slackk first came to the attention of most with an ep of roughneck uk house on numbers, before a series of more emotive, melody-driven records on local action and unknown to the unknown saw him emerge as one of the most unique and influential artists working in the peripheries of grime - taking the genre’s hallmarks and audio tattoos but placing them in a context that owed as much to eastern mood pieces and the complex melodies of classic jazz records, hinting at other key influences on slackks music. his debut album palm tree fire was a particular success: resident advisor calling it a beautiful glimpse into the mind of an under-appreciated producer.
limited red 180g repress. its all about diffused light! odd even is slowly but surely one of the most emerging and interesting labels right now. this 4 tracker proofs why. outstanding coverprint, shrinked and dj friendly 140g pressing. mastering and cut by cgb at dubplates and mastering.
new version of the new studio album from bryan adams on vinyl, housed in a gatefold sleeve. (b3 is now “the last night on earth”, sound sample here still from “i hear you knockin”)
downtempo balearic styled remixes of tracks of dru s ambient hip hop album -silent light-. whatever/whatever (ny legend justin strauss & bryan mette) turn -dawn- into a 96bpm funky chug anthem. on the flip siren (dennis kane & metro area s darshan jesrani) remix -maybe we re love-
brewers musical output is true to purist sensibilities that favour economy of sonic components and studio prowess over unnecessary fanfare, but all the while forging new ground & refining a genuinely personal aesthetic.
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