fun fun “greatest hits & remixes” is now also available as a limited vinyl edition. selected tracks and mixes complete the already available double cd and are a real treat for all vinyl lovers.
another highlight for all italo disco vinyl lovers!

new 3 track 12&#8243,, release from chunky complete with a 2 track 7&#8243,, with 2 vinyl only tracks bundled for swamp 81 sublabel, 81. mastered at metropolis

12 inch comes with a downloadvoucher to the full album!
space is the place friends! we are happy to present “space consciousness”, the first album on our little imprint composed by astro traveller adham zahran. born on a day where the sun was aligned with the eridanus supervoid, a ray of energy from deep space unraveled an ancient force inside baby adham that allowed him to share the wonders of the cosmos through some seriously funky house muzak. the 8 track joint comes to you in a binary format with a 12” continuous analog excerpt (by buying the 12“, you will get a download-code for the complete album). on top of that we asked professor chinaski, a proofed expert of the chaos theory and meteor card collector, to invert the albums intro into a slammy dancefloor banger, which the professional disc jockey won’t be able to resist. if you don’t believe us, ask your astrologist!

joey negro presents remixed with love, exclusive unreleased versions. the soul weekender anthem circles gets a joey negro make over in remixed with love style, making the most of the rich orchestration from the multi track tape and complete with beefy live drums. on the flip the disco classic everybody dance is reborn as a mainly instrumental groove with some additional roy ayers style vibes to give it a new jazzy flavour.

musically and emotionally, superpitcher’s third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally. and full-length it is: the golden ravedays is an epic album of 24 tracks that was released in january 2017 and is stretching over 12 respective chapter albums during a one-year period.
the eighth piece of the golden ravedays puzzle will be released on hippie dance in august 2017. number 8 of the series introduces two tracks that will take you to the far side of somewhere you’ve never been before. they are both reminiscent of outer space blues playing spooky games in a dust bowl.

side a features tuesday paris texas a tastefully arranged track with vintage sounds passing nonchalantly through a wild western aural landscape. the music is announced like a cowboy movie dual complete with bar doors swinging on rusty nails in slow motion. mournful guitar strings swirl over a steady horseback galloping beat, expanding into a full-on-fire dance track. halfway through a woman’s haunted voice appears and disappears like an eerie siren, a gunshot is fired (was that a gunshot?), a man whispers “what!?” tuesday paris texas is in no hurry to give an answer.

side b features mirage a desert sound collage glued to a steady pulse that rolls and rolls, circumventing any destination. mirage is a contour map of no surprising peaks just undulating valleys of wistful cathodic sound creeks, sometimes veering off to plains in full view of the moon, in earshot of solitary wolf cries. like tuesday paris texas, mirage is testament of superpitcher’s versatile prospecting beyond the elemental sound tools of the electronic music trade.

he blueprints ep marks the welcome return of the talented toulouse based producer redeyes. following a number of releases on seminal labels such as bingo, creative source, innerground and brownswood in the mid 2000s, redeyes then decided to take a step back from music production. now returning as a more complete and mature artist, his blueprints ep on lenzman’s the north quarter imprint sends an exciting message of where julien salvi stands in 2017. comprising of an ambitious nine tracks, redeyes’ blueprints ep showcases his exquisite musicianship and ability in the studio throughout each piece of music. in true north quarter style, he effortlessly breaks down the boundaries between drum & bass and hip hop, whilst fully maintaining the soulful and heartfelt aesthetic that he is known and revered for. the release sees him join forces with a plethora of exciting talent. ‘100 porsches to the stars’ brings him together with underground la rap hero hus kingpin for a lo-fi hip hop masterclass. he also collaborates with mancunian don black josh, children of zeus’ infamous tyler daley, north quarter chief lenzman, and many more.

limited edition of 1000 copies on blue vinyl. complete edition for the first time on vinyl.
for marco bellochios masterpeice debut film *i pugni in tasca*, ennio morricone composed some mysterious and obsessing music for soprano voice, harp, harpsychord, strings alternated to lounge music of the period, swing and jazz, creating a great contrast with the dark mood of the movie.

