jack fuller is a harlem based singer, songwriter and dancer who works closely with many pop and hip-hop acts, including azealia banks. he is also in the vogue trap project, anvkai. n’conduit is brooklyn based producer & engineer alex hamadey. he produces ambient music under smallbroadcasts on something records and is in several collaborations including lindbergh palace, mc&hammer and shadow lanes. alex also co-runs two vinyl labels: voodoo down records and rock and roll records. by day he composes for film and commercial with hyberballad music. this is his fourth vinyl release. available on full color jacket lp by brooklyn, ny based artist juan betancurth.

im grunde genommen braucht man über die beatsteaks aus berlin mittlerweile keine großen worte mehr verlieren. ausverkaufte tourneen, headliner bei festival-größen wie highfield und rock’n’heim diesen sommer – der ruf als deutschlands beste live-band kommt nicht von ungefähr! bereits mit dem letzten album »boombox« (2011) stand die band auf #1 der charts und bekam goldstatus verliehen. mit dem siebten streich besinnen sie sich ganz auf sich selbst und tauften das neue album schlicht »beatsteaks« (vÖ: 01.08.2014). vorab verschenkten sie mit »dna« einen knackigen punkrock-song an ihre fans, die erste single »gentleman of the year« kursiert derzeit mit einem unwiderstehlich charmanten video durch die medien und schallt den sommer über aus den radiostationen. wenn dann noch moses schneider als produzent für die elf songs an den reglern sitzt, bewahrt sich die eingangs erwähnte formel: man muss nicht viele worte verlieren über die beatsteaks aus berlin.
doppel-7 inch im klappcover, downloadcode inklusive.

a very warm welcome back to the marvellous creative use imprint. life in the balearic fast lane, may well be moving at a distinctly slower rate than fans of this cult label may like, but we like to think each carefully considered and crafted release is worth the wait ! kelvin andrews world famous stable for his own and likeminded producers (like mark e & mark seven to name but two) secret dj weapons is back to the fray with another 3 track salute to exceptional dancefloor moments a diverse trio of 45s provide the inspiration for their tenth excursion, as a lovingly amended funk beauty sits alongside indian infused mexican rock & jazz-fusion gems, which are all subjected to the highest quality creative use treatment!

4 unreleased cuts by nail, echoing perhaps the more jacked-up moments of his --big d s lounge-- lp that was released on diy that same year. speaking from his tent pitched outside the oswestry service station goods entrance, he recalled, --i have no memory of making these tracks--. 300 on clear vinyl, no repress.

rnt and lovebirds, together at last, with a 12 inch ep that oozes summer from every groove! on the a side, the familiar erotic boogie grooves of funk so pretty tickle you in the purple place. on the flip, free sculpts an overlooked 80s jazz pop tune into a shimmering shuffling world beat masterpiece, and then we get down n dirty once again with donwanchooback. cop it and rock it. as ever its pressed on 180 g vinyl and hand stamped label

emotional response welcome detroit s fuxa to the label with a mini-album that takes their trademark pyschedelic guitar and synth instrumental rock and showcases the more spiritual and ethereal creativity running within. specially curated from fuxas two recent digital only albums - dirty d and frequencies for physical, mental and spiritual healing - this special 8 track selection sees each album represented on one side of vinyl

mit seinem club-erprobten elektro-pop mit akustischen folk-rock einflüssen erobert jan blomqvist die bühnen von clubs und festivals weltweit!

kenny dope and louie vegas nu-yorican soul project was responsible for some of the biggest underground club hits to come out of nyc throughout the 1990s, their collective vast musical knowledge, impeccable taste and legendary status as djs in the city only helped elevate them to the highest level.
the nervous track is a fine example of the duos deep musical heritage, originally released on nervous records in 1993 its deep pads, bassline and solid as a rock breakbeats captured the ears and minds of any self respecting dj or dancer who came within a hundred miles of it, the very definition of a classic! fusing the worlds of jazz, latin, hiphop and house maw set the blueprint for generations of djs and producers to come with records like this.
here, re-mastered and re-issued from the original dats in conjunction with nervous records nyc is a piece of dance music history, the nervous track is available again and still sounding as vital and groundbreaking as it did on its original release.

serge gainsbourg may primarily have been known outside his native land for the heavy breathing masterpiece *je t aime (moi non plus)*, the only french song ever to top the british charts, but to those at home he stood as one of the more potent cultural figures of post-war france. discover why he is held in such high regard with this 180g double-vinyl set.

