ben payne & joe wills aka the insiders are hardly newjacks in the world of drum&bass music. their collaborative productions have been on legendary imprints across the board and throughout the years. they have consistently represented their brand of forward thinking drum&bass and now we are proud to feature them in the prestige music catalog. the insidersresume boast a succesful monthly in bristol uk and a fresh label imprint under the name intrigue music. after this prestige debut release, one can expect much more from the insiders in the very near future. releasing in november, 2011 for digital download and limited editing vinyl release with all fine music retailers nationwide.

its another monster from survival and one thats featured as an untitled track in numerous sets recently. here we are pleased to announce its title as >the year 2133<. the intro on this one takes you on a short journey into space and back & returns you to land with a massive bump the mini-second the bass kicks in. its a futuristic slate of d&b that we are sure would sit quite well in the year 2133 however we are happy to be releasing this in 2011! the flip sees fathom audios superb >clear the mist< featuring codebreaker & sense. the track features the excellent and hugely talented vocals of codebreaker & mc sense throughout and represents an excursion away from the norm for dispatch.
support from the likes of: btk, rockwell, vicious circle, ant tc1, ulterior motive, fd, dlr, skeptical, cern, dbr uk, nymfo, marky, ant tc1, mindscape, chris su, youngsta, doc scott (future beats podcast), skeptical, xtrah & dose.

hailing from perth, australia, this talented and prolific producer is no stranger to the music scene. following his first taste of an akai sampler to drop film samples on the intros of songs in his metal band, the dirty whittler, rregula eventually found himself drawn into the world of drum and bass and formed one half of bad robot in 2003, a monster collaboration with future technique and viper superstar, phetsta.

fresh from his triumphant return to detroits movement festival, where by all accounts he delivered the set of the weekend, claude young teams up with his different world co-hort takasi nakajima for their debut release on art. the original is no-nonsense but thoughtful future-tech, with plenty of analog modulations for the heads - and dance-floor thump for the party people. on the flip, the legendary ian o brien delivers a typically deep, detroit tinged remix with trademark warm bass and glistening top lines. ian planned to do one more mix-down of his remix when the huge earthquake earlier this year pretty much demolished his tokyo-based studio.

heavy austrian dub mechanics from group niob aka phlox conspirators gerhard potuznik and martin sovinz. this is their 2nd release to date, a dedicated follow up to last years >vector ep<. opening track nexus takes dubtechno one step further down the road to the lowlands. it manages to keep the atmosphere dread and melancholy but balanced with light skipping percussion and whispering snippets over a four to the floor beat, creating an uniqe kind of bass music. second tune aldo glows with warm chords over thick and dreamy rhythms, rendered in spacious minimalist dub style. side two starts with a vocal drenched acid-rework of nexus by no other than tin man. the words >doesnt matter who your are< will settle down deep in your subconsciousness and refuse to leave for some time. already an anthem and that kind of tune that should not be missed on future dancefloors. the ep ends with a fierce and forward shifting, floor shaking nexus-rework by londons bass cadetts dark arx

hot off the presses. we just got these in last nite from portland. this is our first real peak at body work, glass candys much anticipated third album. johnny & ida have been destroying clubs with both of these tracks for almost two years now. forever pushing forward into new ground from where b/e/a/t/b/o/x & 2010s feeling without touching left off, they candy coated this slice of analog glamour & sprinkled it with some stardust on top. lazer driven melodies bounce off electro primitive drums that would make moe tucker proud. idas crazy like a monkey & happy like a new year as she sings a call & response to the crowd. >warm in the winter< continues to unfold for seven plus minutes of shimmering percussive synth. the proto boogie b side >beautiful object< is so grimey it makes us think of bbbb s production on the first madonna album. the rhythms keep turning while future & past collide. johnny gives us the usual dosage of heavy bass & crisp handclaps. written & recorded in the icey montreal winter. mixed for all seasons.
entire first pressing on delicious rasperry colored vinyl !

