerds/experts have told us. anyway, we are of course extremely proud to put this wonderful music on wax. todd rungren has been a big inspiration for lindstrom, so this is a dream come through. also lindstrom has made an extended disco version of quiet place to live exclusive for this 12 inch.

bawrut has had an amazing couple of years. since kicking our label off back in 2015 with the modern acid classic ciquita (12inches of which will now set you back silly money on discogs), the madrid-based producer has gone from strength to strength. last year saw him tear down sets at sonar and farr festivals, drop a feted new ep on hard fist records, and have his music soundtrack numerous adverts for fabric events. other djs have been quick to show their appreciation, and bawrut’s unique appeal can be seen in how far and wide across the spectrum his music has featured. optimo, avalon emerson, patrick topping, jackmaster, artwork, andrew weatherall and many more have all supported heavily. were proud to kickstart bawrut’s 2018 with 4x4, a brand new ep of typically leftfield bangers. these four tracks come on like a whirlwind journey through a bawrut dj set, with something for every time of the night. ghettoscar fuses african chants with burbling acid, building the kind of goodtime dancefloor warmth bawrut is famed for. more cowbell does exactly what you’d expect, giving djs a glorious, cowbell-powered disco bomb that fuses the spirit of incredible bongo band with classic nyc house. i hear voices is a crazy ride, with an expertly cut up vocal sample repurposed into a weird, descending riff that’s quite unlike anything else out there. throw in bawrut’s trademark kitbag of carnival whistles, rattling latin percussion and a creeping acid line that works itself up into a soul-salving joy and youve got a modern classic on your hands. finally, lead track three sounds is probably bawruts biggest moment to date, a peak time jacking techno monster built from the most minimal of elements - drums, claps, a one note bass squelch and a tom drum gone wild. bawrut takes this tom sound and treats it like a 303, pushing far off the rails, working it up and up, twisting it through pitch and frequency like a man possessed, raising its pressure til it tears off the roof. theres no one else making techno quite like it - and you can expect dancefloors to be going crazy to the mania of three sounds throughout 2018 so there you have it - four more missives from the wizard of madrid. play em loud.

finnish band jesse makes unsentimental and innovative music. what you hear on “fluids”, released as a 12 inch picture disc album on hoga nord rekords, is the sounds of four creative brains’ journey into the music universe of the future. their music is influenced by earth and space - jesse’s astral and cosmic disco is prospective, totally boundless, and vibrant of life and blood. the production sounds luxurious and helps the psychedelic qualities to shine through the sound.

ltd special priced trapez double pack.. incl trapez ltd 123 & 127

next cocoon floor bomb! cocoon recordings is back with a bang after the winter break, cranking up the pressure once again. what s more, we re seriously pleased that we ve managed to land johannes volk for the new season. johannes has been making us smile with his productions for more than 12 years and considering his 2006 debut appeared on jeff mills axis label, it s easy to guess which direction his cocoon release is going. there are no dreamy minimal sounds or deep house trips this time round, instead you ll find headstrong techno pumping out of the speakers. tears & walls drives forward relentlessly with its meaty kick and metallic open hi-hats setting the pace. energetic and demanding throughout, johannes volk certainly takes no prisoners! -a little story about time and space- follows in its footsteps although the mood here is notably more detroit, taking us back to productions on cult labels like red planet, metroplex or the axis records sound. volk layers the track with more prominent harmonies and hypnotic arpeggios, giving it a subtle yet highly effective trance touch. the warm analog strings in the middle section underline this emotional impact and make a little story about time and space a guaranteed sunrise song for the upcoming spring and summer season, heartwarming and dance floor friendly in equal measures!

oblique returns with a highly personal project: 3 tracks from (or with) friends who all helped create/inspire/influence the sound of the label.
ivano tetelepta, roger gerressen and ben buitendijk already had loads of jam sessions when suddenly “dilated pupils” happened. it launched a project that consists of spontaneous studio jams in various formats (involving a dozen of befriended artists on multiple ep’s, remixes and even an label). six years later the original track, after which the project was named, will finally see the light of day!
bas amro’s “languor” shows that he, besides having an ear for reimagining classics, can also do his own ,)
cyspe’s “reminisce” more than deserves the full b-side to close the ep off. a stunning 14 minute trip through the depths of what this incredibly talented producer has to offer!