herbert grönemeyer ist in deutschland - ohne frage - der musiker, der am besten mit der deutschen sprache umgehen kann. herbert grönemeyer versteht es mit ganz wenigen worten ganze seelenzustände sowie unsere gesellschaft darzustellen. -chaos- ist auch in musikalischer hinsicht (das vergisst man schnell bei einem solchen texter) ein brillantes album in der deutschen und auch internationalen musikszene. zusätzlich wurde herbert grönemeyer auch optisch noch nie so künstlerisch in szene gesetzt wie von dem rock-fotografen anton corbijn. das vinyl in einer neuen, remastered version auf 180g!

we hope you will permit us the indulgence of deviating slightly from our globe trotting explorations on this release as we pay homage to the sun. highlife on holiday, if you will. stepping away from the edits, auntie flo delivers a new original track. sun ritual ii takes things up a notch from its earlier counterpart (released on kompakt), banging dare-we-say-it berghain techno gives way to warm synth-laden euphoria. on the flip, miajica, one third of alma negra who you may recall from highlife2. here he serves up a delightfully familiar summer treat, the original being an end of the night, highlife highlight, particularly at our annual tribute to the sun event. we are sure you will agree that both sides are rock solid and primed for the summer!

zoot woman haben für star climbing eine Überdosis new romanticism gespritzt, die mit einer extra-portion disko medikamentiert wird.

second release from uber records is jesus luvs u baby. los porcos drop a tripped out dreamy piece of indie balearic soft rock. reverbed guitars and chugging bassline and a blissed out vocal. on the remix claremont 56 boss paul mudd murphy delivers a stripped back atmospheric dub groove whilst the second remix from is it balearic..? boys coyote step on the delay pedal and and hit the percussion. the lazy hammock dub is exactly that ... uno dos tres quatro.

enau is a young experimental band from belorussia formed in 2012. enau plays very atomospheric music. the main styles are post-rock, ambient and shoegazing. their singles were warmly welcomed by many music critics & press. moreover, reverie.walls.ocean is the very first post-rock album from belarus released on vinyl.

publicist is longtime producer/performer/musician sebastian thomson. his tracks approach house music from a darker angle, adding processed vocals and noise to a raw foundation that also takes cues from new beat, acid house, and detroit techno. when performing live publicist sequences the synths and not the drums, preferring to play an electronically treated drum kit in the middle of the dance floor. this adds an element of sweat, excitement and virtuosity not found in most electronic producer s live performances. sebastian thomson is also known as a founding member of post rock pioneers trans am and as the drummer of heavy metal innovators baroness. living in brooklyn by way of buenos aires, washington dc and london, publicist has spent the last four years touring europe extensively.

marking the start of an exciting new collaborative project, wolf + lamb proudly share the debut release of the waves & us. formed out of a creative meeting of minds between maayan nidam, markus nikolaus and louis mcguire, theirs is a sound that strengthens the storied approach of a live band with the experimental thrust of analogue electronics. pop and rock fundamentals lend an earthly hook to the tracks, but these are anything but straight-forward songs. maayan has already forged a formidable career in electronic music, both under her own name and as part of mara trax, scoring releases on such celebrated labels as perlon. markus performs his own solo project cunt cunt chanel, while louis is part of ballet school, a band releasing on noted indie label bella union. the whirlwind of creativity that has whipped up around the trio has yielded an album which will follow this single, made up of one-take recordings that capture the energy and adventure that powers the waves & us. maayan s electronics provide the atmospheric backdrop to the songs, running modular synthesisers and drum machines through detailed chains of processing and effects with an emphasis on a warm, charmingly rough finish. markus guitar undergoes a similar fuzzy treatment while his voice calls out introspective, abstract lyrics to set the mind racing. louis bass underpins the music with a dubby sensibility, bringing a necessary balance to the frequency range. making the most of their in-the-room recording approach, the singles will feature alternative takes of the songs that will appear on the album, providing a little insight into the flutters and fluctuations that shape the development of this project. with their eyes fixed on live performances and an arresting sound already formed, this is a vital time for all three artists and the people that listen to them.

on this new 12 inch, we present 3 big names of the digging scene: tokyo matt from the otaku soundsystem originally based in hong-honk, and mori ra & asn from tokyo oyama edit, well know for their releases on curt jackson rotating soulss label. the 4 edits they are presenting are just out of this world. all very atmospherics, they are the ideal combination of space disco, balearic rock, jazz, pop and fusion. another ep to take very seriously.