summer has all but gone as the darkness draws in, the clocks go back, and fina records releases something a little different for the night owls. cosmic dutch space cadets morning factory step up for fina 005 with a slow motion rhythm and tone ep. having previously appeared for yore records and brother from another mother 2020 vision, the guys have been busy in the windmill whittling a perfect autumn release. sultans of swing ep doesnt quite shadow dire straits but it certainly delivers. hypnotic title track of the same name is features futureproof basslines, layered with an enigmatic drowning echo-led synth while >lady< adds a different finish to the wax. here we find d angelo s 96 vocal hook effortlessly breaking through the shuffling punchy bass.

in its original form, holy ghost!s debut album cut >hold my breath< is, pure and simple, great dancefloor electronic pop, in the hands of shadowy duo tiger & woods, the song has been totally reshaped and refracted through 80s r&b radio. they have slowed the pace and inserted synth-funk hot flashes that recall prince – and, no kidding, the time, and jimmy jam & terry lewis – to create a mood that fits comfortably (and pleasurably) within their future boogie m.o. cosmic kids ron poznansky and dan terndrup have taken the track in a more tensely dramatic direction. it might be the vaguely darkened synthline upon which much of that track sits that lends itself to its more intense feel here, and gives it such a pleasant nocturnal feel. finally, theres falty dls re-envisioning, which goes down awfully smooth for a track so full of the big, thick, bumping bass beats. it’s an aural pleasure to find yourself dreamily lost in the brooklyn, new york producer/djs halls of reverberating sound.

about yoav b (delsin/wasa bi) :in the last 10 years, dj yoav b has released some of the finest deep house and techno records around, some are already considered as cult classics. most of you will recognize that thick, thick bassline of his underground anthem >energize<, which was fired at you at many dancefloors around the world, or that dazzling kick drum and fm synth bass line of “organ satta” that appealed to djs from chicago to berlin.with his latest release for the most respected delsin label, entitled >love dubs<, he kept pushing the limits of dance music over the maximum, with some experimental yet funky as hell house and techno music, picked, played and charted by a large scale of djs such as martyn, marcel dettmann, charles webster, basic soul unit and more. near future projects include e.p. releases for the lables meakusma (belgium) and synchrophone (france).as a dj, yoav b. has established himself as one of israels finest underground dance music jocks. also recognized for his unique cut n paste way of mixing, you can hear in his sets nothing but deep and hot music in various styles – from deep house to techno, from disco to jackbeat, from classic to futuristic – all mixed in a furious funky, yet coherent spinning style.

lando is known for teaming up with low limit as lazer sword, a future hip-hop from group from the bay area. his solo tracks are freaked out juggernauts of electronic music, primarily experimenting with various mutations of house. dense instrumentation, analog synth and drum machine work, complex melodies, and creeping basslines are pooled from his musical obsessions with 90s rnb, classic house, freestyle, garage, detroit techno, early synthesizer music, timbaland, and… to be honest, everything in between.
>maneuver< is a sure shot banger, a futuristic synth piece with heavy garage leanings and even a hint of robin s classic >show me love<. on the flip we find >run it<, a more introvert electro fused b-boy classic from future times.

brilliant new album from mad scientist-style production genius maurice fulton! chopped-up dubbed-out echo-drenched percussion and globular bouncy p-funk-meets-dubstep bass lines collide to create future boogie-not-boogie from outer space!

the moreaboutmusic label launch the secret weapon series for long lost gems and future classics, inspired by the sounds of early chicago house, sheffield bleep and detroit techno. secret weapon #1 comes from deep space orchestra with the future deep house classic >hold me back<, remixes come from disco don cosmic boogie and acid house scientists paranoid london. deep space orchestra deliver the goods with >hold me back<, a stripped down, nu-groove, mr fingers inspired, deep house jam. a simple kick and cymbal pattern builds slowly into a layered percussive house groove, with a pulsating juno bass line. organ stabs tease in and out of the track that build up to a hypnotic hook. the layered rhythms build, whilst a vocal stab teases in and out of the track, layering sounds and sonics, before dropping back onto an irresistible jacking house groove. the remixes are adding some fine flavors to this excellent debut release of mam records.

