london based punk duo black volume are not easy to classify. their delirious industrial post punk sounds at times like proto house and at times becomes some sort of mutant electro. their b series sound is made of a conglomerate of filthy percussions, unexpected samples and something with the appearance of melody, with a weirdly addictive result. black rubber is james brown wearing black leather at 40ºc (in the shade) while suffering a mental breakdown. excentric melodies sliding down rhythmic dislexia. negative return blooms from an improvised beat with no traceable sequence, on top of which we find rubbery synth lines, creamy interferences and mysterious sampling, everything sounds like melting from old vhs footage with the future we enter a romantic dystopia. sensual and passionate but equally crunchy, it rises up through cheap calculator arpeggios, pitched vocals and obsessive bass lines. streetfight evoques a desolate landscape, devastated and radioactive. distant echoes from an extinguished human race that left behind only majestic rusty ruins.

no waves is a new label based in israel focused on deep & dubby sounds first release is by label owner stephan bazbaz who delivers 2 tracks with a solid groove and a spacey dub atmosphere, followed by a superb remix from oskar offermann.

we are really proud and honored to present espectrum, a year-long effort to put together a compilation of the best dub techno. the idea was simple, but ambitious: ask some of our favorite artists for one track to epitomize dub techno—the style of music we’ve loved and continued to develop since our birth as producers and a label. with a very precise idea of what we wanted to collect, the compilation was carefully built with hypnotic, obscure, dense, and magical sounds with an eternal hook. these are the kind of tracks that will never lose their appeal, because they go above and beyond labels, styles, and trends, resisting the passage of time. after the first tracks starting coming in, the idea grew more and more special, and the concept even stronger. we knew we were onto something really big. and, finally, here it is.

oskar szafraniec is a musician, producer, singer-songwriter and live performer from poland who lives in berlin. he s been experimenting with music since the age of 10 and has released projects under the moniker oscar burnside on various labels. collaborating with legendary uk producer a guy called gerald, oskar has also performed in many clubs and festivals next to well known artists and djs such as richie hawtin, mixmaster morris, ricardo villalobos, carl craig etc. this ep exclusively produced for cyclo demonstrates oskar s ability to develop a unique style inspired by his journeys around the world and his berlin life. whether for home listening or for the dancefloor, these 4 gems built with deep live sounds and subtle drums sequences will surely confirm the rise of a young talented artist ans producer.

answer code request picks up where he left off with his album (code, ostgut ton, 2014) and 12“ (calm down, mdr, 2015): with the neume ep the berghain resident offers three new tracks, meandering between restrained club contexts and brittle break beats, machinery and futurist soulfulness. the eponymous track “neume” starts off on a with shuffling rhythms atop a heavy kick, soon caught up by first surging then predominant drone motifs, flashing bleeps and piercing strobe sounds. “meta” on b1 clocks in instantly without any build-up: its rhythm section sets the tone with broken beats while acr slowly carves out more musical detail and textures: subtle command vocals from the machine room, swelling synth pads and other chilling, athmospheric means are subsequently being added until the track’s break where the emphasis shifts towards the kick, pads and synth melodies until the track’s sustained, smooth outro. “vis” on b2 is the ep’s most protruding track: classic uk garage shuffle rhythms and amen breaks are contrasted by a funky kick and dreamful pads, intertwined with additional sparse percusion, layered with what in the first instance sounds like chirping birds but then like sparking wires. answer code request continues what he does best: combining the warm human touch with chilled alienated aesthetics.

we are really proud to present our first vinyl only release ! fjords ep (produced by our label chief thomas a.s.) is an infusion of deep, electronic and minimal sounds which includes a deep and melodic techno remix from the lunar plane duo

ein paar jahre nach seiner letzten platte war es für suff daddy nun an der zeit sein neues gruppy dumb studio einzuweihen. tief verwurzelt in seinem klassischen suff daddy-sound, entstand ein album, das sich in die entwicklung von suff daddy als producer und mensch nahtlos einfügen lässt. er ersetzt das becks und den schnaps als inspirationsquelle und berieselt sich fortan durch die eindrücke, die er auf seinen reisen durch europa und australien sammeln konnte. weniger chopped samples, dafür mehr synthies. weniger hip hop, dafür mehr handgemachte musik. nachdem er 2015 seine dj-shows erfolgreich aus deutschland auf ganz europa verlagern konnte, u.a. mit einem boiler room in london, durfte er auch anderson.paak bei seinen deutschland shows als support begleiten. auf dem album sind unter anderem sein bandkollege dexter (betty ford boys) aus stuttgart und mayer hawthorne aus los angeles vertreten. der einzige up-tempo & vocal track auf dem album ist sicher einer der ungewöhnlichsten für suff daddy. dexter und suff daddy hingegen ergänzen sich mit ihren ganz speziellen basslines und drum sounds, so ergibt sich der bewährte sound gepaart mit dexters brachialem habitus. diesen winter wird suff daddy zum ersten mal mit einer liveband auf der bühne stehen. termine folgen.