first release for nativsoul on qalomota records. this perfect afrodeep ep straight from african spirit contains the masterpiece desert sun mix. hipnotic and deep, tribal and strong, the original mix and tribal ceremony mix complete the ep.

superstrong is the third single to be taken from max sedgleys supremely funky album >suddenly everything<. having won the accolade of having one of the remixes of 2010 on itunes – max steps up his game with the release of superstrong. fusing funk, disco and house on the original version – max shows why he remains at the top of his game as an in demand producer and remixer.
superstrong remixes come courtesy of disco dons faze action who deliver a killer mid tempo nu-disco bomb with beautifully melancholic piano chords underpinned by a driving bassline. labelmates basement freaks turn in a raw funky breakbeat banger to complete the package. vocals come courtesy of live band member tasita d mour herself a widely recognised soul diva with releases on the worlds best house labels including defected, azuli and purple.

we are gonna call this one dwights baby..on the rocks written and produced by dwight sykes for l.u.s.t. productions. the album he would have released in 1980 is complete. cell phone shadow photography by dwight sykes.

final instalment of our 3 x 12inch compilation features two jheri stalwarts styles upon styles boss cambo returns with the brooding stent, oakland s bastiengoat laces us with another neck snapper. all city worker bee sage follows up his recent tasteful nudes 12inch with tidy wires.to complete a packed line up we re happy to welcome freerotation resident duckett, belgian auteur hantrax plus dubliners bong gozling & dj carey to the crew

left-of-centre hardware excursions on this singular ep from piotr cisak. includes two tracks alongside long-time collaborator freeze on the b-side, plus a complete rethink of the title track from strahinja arbutina out of croatia.

bomb after bomb! a new my rules records original coming straight from label boss justin van der volgen. fresh off the back of his latest ep which featured peak-time versions of shit robot s lose control and felix dickinson s burning flame , this one sees him on a whole other but no less floor-filling trip. coming in regular and dub mixes, no vacancy sounds like a lost brooklyn dub-soca-reggae-house classic. the a side charges with warped machine percussion, chanting vocals, a militant rhythm section and a seriously heavy bass line. flip to the b side and check justin s impressive dub skills. stripping the track back, he maintains complete propulsive energy, all the while adding plenty of psychedelic twists sure to melt minds. expect to hear your favourite leftfield, deep-digging, big room selector dj ripping the dance all year with this.

coalmine records is excited to announce the limited-edition vinyl release of the artifacts’ highly regarded 2012 single, “easter,” which marked the group’s first official release in more than 15 years.
initially released as a digital single on april 3, 2012 (the tuesday before easter sunday), the track later appeared on coalmine’s decennary compilation, unearthed, which dropped may 13, 2014.
however you heard it—one thing was very clear: despite their time apart, artifacts emcees tame one and el da sensei sounded as fresh as ever on “easter.” the new jersey rappers’ venomous flows are boosted by the neck-breaking production of acclaimed north carolina producer khrysis. making the cipher complete is the turntable work of dj dutchmaster, who provides the scratch hook and outro cuts.
with this release, “easter” makes its grand return in the physical form in a limited-edition white vinyl pressing that also includes the instrumental track on the flip. it also takes things back to the old-school by way of a front jacket hole that exposes the label (the heads know what’s up).

electric rescue, one of the made-in-france masterpieces of the electronic music and also rex club resident with his -skryptom- label is making his debut on rex club music with this -melancholic enchantment- ep. with 3 albums and many ep s on labels like bedrock, cocoon harthouse, virgo etc to name the essential, electric rescue has proved since his debut, 25 years ago, his experience and skills as a confirmed artist in the techno scene.with this new release, -melancholic enchantment- electric rescue is bringing you to a mindtrip excursions. melancholic enchantment & pavdo, enchant you and carry away in a hypnotic furrow, full of moody and atmospheric sounds. -subway-, in a harder style than the previous ones, with his saturated dub chords mixed with chattered hihat, is an unstoppable hit for big rooms that smiled to make its effect.and what an honor to entrust to the excellent french producer, marcelus, to remix pavdo. this prominent producer has already appeared on labels like deeply rooted, tresor or singular records his label. also resident for the tresor in berlin, marcelus is a complete artist, excellent dj, he is also a genie producer with a unique paw , that you can find in this pavdo remix. it takes t he original in deeper and mental regions, with bell textures and jumbled perc sounding like a ghost train in action. it s definitely a peak time weapon designed for plenty of destruction.