the faceless artist, the nameless music. based in paris but with soul between chicago and detroit, rhythm& soul releases his first ep on monofunk. a release full of magic and soul , proper of the most respected nouvelle cuisine chefs from the city of love. deep house with jazzy touches and an amazing groove where each track becomes a deep future classic. >la jazzete< perfectly describes rhythm & souls sound identity. elegant drums, perfect melody and a bass line full of soul and three piano musical notes that repeats itself until it finds its way in to your dreams. in >midnight preacher<, r&s takes us to the most soulfull detroit. slowly progresses, with an impact full simplicity, to build up a 100% organic track full of life and plenty of funk. thats dope! damian schwartz (cmyk, apnea, deepdope), is our star guest. damian remixes brilliantly and unexspectable midnight preacher, twisting the track and taking us to the most analogic ghetto, maintaining the elegant melodies of the original track.

mark es >call me< finally gets released via merc this september. ever since its appearance on the mark e beats in space mix nearly a year ago it has remained a must have track and appeared in faiths top 10 tracks of 2010 without seeing the light of day. staying true to an original >house< aesthetic, call me merges a relentless bass line with soaring strings and an organ build de lacey would be proud of, combined with a spoken female vocal this is destined to be a future classic. dixon and tensnake appear for remix duties, dixon turns out a sublime re-work, tightening the feel in true innervisions fashion, whilst tensnake creates a genre defining remix that turns the track on its head and introduces 2 step garage attitude. mark e + dixon + tensnake = huge 12inch !

!! vinyl only , last copies left!! dj/producer monty luke kicks off his new label black katalogue. first track >tomorrow< is a sub-bass driven snapshot of one of detroits possible futures. >the next< is simply a message. >yesterday & today< takes a filtered disco hook into a future direction.

after 2 years of throwing events in new york, stranjjur nycs next logical step was to move on to a more international platform. after introducing artists such as milton jackson, carlo lio, spencer parker, manik, till von sein, alex niggemann, pezzner and many others to the big apple, stranjjurs kev obrien (alongside label partner andy inelli) have decided to carry on the same a&r principals that made the events a success over to stranjjurs newest venture: a fully-fledged record label. the new brooklyn-based label has decided to hit the ground running with its debut ep coming from hot italian duo, lula circus. having also just recently been signed to one of americas hottest labels, culprit, its safe to say that the lula boys (danilo and sergio) are on the cusp of becoming stars of the underground dance scene. the vinyl edition of the miami vices ep features two amazing original tunes from lula circus, including title track, miami vice, which takes aim at the dance floor with a full arsenal of heavy bass and a powerful disco-inspired hook that instantly grabs a hold of the soul and refuses to let go. ovum and hot natured wonder-kid, manik, delivers a highly addictive remix, by slicing the main hook up, while supporting it with an insanely groovy bass line. on the b-side is pumpin groovin moovin, a future-funk jam thats carried by a focused low-end groove and catchy vocals. the remix comes courtesy of freeranges (and recent crosstown rebels signee) pezzner, and its one of his biggest remixes ever. this one has been receiving lots of early promo hype, thanks in part to maya jane coles, who included it in her bbc radio essential mix earlier this month. mayas support has helped to create a global whirlwind of anticipation amongst house music aficionados for the release of this incredible ep. the time has finally come for stranjjur imprint to be born!

rising up to take his place as king of the underground, dj w!ld, one of the key residents at circo loco, delivers a killer ep for adult only thats bursting with raw layers of funk and pure jacking beats and perfectly captures the infectious sound he is renowned for. title track >lost on 14th< evolves from the raw bass beat through chugging percussive grooves and the clipped funk guitar riff. enter the provocative rhetoric of kris b, with old school house organ, and the ghetto, freaky vibe is complete. jamie jones brings his hot future funk to the b-side remix of >lost on 14th< by wrapping the manipulated >nasty girl< vocal around the central moody bassline whilst lending his signature oscillating synths and upping the sex appeal. launching into a wail of sirens, its clear that >born to be black< is about to get rowdy. a true club weapon, its all-encompassing bass and kick drum and firey female voice is enough to wreak havoc on any dancefloor