early sounds recordings brings to light its freaky side with its brand new sublabel project, periodica records, that delivers for their first release a weird & stellar journey through the casio cz 101 cosmic-synthesizer by whodamanny (already seen as part of -the mystic jungle tribe- crew). prepare to take off!

sherwood at the controls vol.2: 1985-1990 liefert 16 von sherwood produzierte oder remixte tracks zwischen electro, industrial, noise, hiphop, afrobeat und dub aus der zeitphase zwischen 1984 bis 1990. klassiker und raritäten, cd-erstveröffentlichungen und fünf(!) komplett unveröffentlichte tracks von lee perry, dub syndicate, bim sherman und african head charge. dazu ausführliche linernotes mit den entstechungsgeschichten der einzelnen tracks, archivfotos, lavelscans, uvm. alle formate unmixed.

2nd release from japanese label init . this compiles 3 tracks from 3 japanese artist, shinob satosi who previously release from work them, flugel and vinyl club and the label founder shintaro d and kensuke yasuhara. advance minimal house sounds with essence of break and electro. vinyl only.

nice price deal !!! hieroglyphic being & the configurative or modular me trio - * cosmic bebop* is a proper past perspective of works (1996-2014) from jamal moss of 8 obscure experimental releases of unique analog sounds reissued under his other popular known alias. double 12&#8243,, in a the mathematics die cut sleeve

die 6-köpfige band paper tiger aus leeds ist ohne zweifel eine der vielseitigsten auf dem wah wah 45s label. dieses kreative kollektiv verfüget über eine breite palette von sounds: von futuristischen hip hop-beats zu funky und tanzbaren elektronische breaks, manchmal mit schmutzigen post-dubstep-vibes und angereichert mit witzigen wortspielen. blast off ist paper tigers zweites album nach ihrem 2013er debüt laptop suntan.

a new super sexy release signed by nice to be, split in two vnp s original mixes, the fresh techno remix made by luca agnelli and that of twr72, sharp and heavy in resonance. this artists worked brilliantly to this production. the super-catchy tracks -wake me up- and lampo opens their doors towards an attractive trip, rich in single-minded beats and dark sounds. there s a demon who is waking up and a sexual partner asking you to pay attention

dj spider makes his debut on radio slaves rekids imprint with four physical cuts this june. a key component in new yorks techno scene, over recent years the plan b recordings and sublevel sounds founder has graced the likes of the trilogy tapes, bleed, killekill and vanguard sound! releasing on rekids as the label celebrates 10 years, spiders ninja drive-by defines why so many hold the american stalwart in such high regard.dirt nap leads the release with syncopated percussion and a thumping low-end that takes no prisoners. tmc is a more subdued production in comparison, blending shadowy synths with an intricate drum workout. planetary disfunkshun then introduces a penetrating melody amongst robust kicks, until montag concludes the package with moody pads and an inimitable rhythm.

repress 2018... following on from isaac tichauer s street lessons release, the mysterious loft records calls in the talents of bicep, hackman, dorsia and lancelot for a choicest remix package. the french express signing turned many heads when he dropped his lauded devotion lp back in 2012, and since then the australian producer has risen to become a formidable name within modern day electronic music. therefore it s only fitting that an all-star cast were chosen to remix his latest release on loft records. bicep, who had an enormous 2015 with releases on aus and 50 weapons, begin the release with the only remix of higher level - a break infused cut fashioned for the dancefloor with a penetrating melody, echoing vocals and soaring pads. the first of three street lessons remixes then comes from hackman, known for his work on 20/20 vision and futureboogie, who incorporates serene synths and subtle stabs to transform the original into a quirky renovation with elements of funk. london duo dorsia then step up with a cacophony of sounds that build in suspense with the introduction of fuzzy atmospherics, until fellow australian and w&o street tracks artist lancelot generates a cavernous dub containing the originals infectious hook whilst implementing resounding rimshots and wobbly keys.