hypnotizing nostalgia that dictates the dance floor. with previous releases on rythm section, echovolt and les yeux orange, earth trax & newborn jr. are unapologetically consistent in building a legacy. the maze ep is the fourth collective delivery of the duo, sent off into the world by dopeness galore. while hypnotizing synths dictate the dance floor, it is hard to resist the balearic arrangements of new wave nostalgia. the record elevates through soothingly repetitive ambient dreamscapes, while minimalist entrancement pulls us right back into underground territory. the ep represents a side a. meant for club settings and a more ambient side b. once the vocals on a2 set the tone, we bear witness to what seems to be the true ethos of the maze ep: where theres a will, theres a way

with many writers a theme develops in their works that, over time, reveals color and definition previously unseen, not just a new perspective, but a new understanding. “lofeye” is a concept album and personal testament that philadelphia rapper lojii (fka uhlife) has been piecing together over the last three years, giving only hints with 2015’s no ebola, 2016’s dutti, and 2017’s acclaimed collaborative album due rent with producer swarvy on portland-based imprint fresh selects. in lojii’s own words, “lofeye is about working with limited resources and making the highest quality life out of what the f**k you got. it’s when you’re ‘lo-fi’ by circumstance (not just for aesthetic) but your aim is always higher. in essence, this is an lp about being rooted in the dirt you come from but reaching for the sky above you.”

deutsche grammophon veröffentlicht max richters soundtrack zu scott coopers neuem beeindruckendem western “hostiles”. der mehrfach für seine filmmusik ausgezeichnete komponist liefert damit erstmals einen soundtrack im western-genre. erscheint als 180 gramm doppel-vinyl im klappcover, downloadcode inklusive.

pinkman records presents five years of tears: a string of releases dedicated to celebrate the 5th birth year of the label. the first volume features contributions by 3 of the labels usual suspects, as well as newcomer randstad. ernestas sadaus powerful, raw and menacing cut starts sets the scene for alessandro parisi to delve deep into his synthesizer toolkit. what comes out is a highly emotional production, infused with sirens and melodies that may cause tearful mourning on the dancefloors. on the b side identified patient provides yet another one of his notoriously slow and filthy underground creepers, while randstad delivers another burst of energy that celebrates raw percussion, gloomy pads and haunting vocal samples.

octave one announce their new album under the much loved random noise generation guise. the first rng release was falling in dub in 1991 and sounding just as fresh 27 years later, endustry is due for release this spring. something of a new take on their creative process the burden brothers made most of this music on the road while they toured over the past year, using the country they were in at each time they recorded to influence and inspire each track. we were tucked away in so many hotel rooms that we decided to make sure we brought enough extra equipment so that we could set up a true lab to create from country to country and make the grooves that we wanted to experiment with on the dance floor. comments lawrence. this body of work encompasses 7 full length cuts, naturally all with that classic octave one emotion. alkaylze, more than any of tracks on this project, embraced the original spirit of random noise generation in so much as the machine seemed to be really guide the creative process. adds lenny much of the foundation of the composition was very accidental, but inspirational, with various musical devices interpreting data in a very unexpected results. it actually came together quite quickly but things just fell into place so naturally. after touring and making music for decades the spirit and essential energy of the craft is what keeps them eternally inspired to keep creating and touring the globe. once it takes hold of you you cant stop even if you wanted to. says the pair, and so endustry is born.

another dreamer joins our ocd ranks. after our launch ep by ac$, we’ve cast our ears across the pond and discovered adam solomon, pushing the underground scene up in montreal. with influences spanning across various genres, we believe adam’s debut ep is just a small insight into what his career will bring forth. from mtl 2 the world.

audio soul project returns with 4 cuts that draw influence from chicago. the record leads with a shuffling chords followed by a twisted & sample heavy disco dub. the b side first brings a thumping banger followed by an acid builder that squelches. each jacket is screen printed & hand numbered (limited to just 200 copies). includes digital download codes.

