limited edition of 2000 numbered copies - 7x7 inch vinyl in a collectors box with download code included.

the 2000 classic from m.o.p. back on double vinyl.

cameo blush is the project of john dunk from london

long time underground innovator illja rudman returns with sagittarii, a fourth fantastic studio album and his second on bearfunk.

limited edition of 2000 numbered copies on blue coloured 180 gram vinyl. includes a 4 page booklet and poster.

limited and numbered edition of 2000 copies, including 4x12 inch and bonus 7 inch with 4 live recordings from radioeins sessions plus download code in a gatefold sleeve.

limited edition of 2000 numbered copies on audiophile red 180 gram triple vinyl, housed in a trifold sleeve with 12-page booklet. recorded live at the domain, sydney, november 2017.

2 new tracks from exos plus ben sims and antigone remixes.

dreamy beats & breaks from outer space on the 1st earth plates release.

dego is no stranger on neroli, having blessed the label with various eps as nutmeg in the early 2000s and more recently with monster songs like find a way and don t stop (let it go) as dego & the 2000 black family. this time he comes back solo with a fierce funky double a sider! both songs here show how he is like no other out there!

40th anniversay edition - limited to 2000 numbered copies on yellow and orange marbled (flaming) 180 gram vinyl.

smashing afro disco !! tipp

vinyl only

limited edition of 2000 numbered copies on turquoise 180 gram double vinyl, housed in a gatefold sleeve. expanded version with 9 bonus tracks.

the second instalment of david augusts 99chants comes in the form of adisceda, the debut offering of 21-year-old uk producer louis sterling.

more classics from the dream dance series on double vinyl, housed in a gatefold sleeve.

arkada records is excited to announce our second release – the split ep feauturing autosim and serge geyzel ( hostage). hailing from the uk, rob smith aka autosim (cultek/scand) has been active since the early 2000 s together with phil bolland (sync 24) as part of the well known electro duo cultek. he has previously released under the alias innume on the mighty cultivated electronics label. second part of the ep presents the music of berlin based exciting upcoming talent in the world of electronic music – serge geyzel (mindwaves-music/berlin) who combines his affinity to early 2000 s electronica with the aesthetics of electro and dark ambient colours in his music productions. together this makes a very strong electro ep which moves the dancefloor and mind simultaneously!

a configuration of self is a hypothetical construct denoting a coherent pattern of feelings thoughts and preferred behavioural responses symbolised or pre-symbolised by the person as reflective of a dimension of existence within the self. >thorne and mearns, 2000< the rationale behind the series is based on each piece of music representing emotional response to the processes feelings and self- awareness of studying psychology and counselling and becoming more aware of the multiple defences behaviours and personality traits i have. each release will be themed around a particular part of my academic journey and include media to accompany the music.

2lp in gatefold sleeve. 180gr vinyl. including download for the mixtape. 21-track album!

a uk dub classic from 2000 back on double vinyl!

limited 7inch sampler. harde smart will be a compilation dedicated to the funkyness of flemish and dutch overlooked tracks from the seventies.

the 2000 album from doro back as limited blue & lilac splattered double vinyl, housed in a gatefold sleeve.

a configuration of self is a hypothetical construct denoting a coherent pattern of feelings thoughts and preferred behavioural responses symbolised or pre-symbolised by the person as reflective of a dimension of existence within the self. >thorne and mearns, 2000<

80s originals combined with new orchestral arrangements on double vinyl lp, housed in a gatefold sleeve.

the 2000 album from madonna (produced by mirwais) back as limited edition reissue on blue vinyl.

supported by: kaiserdisco, chris liebing, marcel dettmann, alex karakakis, drumcomplex, carl craig, marco bailey, joseph capriati, steve mulder, ilario alicante, slam, franco bianco, ame, paula temple, randomer, subjected, 2000 and one, paco osuna, angy kore, dj emerson, gel abril, dj whebba, slomi aber, spiros kaoumenos, diego alvarado, luigi madonna, charlotte de witte, derek plaslaiko, arnaud rebotini.

limited edition of 2000 copies, featuring 42 tracks on 4x12 inch vinyl, housed in a gatefold sleeve. includes tracks from diana krall, gregory porter, stan getz, us3, louis armstrong, nina simone, jose james and many many more.

