a new disco re-edit from house mannequin in varied edit style. house mannequin ep 4 is the 4th release from >house mannequin< label in berlin. inclusive four summer disco/house tracks, direct to the dance floor and open air situations.

jon dasilva is one of the original hacienda (the manchester club) djs and was behind the decks when house exploded in the uk during the summer of love in 1988 as well as being a tour dj for new order and the haciendas usa tour in 1990. since then he has been credited for mentoring djs such as sasha and been an inspiration to laurent garnier a.o. he has also got a string of releases under his belt for labels such as soma, deconstruction, robs records and better days. check! on his debut release he teams up with vocalist donald waugh and the return to the roots of house music with >love is all we need<. together they have created a house classic that never was, reminiscent of an essential dj international release or alike. comes as full vocal and dubbed out bootleg mix. on the flip we find brailles on remix duties. fresh from his massive >the year 3000< on our direct current series, braille pushes >love is all we need< into the next century. classic feel good stuff. this is how we like our vocal house!

aah, how we have missed them! the fine young gentlemen that are channel x, two of stil vor talents most active producers of meticulously crafted and deeply energetic tech-house smash hits. and just in time for the open-air season they now come back with two very convincing pieces of dancefloor art. first up is >little symphony<, an epic space opera that takes it cues from early 90s techno and mixes it up with post-modern grooves and beats. the wide and open spaces are filled with some very hymnal string patterns that are given a final treatment with a reverbed and high-pitched vocal sample. contrast that with the rather jittery beat and a subbass as deep as the frequencies will go and you got yourself a substantially clear bit of techno that is best imagined when it is dark and only some beams of air tell you where you are. channel x do not produce, they direct and all of the sounds are their actors! on the flip things get more light-hearted and set for the daylight hours as well. >steamboat willie< is a heavily sample-orientated swinging piece of jack. the rhythm guitar lead the way on top of a clap-based loop that sets the basis for some very jazzy interpretations along the way. clarinets, trumpets, percussions, brass, effects and even some talking vocal samples are all allowed to join in this hedonistic big band that is at play. this is one for the sunshine, this is one for the smiles on the faces, this is one to feel instantly good about yourself and everything around you. two very different tracks on this ep, but both equally stand out for themselves

dubline records unveils their next release by the neurodub duo that runs the dubline camp - melamin & wicked sway. the theory behind this production outfit is balance. neurologically the human brain percieves information to be incomplete if it is not symmetrical. in a practice of endless work ethic the sound design interfaces perfected beats that have an even balance of elements. the process in which people follow music as a path is implied in the waking of the conscious mind while in it spirit. the thought process of their approach to neuro is always written for the peoples natural instinct to follow obvious paths of information that can be used to direct the appliance of listening as a being of light tunes in and drops out the appropriate information. thus by drawing attention to the information the focus remains to show the difference between the foreground and background. a focal point is intended to encourage the listener to always furthur the exploration of the information presented. using elements that are different to show that they are clearly different components of presented information and yet both also with similarity to those of the same reference. its simply easier for ones step towards enlightenment in the experience of being human to realize the thought process and recognize the ego, reminding at the expense of the thinking brain that its cheaper to die.

returning for a fourth ep on the label, berlins nick höppner continues his exploration into an ever-developing and rich production vocabulary. the rough goes with the smooth in perfect harmony on -a peck and pawn-. höppners unique sound design leads to a dense wash of sound sparkling with airy details and his characteristic sub bass subtleties, as the whole track gels together in a pushing modern house triumph. the spaced out and traveling -she parked herself- is a real fusion of the many influences behind the producers inspiration. bubbling percussion and pretty melodic structures fuse with a melting analog bassline in this high-tech and positive jam. with its heavy bass and late-night atmospheres -swivel flick- slows the pace in a warm, dubbed and droning thinkpiece that is just as cinematic as it is direct for the club. jostling just beneath the surface youll find a wealth of details that really shows off nicks talent and dedication to a non-standard groove

