after their first (very) successful album, cassius decided not to rely on their natural ability to make us dance to their groovy basslines, and came back with a daring project: integrate some mostly african-american influenced singings in their compositions to give electronic music a new dimension.don’t worry,the catchy-rythmic sound of cassius is still here. you might recognise the voice of ghostfacekillah, one of wu tang clan’s members that delivers a punchy performance on the upbeat tempo track “thrilla-, as well as steve edwards, the house music singer who sang with swedish producer axwell, and who’s also known for having lent his voice to bob sinclar on the famous “world, hold on-. we’re releasing the album once more, so that you can get back into the fabulous swing of cassius.

man power left his northern home and ran south of the border. this is his first offering for the esp institute. on side a, he proves that he truly is the tourist, delivering what we’re already toting as our summer anthem—a relentless hurricane drum pattern full of toms, timbales and splashes that lays the rhythmic foundation for his pacific chords and euphoric melodies–an undeniable floor-filler that invites all to dance unencumbered by the constraints of “functional” club music. with side b’s oye, man power rolls out a similarly vibrant combination of drums and rhythm, however he toughens up the aesthetic with a massive rolling acid bassline, only briefly letting up for a spot of layered marimbas and spriteful pads before culminating in an emotional finale. after spending a couple years churning out tracks for various labels around the world, man power has undoubtably shifted his narrative point-of-view and updated his sense of craft upon his induction to the esp institute. these two songs will throw a wrench in your holiday.

the rawkers ep…more than 10 years after the release of cassius first album, the duet comes out with a 6 tracks project that mustn’t have left a lot of people whove listened to it indifferent. well, if there are two people who appreciated the ep, it is jay-z & kanye west, aka the throne, who sampled the famous i <3 uso on their track why i love you, turning it into an absolute popular anthem. if the former album of the band was a tribute to adolescence, here it is more about the earliest days of ours, as the song les enfants (children) depicts it. to such an extent that the rawkers ep sounds like a gigantic playground, full of joy and happiness. were glad to repress this record and to give you an opportunity to escape through this enchanting opus, before cassius new album is released.

nice price 99 centnew project put together by simone farina & desaparecidos à right after the hits ôibizaö and ôfiesta locaö these producers unite to create this very hot release containing accordion samples along with a very cool voice hot track for upcomins gummer

after inaugurating the ‘opera’ sub-series of his outis music label with the sublime omonimo double lp this april, dino sabatini has invited some choice allies to help define the vocabulary and expand the vision of the new imprint. the aforementioned album, which wove together sabatini’s atmospheric conjuring skill with the piano flourishes of antonello salis, already exhibits the labels commitment to dismantling the either-or logic of contemporary genres by successfully merging a variety of supposedly irreconcilable styles, talents, and worldviews (e.g. both mythological and the technological perspectives). the follow-up ep, concentrica, draws on the material from omonimo and delivers it into the hands of additional remixers in order to continue the outis opera voyage.

after putting out a string of brilliant singles and ep s in the past few years, slavaki is up with his first artist album. it s hard to believe it s taken him 7 years since the first release, to come up with the idea of releasing a full-length . no wonder, tracks have gotten time-tested, and have been carefully selected out of over 10 continuous hours of material written in the period between the year 2011 and 2015. out on artists home label elusive on limited 2x12 inch vinyl, cd , cassette and digital. this album is another peek into slavaki s ever-expanding chest of musical treasures that never seems to fail to surpris

catz n dogz ready the next 12inch on their vinyl only pets raw and refined offshoot step. this comes in the follow up to records from a1 bassline, eduardo de la calle, andre kronert and the label owners themselves and marks the return das komplex who offers up his all for love lp. hailing from koszalin in poland, das komplex is undoubtedly an artist of many talents, a full time architect by trade, he has released material on father and son records and tapes label and also offered up the extolled and coveted 6th pressing on the step imprint back in august 2015 a record that sold out rapidly after hitting the shelves. now, his return marks the first foray into long-play format for step and allows das komplex to stretch his legs across 8 masterful disco grooves. diem kicks things off to a sunny start with sizzling guitar licks and softly pattering bongos before the slick italo-tinged obelisk and the richly atmospheric redukcja dysonansu poznawczego follow up. the project spreads out towards the jubilant and dreamy all for love which leads into brukiew, an introverted but ultimately feel-good conclusion that wraps up a beautifully balmy collection and another coup for step.