in 2010, as the first genetic bros tunes started to surface, there was an inevitable scramble for his signature. with a record of nurturing talent such as shockone, dc breaks, metrik, camo & krooked and nero, it was an easy decision to join the roster at futurebound’s visionary label viper recordings who signed genetic bros to an exclusive worldwide deal.
with his first track for viper featuring on 2010s >summer slammers< compilation whetting the appetite, genetic bros now releases his debut single for the label, and the sheer quality of his production means russia dont have to wait any longer for their first worldwide star of drum and bass. that artist has arrived. that artist is genetic bros.

keep up! records unveils brand new signing bestboygrip complete with his debut ep fonck. those with their ears to the ground will be aware that the germany-based bestboy is well-known within the drum n bass world under a different moniker. but this is the bestboy cutting loose for a minute and kicking out some modern disco jams with one foot in the past and the other in the future. this is the sound of an 80s boogie, synthesizer, library music and b-movie obsessive. fonck is the slow-paced opener with heavy-hitting synth drums but reflective keyboard narrative. one of keep up! recordsfavourite producers architeq provides a dubby, spacey remix sounding like something luke vibert might have included on his nuggets library compilations. on the flipside the pace quickens with the flexible bassline but tight groove of copyright. the ep closes with the house-tinged cross my mind, which builds on the strong melody-lead theme of the other tracks even further with the aid of catchy synth lead and vocal hooks. the fonck ep sits comfortably next to artists such as faze action, lcd soundsystem and ilija rudman. just the way keep up! likes its modern disco. bestboygrip is aiming to expand his sound even further, this time onto the stage with a full live band. keep an eye out for roland and his crack team of musicians visiting your town.

big support van oa. bas mooy, dvs1, perc, tommy four seven, go hiyama, paul mac and many more... just before the summer hits, were breaking it down with a massive techno bomb from the subs of scotland. this time its the mighty forward strategy group which will be responsible for some serious damage on the floor. the squad which delivered some amazing tunes for perc traxx and recently did a podcast for clr recordings are now up for a true banger on dynamic reflection. on this ep they split the force and bring both their own solo actions. smear takes over with >inert<, tweaking his synths into phased edges with a phat groove on top. the >retail & leisure< remix is more subdued and trips away with a smooth acid bassline through the track. on the b-side the other half of fsg. patrick walker smashes down the door with a more darker groove. pounding kickdrums, dark rhythms and smooth soundscapes is whats his recipe is for >phase linear<. this will definitely hit the big rooms!! boex & miller breaking down the beat in their rework, which makes the perfect balance for this ep. all n all a superior release by these gents and remix heavyweights. lets pray for more of this pure quality stuff and keep our eyes on the the future. the scene need more labels like this which reflects the current techno movement and promises loads more of that sweet stuff in days to come... dynamic reflection will represent only the true spirit of pure techno, they will put only the quality stuff back on the dancefloor!

jem stones unique take on any genre is always compelling and highly individual. he made an impressive and memorable contribution to the early days of electro swing with the break-beat, dance-floor-filling flavors of his debut release on freshly squeezed, the electric circus ep (2010). now jem returns with a perfectly timed and unexpectedly fresh twist on a sound that has sometimes, in less skilled hands, become formulaic in its swift rise. the perpetual lotion ep raises the bar once again and opens up many new possibilities. this record will change the future direction of electro swing!
here the 1920s and 30s samples arent just backed by a house beat, but given such a distorting twist the whole has become something else entirely. the ep is slower and darker than before with brooding bass and deeper production that adds a vital contemporary edge.