hotflush presents its fifth release from rising producer sigha. this ep continues his progression into subterranean techno hauntings. since his debut on the imprint in early 2009, sigha has accumulated support from djs across the electronic sphere such as francois k, brendon moeller, marcel dettmann, ben klock, peter van hoesen, james ruskin, and many others. with this release he takes a more direct approach that maintains the cavernous atmosphere and spatial tension of his previous work on hotflush and his own label our circula sound, resulting in a collection of club tracks that evolve and sizzle with burning tenacity, ultimately bursting into the beatless closer that echoes about in an otherworldly space.

the newest installment in night slugs vinyl-only nswl series is dedicated to >liberation front<, a track taken from egyptrixx debut lp >bible eyes<, released on ns earlier this year. without a doubt the albums biggest dancefloor cut, >liberation front is built to work best in huge rooms, stirring thousands of people at a time into a frenzy. on the a side, the original track is taken on by dj mike q, a stalwart of the vogue / ballroom club scene of his native new jersey. mike delivers an incredibly raw and stripped down remix of >liberation front<, re-working egyptrixxs unique sound design into a matrix of hard kicks, runway percussion and the of course the ballroom genres masters at work-sampling dramatic ha snare. an uncompromising rhythm track, this is club music at its most direct. as a bonus, the a side also features an edit of mike qs remix by bok bok, re-arranging the track and adding a tuff acid bassline to bring that soundsytem weight ns is known for. meanwhile keeping djs happy, the b side is dedicated to the original mix of >liberation front< in its full seven-minute glory.

pole records presents reekos new release. the veteran spanish techno activist brings us three tracks that look at techno from three different perspectives. cyberpunk opens the release: ebm flavoured bass, compact beats, dreamy strings and sharp percussions that make this number a direct floor workout. dystopic futures has a funkier approach, with a shaker driven percussion programming, shuffled synth lines and crazy arpeggiated high-pitched frequencies. empirical science is a futuristic techno track whose analog synths grow and evolve as the track flows, seasoned with white noise drones and a constantly evolving structure. three tracks of intelligent and hard techno for your body and soul.

peters love of obscure disco and house shows in this solo album - wide ranging influences have gone into the musical hot-pot. take the slo-mo lazy groove of lead track and opener love is the key . this sets the sonic palette, laid back, underground and understated (but cucumber cool) throughout. deliberately absent are the commercial and pseudo-poppy sounds from the visti and meyland 2010 debut. this record is a club affair, less in your face and more all around you . for example lost in space is one part elastic groove, one part melodious, enveloping ambience and one part progressive disco groove. tracks such as i m out the door , bubble bubble and drinking in darkness are more direct, straight dance floor booty-shaking grooves. as is what you would expect from the man who has dj stamped firmly into his dna.

the first hometaping compilation is made up of two vinyl samplers and a full blown cd compilation. on this the first vinyl sampler the artists featured are ooft from the uk, robotalco from italy, louis guilliaume from the netherlands and se62 from the ukraine. the trax share a very direct and raw approach to house music from the pumping warehouse sounds of >windin< by ooft, to the deep and classic sounding retro vibes of robotalcos >its classic<, through to the mind blowing moodymann and nu groove influenced >roots< by louis guilliaume, and ending with se62s warped vision of the future of roots house music on his >wax pencils<. this is how it started and this is where the future of house music will be made. so press play and let the music do the talking!