after the success of the joe cleen ep, jazz cabbage returns in purple with a special new draft in the team: daisuke kondo from okayama, japan. after spending his teenage years playing bass in local psychedelic bands, daisuke finds his calling through detroit soulful house, and delivers here a well rounded punchy deep house ep with distinctive jazzy harmonies & percussions. on the flip is french broken beat don kaffe creme doing what he does best. follow the cabbage!

what makes a house tune a unique house tune? secret crunch volume 5 focuses on the basics principles of making house: we are talking about an unique groove, we are talking about the original use of samples and we are talking about a soul thang. secret crunch volume 5 presents four cuts of fresh and undiluted house music. on side a felipe gordon from columbia opens with the cool jazz infused stepper -teusanquilo step-, while ashley stevenson contributes to crunch with his new project the last trip to gandahar. his track -planet music- captivates with earwig vocals and a catchy groove. on the b side vienna s finest jeremiah delivers an exciting acid experience building from the beginning to the end. newcomer gus nobel finishes the ep with -radical science- in style - and yes, it s a crunchy banger.

headphoniq drops an amazing album from the creator of the warp remix! ilo fuses together a raw mix of deep house, jazz dub, disco & detroit techno! imagine derrick may, maw, bjork, kraftwerk, carl craig, pepe bradock & roy ayers make music together & you come close to what the sound of this is.

uneven paths: deviant pop from europe, 1980-1991 is the second multiple artist compilation on music from memory and is compiled by record connoisseur raphael top-secret and label man jamie tiller. the compilation brings together twenty one tracks from across the continent, exploring the more unusual and unexpected sides of pop music produced during that period.

for its third release, rapid eye movement conveys various artists to propose another stunning odyssey into the fields of forward-thinking deep and dark techno.

hart & tief turns 3. as the most fascinating yet tremendous of creatures, h&t relaunches its sound in every release, like a shiny day that gently welcomes an outrageous storm leaving your body wet and your mind connected with whats next. everlasting artists dave dk & stimming are the chosen ones to break through the clouds and reach the dimension beyond what’s predictable. soulphiction, mike dehnert, robag wruhme and dj koze delivered the first 2 releases, showing what not to expect from the hart & tief state of beat: comforting sounds for predictable minds. let’s turn it upside down: deep emotional trips for like-minded clubbers and artists. non-conformist dancefloors and exacting passionate crowds. hamburg-based, stimming and dave dk have built their experience through uncountable tracks and performances. turning the lights off and playing it loud is what they are best known for. on this special occasion, painting the vinyl specially dark is what they were desiring and the frame brings together two superb tracks: frankfurt main and saida222. stimming has built in a sneaky percussion with an enormous engaging touch. buoyed up by a textured bass, frankfurt main reaches the center of what an in-depth track aims to be. saida222 takes us on a contemplative, introspective and melodic journey, a route usually explored by dave dk in his previous and acclaimed works. both tracks are pushing a refreshing and windy vision that, far beyond from being just obscure, gets us closer to a wise enlightening experience.

by all rights, the name chevals might be a new one on a few folks out there. but, we encourage you not to confuse pedigree with quality of output because with chevals the two go hand in hand. his first two outings on homage & better listen records soared to the top of the sales charts and we re stoked to finally release our 10inch with him to help keep the momentum for what is sure to be a successful run for the french beat-smith.

2lp gatefold, incl dl card , there are some records that manage to sound both of a time and utterly timeless and bon voyage organisation s jungle? quelle jungle? (a nod to supertramp s crisis? what crisis?) is one of those albums. its silken-smooth production, irresistible grooves, funk-tinged guitars, lush soundscapes and general glowing presence could easily lead one to believe that have dug up a lost disco gem from the 1970s. however, behind the disco-pop gleam lies eerie dystopian sci-fi ruminations of a futuristic bent and tones that can often feel as french as they do asian or african. this sort of cross-continental exploration is an expansion on bvo s previous two eps, the man behind the organisation, adrien durand, says. -i tried to continue the musical expedition between dystopian science-fiction haunted africa - plus haitian vaudou on -soleil dieu- - and futuristic asia. addressing, in a double entendre manner, some of the political issues that i am sensitive to.- in fact the jungle in question in the album s title is a metaphorical one and one that creates a vast series of environments for durand to explore such subjects as world trade, utopian ideals and themes of idols, as well as of time and communication. however, one will need to speak french to decipher such explorations, as well as shake off the natural impulse to move with every glorious beat on its 13 tracks, of which are moved along by maud nadal and agathe bonitzer s golden vocals.