death of a cheerleader spielen indie rock mit einflüssen von postrock und doom. fuer dancing around the fire of volcano reiste die band nach stockholm, um mit cult of luna-drummer und soundengineer magnus lindberg (ef, grande roses) zusammen zu arbeiten. das ergebnis ist ein homogenes, natürliches und dunkles klangbild.

nrbq sind die mutter aller eklektizismus-bands. schon auf ihrem 1969er debüt-album coverten sie sun ra, spielten eddie cochran-rock & roll und komponierten die tollsten popsongs, was yo la tengo, bonnie raitt, paul mccartney, elvis costello oder den chefnörgler keith richards zu ihren größten fans gemacht hat. sie sind die ewige lieblingsband vom drehbuchautor marc scully, was sie zur wohl unbekanntesten band macht, die jemals bei den simpsons einen auftritt hatte. was aber auch dazu führte, das sponge bob schwammkopf immer wieder ihre lieder sang. aus der original-quartett ist leider nur noch keyboarder und sänger terry adams übrig, aber die aktuelle besetzung, die seit nunmehr 8 jahren zusammen spielt lässt für eingefleischte nrbq fans keinen wunsch offen. das neue album „brass tacks“ zeigt nrbq in ihrer ganzen prächtigen vielfalt. das berliner label staatsakt, das auch zum kreis der großen nrbq-fans gehört, ist sehr glücklich, sich in deutschland um die vermarktung und promotion für -brass tacks- zu kümmern.

throne of blood has been on a rampage of late. from our acclaimed ambient compilation moon rock volume one the the end scene lp from jokers of the scene and the debut single from the rapture’s vito & druzzi, we are on a musical mission and theres so much more in store

auf perfect hair versammelt der aus la operierende mc busdriver eine illustre produzenten- und gästeschar um sich mit u.a. aesop rock, danny brown, open mike eagle und produktion von jeremiah jae über mono/poly bis hin zu driver! das doppel-vinyl erscheint inklusive download-code.

drittes und begnadet gutes neues album des us-alternative-country-duos shovels & rope, das seine karriere mehr als marathon statt als sprint lebt, und auf -swimmin time- auf sehr erfrischende art und weise folk, country, rock und punk miteinander vermengt und damit brilliert.

we dont really know if the young bryan kessler listened to kraftwerk, but then again we didnt ask - who cares, anyway? what’s certain, however, is that this punk renegade, songwriting wunderkind and all-around exceptional producer is a man of many faces, and all of them rock. discovered on stage while spouting anarchist pop slogans and showcasing an impressive underage mohawk haircut, he never was to be a bottled genius sticking to only one gun - and soon set out to become the lead singer and guitarist for neo punk nutters the pollywogs, while embarking on an equally public career as prolific dj and dance music producer

andre winter and hatzlers unique studio alchemy has revealed itself under many guises over many years. their latest incarnation sees them join forces yet again for an impressive selection of maximal techno future classics, on the beloved senso sounds imprint of their longtime friend oliver huntemann. there is nothing illusory about the duos mirage ep the three tracks are rock solid, bristling with energy, and designed for maximum impact.

the 6th offering by public possession comes from our old friend anton klint. we have been playing records together for many years and he is for sure one of the best rock/disco djs we know. he has put out a few records together with his partner edvin edvinson as tiedye in the past, but this is his first ever solo production to be released. we are very happy that we could work with him on this one and are now able to present to you the spritzer ep.

the composer and sculptor aaron taylor kuffner is well known for co-creating the gamelatron project in 2008, the worlds first fully robotic gamelan orchestra. his one-of-a-kind creation has been shown in major venues and festivals worldwide, ranging from the smithsonian to fuji rock, and at galleries and festivals across asia, europe, russia and north america.

trickreich und zartfühlend zugleich, klingt es wesentlich endorphin-geschwängerter als die bis jetzt veröffentlichten singles. das mag zunächst verwirrend sein, aber die Überraschung gelingt. die reise, die dark sky zurück gelegt haben, muss von extremem musikkonsum begleitet gewesen sein. das album evoziert bilder eines erwachsenwerdens durch sound. vor allem eine musikalische dekade hat dark sky beeinflusst, die 90er und all die vielen musikrichtungen, die damals wiederentdeckt worden sind finden sich auch auf imagin wieder. funk, bossa nova, eine ganze menge triphop, aber auch post-rock, ambient, balearic-house und 80ies pop alles geschüttelt und gerührt und in einem post-dubstep cocktailglas serviert. eiskalt selbstverständlich

non stop house tools! directly recorded from his liveset, marco d aquino aka duwka, a half of life s track with his fellow friend herva, provides the first series of 6 effective tools for every dancefloor and for djs who like to spin! in the mood of some early soundstream or even dancemania trax, they are rich in funky elements, disco samples, powerful grooves! find your tool, or just let the whole side rock till the end!