tom tragos second album! lots of guests including om mas keith of sa-ra, tyree cooper, oliver daysoul, romanthony and san proper. tip! after releasing his double ep >voyage direct<, early 2009, tom has spent the last two years finding his signature sound. the outcome of this search has resulted in >iris<. where >voyage direct< was his homage to disco, >iris< deals with all of toms musical inspirations. shaping these inspirations into a new sound and creating an exciting mix is where tom really succeeds. >iris< can be best described as a futuristic soul album. its an album that takes the listener on a voyage into the future of dance music. a future where all genres and directions are fused together, from soul to techno, from hip hop to electro and from classical to disco. over the past two years tom has spent countless hours recording for >iris< in his studio, on the road and in los angeles, where he recorded >so cold<, together with om mas keith of sa-ra. other vocalists featured are tyree cooper, oliver daysoul, romanthony and san proper. the selection of vocalists underlines the diversity of >iris<. you are cordially invited aboard toms musical spaceship, which will no doubt bring you towards the borders of your imagination.

john dalys meltdown gets the remix treatment! 2 awesome remixes from 2 awesome producers. on the a side qrn aka quarion turns out a pure deep house mpc jam, while on the aa echologist aka brendon moeller takes things down the dub techno road with a right club banger. both of these remixes were constructed from sampling the b side tools of the original, direct from vinyl ... no parts here, just straight up raw shit, re-edit style.

sampler 12 inch of tom tragos upcoming album >iris<! leading up to tom tragos debut album >iris<, to be released april 2011, comes this three track sampler. the tracks featured here show the diverse nature of the album, which can be best described as a futuristic soul album. after releasing his double ep >voyage direct<, early 2009, tom has spent the last two years finding his signature sound. the outcome of this search has resulted in >iris<. where >voyage direct< was his homage to disco, >iris< deals with all of toms musical inspirations. shaping these inspirations into a new sound and creating an exciting mix is where tom really succeeds. the three tracks on the sampler all deal with merging the old with the new. >being with you< is a match made in heaven between electronic music and r&b, >space balloon< lets disco and funk make love in a spaceship. what you do is a future version of late 80s chicago hip house, which features tyree cooper (who, together with fast eddie, invented the genre).

devastating and important first vinyl nutempo records. mike wall & ixel are artists who do not need no introduction. here they show three original tracks, which represent three stages of their journey by train ... techno clean, direct to your brain, with references to some minimal rhythmic. three high-level tracks for everyone! the remix by m.a.d.a. & plankton, makes the trip complete!

nice price deal !!!

encapsulating carolas approach to techno in both sound and title, groove catcher is the naples producer at his best, with a rolling bassline punctuated by a percussion pattern that teases out the funk of the track in carolas trademark style: pacey and direct, but with enough bounce and fluidity to fully snare the occupants of the dancefloor within its grip and make them do its bidding. fellow album cut, the method, which appears on the vinyl format only, is similarly insistent whilst lighter in tone - if groove catcher is best employed at the peak of a club set, then the method is its daytime terrace equivalent. leading the ep will be the rework of groove catcher by martin buttrich, with the german producer lending the considerable talents that have led to releases on poker flat and cocoon recordings - as well as his recruitment behind the mixing desk for timo maas and loco dice - to a pair of remixes that transform the original into a different beast entirely. remix a mutates groove catcher into something monstrous and intimidating, bringing a different intensity to the track and injecting it with a heightened sense of danger.

this is one of the biggest releases on the label so far: juan pablo pfirter and alex bau team up for a smashing peaktime experience that leaves no space to take a breath. the modulating main synth-theme determines the character of both mixes and while juan stays very dry and powerful, direct sound, alex roughens it down to a dark technomonster as if there is no tomorrow. after release of pfirter on such highclass labels as clr, figure, stroboscopic artefacts and his very own mindtripmusic this is a stunniung debut on dmom.
played by: richie hawtin, alex bau, wjh, pfirter, dalidad djs, laurent n, etc

dirty fingers licked is a non stop ride of terror, speedcore & nu metal mashed to destroy your eardrums. ripping guitars, bad ass beats and twisted vocals make this a direct trip to hell and back.

submissions with another slammer for 2010! david moleon and rantan on this fantastic split ep. the a-side is for david an he comes direct with 2 tracks in true submissions style, hard edged techno to the core. pounding beats extravaganza. b-side for rantan and this senor from the southern part of europe comes in similar punding submissions style!