man will begin to recover the moment he takes art as serious as physics, chemistry, or money. with a mindset of d.i.y. and a vision of the future, drum and bass producers gein have unleashed their record label bad chemistry recordings on the worlds ears. and with five years of production credit, as well as 5 years of record label management with habit recordings, the trio is set to stir up the drum and bass scene with a conceptual label that defies peoples set standards. with bad chemistry, gein is turning heads all across the board with collaborations you would come to expect, never expect, as well as new solo material that breaks stereotypes. and with support from major players in the drum and bass world, the hype is growing daily. with the 4th release, gein brought us >motherfucker< produced by gein, backed with >schizm< a collab with cooh

the new leena welcomes a very new guest to the mobilee family - belgian born jona - who having been discovered by get physical in 2005 has since had a series of strong releases on labels such as supplement facts, planet e and resopal. a born musician, jona originally studied the guitar and was heavily influenced by blues and jazz music, until he fell in love with electronic music and graduated from the school of audio engineering. his wealth of musical training has supported his desire to continually explore new sound perspectives and forge is own and unique sound signature, something not so common in the electronic music world of today. >this time< is a three track strong ep that takes brings together a variety of musical themes. whilst >drifting away< and title track >this time< both have grooving bass lines perfect to shake up the dance floor, >resonate< has layers of drifting synths creating more of a dreamy summers day atmosphere. a debut release from an artist we hope to be seeing a lot more of in the future….enjoy

following vincenzos incredible wherever i lay my head longplayer, weve got more delights in store with this single including remixes from jimpster and the retro-tastic tuff city kids. seduction is the outcome of vincenzo teaming up with brazilian artist diogo accioly of talking props. the expertly crafted original version of seduction is included here in all its bright and airy glory. the master of subtle chord changes, captivating song-writing and bright, glistening production, we are treated to an extended version of vincenzos future classics! one of the uks most distinguished house activists, jimpster takes the reins in an easy going and summery modern chicago-style jam. raw drums and modulating bass drive this summery yet melancholic re-think. opening up the synths and reverb channels, jimpster introduces flourishes of effected vocals as he leads us deep into his swirling audio world

bang the boxs second vinyl outing is a loved up three tracker from label resident and co-manager brett johnson... lovin u- the birds chirping in the intro let it be known that this is one for the summer time. vocal harmonies laid over true house beats and a full-on bassline seal the deal for this one to be a future classic... sweet love- continuing the theme, sweet love rolls down memory lane with a catchy vocal, and bretts signature robo-funk rhythms. the rolling bass line and spaced out chords bring it all together to seal the deal as a dance floor killer... love by my side- this track is last but definitely not the least. its one for all our slow house peeps put there willing to let the slow-burn take the dance floor in its clutches. the recycling main line is so infectious that you wont want the track to ever end…

nice price deal !!! for elim009 we bring you a very special ep from atlantan live wire distal. making his mark on the current underground scene with tracks such as >grape donut<, as featured on the soul jazz compilation future bass, the monstrous crunk/footwork mashup >coke bottle< on grizzly, not to mention a plethora of top quality online mixes, his always quality embassy label and bringing the cream of bass talent to his sub traction nights in atlanta.
support from: 2562, breakage, distance, benufo, moldy, ramadanman, pinch, appleblim, joy orbison, joe nice, loefah, addison groove, sinden, starkey, kastle, dubbel dutch, julio bashmore, clouds, dave q, incyde, xi, wonder, mensah.

back with a bang, our old friend lance desardi goes back to his early deep house roots to bring us expressions ep. the bang the box label boss (with partner brett johnson) is known for his classic deep house sound, deeply rooted in proper american house. releases on seasons, classic & om to name but a few. hes also collaborated with jt donaldson (as undercover agency) & fred everything to name but a few. a short escapade in his live experience under the land shark disguise and mr desardi is back,ready to show us how its done with an ep that borrows from the past, present and future.

third release on colourful has tobias linden, orange muse wander into somewhat darker territories. title track oyster comes with a rolling groove, techno rides and stabs straight outta d-troit. add to that an infectious guitar loop and sexy vocal chants et voilà - we have a true floor burner for the wee hours. on remix duties we are superstoked to have mr john selway deliver a new york techno nugget, seriously funky with a killer bass line and great atmosphere. finally wed like to introduce an upn coming producer from s.a, lebstar, sharing with us a throbbing afrotech joint with loads of attitude, string hooks and strong percussion. expect more action from this young man in the near colourful future…

pole records presents reekos new release. the veteran spanish techno activist brings us three tracks that look at techno from three different perspectives. cyberpunk opens the release: ebm flavoured bass, compact beats, dreamy strings and sharp percussions that make this number a direct floor workout. dystopic futures has a funkier approach, with a shaker driven percussion programming, shuffled synth lines and crazy arpeggiated high-pitched frequencies. empirical science is a futuristic techno track whose analog synths grow and evolve as the track flows, seasoned with white noise drones and a constantly evolving structure. three tracks of intelligent and hard techno for your body and soul.