zeb wayne returns with a majestic and scintillating song titled ‘wulfman’, featuring a trio of top tier remixers including alva noto, calibre and radio slave. following the release of ‘float’ on rekids last year, ‘wulfman’ is a beautiful song that demonstrates how musically versed wayne is as a producer, blending a serene vocal by ziwi, with intricate sounds to create a truly beautiful song from start to finish. alva noto, who composed the film score for the revenant alongside ryuichi sakamoto, as well as being the co-founder of esteemed minimal imprint raster noton, is the first of three heavyweight remixers. the renowned german producer employs his signature elements of grit, static and glitch resulting in an inimitable melancholic cut. well respected for traversing numerous electronic music sub-genres, as evident in his recent album on craig richards’ the nothing special, calibre ups the energy in his remix using sultry synths, syncopated percussion and mesmerising effects. concluding the colossal package, rekids founder radio slave creates a club-ready reinterpretation of his own, complete with fine-tuned kicks, looped vocals and a heady bassline.

rar 26 for the first single vinyl of finish team records, with 3 huge remix from horatio, robhèn, manu p & gecky. effy original mix is a break tech house track typical for an after party. horatio remix is a groovy tech house make by the romanian idol. robhèn remix is a track for the middle of the night and manu p & gecky remix is perfect track to complete the ep! here is the first vinyl of a series of single with remixes after the first 3 va. see the future with us and be part of the ftr family. seven years of ftr are now!

nice price deal !!! the eighth release on their self-titled label sees compound one step out of the darkened lab to take time out from their usual techy experiments and head straight for the raveË a hugely diverse release that has been played across the board by djs such as mista jam, mj cole and brendon moeller. as featured by zero t on his recent fabric live 52 mix pum pum beat gets its peculiar name from the rhythm of the kicks and snares rather than what people seem to think! the highly swung beats and quirky percussion form a backbone for a bassline that is hard to resist. emotional detroit style stabs complete the picture and the breakdown will have your hands in the air! carrying on with the emo vibes of this release, back off sees the duo go right back to their roots with an early uk 2-step garage inspired number. trademark qualifide vocal cut ups and fracture breakbeats come together to form the groove. once again, the breakdown is pure hands in the air.

second 12 off the -from night to night- lp features the charming slow jam - put the love in it. a finely crafted pop pysche tune that sounds like it could have come straight off a ppu reissue rounded off with sax and woodwinds from ben castle. reaching into his bag of unreleased bits, the tempo gets upped on the vocoder boogie bounce sound of -let the freak come out at night- and peaking lights aaron coyes is on hand for remix duties to complete the 12 adding his brand of cosmic west coast dub-kraut-groove to really space the title track out.

romanian talent suolo presents may be for lokomotiv’s first official release.
cosmic frequencies induce an intergalactic trip as may be transports us into space, while complete paranoia aims for those special fast-paced moments on the dancefloor after-hours.
romanian duo sit (cristi cons & vlad caia) add colour to the stripped down beauty of may be with their interplanetary interpretation, featuring suolo’s signature dreamy soundscapes and bouncy rhythms. the remix is driven by a deep-toned bassline while more otherworldly elements web together an out of body experience that we know you will enjoy.
the release has received early support from raresh, barac, dubtil, arapu and cezar to name a few, mesmerising dancefloors and generating a wave of hype in romania and around the world.