bar musica is a brand new label that promises to inject plenty of charm and originality into the underground house and techno world. the first release kicked up quite a storm from label owner bartolomeo, and the second release features a trio of great originals by j paraguai, with a remix from long time electronic talent bruno pronsato. rumba is up first and is a full fat, corrugated house track with tribal percussion, punchy drums that swing down low and afro vocals. it is a dynamite groove with roughshod tin pot hits that are carefully treated and bring a lovably wild side to the track. thesoundsays founder and berlin based new yorker bruno pronsato has been on the fringes of the underground for more than a decade with inventive eps and lps on labels like hello? repeat and bosconi. his remix is stripped back to a forceful and rubbery techno groove. blistered synths rip up the middle and spooky voices, trippy effects and manic loops all make it a freaky late night or after-hours tune that will send floors wild. ble is then another j paraguai, and this one is again unhinged and urgent, with intense synths exploding above shuffling, tightly knotted minimal drums and sweeping pads. it’s pure wtf music for brave djs and dancers and is a truly original production. then last original atles is rugged and impactful in the way in combines house and techno into new ideas. it is stripped back to little chopped loops that bury deep in your brain and have you in a trance in no time. as such, it rounds out a fine ep and keeps this exciting new label going off in great style.

after putting the band on the map with their first ep two years ago, the band feathered sun has grown into a life of its own. the more live sets they have played, the better they have defined their style. they are spearheading a brand of sound healing music abstractly narrative, always poetic, sometimes flirting with darkness but always perfectly produced to carry the audience into their own world. feathered sun are the collaborative experiment of nu, jo.ke, raz ohara, chris schwarzwaelder, iannis ritter and acid pauli johannes laumer. each have active and flourishing solo artist careers, albeit still have time to collaborate with one another. the six-strong collective are a close-knit troupe who are primarily based in berlin and lima, peru. live improvisation is ultimately what brought the feathered sun project to life - they are open about their laidback, impromptu approach and this is apparent throughout this ep. side a was primarily crafted in peru by chris schwarzwaelder and jo.ke with raz ohara’s mesmerising vocals. the end material was then sent to nu in berlin who crafted two tracks out of it. the ‘bulbo’ ep shows a willingness to explore different approaches within the collective and the music showcases their long-standing affiliation. it is a downtempo ep that has immaculate instrumentation, dreamy pads and brooding vocals throughout. this is intertwined with organic sounds and moody atmospheric melodies, gives the release a timeless and emotive ambience.

for the eleventh vinyl release of the label, popcorn records is proud to welcome the detroit house veteran rick wade, after chez damier and aubrey the label seems to have moved into the big leagues with 5 tunes from deep house to down tempo with some rework of the hip hop and house french producer matsa and a remix of the main track your strength by the very gifted parisian new comer flabaire.

after a five year absence the illusive cottam label returns. since the original series paul has travelled the world djing, released on labels such as aus & versatile and started his own imprint ruff draft for his own original productions and tracks from other producers. currently taking a break from djing & concentrating on production it felt like the right time to reactivate the label that started it all with some new under-the-counter specials. first up we have ‘mixing tool’, a heavy beat and percussion setting the dark & foreboding tone, the unease increasing like something is creeping up behind you until the distant war cries reveal themselves - a deep track that is much more than the title suggests. next up, the long awaited vinyl release for the cottam re-wiring of a classic film title track, mixing the best elements of the originals synth score with a club ready beat and acid that adds to the original - this is one of the finest carpenter reworks you ll hear.

repress 2016 , giant 45 returns with 2 well crafted reworks. a side is 80s boogie funk at its best reworked and timed up for perfect dj mixing. on the flip we have a much sought after japanese boogie classic reworked in the same way. limited 7 inch pressing so act fast.

after exceptional releases on much-respected imprints like dixon’s innervisions, drumpoet community and mood music, berlin-based artist duo frankey & sandrino brings their sophisticated, deep house sound to kompakt with the hydrae ep

after the success of their debut split ep with muslimgauze which sold out in record time, the southern italian male/female duo underspreche return to optimo trax for their first ep in their own right. three tracks of deliciously psychedelic advanced techno grooves filled with subtle syncopations and head melting sound design. first release in the new optimo trax colour scheme.