after releasing some highly acclaimed records on delsin tel aviv-based yoav b. releases three new tracks on the belgian meakusma label. gently rubbing shoulders with detroit techno (the way anthony shakir produces it) and hiphop, built on crazy loops and raw rhythms, the tracks are enhanced with psychedelic and playful sounds, that give them the feeling of being in continuous flux and movement. the mood here is absorbing yet ambivalent. on top of this, protect-u, from the fantastic future times camp, delivers a remix, pulling the music away from reality, firmly aiming it for the universe. with a mid-tempo house feeling, a crispy bassline and abstract synthesizer pattern, they take the listener beyond the infinite.

frijsfo beats are proud to announce the latest single from uk bass badman, sully, entitled >toffee apple<. picking up where his 2010 keysound single >in some pattern< left off, it sees the versatile pirate vibes-imbibed producer take purple synths and twist them into dizzying contortions. a rude drop roots the track firmly in uk soundsystem culture while a tough steppers beat drives it forward. sully is one of the most treasured yet under-celebrated producers in the uk today. finding a space between 2steps swing, dubsteps edge and breaksteps drums, his versatile productions perfected styles and vibes four or five years before the future garage movement had begun to investigate them. as the rest of the bass family are now embracing house, 2step, uk funky, purple synths and juke, sully looks to have a big 2011 ahead of him. >toffee apple< is the perfect sweetener. limited edition single-sided 10 inch release with etching on flip.

berliner martin dawson and polish duo catz n dogz join forces to bring us this fierce three track ep entitled no nights. the first track on this release is no nights. brimming with warm pads and an accusing, dark lo-fi synth line this version has a deep vibe to it and the ability to really get under ones skin. following this the berlin-polish team hit us with no nights (beatz mix) a catchy tech-house number with a lo-fi synth line sporadically accompanied by a melodically decending dubby synth. combined with the crisp vocal line this makes for a very promising track. no days, the last track on this release gets straight to business with distorted vocals and a menacing bassline that intertwine throughout the track. varying rhythmical flourishes keep it interesting, while tripped out synthesized sounds guarantee to get any dancefloor grooving. we couldnt be more pleased with the results of this tenacious trio and we look to the future in hope that they are already planning further collaborations.

moodymann s 2011 official remixers provide a massive package of 4 urban raw sketches. extreme bass marked grooves ranging from chicago addiction to post-uk-garage, cruising on sweet house territories and touching the ground on minimal techno future landmarks.

tsuba welcomes subb-an with >off the walls<, a slice of future chicago house with jackin bassline, catchy vocal hook and trippy touches you would expect from one of this years rising stars. for the remix, the mighty melon steps in with a tough house mix reminicent

the new record features all new material from the hyperdub founder and his mc collaborator, and will follow up their 2006 album >memories of the future<. in the years since that release, kode9s sound has evolved considerably, mostly shedding the framework of dubstep for ever new mutations of uk bass music, as heard on his dj kicks or the >you dont wash< ep from last year. in addition to the spaceapes post-apocalyptic rhymes, which have also haunted records by martyn and echologist, the album features chinese mc and producer cha cha. on the final track, kode9 is joined in the studio by brainfeeder beatsmith flying lotus.