*somebody* is the first single from the new aurra album *body rock* due out later this year on family groove records. once again the world gets to experience a lost disco-funk masterpiece providing another glimpse into the genius mind of slave founding-member steve washington & brides of funkenstein / p-funk singer sheila horne. body rock will be the second and final unearthing of the lost but found master tapes originally recorded for quincy jones qwest imprint in 1984. slap bass, heavy synths, linn drum, sultry vocals... this is modern funk at its finest!
the 24-track master tapes were transferred digitally and then mixed on an ssl board by kamal humphrey at his all-analog flying carpet studios in los angeles. the result is a full sound enhanced by the natural analog process using todays digital technology only when needed to clean up the files.
da-m-funk adds a bit of dirt and grime by putting his signature re-freak on the track. a confirmation from los angeles ambassador of boogie funk that this is in fact the the un-cut funk and nothing but the funk.

while accurate for most washed up middle-aged rock musicians, the above definition does not apply to les has-beens.

here comes the sun (1971) is an album by jazz singer-pianist nina simone, consisting of cover versions of songs by pop and rock musicians. it features songs recorded in the rca studios with a full orchestra and backing vocals. although simone covers songs by bob dylan and the beatles, among others, most of the versions feature arrangements substantially different from the original recordings. this is most clearly in the final song *my way*, which with its fast pacing rhythm deviates significantly from the usual interpretations. pressing on audiophile 180 gram vinyl.

-never say never- ist die erste single-auskopplung und steht exemplarisch für deren entwicklung. das stück - halb song, halb club-tune überzeugt nicht nur diese kombination, sondern das stück funktioniert auch auf beiden ebenen gleichermaßen gut. dabei be

released in 1988, tougher than leather was the culmination of the rap/rock road that run-dmc travelled in since their earlier albums king of rock movlp675 and raising hell movlp633. its superb production, booming 808 beats combined with guitar samples, catchy choruses and smart rhymes made tougher than leather undoubtedly the best hip hop record that came out in 1988. great tracks include *mary, mary*, *runs house* and *i m not going out like that*. its equal appeal to hip hop as well as rock fans made the album a million seller, and underlined run-dmcs stature as living hip hop legends all over the world.
pressing on 180 gram audiophile vinyl.

grzegorz ochman aka leão, a producer whose name you might well recognize thanks to his previous work on robot needs oil

portlandia house bastion ecstasy termed temples 2012 debut mini-lp, i-vii, ambient jack, which captures something of the projects contradictory strengths: airy yet agile, sparse but plush, flights of intuition mapped onto morphing grids of percussion, crystalline electronics, and pastel skylines. avalon kalins latest collection of tech finery, earrings ii, dials back the atmospheric quotient somewhat, though theres still a rock garden spaciousness to his mixes, each element arranged with regard to some higher harmony, the poetry of negative space. recorded in his home studio while dancing, the four tracks here ebb between passages of pressure and release, euphoric but unstable, dusted with pyramid-chamber slap back and live dubbing acrobatics. their melting clock asymmetries more closely echo kalins hardware improvisations with scott goodwin as polonaise than the velvet vocal house of his other solo vessel, finesse, but temples is ultimately a holy place all its own. a sleekly compelling statement from one of the pacific northwests secret heroes. mastered by eric hanson. edition of 305

the horst sind zurück mit ihrem neuen album *tofte*. das wort stammt aus dem münster-typischen, rotwelschen sozialdialekt masematte und bedeutet so viel wie gut, oder auch toll. manfred schulz, als langzeitbegleiter der band, war erneut als co-produzent, tontechniker und freundschaftlicher berater am start. mehr noch als beim vorgängeralbum, fällt bei *tofte* die gemeinsame freude an guten songs auf, die von verschiedensten einflüssen aus der popgeschichte und den eigenen plattenschränken geprägt sind, sich aber jenseits von rock-klischees, muckertum, schlagerspießigkeit oder kunsthandwerk bewegen. aber wie auch immer: hauptsache der song tuts und er klingt gut.
die lp auf 180 gramm vinyl erscheint inklusive cd-version des albums.