we are really proud and honored to present espectrum, a year-long effort to put together a compilation of the best dub techno. the idea was simple, but ambitious: ask some of our favorite artists for one track to epitomize dub techno—the style of music we’ve loved and continued to develop since our birth as producers and a label. with a very precise idea of what we wanted to collect, the compilation was carefully built with hypnotic, obscure, dense, and magical sounds with an eternal hook. these are the kind of tracks that will never lose their appeal, because they go above and beyond labels, styles, and trends, resisting the passage of time. after the first tracks starting coming in, the idea grew more and more special, and the concept even stronger. we knew we were onto something really big. and, finally, here it is.

already three years after his third album, vitalic is back on jennifer cardini’s records label correspondant records with two original new tracks. often unclassifiable, but always efficient, vitalic shouts out and restyles his universe under many different ways. after having mixed electro music to rock, to disco and then to pop in the course of his three albums, « film noir » ep invites us to a spatial journey. unusual, unknow, fascinating, powerfull and sometimes dark , this project defines itself as a cold disco. his own and recognizable esthetic shows here two of his multiple faces : ‚film noir’ will remind absorbing universe of german sound of 90’s : a techno and slow kick, a spatial slicks and a worrying mental melody. ‚ooey’, a sort of hallucinated electro pop joined by some chorists, without forgetting lady disco despite of its new wave bass.

this record can easily be classified as library and will probably find a spot on the shelf with viberts nuggets, the strange world of bernard fevre and carpenters assault on precinct 13. listening to these tracks moves your senses back and forth through time, from 80s sci-fi back to raymond scotts early 50s experiments. the perfect soundtrack for bedrooms, late night dinners and greenhouses ed dmx contributes to a tradition in musical history, a richly vivid trail in which composers influence each others harmonies and ways of writing tunes, like an endless ping-pong game between minds and individuals but at the same time between continents and places throughout the world.

energydream ep is entirely based on vocal house samples, deprived of their frenzy soul and arranged into a new melancholic mood. the frosty vibrations generated from the textures produced and the ambient arrangements bring the listener into a dimensionwhich lives within a purist vision of the dance floor and anastral journey. a typical approach which has been marking dave s productions for a long time.

this is an album of deeply emotional music. it s not all heartfelt niceties and eye-welling moods though. rhythmic theory did after all come to light (or should that be dark) in the gloomy alleyways of uk soundsystem music begat from dubstep and all that other stuff. -creeper- is on hand to affirm that this is a record still steeped in true, stern moodiness, where a stalking sub line, some metallic percussion and an icy drone can still strike fear more than a thousand angry wobble basslines. it s worth noting how much attention has been given to shorter vignettes. as well as the aforementioned, cryptically titled -interlude-, -work of fiction- and -end (of forever)- both give insights into the places rhythmic theory cares to roam beyond the structure of a long form track. these are places where melancholic or downright ambiguous dispositions interplay with each other, from the synthetic to the earthly, the malevolent to the tender. in the end, even at its most monochromatic, nothing is black and white on rhythmic theory s debut album, and that s just fine with us.

official reissue of the 1991 u.m.m. underground music movement classic! produced by emanuele luzzi , onirico is one of the records never repressed and sought after. supported by dj of the caliber of derrick may, luke vibert, speedy j., steve rachmad, jd twitch, tom middleton, marco trani... don’t miss it, limited 300 copies black vinyl! big re-release!

a-z is a new label started by al zanders ! this stand-out new production talent has already, across only a handful of releases (as lodger on the stamp label & under his own name on karakul & blind jacks journey) made quite a name for himself ! a-z is a new platform for his distinctive and eclectic output after sharing a stage at shambala festival, al was impressed by the 7 piece sheffield group hot diamond aces, who sent the crowd into a dancing frenzy with their bombastic brass licks and afro-beat inspired rhythms. so impressed in fact, that he approached them afterwards with the idea of doing a remix and starting a label. the reworked version of dsomc is a certified corker that has already been tearing up dancefloors. for the flip, things get deeper with an unashamedly happy house jam raiz , which features some twinkling keys from sleepsang. perfect for the summer!