the first r&b rec record is born from the encounter of two artists in the gloomy baltimore of the beginning of the millennium, after years in which their artistic roads proceeded in a very much parallel manner, without ever physically crossing paths, driven by their passion for analog instrumentation and the desire to find and create new rhythmics and sounds. it is in 2013 the two decide to join their forces to create their own personal vision of techno music and dance music in general. resulting in a hot and scratchy vinyl that combines dark, percussion sounds well known from detoit techno, with the sought after rhythmic of breakbeat and drum and base, of the british nineties. also packed with influences of acid-house, this record incorporates features of the so influential 80 s punk era, finally sinking it s roots in the psychedelic currents of the 70 s. the result is a brand new genre which is difficult, if not impossible to define. a unique way of defining dance music, in all its aspects, which is identified under the name of spaceship surgery techno.

ritornell’s richard eigner & abby lee tee originally teamed up to provide the score for a collaboration with filmmaker andreea sasaran and illustrator katja seifert entitled »melting sphere«. sharing a passion for the combination of filigree electronics with playful timbres of diverse acoustic instruments and odd utensils, the cooperation of the two producers was a logical choice.
»melting sphere« merges subsonic bass, kalimba rhythms, accordion sounds and toy bells, all framed by eavesdropping recordings of abby lee tee’s cat, bathroom squeaks for five minutes of organic downbeat bliss.
»tired dancers« on the flipside offers a melancholy tale of seduction relayed from the shadows, with field recordings of nightly city noise, a reversed music box melody, hypnotic chords and meticulous percussion. delicate, celestial cello (by lukas lauermann) and contrabass flute emerge as counterpoint to this rhythmic hypnosis.
this record is as shimmering as you would expect.

for the opening ep from too many squares, frank butters manages to gene-splice together the raw dna from all of the ugly-beautiful sounds present in the birth of modern dance music. -conditioning for solitude- is the hum of dark tubes, the slice and hiss of sharp synthesised percussion and the scream of blissful dementia. the mutant that existed for a brief and joyous frozen moment while disco was still birthing house. -body burn” is the tropics with a black sun and africanism with a stopwatch instead of a heart. recalling experimentalist forays by the likes of liaisons dangereuses, patrick cowley and karen finley, the 2 originals on offer manage to recall the raw passion of an era without feeling contrived or derivative. the ep is rounded off by sheila fleurraters remix of * 3 minute warning* which continues the pioneer-ist motif, albeit allying itself with a much more early industrial aesthetic.

the hungarian drum & bass innovator jade, known as head honcho of neurofunk powerhouse eatbrain, returns to citrus recordings. for the a-side none other than break takes up remix duties reworking jade’s “what you are” that was originally released on his own imprint back in 2014. continuing with “monstereo” we hear a more rolling, pumped up groove underlined by tear up bass sounds and fueled by hyperactive arpeggios.

for the seventh output through stranger s self reflektion imprint the rotterdam based label welcomes fellow dutch artists moving thoughts to the label roster. “forward motion” ep proves to be a perfect showcase of moving thoughts household style which revolves around thight packed textures, thriving drum patterns and mindblowing taints of mechanic sounds and extravagant synthesis.

after releasing a full length ambient album by mario hammer and the lonely robot in november, we now reales a vinyl 12- with two remixes and one original from the album. the ep kicks of with a rare remix of german producer duo extrawelt who have created a somewhat unusual hybrid of 2 of the album tracks. their remix connects mario hammer’s ambient music with their beat formula in a brilliant way. extrawelt s remix of -mono no aware / l esprit de l escalier- shows signs of a voyage since it starts off very quiet with sounds from mario hammer s original and then weaves in the accelerating techno beats and later electro beats they are so famous for.

warren raww gives you ross: exotic sounds of the south for you to get down low when you feelin high. four tracks of sloshed up, dance floor equipment broadcast from a busted car stereo via the depths of some hallucinatory jungle rave up.

after going beatless around the bush with wilson tanners stunning 69, growing bin leave the swan river behind for their sixth release, heading east from their hamburg home to sample the coastal calm of krynica morska. and who better to show them the sights and sounds of idyllic poland than ptaki co-pilot the phantom a.k.a. bartosz kruczy&#324,,,,ski, flying solo here with a sump -tuous score for long sunsets and lapping waves.