normal service is resumed on nu directions, returning to 170bpm with an offering from some of the drum & bass scenes most forward-thinking producers, triad. triad is the name given to german duo henree and basstikal. both established producers in their own right, their meeting of minds has given their productions new depth and a totally original approach to drum & bass. releases on dsm, critical and horizons, plus their excellent remix of omars >lay it down<, have laid the foundations for what is to be a fruitful 2011 for this collaborative project. >crooked< is a shuffling minimal work-out which uses dense atmospheres and growling bass stabs to create a haunting mood, before breaking into its techno fuelled, energy soaked finale. >the puzzle< again captures triads unique ability to create musical soundscapes. with light snappy beats and deep stirring synths creating a track that sounds as fresh today as it will in 10 years time, future music.

the italian disco producer has previously appearing playing bass alongside the heels of love (tirk) but turns out a spectacular solo summer burner with sparkling vocals from miss bee. ray mang (dfa, noid) turns up the heat a notch delivering a slow pop groover that shuffles and slips through a well crafted boogie beat underpinned with a grinding baseline. already receiving early support from bill brewster and many of the usual disco mafia. lithuanian super produce mario basanov (future classics, under the shade) further enhances the summer vibe with a glistening and warm house rework. perfect for poolside antics. the original retains the growling bass line which seems to constantly build and build. miss bee (former outings alongside toby tobias) laces delicate vocal which juxtapose the track perfectly. last but my no means least is a dance floor bomb, courtesy of bonar bradberry (needwant, under the shade) who remixes the original panzerotti track into an epic that will shift even the most stubborn of head nodders

a big blast coming here from multi talent broombeck. broombeck is known for some fine releases in the past on opossum rec. and terminal m, creating a big stir with his track >the clapper< in 2009. his track wtfai is a mega rocker coming with a monstrous vocal and a seductive speedy drum programming getting it to the die hard fans in a big way. broombecks trademark is dance floor energy exercised in perfection, this is a frenetic club smasher from the future with a big nod to the past. bassdriven techno on the highest level and frankly if you dont move your feet to this tune, you better retreat back home. the remix was done by m.in who teamed up with the frankfurt artists jonas fort his. the remix works great with a long intro and adding percussion step by step creating a rush in the second half that makes it a worthy companion.

b.h.f.v is the collaborative effort of arto mwambes cb funk and the live at robert johnson label manager oliver hafenbauer. originating from a cross-pollination of graffiti, train stations, red light districts and frankfurts club music roots, et 01 and et 06 are both all that those x-men and egyptian lovers ever wanted. two tracks, one sound. blueeyed electro-funk with sharp snares, jeep-boomin bass and haunting melody lines. retro fascists beware! this aint a historically correct or nerdy carbon copy, but a blast from the futures past. fresh as champagne morning dew. hip hop be bop.

produced in 2004, this ep marks an essential shift in the production of stefan goldmann to his modus operandi as a dedicated innovator. he had adapted the barricade guise to induce some serious deviations into the techno realm. yet, heads werent ready and he simply continued under his real name with his major breakthrough works: perlons blood ep and the legendary sleepy hollow tune. hidden from the public, aleko and frantic had built a prototypic aesthetic of rough, concrete-space sounds - reduced dark, metallic percussion grooves, spring reverbs and degraded post-acidic synths. you name it where you heard this sound years later. its revealing how far ahead these tunes were at the time of their creation. they sound more now than many current tracks. aleko is the 4/4 techno version of this soundset, locked-in clonk patterns built around a nitrous bassline. frantic could be a future development to todays dubstep, if it wasnt its actual historic predecessor. add the schizophrenic bass excursion heliotrope and you have a package of painstaking relevance. back then the a&rs simply didnt get it - thats why it took 6 years and the formation of victoriaville to finally bring these gems to light

incl. dyed soundorom remix big with: nic fiancuilli, robert james, adultnapper, matt walsh, tiefschwarz, ripperton, davide squillace, simon baker, luke solomon, meat, geddes,... we are very happy to welcome a new artist on board – inxec aka christopher sylvester. were always looking for this kind of freshness and he definately has plenty of it! his genre-mixing and high quality production skillz are speaking for itself: be it the deep tech-housy >angel<, the bass-heavy & funky >come on!!< or the ultimate groove of >nightingale<. angel takes you on a journey with its catchy and flying synth line, right down to come on!!, the future soundtrack of an amusement park, before it all ends in the mad jungle of nightingale. all of these 3 stunning cuts are clearly made for the club, as well as the superb dyed soundorom remix of >angel< – a pure and massive groove for primetime dancefloors