martin landskys long association with poker flat recordings continues with yet another exquisitely realized three-tracker. long since a staple of the underground electronic music scene in berlin and europe in general, landsky’s deft ear for dynamics and sense of off kilter dance-floor knowledge continues to do the business for djs and dancers alike. after the great success of vol.1 , landsky now presents ‘ekko traxx vol.2&#8242,,,. ‘echo my head’ is the perfect example - driving, focussed and funky, yet with a subtle undercurrent that keeps you slightly out of your comfort zone and locked in to the groove. weird night contains a spooky, discordant synth that raises the tension over and over, before giving way to a hard driving rhythm track that will see the late night heads fully losing themselves classic landsky style. that organ has a similar aesthetic, chunky rhythms and bass pulses for the floor, and synth stabs and melodic hooks that keep the track in constant forward motion.

the first r&b rec record is born from the encounter of two artists in the gloomy baltimore of the beginning of the millennium, after years in which their artistic roads proceeded in a very much parallel manner, without ever physically crossing paths, driven by their passion for analog instrumentation and the desire to find and create new rhythmics and sounds. it is in 2013 the two decide to join their forces to create their own personal vision of techno music and dance music in general. resulting in a hot and scratchy vinyl that combines dark, percussion sounds well known from detoit techno, with the sought after rhythmic of breakbeat and drum and base, of the british nineties. also packed with influences of acid-house, this record incorporates features of the so influential 80 s punk era, finally sinking it s roots in the psychedelic currents of the 70 s. the result is a brand new genre which is difficult, if not impossible to define. a unique way of defining dance music, in all its aspects, which is identified under the name of spaceship surgery techno.

returning to music is love after his 2 sell out records is the man liam geddes, and we think this time we ve caught him at his purest. this ep is absolute fire! his 3rd outing for the label is a deep and dubby affair but with a musicality and rhythm thats going to make this one popular with a wide range of djs.

traxx underground present the man from basel, switzerland, shaka. after an great ep on chez damier labels, balance recordings, we are proud to release 3 very deep tracks plus fantastic remix from m.ono & luveless.

dj support by pete herbert, ooft!, craig bratley, shmlss, max essa...
clan001 is a sampler of carefully selected artists that reflects the ethos of the label. on the a side is wonder , our collaboration with private agenda who contribute a beautiful male vocal and melody line resulting in our most pop sounding production to date. pleased to welcome a vision of panorama to the record on a2 who s pastel beach is a breezy, tropical inspired rhythm to herald the sound of summer. on the flip side for b1 we have bird of paradise with boys of brass , an edgier club focused sound aimed at late-night dance floors. finishing off the record on b2 is coyote s dead feathers , a deep and emotive slow burner for just after twiligh

newly remastered audio, pressed on heavyweight 180 gram vinyl, download code included.

after releases on lobster theremin and opal tapes, u.k based techno experimentalist manse releases the first 12” on his own imprint - mns. “cymbal shudder” is a three track exploration into the realm of drum heavy, blown out techno. distorted percussive sequences clatter above a red lining low end and swampy electronic ambience. compiled of chaotic jumbled elements, the outcomes are merged together and run straight on to reels of withered tape.

a lurching broken beat and detuned technicolour chords drive the title track, an ode to the ‘nocturnal’ raves happening in his hometown as a kid. caraiba is a hypnotic percussive workout, switching and snapping around it’s four-four palette and underpinned with a swaggering bass line. loop-finding (4jo) rounds out the ep with scattered beats on top of a chopped and filtered sample of a rare-groove track, a fleeting but emotive sign-off for after hours listening.

welcome again mister oscar mulero. after releasing an original on our compilation, now is time for a new ep. elementary geometry ep comprises 2 original tracks and 2 remixes from lewis fautzi.

after five well-respected digital releases with the likes of frazer campbell and iuly.b, munster/berlin based onegroove records drops its first vinyl release with 3 friendly minimal groovers. very playful rimshot madness by iuly.b on side a, floegel and retza keeping it dubby on the flipside.

after releasing a full length ambient album by mario hammer and the lonely robot in november, we now reales a vinyl 12- with two remixes and one original from the album. the ep kicks of with a rare remix of german producer duo extrawelt who have created a somewhat unusual hybrid of 2 of the album tracks. their remix connects mario hammer’s ambient music with their beat formula in a brilliant way. extrawelt s remix of -mono no aware / l esprit de l escalier- shows signs of a voyage since it starts off very quiet with sounds from mario hammer s original and then weaves in the accelerating techno beats and later electro beats they are so famous for.