welcome to the long awaited 5th vinyl output of huehelix. this time, we focus on ryuji takeuchi, who brings 4 versatile factors to complete the renaissance artistique ep. factor a is no doubt the most straight techno style banger, which ryuji himself has been dropping in a peaktime of his every set at gigs in berlin, rotterdam, osaka and more, that always takes audience to another place. factor b shows a strong influence from ebm, noise, industrial music, which can be a starter of a set, with mad and strong break before its peaktime. factor c is for sure the strongest and hardest track in this ep, with high bpm with crazy acid synth melody. factor d closes the ep with percussive and synthy aspects. this ep really indicates how ryuji has evolved for his entire career and where he’s heading to. definitely the one not to miss. please keep your eyes and ears open, huehelix never stops.

mr. k gets jazzy on this new 12-inch from most excellent unlimited. the breakdown of the smooth r&b staple -street life- stands out with a steady four-on-the-floor pulse that contrasts with the funk backbeat of the verses. working exclusively with this portion, krivit teases out six-and-a-half slinky minutes of sophisticated groove, weaving percussion and vocalist randy crawford s ad-libs in and out of the mix in tantalizing fashion. as a dj, danny krivit is renowned for his willingness to throw a funky curveball into the mix, and for the b-side of this single he gives us a peek at one of his secret weapons. a year after yusef lateef released his hit version of -nubian lady- in 1972, pianist roy meriwether was at a small club in dayton, ohio with his trio and laid down a sprawling live take that covered the entire side of a album, including a bridge that pushed the languid tempo of the original to a sassy upbeat workout. mr. k s edit focuses on this section, leaving us with nine minutes of gritty, get-down funky jazz complete with thunderous drum break. whether working as a surefire party starter or a clever changeup, -nubian lady- is a dancer.

after recent releases on the save fabric album, alola & jack trax, mr.c has delved deep into his musical psyche to deliver an acid master-class that s influenced by ska, dub, electro, italo disco, acid house & tech house, bringing his roots up to date with this massive modern production. incidents is about things that can happen while clubbing. down-tempo tracks entry search, a civil dose & quick exit will dub you out. slightly quicker acid fever & stand up will completely groove you & dance tracks do it for me, disco rebellion, shape your dreams, raid, ripple effect & master of the universe will make you dance like no-one s watching. incidents is the complete electronic album that pulls all the punches, gives a nod to the past & yet has it s feet firmly embedded in the future. this is easily mr.c s best solo work to date & essential listening.

khidja are back on malka tuti and this combo cannot and will not dissappoint. after their successful debut on john talabot s hiverndiscs, khidja continue their current direction of leftfield-club music exploration, this time in the form of microb, a track that is a wolrd of its own, fusioning heavy industrial vibes with their own take of -worldly music- to create this peak time dancefloor bonanza. on the flip side salon des amateurs tolouse low trax delievers two takes on the original track, stripped down and turned upside down, adding those massive vocals. these takes are hypnotic as they are groovey and they complete a unique package for the modern dance floor explorers.

we are thrilled to have emanuel again on granulart. four tracks made by pulse one from buenos aires and an intense rework made by orphx complete the new release.
early feedbacks from inigo kennedy, dj pete aka substance, p.e.a.r.l., bas mooy, pacou, samuli kemppi, jeroen search, tripeo, developer, kr!z, ame, jonas kopp, etapp kyle, kwartz, shlomo, oscar mulero, donor, stephanie sykes ...

born roy samuel reid in saint thomas in 1944, i roy was one of jamaicas all-time greatest deejays. a natural-born toaster, his rhyming raps always sounded effortless, whether describing the harsh realities of the inner city, or making light of nonsense nursery rhymes. a former employee at customs and excise, he was first active on a sound system called soul bunnies in the rock steady era, moving to son’s junior in 1968, and later, to the legendary supreme ruler of sound, defecting to the rival stereo sound system after that. hits for harry mudie and other producers soon followed, and after the killer debut album presenting i roy impacted overseas, the toaster began spending frequent periods in london. his longstanding working relationship with hit-making producer bunny lee led to some of his most noteworthy albums during the mid 1970s, the 1977 set cant conquer rasta is a superb showcase-style album, on which the toaster blows hard lyrics over five of lees killer rockers rhythms (recorded with the likes of johnny clarke), each complete with a corresponding aggrovators dub on the flip, all mixed by prince jammy at king tubbys studio

after his debut with lucretio, italian talent, christian lisco, steps up to bat for paramount city records and provides an ep of three dirty house tracks complete with an awesome remix from marcello napoletano.

