copenhagens music for dreams comes with yet another strong release - a double album of personal favourites compiled by jan schulte. according to all maps and witness accounts, germany does not officially have any tropical forests. this is of no concern to schulte however, who has unearthed many stunning examples of tropical drum music recorded there. perhaps the number of botanical gardens and palm houses in germany confused musicians into mistaking the climate, or maybe it was just a happy blend of escapism and multi-cultural integration within musical scenes that spawned such a curious output of undefinable tribal folk jazz. most of the tracks picked by schulte were released on small labels in the late 80 s. the musicians involved were mainly traditionally schooled, born and raised in germany. at that time to be interested in foreign folk music might have seemed a gimmick to some, what with the emerging -world music boom- already snowballing into the mainstream. but these songs, while they may be based on musical traditions from foreign lands, deal much more with introspection than exploitation. schulte himself points to his -general fascination for music that describes places where the artists have never been. songs about the jungle or the rainforest made by people that know the rainforest only from television and books. somehow i think you can hear their mythical imagination and fantasy in those tracks,- he explains....

check track 3 .... field records looks to l estasi dell oro (christopher ernst, aka penalune) for a new three-track ep for sound systems that once again takes us down the rabbit hole. following on from his previous i look upon nature while i live in a steel city album in 2015, this is another masterfully drawn out and engaging affair. -either to please or to educate- is the intended purpose of this ep release, utilizing guitar, tabla, and other electronic and acoustic instruments. the incessant movement of the metronomic tremors felt underneath our plains lay the rhythm. the threadbare dialogue we use to communicate frays slightly further. these spirals are given an explicit voice through leader annabelle kuwe s dispassioned public address to the remaining world at the great meeting of 2166, as recounted by sadie lapierre on closer achieve ignition .

tooloop #4 once again from russia with love.

nickelbacks 4th studio album, originally released in 2003, now available for the first time on vinyl.

for fans of: crazy p, dj spinna, kenny dope, john morales, kerri chandler
sadar bahar ist ein us-amerikanischer house-dj aus chicago mit einem faible für disco und funk, der insbesondere durch die wundervolle kompilation -soul in the hole- (2012) auch abseits der dancefloors dieser welt für aufmerksamkeit sorgen konnte. gemeinsam mit dem synthesizer-enthusiasten und electro veteranen ben spaander aka cosmic force hat er in dessen utrechter studio vier schwer groovende tanzbodenfüller aufgenommen. -electronic frequencies- lässt mit einer hypnotischen synth-bassline, gerader kickdrum und jazzigen gitarrensprengseln klassische 80er-house-zeiten hochleben. -fast trumpet- zaubert aus funky wah-wah-gitarren und einem ohrwurmartigen bläser-sample einen frenetischen discosong. der disco/funk-workout -binaries in love- lebt vom schwindeligen zusammenspiel aus saxofon und rockiger gitarre. den abschluss macht das geschmeidige jazz-funk-stück -east river throwdown- mit einem ikonischen break.

coalmine records is excited to announce the limited-edition vinyl release of the artifacts’ highly regarded 2012 single, “easter,” which marked the group’s first official release in more than 15 years.
initially released as a digital single on april 3, 2012 (the tuesday before easter sunday), the track later appeared on coalmine’s decennary compilation, unearthed, which dropped may 13, 2014.
however you heard it—one thing was very clear: despite their time apart, artifacts emcees tame one and el da sensei sounded as fresh as ever on “easter.” the new jersey rappers’ venomous flows are boosted by the neck-breaking production of acclaimed north carolina producer khrysis. making the cipher complete is the turntable work of dj dutchmaster, who provides the scratch hook and outro cuts.
with this release, “easter” makes its grand return in the physical form in a limited-edition white vinyl pressing that also includes the instrumental track on the flip. it also takes things back to the old-school by way of a front jacket hole that exposes the label (the heads know what’s up).

the return of rome based acew label with 2 tracks involved in minimalist, electro with an idm touch. vocals from carl finlow.