4 real raw techno tracks direct analogue cutted from the tape ... you feel this sound

2nd release from seiji his new label, setup to release his own productions on vinyl. 2 more corkers on here, straylight sitting somewhere in the funky corner with a direct house rhythm and rave-ish chords.weedkiller blows out any blunted cob webs with straight up seiji bass filth.tip!

in the 3rd downbeat release, the main star is the waldorf sound. this release means the debut of one of the heads of the label, jose rico. his two tracks (restructure again and >about it<) are obsessive, direct and forceful and define clearly his tastes and influences. detroit and above all, detroit. on side b, (the essential) mike huckaby gives us a bright pearl with a piano solo reminding us of his works on deep transportation. slow but sure

the >captain deutschland serie continues on the vinyl only format and is limited to 300 copies, all hand numbered.
dandy jack is well known for his multiple collaborations. its now about time to lay them down on wax.
the second chapter is a honest, loud and direct ode to the joy of queen bass. if you are searching for deep house and abstract minimal you should better pass your way.
dandy jack teams up with geneva fellows lad and quenum on the a side for what could be described as a tremendous and heavy ride into the catacombs of techno. sonja moonear has a slightly happier and smoother answer on the b side and challenges us with a long and percussive intro that leads into a melancholic twist. quenum and lad arent new to the electronic music and have been active over a decade. they have already been working together for labels like num and thema. sonja is dandys partner in crime as junction sm and ruta5s half head.

punch drunk broadcasts two transmissions direct from the murky depths of the bristol underground. debut 12 inch from respected underground stalwart superisk conjures shaolin indebted psychedelic visions of pathways through austere times. mensah turns up the heat on the flipside, reimagining the originals melodics & infecting them with his signature robust high energy funk.

supplement facts records continue their rich run of form by handing a label debut to detroit-native lee curtiss. the >and we all fall down< ep has been one of the most hotly anticipated from the israeli label and is set to become the soundtrack to the last echoes of summer. we continue to dance, as the days grow short our nights become longer and lees ep is the perfect accompaniment….>i can hear you arthur<, a tribute to one of lees long-time music heroes, arthur russell, is an emotional escape. with russell being a direct sound-inspiration for the release, we are treated to a longing for a far away love. with waves of sound that build and cascade, accompanied by pillow-talk whisperings, all creating eight minutes of rhythmic, warm grooves. arthur never sounded better. after the body-swaying vibes of the a, side b brings the perspirec-electronic throb and hip-grinding action of labor of love. after yearning for arthur, we are more than appeased with the beautifully sultry and ever so intimate vocals of stephanie selvaggio. with its rhythmic guitar opening belying its true intention, labor of love develops into a sensual dancefloor cut with stephanies vocals floating effortlessly with the acidic beats as she drives us ‚crazy, and we all fall down is a perfect example of an artist at his most vunerable. its brutally honest sound invites the listener in with open arms and wraps itself around them like a warm cashmere blanket. as the brutal realisation that summer is almost over starts to sink in…its worth taking comfort in records like this, that make the transition that much easier.

get ready for some heavy bass infusion. those who witnessed the infamous audio injection vs. drumcell collaborative 6 hour set at berghain in may could sense the raw and direct path of the uncompromising heavy bass-lines they walk on, yet they possess a subtle sensitivity making this audio experience a physical and mental journey at the same time. with his first ep on electric deluxe, audio injection captured this dark and raw spirit in a perfect way. his tracks move effortlessly from percussive high hat funk to heavy bass-line assault, call it techno coolness. all tracks are dancefloor focused, but contain a healthy dose of weirdness, giving the them longevity while still being functional, spot-on material for the floors typical for electric deluxe releases. the vinyl version of >operation a< is being accompanied by a none other than speedy j himself. the remix has his signature flow, shifting, rich soundscapes layered over a forward bassline sketch. music for minds in dark places.