nice price deal !!! titanium is back with a brandnew release! titan103 is a great ep from austrians producer christopher groove who has his first solo release on philipp straubs label titanium. this ep already had a great impact on the market as felix da housecat licenced maximal mnml for his recent global underground compilation milan which was a great success wordwide. maximal mnml is a deep techno tune with soft percussions and a great bassline that makes everybody move. the second track b.o.w. is a real techno bomb with a huge break and succeeded on many dancefloors around the globe, not only due to heavy support from carl cox. to complete the ep philipp straub asked his friend danilo vigorito for a remix and danilo delivered one of his rare and beloved tunes. danilo, who is one of the main protegees of italian techno, formed maximal mnml into a little bit darker structure with a unique atmosphere. all in all a great ep!

a few years ago we received an anonymous email with a link to three tracks and a simple message: “hi, maybe you would be interested in this music.” it’s easy to be skeptical of yet another link from yet another artist in a world overcrowded with them, but listening is our job and so we do it. the songs were instantly striking: extraordinarily slow, somber, and spacious, each vaulted cathedral chord reverberating poetically into the distance, the melodies rolling out like fog across a cemetery. captivated, we requested more, receiving a single word in response: “yes.” then, nothing. eventually, three months later, we received another email with slightly more information: a name (irma orm), a location (stockholm), and a bit of context (she worked alone, and progress on music was slow but steady).
fast-forward to mid-2016: we’re informed the album is complete, and it is breathtaking. hermetic gothic swan songs conjured from funereal piano, twilit ambience, minimalist percussion, and spellbinding vocals. the mood is lulling and lush but lost in sorrow, stark grey structures looming in the night. majestic open spaces between notes heighten the melancholic grandeur of orm’s arrangements, blurring the line between lament and lullaby. the songs less end than ebb away, succumbing to their own downcast beauty.

hot creations gear up to drop the eagerly anticipated house & pressure from hot property route 94. echoing the excitement that surrounded his no.1 hit my love, which shot him to stardom, the record has been in serious demand for months. now finally ready for release he showcases his versatile skills as a producer over three heavy-weight tracks. rowan jones aka route 94 explains how he wanted to put out three tracks that were diverse yet definitive. title track house & pressure packs a real punch and contains the vocals from joey negro s classic ride the storm featuring linda clifford. the dominant female vocal on ‘house & pressure’ combined with the force of the drum machines is a traditional element that people connect to the route 94 productions. with ‘crazy bitch’ it’s a more of a big room sound, incorporating ghetto elements. ‘dark keyless’ is the complete opposite, creating a groove that aims to grab the crowd and let them loose. this year has seen a succession of big releases and remixes from route 94 that cement his place amongst the dance music elite including the recent hit mind, body & soul on crosstown rebels. the talented producer first saw fame reaching no.1 in the uk charts with my love featuring jess glynne. keen to remain on the underground scene, he followed with releases and remixes on leftroom, defected and hot creations. overwhelming success followed as he performed at the likes of fabric, sub club, space, ushuaia, dc10 and many more. with a wealth of new material still on the way and a hectic touring schedule in place, its clear this is only the start for the young artist.

during kris baha s migration north, an introduction with berlin cult figure dane//close has led to power station s latest offering and debut mini lp the miniature industrial complex. originally released on limited cassette via noisekolln tapes, the lp brilliantly displays the sameheads resident s appetite for all things wave, industrial and weird, with an eye firmly to the floor. opener rockbox plays like a forgotten b-side dub, 80s drums chug as brazen noises bounce off a delicately nostalgic lead. fourth voice slings low, incessant bass drones as sci-fi vox and metallic hits to the rhein. mercy mercy increases the tempo, an arpeggio leads the way as intensity rises, unnerving samples introduce a flurry of gunshot snares. flip over to ancient rome , a dancefloor musica lirica complete with a forward baseline, air raid sirens and raw drum workouts, the fall of the roman empire! not part of the original cassette release, beard maintains the energy, wild guitar shreds in a neurotic ritmo frenzy alan vega crossing into 2016 dance floors faintly comes to mind. and lastly rounding out with fine experimental ender thunder ...mayday