r&s presents a killer ep from romania’s ada kaleh aka iulian cuculea, which follows his stunning alejandro jodorowsky inspired debut lp -dene descris- on his vinyl only imprint ada kaleh românia. like many of the second wave of romanian minimal producers, iulian s music combines propulsive hypnotic rhythms with rich, organic sounds that envelop the listener in an otherworldly atmosphere. -the creation process is a moment of temporary madness for me” iulian explains, -i enjoy working with layers of sounds that intertwine and embrace like a lotus flower. folding and unfolding.” finding fans in the form of countrymen like raresh, petre inspirescu, rhadoo, barac, cezar, priku and internationals like ricardo villalobos, sonja moonear, tini, prins thomas, he’s also dropped critically acclaimed releases and/or remixes for uvar, the rabbit hole, third wave black, supernature as well as his own ada kaleh românia imprint. opener -palatul de cle&#351,,,,,tar- (translated -the glass palace-, received a vinyl only release on his own label in 2014) sets the tone with a mesmeric rhythm track overlaid with a haunting clarinet part and spaced out synth gurgles that combine to enthralling effect. apollo records alumnus laurine frost supplies a trippy, blown out version that blackens the tone of the original into a work of quiet menace. on the flip -devotare- (translated -devotion-, also a vinyl only release on his own label in 2013) strikes a more strident tone, the grooves strut rather than purr - gauzy chord stabs weave between the beats and clunking percussion in a delicate yet complex interplay of elements.

uk producer martin jenkins needs no introduction. under his more commonly known aliases (pye corner audio, head technician, and more), he has mystified fans with his unique brand of synthesist nostalgia with numerous releases on ghost box, more than human, and further records. for this special 12-, martin revisits his past influences and crafts his first techno record. his fine-tuned programmer and production skills blind us with these 4 tracks of stomping dance floor killers. it s a totally new thing for martin and can be best described as straight up techno utilizing the pye corner audio sound palette. dive in and get lost. that 4th track!

lostsoundbytes is a brussels based young and fresh producer. he is one of the owners of -vaste choses-, an atypical music label that has released several tapes. his previous release was a split record on -land of dance records-, named -from sci-fi to lo-fi-. on willi s adventure, he worked with machines and push all his gear beyond the limits. raw and weird chicago inspired acid tracks, distorted voices that could make a hole in any heart, slow and oppressive industrial tunnel. keep an eye on him because lostsoundbytes is a prolific and tireless musician , he could soon play near you... enjoy.

when the derangement has reached the limitless limits. like the sound of a light-beam reaching the immense gravitational waves of a black hole. is there sound in nothingness? this is your outermost reality.

2017 repress on black vinyl incoming!
techno stars collide as truncate and slam come together for the latest gynoid release “drum trax”. side a sees truncate return on the label with 2 original pieces in model 2 and the title track, “drum trax”. both dipped in that truncate signature floor driven minimalist funk and backed with tough percussion for drive. these are surefire dj faves waiting to happen. the flip side sees slam remix “model 2”, not once but twice. the slam remix charts darker and brooding territory, taking you deep into the rabbit hole. then the tenebris dub remix still maintains that mood, but shifts through the energy gears to develop into a dance floor bomb.

incl black hole sun !soundgarden’s 1994 album “superunknown” back on 180 gram audiophile vinyl, newly remastered from original analog tapes. housed in a gatefold jacket, including 12 page book with new photos and art

after one year of high energy industrial and punk-leaning music, kess kill presents something slightly more contemplative: the vinyl debut of the swedish act grand mal x. the solna based duo started in 2010 and was first known from the cassette scene, which was also where we stumbled across their work. drawing from a long and wide palette of influences — from osho dynamic meditation and eu highways, to artists like suicide, coil and rune lindblad — their music breathes an ethereal yet catchy air, a difficult line to tread. the fact that one of the members is active at the legendary experimental ems studios in stockholm might be the reason for the unusual amount of depth and maturity, steering the music sternly away from the plainly accessible. opener ‘late night call’ is a brooding and growling number perfect for setting the mood in any room or occasion needing an infusion of sweaty sexual energy. ‘speed of light’, the record’s most up-tempo song, leans towards both synth pop and electro-punk. on the flip ‘the trip’ does the exact opposite of the opener, winding things down both emotionally and energy wise, replacing sex appeal with lithium-lined angst, not unlike alan wilder at his deepest. ending the ep is ‘rabbit’, an unadulterated trip down a similarly named hole for those who feel like falling. summed up it’s the most abstract but surprisingly catchy kess kill release to date, an essential beacon in grasping the label’s concept.