the new studio 14 release white series remixes is a vinyl that collects four of the most talented artist in electronic music delving into tracks from david att forthcoming st14.000 remixes.giorgio gigli, roberto bosco , unbalance & dars and remixes emerge as brilliant and emotional diferent versions of the original tracks. a mix of experience and youth, from the deepest sounds, to the classic detroit sound, different versions that make this release, a brilliant release.

audiohell has started his new vinyl only label bearing the name of his recording studio. this new project deviates from the musical genre of his historical label digital traffik recordings. -dreaming parmesan ep- is made along with his dear friend malatoid and contains 4 pure electronic tracks, full of moog sounds and melodic pads. on this amazing ep, audiohell & malatoid are back to the music scene with a massive analog sound dedicated to the most demanding dance floors... don t miss this new duo!

unrelated is back with black as night ep by vesàlio ( kapvt mvndi ) side project of livio improta, vesàlio was born from the necessity to change something in his way of producing. less rhythm section and more emphasis on the atmosphere and field recordings, the last one the essential part of this project. a1 - in “n at alba- the concept of vesàlio is pure,clear, and deep , where the atmosphere is the main character of the track. a2 - -black as night” probably is the conflict between the two artistical parts, dark and despondent sounds, in contrast with the rthythm of the drum section. the perfect sound for a science fiction movie, totally mysterious ! b - o.xander (nous disques) decided to solve it bringing back the track into a classic raw theme with his antartica reshape

super deep chicago business from the mysterious doctor mixxx on the tiny, obscure trax offshoot zig-zag. originally released in 1993, this 3 track ep still sounds fresh today, in fact one could argue that people still try to emulate this style of chicago house music! deep, raw and oozing soul the 3 cuts on zig-zag 2 will definitely find a place in any self respecting house heads dj set. remastered & re-issued for 2016s dancefloors in conjunction with trax records, another dope rarity culled from the vaults - snoozing not advised!

hot off the back of the release of their debut album familiar circles - casino times unveil the second instalment of their casino edits series. nearly three years on from casino edits #1 , ct return, keeping the spirit of the series alive with two more dance-floor ready disco-cuts. whilst the celestial sounds and atmospheres that defined the first record are still present throughout, both tempos and temperatures have been raised, culminating in an energetic addition to the casino edits series.

this is a fresh new project based in bologna, italy. red rooster ep includes four different sounds with a logical framework. d arabia and dj rou (homequest) are two emerging artists that in 2015 began to share their skills in the same recording studio, the result is a groovy sound with a great energy. this is the first release for red rooster records and the future plans are to give us a lot of new emotions from a lot of new talented artists.

shadeleaf continue a fine and unbroken run of form with a stunning new ep from chris grant aka simba make your move opens things up with a beautifully executed, thumpin house jam, with j gordon adding an effortless vocal performance. sounds like a classic already ! susan sorandom (track title of the year ?) bumps along on a broad funkineven style groove, with killer drops and deft use of melodic hooks compete explores a more broken flex, but still shot through with that magical simba swing finally marvellous hacks up the prince of soul like never before, an absolutely deadly rewire that is the best ugly edit that never came out top drawer isht another shadeleaf sureshot !

in 2015 musician, producer, dj, record collector and tigersushi head honcho joakim played for the first time at mareh festival in boipeba, brasil. like many before him and many since, he found the experience a transformative one. and why not? so many like-minded souls gathered together on a remote island in bahia listening to the sounds of amazing djs while dancing barefoot in idyllic coastal settings all night long. what s not to like? it s quite a concept. in the moment of that experience, joakim vowed to head straight to the studio on his return home to try and recapture that magical vibe, which he did. and true to his word he offered it back to mareh for release on their imprint. a musical gift from the heart. the wonderful percussion and drums characteristic of joakim s productions drift in and around the mix and sit gently alongside the sound of the waves. beautiful arps reach out and capture the glittering stars at night and the first glorious sign of light at sunrise as the party continues. underneath everything the bassline continues to punch through, blending primeval carnival vibes with an electronic sensibility. lovingly mastered and beautifully pressed onto 10 inch vinyl in manila covers, this limited edition release is worthy of any record collection. it also represents a little piece of the magic that is boipeba, and will certainly fit perfectly into those balearic and adriatic settings too.

you can always trust ludovic llorca. once a year he locks himself in his studio and works the magic which results in a local talk release. his previous releases on local talk, the same thing (classic proto housemeets-baggy us garage vibe) the rainbow song (it sounds like an underground summer anthem in waiting) are lt classics and now, ludo returns with a third release, i just can t ep. while some producers struggle with new ideas, trying to re-invent the genre, ludo sticks to what he knows best. strings and chords combined with a thick and squelchy bass is the foundation of the title track while on the flip, dirty stories, is as hypnotic as it is jackin, in fact, both tracks are so irresistible you d start wondering if ludo stole them from a snake charmer.