jimpster s much loved eel pie island track first graced the coveted 10 years of systematic compilation from last year. now, after widespread love, label boss marc romboy has commissioned a set of remixes to give the track an extra lease of life for the coming summer months. the originals, locomotive esque, slow-mo jam is taken on first by keinemusik main-man and cocoon favourite adam port. the german brings techno and minimal sensibilities to the fore but with extra tempo and swing. a mid tempo beat drives the track as atmospheric flourishes and nuanced samples create a lighter and breezier feel. an added vocal adds a hazy dose of ethereal pleasure, as adam creates another slice of musical magic. fresh from his objektivity release, hyenah offers a version of eel pie island that brings a chiming, plonking vibe, wood block percussion and bongos, all fluctuating in a sea of tribal beats, deep house and delicious sub bass. another triumph for systematic.

• and finally make their full perc trax debut !
• features full printed jacket
• dj feedback to follow
• berlin / manchester noiseniks and finally make their full perc trax debut after first appearing on the label in 2014 when they served up a suitably screw-faced remix of drax s phosphene . now regarded as one of the most uncompromising production outfits on the european techno scene they widen their musical vision across these four tracks without leaving behind the raw aesthetic and driving energy that has characterised their music and their live performances over the last few years. from the kind of straight up 4/4 pounders that have made the closing slot at electric deluxe s awakenings events their own, to experiments with off-kilter drums and caustic noise this ep is as good a statement of and s present and future as you ll hear all year.

after 3 releases on tresor records, this collaboration between roman poncet and dj deep comes out on deeply rooted.

after going beatless around the bush with wilson tanners stunning 69, growing bin leave the swan river behind for their sixth release, heading east from their hamburg home to sample the coastal calm of krynica morska. and who better to show them the sights and sounds of idyllic poland than ptaki co-pilot the phantom a.k.a. bartosz kruczy&#324,,,,ski, flying solo here with a sump -tuous score for long sunsets and lapping waves.

sebastian mullaert is of course first of all known as half of minilogue, a duo so influential in the hypnotic field of techno that korg recently named a synthesizer after them. lately, sebastian has focused on his solo path under the wa wu we moniker, releasing stripped back and personal music on his own wa wu we label, the cryptic s.e.l.f label and now on kontra-musik. on the title track travellers, sebastian mullaert uses a straight up techno formula that may surprise listeners who haven t followed his move into wa wu we territory. you almost get the impression sebastian buried a recording destined for a rigid techno label in a deep forest back in the 90 s and has now decided to uncover it again, finding that the track has matured under the black soil.

tzusing returns to l.i.e.s. with his third and (final?) name out of place ep after two now sought after percusors leading up to this one. again we are not disappointed as the massive opener face of electric hits hard taking a typical breakbeat formula and adding some sort of bizarre ritualistic element like the zulu nation or george kranz in a ceremony at a steel factory. emotional eater slows the tempo down, but again the machines grind hard with tinges of acid, heavy rhythms and sparse vocals moving in and out, while the closer r is a stripped down beater made for mixing. top stuff from the in demand producer.

a certain level of soulful expression can be reached only when stars align correctly up there as well as down here. once in a while a new track comes along that fools you into thinking you are listening to some lost re-discovery from the catacombs of american soul. the first release on timmion records new stylart imprint should leave a lasting mark on all friends of quality soul balladry. -love can last forever- by the enigmatic fred is the tune that will turn your heart to the love side whether you hear it at the end of a heavy club night, gripping on the wood grain wheel, or leaning on the bars of the penitentiary. who is fred then, you might ask. suffice to say he is a complicated man, who possesses a buttery falsetto and the rare power to turn banal testimonies of heartache and love into cathartic magic. this basically means he has soul, and we don t state this lightly here at timmion. after his first release, there are a few other heaters lined up, so be prepared for fred, his star is rising.

this multi-talented north carolina native makes his debut after having been a consistent source of inspiration with the freshness of his perspective, and sonic tapestry. it is unchained, fluid, and free, like everything on deepblak.