we’re glad to welcome back aun to cyclic law for their latest opus! aun’s music as always suggested forays into other dimensions, be it to imaginary worlds, industrial wastelands, through space and time, or via mind altered states. from the ominous dystopian artwork, of a city being drained of its energy by some mysterious black hole, to the first notes of the title track “fiat lux” we are once again transported on aun’s otherworldly travelling path. ever since the space industrial and power electronics of aun’s previous cyclic law cult release “black pyramid”, the world has become even more sinister, but in contrast, “fiat lux” exudes even more of aun’s melancholic hopefulness. the disintegrating chords and densely textured waves, anchored by a left field industrial pulse, invoke occult drug enhanced, future psychedelia. created in part in their montreal studio, these tracks were extensively performed live, prior to recording, and refined while on tour breaks in montpellier, barcelona and tokyo. the energy of these cities is definitely at work in these recordings, which also features a french connection of experimental heavy hitters: witxes, frédéric d. oberland and philippe petit have helped round out dumais and leblanc’ arsenal. fiat lux: let there be light, from light will come darkness.

zombi 3 the soundtrack classic edition & special edition available now on we release whatever the fuck we want ! tip on vinyl. wrwtfww records is delighted to unleash the complete uncut soundtrack for lucio fulci & bruno matteis cult zombie-ploitation gem zombi 3 (aka zombie flesh eaters 2 aka sanguelia 2, 1988) black vinyl

anglo-cherokee-japanese skateboarder turned musician korey dane returns with his second album chamber girls. influenced by the likes of t.s. eliot, tom waits, karen dalton, the beatles and the stones, and more, chamber girls was recorded almost completely live at l.a.’s analog time capsule valentine recording studios, searing instinct and experience direct to tape. dane produced everything himself, too, except for a quick assist from legendary producer tony berg (x, public image ltd.) on one song, and he was inspired by the deceptively simple ethos he’d internalized while making youngblood: pursue greatness. “writing a song that you know someone might skip over later is sacrilege,” he says. instead, he wanted every song on chamber girls to feel not only live but alive, too, with that go-forbroke spirit that animates everything he says, does, or sings: “i’m writing all the time,” he says. “i’ve lived by a line a day sometimes. i try and stop when it’s good. if you try and simplify it down to its bare elements ... it’s truly a redemptive act.”

fire in the hole! luca agnellis etruria beat hits its 40th release and its a truly historic affair with two very top remixers: slam and truncate! now seven years deep into the labels innovative techno trip, etruria has made nurturing exciting new italian talent one of its key signatures.

wenn sich musiker wie sufjan stevens, bryce dessner, nico muhly und james mcalister für ein album zusammentun, ist die welt natürlich nicht groß genug. auf ihrer einspielung -planetarium- vertonen und besingen sie deshalb unser komplettes sonnensystem. die idee zu diesem konzeptalbum schwirrte schon etwas länger in sufjan stevens kopf herum. konkret wurde sie allerdings erst, als die konzerthalle muziekgebouw in eindhoven nico muhly den auftrag zu einer komposition erteilte. sofort dachte er an eine kollaboration mit seinen freunden dessner, stevens und mcalister. doch nachdem man das stück gemeinsam fertiggestellt und aufgeführt hatte, legte man das junge projekt erst einmal auf eis. im anschluss veröffentlichte bryce dessner mit seiner band the national -trouble will find me-, sufjan brachte sein album -carrie & lowell- heraus und nahm anschließend mcallister mit auf tour, und muhly komponierte ein violinen- konzert für die metropolitan opera. schließlich kehrten stevens und mcalister 2016 mit einigen songskizzen zurück ins studio, wo dann richtige stücke entstanden, die mit den mitteln von prog rock, elektronik und indie durch das universum schweben.
das doppel-vinyl erscheint im klappcover, inklusive downloadcode und 6 doppelseitigen kunstdrucken.

panorama bar resident nick ho&#776,,,,ppner gets to work on his second solo album on ostgut ton, connecting the territories of house music with the ease of alt-pop. work as in labor. an axiom that fuels the capitalist system just as the techno/house scene economy says that one needs to keep oneself busy to make a living. as a musician, things are complicated of course. it’s a long way from the romantic idea of creating music simply for the sake of art to becoming a full time musician. those who have accomplished this feat often find themselves in a professional loop of writing the music, producing it, promoting it (with an info text like this), releasing it and then hopefully selling it. after leaving his full time job as ostgut ton’s label manager in 2012, nick ho&#776,,,,,,,,,,,,,,ppner went fully freelance, focusing on his musically diverse, deep and dynamic djing in and outside berghain’s panorama bar, but more importantly spending more time in the studio. the result was his critically acclaimed debut album folk (ostgut ton, 2015), various 12“ releases and remixes, and now his sophomore lp, work, which, more than ever, lays out his refined production skills and his talent to work the machines until they reveal their inner ghosts: nine new songs that now dodge the dance floor, then fully embrace it.