jalal salaam and ewonee’s past lives stands among the top releases of 2015. and in 2016 it sees a deluxe vinyl release via house shoes’ street corner music. the 2lp will be complete with all instrumentals, and an insert containing all lyrics. the urgency of these recordings is reflective of the times we live in. jalal salaam’s raps are a perfect marriage to ewonee’s production, eschewing contemporary sounds for an album incredibly well balanced between tradition and progression. “this is one of the best albums i have heard in years, and i’m proud release what i consider a new classic from some of the new guard of new york city’s storied history of hip hop music...” • born in mount vernon, ny, ewonee is the first signee of east coast record label & producer collective, beat haus records, and featured on boiler room (link here) • jalal salaam is out of ardsley/dobbs ferry ny, has collaborated with artists such as ivan ave and fredfades and known for his radical, in depth, and emotionally free lyrical style • this deluxe 2xlp includes the full vocal album along with instrumentals and a lyric sheet.
“best rap album i’ve heard in a long time..” -house shoes

it takes us almost three years to complete his first album, but finally sun storm by above smoke is ready to go. nine tracks, double vinyl pack. full cover with special artwork by pablo fidel moncayo. coming soon worldwide by juno distribution

dissonant is back with a very significant new signing, cardace & perazzini and their most complete artistic statement to the date displayed in two parts. noir jungle part i, sets the tone to this exciting project where the talented italian duo explores different dimensions, taking house and techno as basis to build up with amazing diversity a truly unique style on top of it

jerome hill is back on his don t label and presents 4 road tested tracks lovely limited grey marbled vinyl in a poly sleeve ! fresh from outings on super rhythm trax, killekill and power vacuum, and following on from april s toy box part one , jerome hill is back to complete the series with part two, presenting four raucous technoid trax in glorious technicolour, striking out and injecting some humour and rowdiness into the techno landscape. -donkey bite- is the one everyone s talking about, borrowing an old vocal sample and updating it into a pleasurably rolling chicago style banger that will appeal to fans of his track -it s time for the-... next up is -slither-, that does what it says on the tin... a creepy and subliminal sludgy bass roller! flip the record for the deranged, banging and distinctly wormy -mr. worm- and then the toy box saga finishes up as unconventionally as it began, with the lop sided lumber of -torque talk-. available on lovely grey marbled vinyl.

zombi 3 - the soundtrack classic edition & special edition - available now on we release whatever the fuck we want ! tip on sleeve! wrwtfww records is delighted to unleash the complete uncut soundtrack for lucio fulci & bruno mattei’s cult zombie-ploitation gem zombi 3 (aka zombie flesh eaters 2 aka sanguelia 2, 1988) available on 2 different collector’s edition vinyls for the first time ever. the classic edition comes in red is dead colored vinyl with a red japanese sanguelia 2 vhs obi and has a helicopter pictured on the back cover. the special edition has the same songs as the classic edition plus bonus skits/interludes with dj blue heart talking (taken from the movie) on the b-side and comes in green inferno colored vinyl with a green japanese sanguelia 2 vhs obi and dj blue heart pictured on the back cover. both versions are housed in heavy old style stoughton casebound tip-on jackets - pick your poison - get infected! this future deluxe edition oop classic is packed with menacing synths, ghoulish melodies, and contaminated anthems remastered directly from the rare original reels of maestro stefano mainetti which were found at an abandoned top secret research facility.