4 tracks of spaced-out, moody, atmospheric, detroit-techno-style tracks. * verged*, originally released on aesthetic audio (detroit) gets a remix by tangs alter ego, obsolete music technology after being dropped in omts live set in the past year.

we have had our eyes on obas nenor for a while and after his disco-meets-detroit affair on mahogani, and some great releases on his newly started own label nenorian music and sol power, were happy to share his work for heist with you.

those disco specialists at to rack & ruin are back in business, kicking off their 2016 campaign with an absolute scorcher from moscovite producer phil gerus. after making waves with a string of releases for the likes of futureboogie and sonar kollektiv, gerus arrives at the mancunian edit institution in fine form, ready to take over the world with a quartet of fully loaded floor movers for all you dancing fools.

fourth release from parisian label unlearn. after celebrating european talents with previous v/a : four shades, aurèle & caseer are back on us soil with chicagoan artist g. marcell. the title track hails towards the housier side of things. vocals sung by the artist, moody melody and a-1 production skills make ‘@ noon’ a serious summer groover. the rayne dub mix stands on the more melancholico-techno side of things with cleaver drum programing, proper bassline action and straightforward dance-floor material. the flipside shows a more experimental side of things with sound thought, an acidic trip full of haunting strings and cowbell awkwardness, and groov spin, a dazzling tune halfway between celestial unpredictability and caribbean bliss.

after 2014 s brilliant hoshi lp, hell yeah recordings is delighted to announce a second album from italians tempelhof and acclaimed countryman and composer gigi masin. entitled tsuki and due for release late april, it features nine tracks of exquisitely designed modern ambient with a blissful tinge of the beach, sun and sea. tempelhof is musicians luciano ermondi and paolo mazzacani, a pair who have put out three great albums and many magical eps since 2009. they are expert craftsmen who are skilled musicians with a rare grasp of melody, rhythm and timbre. once again here their work with gigi masin—who was picked as one of the best artists of 2015 by many outlets, and who enjoyed lots of love for his re-issued wind album, amongst others—is soothing, stunning and serene

180gr w<ax, ltd 300 copies , no repress,
2016 is suppose to see 2 more release from bordel ensemble, with new talent and world to discover
london based imprint bordel ensemble (limited series only) is back after one year with yet another ep by lodee gruv, alias of one of the label’s founder. the second release is stamped 003 as the bordel002 will be a compilation of music by all the artists of the label coming out later in 2016. two side / three tracks ep. on side a, lodee gruv confirms once again his style with an atmospheric raw and floor friendly 8 minutes rhythm . on side b he takes it up a notch with 95% analog generated drums and baseline groove toped by a progression of 3 notes sample melody leading to an slightly emotional pattern. the second track of side b is a lodee gruv signature, deeper and tripier somehow with samples twicked into different elements backed up by a gimmick changing low end drums. definitely a journey into lodee gruv’s mind and bordel ensemble spirit.

vatos locos kingpin hector raises the bar after the stellar launch of his vl recordings label, with a solo follow up entitled jacuzzi killer ep . having appeared on many stalwarts of the underground house and techno label scene over the last 8 years including: desolat, mobilee, tsuba, 20:20 vision, 8bit, moan and decay, 2016 has witnessed the start of a new chapter in his already illustrious career with the birth of this new label project which launched with a bang at a packed vatos locos party at bpm mexico in january this year. jackuzzi killer is a four track ep packed full of that signature low slung, rolling groove we all know and love hector for. the cherry on top, a coveted and rare remix by detroit legend rolando will see vl recordings keep the music to the high standard that has become synonymous with hector and his vatos locos crew

disdat is the new brainchild of new york s infamous underground party, resolute. for their first release, they showcase three different sonic interpretations of their iconic warehouse mornings that stretch out far into the afternoon. leading the release is s.a.m. (of oscillat and delpahine notoriety) with the aptly named brooklyn nights a driving track made for the dancefloor, with its acid-tinged bassline complimented by s.a.m.s trademark emotionality. french duo zendid provide the pulsating ws3, whose scattered kick drum underlines euphoric and fluttering elements. matthew burton & bangladesign, together as mikisderek, bring the release to a close with the subtle and introspective-sump1, as equally suited for the beginning of a night as the early morning after

after successful two releases hoxton records is back with yet another va compilation featuring equally talented three producers from romania. zefzeed has been behind the decks for over 10 years and producing since 2009. in 2013 he was signed with bodyparts records and started working with vinyl only record labels. cosmjn & lizz duo work speaks for itself as it has already amassed the support from petre inspirescu, barac, new zau and sepp. these guys are extremely talented and produce the tracks with inspiring harmonies. bucharest based producer direkt is a hidden gem. being the youngest producer on hoxton records label, he is definitely the one to watch. this vinyl only release is showcasing the artist that are creating the music worth collecting.