50th anniversary double vinyl edition - “sgt. pepper’s lonely hearts club band” as you have never heard it before! record one contains all original album tracks in a new stereo mix by giles martin. record two contains the sgt. pepper studio sessions, mixed by giles martin.

there are depths in humanity which one cannot explore, as there are mephitic caverns into which one dare not penetrate. madness in any direction, at any hour. the anatomy of human destructiveness, a hole like a sewage drain for the fine clear coat of civilisation, a place where the eye wanders and the lip jerks and drools. if there is such a dark moloch which deviously knots a thread within us, with which to hold us and draw us down an eerie and delirious path that we would never otherwise have set foot on, then d. carbone’s mephistophelian alter ego honzo pulls us with his 4th installment “distopia - un mondo indesiderabile” right into its gaping abyss, leading us there where we would have never consented to go.
panic. it creeps up the spine like the rst rising vibes of an acid frenzy. the haunting chill upon your neck. there is a sound intensity makes while echoing through the body, the epinephrine pumping through the jugular vein, voices from unknown origin, the blood throbbing through the numb extremities, heart palpitations, the flashing visions, cold sweat, the heavy breathing, hyperventilation, dissociation, fight-or-flight. honzo gives us a vision of what it means to truly be in a world of terror and angst and in the secret bloodlit dark behind our eyes we enjoy the cathartic abreaction this brings us.

spätestens, wenn man nur noch über seinen manager miteinander kommuniziert, sollte man konsequenzen daraus ziehen. blink-182 haben genau das getan. ihr album »california«, das bereits im letzten jahr erschien, ist eine platte voller veränderungen.
und da diese veränderungen zu einem enormen kreativen output führten, haben die punkrocker die platte jetzt sogar noch erweitert. hier ist die »california«-deluxe-edition.
180 gramm doppel-vinyl plus downloadcode im klappcover.

tapes at the control! superstar follows up his previous 12inch for the estonia s porridge bullets, this time with a collab project with tapes (jahtari, em, sextags, meeuw muzak) ltd pressing, cut reggae 45 style (large centre hole) big tip! a disconsolate love-cry of a man gripped with feelings of loss. emotions laid bare on a tender night-drive dub with tinkling synths, recalling the memories of an unearthly beauty.

as a recent emerging artist, rommek has shown promising developments in his own sound, as well as carving his way into the current techno scene. his extensive interest in sound design is embedded within the atmospheric, dynamic and textured tracks he produces. his debut, thought patterns ep on the london based label weekend circuit, established his position on the map. since then, various releases have proven his wide appeal through the combination of the energetic, gritty uk sound coalesced with deep and transcendental aspects. with his debut release last year on blueprint with ‘moth hole ep’ he is back with this percussive ep.

repress of this amazing tune by calibre feat. chimpo!
calibres & chimpos half stepping *start again* original is now unleashed on vinyl backed with brand new jungle style vip remix. teaming up with manchesters chimpo, the pair have created two sound system killers. this one is not for a fassy-hole!

artefact - a smooth groover that has all the markings of a great producer. it’s a smooth groove machine, percussive and acidic in equal measure.
drag you inside a hole - is percussive again, with his hall mark signature groove, it’s infectious as it is long, a great booming techno number.
no merci - a peak time affair, booming and dark, think aliens, it’s the title for a reason, it stomps and delivers.
shelter - a breaks outing, subtle and melodic. a perfect finishing or opening track to a set, and one of our favourites on this release. it’s as magic as it is prophetic, simplistic beauty at it’s best.