zombi 3 the soundtrack classic edition & special edition available now on we release whatever the fuck we want ! tip on vinyl. wrwtfww records is delighted to unleash the complete uncut soundtrack for lucio fulci & bruno matteis cult zombie-ploitation gem zombi 3 (aka zombie flesh eaters 2 aka sanguelia 2, 1988) black vinyl

the one and only joey beltram delivers a remix of jungle love with a techno electrifying spinoff complete with strong drum basslines and favoured by the industry s best. matt sassari gets deeper and darker than ever in this classic techno must have. audio kode is a beast calling to the signatory sound of de-noize with driving techno, heavy drums and bass, and raw heart-stopping beats that have appealed to richie hawtin and the likes. joey beltram s remix reached beatport s top charts at #47 and stayed there for almost a month, boosting both audio kode and de-noize records. support from joseph capriati, richie hawtin, marco carola, danny tenaglia, paco osuna, monkidj, dmc worldmagazine and plenty more!! matt sassari s track met with early success reaching #29 on beatport s top 100 in techno and climbed to #19 traxsource s chart, staying there for over a month. support from richie hawtin, romanolito, marco carola, paco osuna, joseph capriati, skober, hollen, dformation and more.. richie hawtin played this track on his livestream several times and at space ibiza opening party during hawtin s enter event. this was followed by plays by notable djs during the summer festivals and numerous related tweets to richie hawtin and tons of support by his followers. track fully supported by more including skober, hollen, dubfire, dj boris, danny tenaglia, nicole moudaber, tocadisco, mark antonio, meat katie, anderson noise, angy kore, tom laws, tiga and more

off the leash is the cry of morphed pack animals from a ufo crash site. it’s radiated saliva dripped onto cold machinery burning through circuit boards. .the first transmission morphs from cyborg electro to broken down party frequencies. it’s conspiracy meetings caught on short wave radio. the b side hits it harder, rolling tough with some nasty b-boy party electro and a euphoric hardcore cut complete with acid lines swooping in like winged beast. a fitting soundtrack to a midnight cruise across the landfill dunes as mutants creep into your backyard as the bros sink into the dunes.

spring has sprung... which means bbq season is here! our annual grill-orientated tour is in full swing and as no dirtybird bbq would be complete without some tunes, this year s soundtrack is dirtybird bbq: secret ingredients . we kept it stacked just like our bbq plate, with music from dirtybird shiba san & will clarke, dj glen, sébastien v and seumas norv.

indonesian concern midnight runners know a thing about quirky, utterly funky boogie and disco variations played out with real world heart and soul. this third album rare essence is the most complete look into the world of bandleader munir septiandry to date, not least when reveling in the heavyweight groove of -pyramids of the moon-. there s a lighter disco touch to -paraswara harmoni-, but equally a cosmic force guides the track skywards in a manner that calls to mind the sweetest 70s library music. -cyber crimes- is a sassier affair that makes its club intentions clearer, but at every turn midnight runners display a keen proficiency for party music that you can equally chill to

wild is the most complete musical work by nuage up to date. following a thought-out plan from beginning to finish, with a real introduction, development, and conclusion, the album is influenced foremost by the sun, sea and tropics. the music slowly evolves from warm and uplifting songs towards colder and more mysterious realms. . taking a full year to finish the album, including the entire change of season from summer to winter, memories of trips to mexico, the mountains, and the seaside fade away and are replaced by days at home and in the studio in cold st. petersburg. at the same time the music itself goes through a very personal development from outgoing moments to parts of personal reflection. without adding too much weight or philosophy to the music, the album is an easy and natural listening experience that explores contrasting and at times contradicting themes between summer and winter, cold and warm, introverted and extroverted and many layers in between, while also harmonizing the musical past, present and future of nuage.

indira paganotto returns with her third pooledmusic ep, featuring a pair of remixes from label boss ian pooley. having made her debut in 2012 aged just 19, indira has spent the intervening years honing her sound and exploring new approaches to music. currently based in madrid, paganotto s father was a dj in goa, where she spent a significant portion of her upbringing. having grown up with her father s collection of trance, acid & psychedelic rock records, paganotto s eclectic musical education has informed her music s individuality. her 2014 solo ep time out man blended these inspirations into a pair of evocative house grooves. this development continues with kashmir & savannah, both of which find the 24-year-old producer in confident form. ian pooley provides a pair of his own trademark dancefloor-focused dubs to complete a package that confirms paganotto as a new talent in the ascendancy.