currently generating some serious heat and momentum amongst dance music aficionados, man power rocks up with a single for futureboogie that further cements the reputation of this rising british producer/dj. the two original tracks are also backed with a remix from ruf dug. alongside his own very excellent me me me label, man power has been delivering diversely epic releases for labels like esp institute, optimo trax, and correspondant. in its original form, barranquilla trifle features rave-lite stabs and deliciously sweeping pads over woody percussion and an omnipresent studry bassline. a dash of acid darkness only energizes the mood, for what must surely be one of the best ‘sunrise moments’ tracks of the year! ruf dug takes barranquilla further on its trajectory towards summertime vibes the sounds of the ocean sea gently breeze over the soca beat, as the ruf kutz main man adds splashes of percussive hits, huge m1 pads, and melodious keys to the party. more 303 business coats kaon from its opening bars, as man power delivers his second original track on the release. an urgent breakbeat and wandering mega-bass soon evolve into thunderous beats and heady synth arpeggios, an almost post-punk funk atmosphere creeps into the bustling yet succinct ambience.

in those times of newfound experimental conformity, it is sometimes needed to go back to simplicity. this may be where dj oil is leading us to. you think you know what you can expect but common ground is not always in your head, it is sometimes under your feet. this is the second 12inch of the bref avenir collection (to be released digitally later this month), our southern activist using well-known tropes and samples to provide necessary confusion. telephunk is nothing else than a monster breakbeat funk (away from the new lynn collins dictatorship), unfashionably cool if you see what we mean. if paresse is its twin dark sister, locking electro in its black music roots whilst remaining strangely european, then fall is its downer baggy brother.

for years nathan church has been cutting up floors in his native bilbao. recently the basque man s attention has turned from the dj booth to the studio. under his wldv (we love dolce vita) this iberian electronic inspiration has cast long shadows and brightened rooms with his blend of horror score intensity and disco exuberance. wldv arrives at the bordello with a four tracker of serious intent. sepulchral and sinister synthlines characterise a dying feast, nowhere more than in the haunting samples and clean drums of -a bucket of blood-. cold chords gleam with icy menace while crisp claps punctuate the entrancing funk of -danza macabra-. ecclesia toys with set parameters, exploring what lurks in the twilight between terror and titillation. this flirtation with the divine and the profane is plain to hear in the uneasy elegance and uplifting elation of -far, far away-, a work of steady kicks, unsettling extracts and soaring strings. this -feast- ends on a delectable note. keys dance and spiral in the intoxicating -laying down on cosmic dust-, an enthralling end to and enthralling ep.

nebraska fires up his own friends & relations label once again to take a trip into the strain of lilting, summery deep house that has previously fitted in so well on rush hour, mister saturday night and more. this time around nebraska is getting the remix treatment from an all star cast, leading in with the woozy, soul-soaked shuffle of session victim s treatment of -pintxos.- mr beatnick keeps things suitably deep when tackling -rat boogie,- all laid back disco patter and filtered funk, before marcel vogel goes one step further on -keep what ya got- and rolls out slow and juicy funk of the raunchiest kind.

nagano native yoshiki tsuchiya aka mirugas roots are deeply embedded in jazz music. his studies included jazz and funk drumming as well as the catalog of the legendary strata-east label. miruga presents four emotionally deep cuts which fit perfectly on moods & grooves. each track in the spirit garden ep tells a unique story as seen through the eyes of yoshiki. into the zone is a plea for people of all countries to come together based on recent world events, in heaven above is a prayer for those lost in japanese natural disasters such as the one at the fukushima daiichi nuclear power plant. the pain, sorrow, and absence of love is felt in without words, while scenery in my mind is an insight of mirugas dream or philosophy: dont stop or look back, keep moving, and make things happen. if you appreciate the original spirit of what was once known as deep house, then you are sure to find pleasure in this offering from miruga.