divination is the second lp to come from liam blackburns ancestral voices project. where his debut lp night of visions, reconstructed his rhythmic approach into a primal framework, divination sheds the beats almost entirely and focuses on soaring drones and liams refined approach to ambience. there is moments of tempered elation (revelation, inscriptions, cleromancy), contrasted with black hole soundtracks (geomancy, hieratic) with the overall feel of divination becoming a gently traversing voyage through a revolving mood-scape. with divination following more beat oriented ep’s for samurai music and horo, liam redefines the sound of ancestral voices with every release.divination is a glistening example of the singular voice he provides to electronic music.divination is pressed on crisp white vinyl 3x12inch housed in a deluxe full artwork sleeve with spot varnished runes exclusive to the lp version.

having established himself through a consistent stream of quality releases for uncanny valley and the immaculate collection of rat life, credit 00 - real name alexander dorn - bring sthe heat on nyh81. these are recordings taken from his old apartment, and feature a heavy dose of reference to classic gertronica. from can to kraftwerk to neu! to (now) munich s dopplereffect, this is some really nifty classic electro.

das neue album des englischen gentleman s dub club auf dem amerikanischen easy star label folgt dem 2015er release -the big smoke-. für -dubtopia- ist das konzept den fokus aus songwriting vom vorgänger mit dem bassbetonten, uptempo drive ihrer liveauftritte zu fusionieren. das album wurde vom bassisten der band, toby davies ,produziert und featured gäste wie taiwan mc, lady chann, eva lazarus and parly b. die lp erscheint als limitierte transparente edition mit download code.

and who exactly would we be to turn down the legend that is neil landstrumm? expert craftsman delivers five relentless tracks of spooktacular wrongness. acid casualty sex dungeon weapons, lunacy and blutmuzik for greasy nights inside long closed italian nightclubs, where dr pretorius is the host and there is a kidnapped swamp monster melting in a corner. 100% bangers all night long. it is our immense pleasure to welcome neil into our deranged little world and let him tear us a new space hole.

at a recent gig in macedonia, he played an incredible “live pure data” set, using real-time graphical data flow programming to create all his own sounds. with this huge wealth of knowledge and a hard drive stacked with unreleased productions, his ‘spookz ep’ is long overdue. he describes his music as industropical or funkyndustrial and when you hear his two original cuts on this ep, these descriptions become more apparent. ‘spookz’ is dappled and harmonious with sweeping electronics and in-depth grooves. ‘prance for me’ is atmospheric and quaking in its deliverance, showing all his innovation and creativity. the ep comes with two stellar remixes. the first is by el prevost who delivers a grinding reworking of ‘prance for me’. el prevost has been forging his sound over the last decade, gradually shifting into the house and techno scene in particular for uk label, third ear and his most recent self-run label, no speakers, which boasts a varied artist roster that includes doorly, red rack em, wbeeza, 65d mavericks and gabbi lopez. rommek’s remix of ‘spookz’ follows and shows why this recently emerging artist is fast becoming a definitive force on the techno scene. fellow loose lips collective member, rommek made his production debut on weekend circuit, before joining james ruskin’s iconic blueprint label who released his ‘moth hole ep’, plus an appearance on their 20th anniversary compilation, ‘structures and solutions’ gaining him an admirable reputation for textured sound designs.

der britische ausnahmeproduzent darren daz cunningham, besser bekannt als actress oder neuerdings azd (acid ausgesprochen) ist mit einem neuen album auf ninja tune zurück! spätestens seit seinem 2014 veröffentlichten album ghettoville welches auf dem von ihm mitbegründeten ninja tune sublabel werkdiscs erschien wird er als einer der größten innovatoren elektronischer musik gehandelt. das album vereint komplexität spielend mit eleganz und verschmelzt zusammenhanglose wortkonstruktionen und elektronische klangwelten mit hilfe neuester ghetto cut up technologie. cunningham selbst beschreibt das neue album als non dance based civillian mind groove, mapped to an external soul beyond the collapsing black hole…music is chaos r.i.p music

nice price deal !!! nice price deal !!! ears open for this flex002, a collection of fresh made in italy house and the first journey with our new “piada spaceship”, we are pleased to welcome this bunch of astronauts that made this 12” a versatile tool for every kind of dance floor. yougrent, with his hypnotic and full dreamy track (don’t give us a chance!), the hill’s -short track- which embraces mpc beats and a 303-like evolving bass, alongside the collaboration between our men dj rou and opponent, who build their “afrowalk” on a never-ending jazzy loop. on b side you can find the dirty bass driven by tengrams that make the things more raw, the closing track is from luckyfeels which creates a fresh house track on a 90’s piano.