keith tucker is also known as k-1 and for releases on direct beat and puzzlebox. here he delivers a 3 track ep that is in between straight up electro and classic detroit techno stuff. very nice and warm melodies and mysterious female vocals.

kathy diamond is possibly one of dance musics greatest singer, songwriters. on love saves the day she demonstrates why she is considered such a talent. every great original, already release on separate vinyl disc (needw004), should have an equally good remix and with this new package that rule is no exception. mario basanovÆs vocal remake is a perfectly timed disco shaker, that combines funky guitar licks with an eighties inspired synthy bassline all to a summery and uplifting backdrop. kathys vocal is cut up to perfection with eventually mario letting the chorus shine. on the dub he takes things direct to the dancefloor with squelchy bassline and punchy kick drum with a piano break that will have hands pointing upwards. soulclap need little introduction being one of the hottest production / dj at this moment in time. from the wolf & lamb camp, they have impressed with their repertoire of musical abilities.

new techno label from famed spanish electro producer boris divider and fellow analogue assasin miguel mendoza. the concept behind he label is to release quality analogue produced techno for the dancefloor and the big soundsystem. 180 grammos also gives you a clue to the weight of the vinyl. shadow runner presents developed instinct. primordial basslines, and an in your face kick drum that will propel you to detroit and beyond. the key - the darkness and the tr909. miguel mendoza is an amasser of analogue recording gear, and here he uses it to warp hypnotic sounds direct to the dancefloor. movement is the message.

here comes edwards follow-up ep. this time he goes a slightly deeper and more direct. it might be the purest music we ve ever heard from the berlin-based producer. all the crazy clubgigs are manifested into hi music now. of course still with the classical edward style somewhere between dark minimal and trancy deephouse aesthetics. >bush of crows< is somewhat of a siginature edward track. but a very rough one this time. with a comfortable paranoia, this track unfolds itself into a little peak time extravaganza. on the flip, he cools everything down with a warm house tune called >the ghetto< and he adds a certain >blockparty romantic< to it... b2. is once again one of those more minimal edward tracks were he masters to be on point with just the core essence o sounds. edward remains a real romantic for sure...

this is the 3rd release from 2 of the panorama bars ever charismatic residents, tama sumo & prosumer. after one ep already for the label, and a split on diamonds & pearls, this next trip sees the pair journey further into classic analogue territories, and including a wild, rough and direct remix from detroits the oliverwho factory.

please welcome one of the most promising dutch artists on souvenir027, onno. a one-way ticket to india awaits you with the a-side, >bombay palace<. onno is storming the dance-floors with mystic vocals layered with club friendly drums and beats. a must have crowd pleaser for the early sunshine of the day! daniel sanchez (remote area, 100% pure) flies the original direct to chicago - encompassing spacey and vocoded vocal sounds. he genially injects soulful elements into >bombay palace< and turns it into a stellar skyscraper rooftop for >8 minutes of love…< - deep deep deep! on the flipside, onno delivers with >chants< - dizzying on the forefront, all driven by cosmic waves and stomping drums - a singular piece of electronically modified funk. sante happened to be onnos first remixer of choice for the track - a great choice, as he infuriates the original with what the tech-house genre offers best, turning it into a devastating peak-time take. well done!

this debut lp by innergaze is chock full of rugged hand played analog synths lines, primitive drum machines, haunting vocals, and psychic jewelry. call it synthwave, call it punk, call it metaphysical body music or at this juncture whatever one sees fit, but this duos music goes beyond naming names for the sake of it. from the freaky, unrelenting opener >no shame< to the chris & cosey-esque >la la la<, this record creates many aural worlds to inhabit and explore. the title track >we are strange loops< bubbles at a slow, hazy drug induced bpm, while >illusions<, with its distorted almost guitar-like synth lines and stripped down 808 programming, brings things right back to the dance floor. the ideas and feelings executed here are a direct outpouring of what happens when the machines are turned on, played and recorded.