gatefold double coloured vinyl lp version. this is the debut album by producer rodden von ast, the man from mecklenburg vorpommern. von ast isn t new to the business. his last two releases and his own imprint sumpfsee records putting him right into the spotlight. on the altkamp album the busy producer finds time to entertain you with eight stellar tracks on the vinyl version, which come across as well-structured little stories, drowning the dancefloor. all in all sounds that are unmistakably in the family of or are related to the enchanted moments we know from kalkbrenner but as well as techno moments. the opener „altkamp- is a restlessly inventive bricolage of unconventional sounds and textures. -bettfett- is a masterclass in crisp, high-definition techno, as christal synths, a solid kick, and an insistent bass stab form a deeply hypnotic groove. -gedeih and verderb- with mate herr maarec draws on spacious arrangements of dub techno elements, burnished with snickering percussive repetition and scything synths. „unser klonet - is a spacey burner that builds into an indisputable festival-rocker, complete with punchy claps, descending bass-line.

la freund recordings presents a new ep from amsterdam based producer and modular synth enthusiast sjamsoedin. three varied tracks and two heavy remixes by simon weiss (rush hour / voyage direct) and claude (a.k.a. fulgeance) form the new label s second release. sjam sjamsoedin has been around the electronic music scene for over fifteen years, releasing music under various aliases. since 2011 sjamsoedin has been experimenting with a deeper and warmer sound built around strong grooves, combined with his love for (modular) synths and effects. orion is sjamsoedin s first full length ep under his own name. while the drums and pastel find their inspiration in the chicago house sound of the good old days, orion has more of a lush electronica vibe to it. both remixes add a heavier sound to complete the well rounded ep.

lunar disko presents... time marches on with two various artist eps to celebrate the 20th release on lunar disko records. eight tracks encompassing the modus operandi of the label since the beginnings... part 2 features another selection of lunar disko favourites, with the return of dj overdose and raiders of the lost arp, while two of ireland s finest in tr one and automatic tasty complete this stellar line-up. ..and time...is still marching on...

having first linked up with london-based coyote records in early 2015, grade 10’s forever returns to the label proper for his first full ep project, hymn which explores the myriad sounds, layers and textures that have come to define his music.
the delicate, slow-burning cinema of widescreen opener gweilo, the shadowy eeriness of hymn and the crunchy, industrial club heat of swamped each point to different reference points, but all feel interlinked by forever’s grip on atmosphere and tone.
coyote label mate, chemist - also one third of planet mu trio, silk road assassins - also turns in a booming edit of hymn, complete with re-booted, icy melodies that fire off like shards of glass, and rude, 808 patterns that nod to his work with sra.

2x12 inch vinyl only. 180 gram.
atoll’s tracks (released on his homonymous label) in the last two years have been constantly played by artists such as zip, ricardo villalobos, margaret dygas, barac, cabanne etc.
our reality is continually contaminated by hectic rythms and it’s good to rediscover your own origins evoking rythms and atmospheres expanded tonally in time. atoll is the living proof of and it will pour out his artistic vision also on mama with a double e.p.
six original tracks plus jens zimmermann remix to complete our third release.

brand new 2017 recut finally available on vinyl for the first time. 2xlp+mp3 in full original coverart. the legendary movie soundstrack based out of kingston, jamaica in april 2008, telling the story of the original vocalists and musicians involved. the sixteenth release on the moll-selekta label shares its title with a wonderful film, a heartwarming homage to the golden age of rocksteady. it documents the recordings being made for this very album at the tuff gong studios, kingston, jamaica in april 2008, telling the story of the original vocalists and musicians involved. excerpts from an all star reunion concert staged in kingston and older archive material complete the picture. never before in the history of jamaica, which already occupies a unique place on the world map of song, its sound embraced by western popular music, has such an illustrious collection of singers and players been assembled. the album showcases 15 rocksteady classics in sparkling, deeply inspired new versions, recorded in the studio which also played host to album sessions of a certain bob marley. under the musical direction of ernest ranglin, a guitarist of considerable renown not only on the reggae circuit, but also on the jazz scene, mixed by legendary engineer errol brown in duke reids employ at the treasure isle studio in the sixties - and freshly arranged by lynn taitt