first official 2562 release in over a year, marking the launch of his new when in doubt label. two heartfelt low slung boogie anthems – a taster of things to come. limited to 300 copies for the world on blue vinyl in hand printed sleeves. no digital. no reappearance on future vinyl. 2562 aka dave huismans - from the hague/holland, in berlin/germany – is known for his releases on tectonic recordings as well as 3024 and usually gets classified somewhere in the wasteland between cutting-edge bass music, techno and house. when in doubt is his new imprint, aiming to release personal, formula-free music

iberian records comes out of a hibernation period with the a series of >tax haven< eps. this first ep comes from a group of producers located in the barcelona bass enclave and who have been some of the main players in the monthly b.low events there. dedicated to what the label describes as bass n groove, this ep contains three varied and original sounding tunes with different bpms suited to the leftfield of various bass music fields (dubstep/funky/future garage etc).

surefire sounds third release features three up-and-coming producers from two points on the map: distal and mayhem hailing from atlanta, georgia and hxdb from vancouver, canada. collaborating together, this trio brings together a pair of innovative tracks that exemplify the exciting future of dubstep and bass music in 2011.

nice price deal !!! no doubt looking for somewhere with a bit of political stability and a brighter economic future, 24 year old polish producer jan dudzik aka sekta recently joined many of his compatriots by leaving london and farking off back to his native warsaw. luckily, he left us a bottle of the finest vodka to remember him by, and a four track ep of stepping rhythms, fat bass and dubby atmospherics to help wash it down.

the dream team return, another sinister slab from these amazing producers ! features trouser-flappin bottom-end mastered by the don, matt colton ! james ruskin and mark broom follow up their previous and serious selling outing (bp029 no time soon) with a stonking slab of the dark techno stuff ! if we are to reference this release then it perhaps could be likened to early surgeon or downwards titles with menacing riffs and destroyer basslines..... just fantastic

well rounded are extremely excited to announce the imminent unleashing of the 2nd instalment in our r&b refix special series. ladies and gents - cash antics vol 2. this time round we bring you 4 separate artists take on remaking r&b in their own inimitable ways. first up deadboys >fireworks< edit has elicited a massive response already on forums and blogs, its simple house framework lending extra soul, gravity and impact to the beautiful vocals and piano. incredibly effective and affecting stuff. on track 2 gongon & bad autopsy (ptn / ramp) showcase their stripped back luminous garage informed sound on >mag (remix)<. the contrast between the bare bones beat, warm sub tones, hovering chords and earnest vocal make this a highly addictive tune. watch for future releases from these guys. flip the plate for skinnz and his steamy half-step selection >turn u on<. already a regular feature in deadboy dj sets, this wastes no time in seducing the listener with a breathless panting vocal riding a bumping beat, bouncing bass and sweaty synth work. this tune is hot and heavy! finally gatto viola & doc daneekas >backstabbin angie< wraps things up with nakedly emotional vocals riding a uk funky updated take on a classic 70s philly soul groove. a natural closer for a fantastically varied ep united with a common purpose - to drop honey-dipped r&b voices and vibes into the epicentre of new uk bass music fusions.

retrofit reaches release no. 4 with a solo endeavour from boss jay shepheard that truly encapsulates the labels mantra of referencing vintage house, disco and techno but laying it in a sheen of contemporary sonic dynamism. this is more than evident on the expertly paced >all over my nord< which is driven by a richly elastic analogue bassline riding the slick syncopation. a surfeit of melodic stabs imbues the track with real energy whilst the gradual rise to dominance of a pad wash drenched in detroit atmospherics adds the requisite emotion! this is complemented by the much more immediate >string theory< which opens the b side with a master class in future retro jacking house business whilst >kuderskis groove< bridges the gap between filtered disco aesthetics and deep house bpms with nonchalant ease. prime dj business once again from the retrofit camp.