a surprising collaboration between mannella and the uk technos bearer - blawan- that clearly establish a deep techno-space, where the quirky sounds are free to be developed and created. right from the very first second of the dark breeze, which spreads a fluid, echoing and fickle synth, we can hear those fuzzy noises that mannella loves to use. a perfect combo is given by the presence of intense drums, thorough pads and harped synths: a total head-trip that flows in the whole ep. then, with i know you are a cheerful air gain the upper hand, leading it to be theperfect dance floor track. even if is just the second release, its pretty explicit the aim that the label has come to play in music today.

songs without words, suggestive and emotional transparency and connection, contemplation and departure, meditation and attack: this music fascinates from the very beginning. it has no need to boast or become talkative, but stays true to itself as it casually develops its poignant pulse and lets it grow, and grow. the web of sounds soon begins to radiate from within, it inspires images in ones head, and invites to musing and introspection. against the background of a wide horizon the details of their music join, develop a life of their own, and lift off to collective flights of ideas. this music is an invitation to listen without prejudice, offering a way to get lost in dreams while, at the same time, remaining solidly grounded and completely awake.

after coming with a pretty great electronic soft jazz number on the first release, distant works begins to define the mission behind the label with the second offering-a synth, italo-esque 5-cut ep that would only come from somewhere in the netherlands these days. the label bosses are clearly up to go to distant places to deliver the sounds. it s a very impressive statement and raises our interest on future releases.

an identity matrix can be described as a special linear matrix in which all the right variables align to create a unique state of balance. an efficient, yet elegant equation, serving as a stable truth, on which new ideas can be founded a perfect analogy to the signature sound and philosophy that have made jeroen search one of the most sought after underground techno producers of this day. with four powerful tracks, all drenched in the signature analog search-sound, the identity matrix ep delivers yet another timeless contribution to the dynamic reflection catalog. with the a-side featuring two driving dancefloor-oriented cuts, and the b-side exploring the more futuristic sounds of tomorrow, the identity matrix ep skillfully balances itself between tradition and innovation.

we proudly present to you the second blissful vinyl only release on capodopere records headed by mihai pol. side a will throw you inside a finger-snapping track with a satisfying beat that will be shadowing the composition for all the ten minutes of your experience. going to the b side - dreamy keys and ambient sounds are the ones that guide this piece of art, leaving a hypnotic state - followed by an atmospheric and dubby finale. taste it yourself.

straight, unadulterated, chi-town box jams from the mighty chris bam-bam westbrook! this is that 1988 flavour, raw acid, punishing drum machines, the unmistakable sound of warehouse parties, darkened dance-floors and smoke machines in overdrive. often imitated, never bettered, the real deal! one of many classics from bam-bam s impressive back catalogue give it to me is tough, sexy and jacking and still sounds like it weighs 1000 tons over 30 years (!) since its original release. reissued here in its original form on the westbrook label for 2016. fully licensed and remastered with the full consent of bam-bam / westbrook records. do not sleep on this chicago acid house killer - essential stuff!

(180 gr) the third in international feels mini album series is by wolf muller and cass. their album follows two highly regarded releases from len leise and cfcf and they havent let us/you/or anyone down.wolf muller and cass. have a new album coming on international feel as part of our ongoing mini album series. their album follows two highly regarded releases from len leise and cfcf and they haven t let us/you/or anyone down. jan schulte is wolf muller. he makes music to dance to and then he likes to pick things up and bang them. he makes funky german sounds from jews harps and odd items that you wouldn t expect. he is like an underground german version of herbert (but with more groove in his bones). cass. makes soundscapes that melt your bones and take you elsewhere. together they are a pretty formidable duo.

unslaved s punjab is a journey through three unconventional club tracks, hear genres entwined, sounds broken down and set free in the most spell-binding way. first track punjab is an eight minute creeper built from insane drum patterns and layered with an eerie, yet blissful melody. with an almost ambient quality, punjab is an off- kilter yet perfect. on the ip, b1 apogee is a dark masterpiece with the rawest, yet most striking of characters. a track that wouldn t have been out of place in early dubstep or grime circles with a spine-tingling bass line, apogee has that sparse, stripped-back feel where listeners discover hidden elements on each listen. exploring the murkiest corners of electronica, apogee is an intense mover that sets a high standard for the release.