*the island of dr electrico* is a varied musical landscape, at times lush and tropical, at other times an impenetrable swamp teeming with all manner of surprises. migrating seabirds have long flown thousands of extra miles avoid dr electricos blighted isle, leaving him alone to experiment with dark beats, primitive synthesizers and the raw emotion of kidnapped souls. the resulting sounds are a rich palette of classic cinema, from lonesome spaghetti to surf-rock, from psychedelia to spine-bending space disco, overlaid with the voices of our protagonists the tiger and the mysterious lady. from their unlikely beginnings in the suburban wilds of melbourne australia, the bombay royale have taken their unique sound to audiences throughout europe, uk and the usa, where their performances have been met with astonishment and critical acclaim.
the vinyl lp comes in gatefold sleeve, mp3 download code included.

randomer sees a cccp release with three tracks of gutter club techno mayhem and off beat oddball vibes that will surely rock down the house. floor burners for the adventerous dj of today.

sfx recordings is back with a third vinyl fully dedicated to fat tech house groove! noon delivering us four new tracks exclusively on vinyl. those tracks are a mix up of different style, some more deeper and melodic and other more focus on fat rolling bass line, they have all a real value for each moment of the parties keeping the theme trademark sound of noon. a must to have for the summer, just get it and rock it!

british trio little barrie — the group with the unrivalled, trademark blend of rock, blues, garage and soul flavours — are back with their fourth album *shadow*, and sounding better than they ever have. the three-piece of writer-guitarist barrie cadogan, bassist lewis wharton and drummer virgil howe, have slowly and surely been honing their sound and maturing their style since the groups debut on record all of 15 years ago. *shadow* is the super-cool and confident sound of a band at the top of their game, full of brooding self-confidence, brilliantly combining texture and liveness.

for their latest outing, a choice selection of rock, balearic and pop-reggae-disco goes under the razor for some precise trimming and extensions. beard science veterans hardway bros. & 45 badger are joined by glasgows scratchandsniff, and tokyo matt from hong kongs otaku soundsystem.

part one of aroops brazil breakdown series was a big hit among the main players on the jazzy scene with airplay from gilles peterson and kev beadle etc. this second edition will definitely please all fans of the first volume but should also make him some new fans. on this release you will find 3 tracks in various tempos and sound but with one common detail ... brazil! all three tracks have their own sound but are designed to rock any party where the summer and sun is in focus.

brown sabbath is the alter ego of austin-based brownout, delving into the catalog of the hard rock and heavy metal godfathers themselves black sabbath .>hand of doom< featuring black angels singer alex maas on vocals is the lead-off single with >the wizard< on the flip, pressed on limited colored splatter 10inch.

das aufeinandertreffen der zwei großen deejays aus dem jahre 1984 wurde als vinyl neu aufgelegt. mit dem gütesiegel channel one, roots radics und henry junjo lawes hatten beide kuenstler die gelegenheit auf jeweils fuenf tracks und schwergewichtigen riddims (prison oval rock, lecturer , fever, stars, rougher yet)ihre fähigkeiten nachhaltig zu demonstrieren!

this year has been a time for throne of blood to stretch out a bit. following a string of well-received singles exploring the quirkier corners of the dancefloor (dj chloe, brioksi, pleasure planet, bohemian groove, pbr streetgang) as well as moon rock a long-percolating exploration of modern ambient music, we are dropping a springtime megabomb aimed squarely at the big room.

very dark and menacing and heavily-pounding industrial techno/electro planet rock!

familiar friends of the label, french duo jules & moss return to tiefschwarzs ever-reliable souvenir imprint with another stomping two-tracker designed for those late nights and early mornings. situated at the very centre of a musical centrifuge, french duo jules & moss find themselves drawing upon an array of different influences spanning rock, jazz, classical but landing somewhere firmly rooted in the electronic spectrum.

a special dj double pack from emotional rescue brings together a collection of razormaid remixes, plus unreleased originals, of two projects from georg kajanus, the founder of 70s pop group, sailor and 80s synth poppers, data. with a career spanning late 60s psychedelic folk-rock in eclection, through to chart success as a member of 70s pop group, sailor, before embracing the synthesised sound of early 80s new wave and synth pop via the excellent data, georg kajunas music has covered a lot of ground.