(180 gr heavy weight gatefold 2lp with liner notes) funky chicken brings together some of the best belgian dance tracks from the early seventies. its a post-fact documentation, the result of a quest into a period on which information is few and far between the black hole in belgiums history of pop.

there is a couple downstairs they don’t specially like each other and nothing matches between them, but they are together everyday and they said things could be worst. they have two large boxes with one hole hiding their faces so they just see what they want to see. they select what is important to look at and stare at it for hours. sometime they may both look at the same thing but they don’t even know it. this is a small part of the soundtrack running in their boxes.

manchmal ist eine rückbesinnung hilfreich um sich neu zu orientieren. im falle von booka shade ist ihnen dadurch vielleicht ihr stärkstes album ihrer gesammten karriere geglückt. wir sind sehr stolz auf all das, was wir mit unserer elektronischen clubmusik erreicht haben. mit movements 10 haben wir dann im letzten jahr dieses kapitel abgeschlossen. 2017 bedeutet für uns eine musikalische veränderung.(walter booka shade) ich mag die vermischung aller unserer einflüsse wirklich sehr 80er synth-pop, 90er manchester sound, bis hin zu aktuellen klängen von the weeknd und ähnlichen acts ist alles dabei und verbindet sich zu einem modernen und einnehmenden ganzen. (craig walker) galvany street ist das album, was wir schon sehr lange machen wollten. mit der stimme von craig walker war jetzt endlich die konstellation perfekt.(arno – booka shade)

powder is an up-and-coming producer from tokyo who had put out only a couple of releases on born free and esp institute when resident advisor featured her on the monthly series breaking through this past august. inspired by her first visit to cocktail d amore in 2015, she was so enthralled by the atmosphere, she started working on an ep for the label capturing her experiences from the party. the way powder interprets sound is extremely personal and unique. the opener hip has a driving sensual groove with hints of acid, seasoned with a good amount of loons and a mysterious foggy melody while heart sounds like an italo disco aural translation of a shojo manga script for a fun in the sun tinged story. on the flip side a slowmo industrial-meets-rainforest groove characterizes hole followed by hair in which she blends many layers of rhythm patterns together.

taking charge of the first release is lucy, who has evolved his distinct sound signature by reconciling the deeply personal with the esoteric, and by harmonizing the spheres of technology and biology. whether he is acting in the role of producer, dj, performer, or stroboscopic artefacts curator, lucys clear passion for creative evolution and mutation is something that continues to attract new listeners, and keeps giving his current supporters new reasons to continue tuning in. ep opener the hermit is eight minutes of spacious and cerebral techno. rolling drums are buried deep as little flecks of sound design peel off the groove. occasional bell hits bring a sombre and languid feel despite the drive of the drums, and it is the sort of perfectly absorbing track that will suck you down a 5am rabbit hole. on the flip, ‘the high priestess’ is a similarly mental work out that is empty and eerie, with distant drones and yawning pads outlining a vast underground space. the drums here are again rubbery and rolling, but a little more prominent, and the whole thing manages to be both soothing and unsettling. after this fine ep starts the label in style, a remix ep from blawan will follow.

no light at the end of the tunnel. no helping hand to pull you out of the hole. no second chances. no god to cure this deadly disease. no heaven to save your soul after your final seconds... hope will hold on, but in the end, death shall claim it. all this, we understand a little more, day by day.
we will experience our absolute zero, and the stages of life that come as close. we think that we will never recover and that we are not strong enough to fight against it. our immaculate, peaceful souls, that we begin our lives with, start to bleed, and slowly get torn into, bit by bit by the cold hard truth that breaks our protective walls. we learn to handle and accept this even as pieces of us shatter and die every time a little bit more inside us. to give light, we must endure burning. but what if everything we are able to burn is gone?
there is no other way... we are falling apart a bit more, every day.