this scottish producer puts trapez ltd again on the techno map. after a couple of more housy releases on trapez ltd this release is a tougher one.&#8232,,circular star works techno a bit in a post detroit fashion... the sounds smells of industrial sites, burned rubber and has that certain sexy machine rhythm to it which we always felt was the jeff mills factor. they have little glamour about them, they are true and a direct force.

supported by: joakim (tigersushi), shawn mac, xaver von tryer (supersoul rec.), cosmo vitelli, walter jones (dfa), in flagranti, lsb dance disorder, discodromo, space ranger, makossa & megablast, dj morpheus, drrtyhaze, riotus rockers, bottin,.. 2000 lightyears from home is a slow track, but the boys conjure up thick beats reminiscent of early electro and an acid bassline that flows down smoothly. the remix is by altair nouveau, who we recently heard with a great work on dfa/solardisco. he delivers a moroder influenced more dancefloor oriented version. on the b side, come back, a direct track with a sure effect on the dancefloor, house beat and super groovy bassline

yippee!!! back in stock !!! more pacey dub sounds from men at skudge.... tough and direct. tip!

ross alexander payne has always been interested in the earth and its relationship to all in its vicinity, this includes earths place within the universe, and the presence upon earth of both natural and manmade systems and processes. drift and expansion are tracks designed to represent a view of earth from space. it was previously believed that the earth was expanding and thus the continental land masses were moving as a result of this process. modern scientific evidence does not support this idea, and the theory of plate tectonics is now almost universally accepted. this ep represents a view of the idea of these two disparate theories as if taken from the direct space around earth. ross explains in his words >everything i do, be it music related or otherwise, is driven by this fascination with the universe around me, the quest to discover this universe and the desire to expand my knowledge of all within it<

the vinyl package includes an essay, which was part of the original cd package and now arrives on one side of the inner 12inch sleeve. the essay, album and track titles take direct inspiration from slavoj zizek, whose analysis of cinema was a strong beginning point for the project.

sweatshops third release rolls on in with two hot, old-school-vibed productions from joel alter! swedish-berliner alter turns in two fresh, yet raw, cuts that are perfect for the winter club season, and a special edit from label boss savas pascalidis also features. lead cut soul clap is a heavy metal bass weapon for the house or techno floors. pure adrenal action is on hand from the outset, where joels sub-assured kick and ravey, filthy organ riff works the groove. direct and straight to the point, its a strong, forward leaning tool that is sure to get the fires burning in early 2010. savas pascalidis also re-works soul clap with his own edited version, working the 909 into overtime and turning up the intensity even higher! classic and tough chicago vibes all the way!

four new frictional rubs... direct from the man!

decks tip : >500 shapes< best moodymann stylee !!!!! two years ago murmur set out with a mission to make their mark on the underground house and techno landscape. along the way they guided the journeys of a bright array of artists, heralding early releases from nick curly, mic newman, nima gorji, bearweasel, tom demac, craig torrance and labelhead geddes, and have forged their own unique musical stamp. happy with that achievement they are now expanding and launching a new arm - murmur-? – creating a concept not to direct from but to compliment its forebearer, murmur-? is a chance to encounter a new shade of music, not just about floorfillers, but exploring music with soul, music with a different tempo and style, often still material you could play in a club but that can also be played and enjoyed anywhere.

the stl project continues with warm, soulful and dirty sounding tracks from the basement. this record features five moving deep chicago flavoured house tunes, plus the always appearing dope loops on the b-side. oldshool stylish melodies between raw and colourful beats, channeled through vintage hardware equipment direct to your ears. evolving percussion patterns will make you get inside the groove and feeling of each track. things for the dancefloor and moody listening places. ruff house music without any frills! besides the great stl tracks, there is also a dubby rmx from intrusion echospace.detroit on the flipside, which will get you even deeper into sound. something vinyl series 11. grab yourself one copy as long as you can!