the eagerly awaited full length album from microlith aka rhys celeste lands on cpu. following his critically acclaimed debut e.p. hello 307, the maltese artist returns and makes his vintage synths dance to his signature - soulful, laidback braindance. each track is brimming with warm analogue melodies, sounds reminiscent of early detroit / chicago techno and rhys s expressive musicality. all four tracks on the vinyl e.p. are taken from the l.p. dance with me

here we bring you an amazing ep of atmospheric delight stunning bass sounds with an amazing remix from zefzeed. both of these artists are very talented producers and very professional and it gives us great pleassure to have them on board with us at trapped ldn. born in republic of moldova, suolo is one of these young producers of minimalist music that sets no boundary in terms of style and musical horizons. after a few trips during the year 2012, he learned to assert his artistic difference both melodic and underground. he signed on labels such as um passo, sleep is commercial, leone music, in records and many others who have helped him to become known to a wider audience.

the first release from iridite in 8 years sees them returning to their roots with a multi artist release of glasgow house and techno at its finest. the fourth release on iridite from simplon does not disappoint deeply unusual but emotionally charged techno, it twists and turns throughout and bears repeated listening to fully understand it’s depths. for fans of shake, terrance dixon, model 500 and futuristic sounds. fresh from his two releases on the nuclear family, laurence hughes revives his elijah moniker for the most dancefloor friendly track on the ep. label boss jason brunton heads up the rear with january, a deep slice of spaced out four/four action with a sting in the tail.

brimming with offbeat beauty, elusives new album textures features a unique electronic warmth that is created with an infinity of unusual sounds. dissected vocals and the crackle of lo-fi static permeate the release with layers of soul, a showcase for elusives artful, abundant and multi-layered approach to production. with over 20 releases in his collection since the 90s, elusive has personified instrumental music culture in california for two decades now. textures comes at a creative spurt in his career and has a breakthrough sound from beginning to end.
the vinyl release includes a download code.

is it balearic releases a debut ep from clandestino s joe morris. 4 tracks of lush electronic grooves. the title track golden tides is a mid tempo houser with beautiful pads and soft arpeggios. late afternoon sundowner vibrations. the second track bayou has touches of sueno latino about it, an afterdark evocative tropical house trip. on the flip the first track light of the moon is a more reflective slo mo affair. warm pads and 808 sounds melting into cicadas. finally we come to mpondo theme. sounds of nature kalimba and loose percussion all sit together and watch the sun dip over the savannah horizon. a proper ep this covering all shades.

although the artist has spent 2015 honing the discographies of his other projects, “ravers” comes after a silent year for the d. carbone moniker which in turn gives it all the more impact. the “class of ‘87” dj and producer’s first mini-album is dedicated to everyone interested in the ecstatic sounds of 90’s rave culture. on “ravers”, d. carbone distances himself from the functional perception that techno indicates a fairly narrow tempo range. instead, he approaches it more freely by returning to earlier formulations.

zehn songs mit einer mischung aus old-school club-musik, west-coast hip hop und portishead beeinflusst. experimentelle sounds treffen auf geschmeidige, catchy melodien. für fans von björk, st. vincent, feist, sharon van etten, chairlift!
die deluxe lp erscheint auf schwerem 180 gramm vinyl, inklusive art-orints und downloadcode.

for our second instalment of our vinyl only limited series we have the pleasure to introduce you to the sounds of primary perception , with their debut vinyl ep release -research centre- found deep in the heart of berlin, this musical pair with their telling analog sounds put together three wonderful pieces of original art for you to get lost in. along with the original tracks we also have a remix from a man who needs no introduction, s. moreira - slow life s main man. who s work time and time again opens our minds to electronic music and once again he has blown us away with his work on this remix - enjoy ssrl0002.

summer season just started and we’re kickin’ it off with a pack of quality cuts brought to you by flashmob, danny serrano, clio, spencer k and collective machine: it sounds as good as it is. flashmob’s „year 1993“ is a deep organ tech tool that takes over big and small rooms alike, just made for peak time hours. danny returns with slate, a laidback track that hooks with tight snares and a locked groove. next up are spencer k and collective machine who joined forces for this release and we hope they’re up to repeat it, since that’s all where doing with “sonic attitude“ and “hit that way(digital only)“. clio completes the package and brings us some good summer vibes with “i need you“, need anything else?