its a well-known fact that total science are massive winners – or weiners, depending which sausage factory you bump into them at. and here with their brand new turn around ep, theyre now putting that into vinyl format with some of their nearest and dearest fellow victors. comprised of four killer cuts that combine a raft of their influences, the title track turn around takes you back to the early 90s jungle sound. they combine once again with symmetry label boss and all round drum and bass badman break for big time winners, summoning the ghost of rave past. the music master calibre steps into the cia fray once again to remix the beautiful ts classic walk the same lines with riya, and they also combine with fellow bristol resident and technical wizard dlr on too close for comfort, taking you down a deep rabbit hole. total sciences turn around ep signals their intent for 2017 – consider this your first warning!

the mysterious cornhusker unearths two obscure dj-only specials. the a side marries 70s soul (familiar to westwood listeners back in the day) with philly street-corner vocals that keener cinephiles may be able to place. the b side adds a beat to a soulful sunshine-imbued anthem that will ring a bell with fans of j-dilla productions, making it a must for outdoor gatherings. 7 inch large hole with hand stamp sleeve. this is the dj promo on this limited vinyl only release so grab it before its gone forever. upfront support: session victim razor n tape luke solomon nebraska

sandhu reaches the third stage with an ep that includes three tracks: on side a -black hole- is a powerful hammer with strong chigago contamination that leaves little space for romanticism, while -hunt-em- moves like a wave, dark and sensual that brings us to the depths of techno. new in this third volume is the presence of the duo hinode on the side b, where we find a long hypnotic hike on futuristic scenarios: here the machines are in control and do the dance.

a wicked showcase style collection from roots singer easton clarke featuring 1976-77 rare 7inch tunes >tug o war<, >jah say<, >dig a hole< and >must wear my crown< all with their killer dubs.

2017 re issue , groundbreaking, chart topping legends depeche mode release their long anticipated new studio album, sounds of the universe on mute. eclectic and energised, the bands new release is their most dazzling and diverse album in decades.

jacktone records is pleased to announce our latest release: a vinyl ep titled channel from rising house producer, loren steele the ep from san francisco-based steele is comprised of four original tracks designed for the dancefloor, plus a sprawling psychedelic remix from mathematics/100% silk veteran, roche. not only are the tracks varied and ready for skilled djs to drop at that perfect spot of the night, but, they’re also earworms - hooking you with their infectious grooves and melodies. the clean production and energetic structure of the originals, featuring perfectly-placed pads, stabs and filters washing over propulsive basslines and percussion locks in a warm yet hands-in-the-air vibe. the roche remix of swimma draws out the groove and adds some of that san francisco psychedelic fog. the tracks were recorded live in single takes with little post production processing, giving them a kinetic feel that can’t be reproduced. channel was produced with creative feedback from both cherushii and nackt, whom were lost in the oakland fire. the ep is released in their memory. loren steele is a san francisco-based producer and multi-instrumentalist. as a bassist, dj and a solo live pa artist, he has performed at bay area institutions, haceteria, ok hole, psychic friends, run the length of your wildness, space gallery, public works, and underground sf. he has releases on wolf and lamb music, run the length of your wildness, bob recordings

deepblak’s chief alchemist aybee releases his fourth full-length studio album, the odyssey. as befitting its grand title, this newest long-player finds him concerned with personal journeys: both the personal one that has brought him to this point - living in berlin, 15 years since founding deepblak in his native oakland - and the one that beckons for him personally and creatively in future: aybee sees himself as being halfway up a mountain, looking back on where he has come from, and to where he will be headed next - both concepts play a profound role in the emotional textures of the album, which in true deepblak fashion draws from jazz, deep house, techno, hip hop, blues, experimentation, cinema, space, time and infinity.

nice price deal !!! supported by: danny howells, timo maas, alexander maier, wagon cookin, jimpster, roberto rodriguez, jonny cruz, oliver klein, axel bartsch, dairmount, alland byallo, ed davenport, daso, deepchild, mihai popoviciu, the model, simon garcia & many more... we are really proud to announce our second release on white rabbit music. long fellow and white rabbit sympathizer alin >aeromaschine< crihan delivered 2 briliant tracks which will go directly into your head and feets. he is one of the most upcoming talents from romania. tracks on baalsaal and poker flat will follow. on the remix duty we asked cosmic cowboys and oliver deutschmann. both did an amazing job and transformed the originals into 2 different interpretations. oliver deutschmanns mix reminds to some groovey early 90s house while the cosmic cowboys remix move into the deeper fields and makes you go insane. but words are all in vain so have a listen and satisfy yourself. cheers from the rabbit hole.