the second intergraded is a four tracker from hi & saberhaegen, the brainchild of two producer/djs from scotland and ireland respectively. they first met midland at a gig at sneaky petes in edinburgh where they booked him to play at the club (where they also hold a residency). having previously played their music on anthony naples proibito and huntleys and palmers he was keen to hear what else they had been working on. what followed was selection of tracks that ended up being distilled down to the light on leaves ep. without relying on superlatives and detailed track by track descriptions, its an amazing record that reveals itself with every listen and one we are really proud to have on the label.

slamming franck roger house release

lossless’ first offering in 2018 comes courtesy of co-founder mathias schober. with his -continuing ep mathias definitely continues what he has started with his recent -certanities ep- on optimo trax. the ep is a true reflection of mathias’ constant approach to push the boundaries and merge his influences to draw a coherent painting. in this case the drawing is consisting of three truly unique tracks.

joefarr and his label user experience are pleased to welcome a very talented to the roster, insolate. the artist formerly known as miss sunshine is a dj, producer, label owner and promoter who has been in the business for 20 years and considered as one of the best techno artist’s from croatia. the two original tracks ride a perfect balance between groove, power and emotion. joefarr does what he does best and turns out a killer remix.

>do milk< reminds us on the legendary r.v. track bass queen! the sub label of sukhumvit records supports & connects talents from all around the globe. sharing same frequencies is all what it is about. on ncss002 you can find a secret funk track on the b side. be9vinyls.

this wonderful, balearic tinged disco rarity is getting the official reissue treatment finally! nicolette larsons lotta love has long been a sought after jam, with the promo only 12inch version changing hands for big dough! mixed by the legendary florida born and nyc dwelling mixer and dj extraordinaire jim burgess, this one straddles that gorgeous line of being a bit rock (neil young wrote the track) and totally disco in all the right ways. a truly sweet slice of music here backed with a nice cover of sam cooke s classic standard you send me . often bootlegged, there s been some shoddy facsimiles kicking around over the years this high quality, official, 100% legit reissue has been lovingly remastered by above board distribution in conjunction with warner brothers from the master tapes. what more can you ask for? this 2018 repress is a reproduction of the 1978 wb promo only 12inch complete with warner brothers artwork. essential business.

a certain ratio aus manchester repräsentieren nachgerade beispielhaft die Ästhetik und kultur der postpunk-explosion der späten siebziger mute schickt sich nun an, den katalog der band in einer mindestens länger währenden veröffentlichungsoffensive erneut verfügbar zu machen die reissues sind teil der bereits laufenden zusammenarbeit zwischen der band und mute, die ihren anfang mit the graveyard and the ballroom, to each und force im letzten jahr genommen hatte. limitierte pressung auf transluzentem doppel-vinyl (45rpm), downloadcode inklusive.

emanton (dann abala) is an argentinian producer, electronic musician and thereminist. after studying with synth maestro ernesto romeo, dann began producing under emanton and also has an experimental alias as turvia. here we have what emanton perfectly describes as hard esoteric/mystical/ mega darkness sound. four dark and pounding tracks with leanings toward industrial in uences and maintaining a consistently propulsive sound-design techno vibe. carefully crafted with a diverse spread of analog gear/synths and modular instruments. absolutely perfect example of the transfusions aesthetic.

bobby van putten s the planty herbs project has been reveling in the edit world since 2010, although his output is frustratingly scattered for those who appreciate his tender touch. now though you can revel in the splendour of a full 12-track, double vinyl album that truly shows what putten is made of. from the mellow soul food of nothing lasts to the laidback hip hop funk of downgrade, the dusty house experiments of akustika to the poppy overtones of follow me now, this is the sound of an artist with a rich musical gift and a soulful instinct.