plastic rules is steadily moving towards the future with high quality minimal techno releases. 004 was a firm step in the right direct featuring the amazing >someone else<.
now its time for martin woerner (paso music, inclusion) and he delivers another beautiful piece of vinyl for the djs out there. this upcoming is hot and the highlight so far is his track featuring on the cocoon mix cd by dubfire and locodice.
on the flip we have a piemont (my best friend) remix. these guys are hot with remixes already under there belt for trapez, kontor, ministry of sound and many many more..

various artist melodic deep space electro & electronica album!

various artist melodic deep space electro & electronica album!

the waiting is finally over! after all the ups and downs of the past year, we can happily report that joshua eustis now firmly intends to continue telefon tel aviv as a solo project. in order to mark his decision with a bang, thewonderful title track >immolate yourself< is being released as the second single from the current lp. the song has been entrusted to highly acclaimed and diverse remix artists who have skilfully stripped down the epic album track to more club-friendly formats.
the a side is delivered by label-mate thomas muller, whose finely detailed techno soundscapes can now be enjoyed on five bpc 12 inch releases. his >immolate< remix takes a much more direct approach. he reduces the lush arrangement of the original to a powerful basic framework, leaves out the vocals almost entirely, and creates a surprise when the track crumbles into sonic chaos towards the end.
miss fitz aka maayan nidam has had singles released on labels including raum musik and freak n chic, and these have been remixed by renowned artists such as ricardo villalobos. her version of >immolate< also makes a clear break from the album track and serves up her very own brand of abstract, dancefloor-friendly house. once again, all the opulence of the original is thrown overboard, a dry beat is placed at the centre of the arrangement and enriched with sinuous vocals.
ben klock needs no further introduction - he is the epitome of the bleak, hard minimal sound. his album >one< is currently available on ostgut ton, and as a remixer he has earned the highest acclaim for his version of depeche modes >peace<. bens >jack mix< is fittingly titled and lives up to all the expectations of the name. the track is stripped back to a resounding, hammer-like beat framework - minimised for maximum effect.
bpitch legend sascha funke delivers a surprise with another astoundingly reduced remix, at least by his standards. he turns away from the melodic richness of his current album >mango< in favour of repetitive fragments and an extended arc of tension which will surely make his >immolate< remix a massive after-hour hit.

after a brief hiatus, we return with a delicate slice of wax that epitomises what ldr stands for ? new, original music from hardworking, young artists. after the success of datas >blowpipe< on ld5 and a string of genre-busting releases on labels like metalheadz, critical, revolution and tempa, data brings us a grimy gem in the form of >liberty city blues<. incident from hungary and paul sg from austria blew us away with this track which featured on our recent knowledge magazine cover cd mix.
>liberty city blues< is a minimalistic piece of jungle music reminiscent of early photek or source direct. from the outset the tune just bubbles with menace and keeps on building and evolving throughout. a pure bass-heavy slice of proper jungle.
>autumn drops< is a soulful roller that shows that this crew are ones to watch in 2010. full of melancholy, icy vibes and a subtle basslinethat gets right under your skin, this track is a firm favourite for this year.

limited edition 2 x 12 inch double album vinyl!
nu electro vol. 2 features 12 specially mixed full length versions of the freshest, biggest and latest electro tracks, of which many are exclusive to the album and not available to buy anywhere else at this time. the double-vinyl also feature 2 incredible and exclusive bonus mastermixes.
nu electro vol.1 vinyl sold out in a matter of weeks - so get your copy quick!

music simply for the heart. outside it s getting cold but pinch n peedge bring us the warm midsummer nights back.soul and deepness direct from the middle of thuringia.