since efficient space excavated andy rantzens mind-bending will i dream? the rest of the world has become better acquainted with the darker & dubbier side of one of australias rave superstars. were excited to present a selection of tracks from andys incredibly diverse oeuvre, 6 songs that sit somewhere between 80s digital reggae, 90s rave and the horizon of our accelerating future. lifting the veil speeds up snappy drum programming and a thundering bassline to breakneck speeds, pitting them against sombre chords and strings, perfectly capturing the reflective headspace of a night drive through babylon. cosmic vibrations harks back to the development of fully computerised rhythms emanating from jammy and tubbys waterhouse studios, by way of erskineville. in the same vein, bedtime for boo boo sees andy joined on the boards by sydney dub technician sheriff lindo, creating a dynamic digi-dub number that is sure to come alive on any soundsystem worth its weight - a heady showcase for two of australia’s finest reggae talents. flip the disc to find move it, the most concentrated dose of the jungle vibes that permeate the ep. rantzen channels the headrush sonics, breakneck drums and euphoria of d n bs heydey, nailing the red-eyed early am atmosphere of a sydney warehouse ca. 95 - and its just as likely to cap off the night of many a secret inner west location to come. magic lantern marries a dreamy synthesizer melody with a wicked, subby bassline. if there was a dancehall scene in ferngully, this wouldve been the soundtrack, with enough low end to really rattle the treetops. on closer dub generator, a slightly-creepy mechanized voice urges you to “leave your worries at the door come and join your friends upon the floor - an introduction to the dancefloor or an induction into some sinister cult? whatever the message, the dub chords and massive bassline lull you into the headspace where these words take hold. all songs recorded at masking tapes, liquid blue and 1/66 enmore rd, 1997-2000.

after releasing his first track cran d arret, dj stalingrad is back with bazaarde, a four track ep at the crossroad between electro 2000, breakbeat and cosmic music

classic norken/delsin ep from 2000 repressed. original release text: lee norris became known with his releases as metamatics, through the now defunct clear-label and is running his label neo ouija nowadays. this ep hosts four tracks continuing the style of his previous norken releases. four tracks consisting of very soulful sounds and smooth melodies together with more forward beats or more sophisticated break beats. best to be compared with music from artists like by john beltran, carl craig and his own metamatics of course. beautiful things!

lost in a big bag of cassette tapes in an attic in wales, this archive of works contains 11 original tracks recorded over a 25 year period by dj guy. taken from the original cassettes, remastered and cut to vinyl, they are finally given the release they deserve and are a testament to the talent of one of the uks most gifted producers, cardiff’s guy evans.
vinyl & limited run cassette only.
welcome to exotic robotics :)

mythologen, aka alexander palmestal follows last year’s debut album mythologen with the 12” ep “church music”. this ep is a love declaration to londons club scenes and some of the titles are named after parts of districts in south east london. the tracks on this record are free and loose in its melodies and you hear that palmestal has worked on pure intuition in the song making process, inspired by the surrounding smells, sounds and people. as explosively impressing as the album was, is also “church music” and the airy, uplifting sound that has become part of mythologens trademark, is developed with a sacral touch. alexander palmestal have since the days of pistol disco in the early 2000’s been one step ahead of most acts in leftfield and house music and have created an own musical space to exist in - something most artist never achieve! “church music” consolidates mythologen’s position as both a guardian and an innovator of modern dance music

having previously released some rare solo material from ende shneafliet member hanjo erkamp aka dr. c. stein, artificial dance is now serving up something special from the cult dutch minimal wave band’s lesser-known side project, king ende shneafliet. adding king to their name in honour of original dub maestro king tubby, king ende shneafliet produced far more experimental and out-there material than their better-known big brother. they released their first cassette, dimension mix chapter i in 1981 via cult label trumpett, with batches of follow-up material trickling out on various obscure tapes and later cd-rs up to the year 2000. artificial dances first dip into the dimension mix archives a second vinyl volume will follow later in the year features selections from chapter ii (1999), which was originally recorded between 1981 and ’88. the magical, mind-altering music is raw, lo-fi, spaced-out and forward-thinking, combining effects-laden, sample-heavy sound collages and reverberating ambient soundscapes with pulsating proto-electro jams, moody minimal wave instrumentals and kosmiche-influenced throw-downs. it effectively joins the dots between early-80s, diy electronic exploration and dub soundsystem culture.

production from xl middleton. just in time for the summer, moniquea is back with a future glass house staple entitled “all the time.” riding thick, squiggly production from xl middleton, modern funk’s first lady delivers declarations of dominance that might make you want to stand up, pop and lock, or have a seat and slam dominoes on the table top. the b-side, “his lady,” is a future roller skate staple featuring an instrumental culled from the mid 2000’s vaults of xl middleton. the track still sounds fresh nearly a decade and a half later thanks to moniquea’s timeless songwriting and silky delivery.

slamming deep house with funky & disco moments
the „will you be there ep” completes the „christophe salin - ep series“. he is taking us on his musical journey and paves the way for cooperation with future artists on his very own imprint „salin records” that he runs with his wife daria salin as a platform for electronic music and art. „to love” is what it’s all about, love your next one, love yourself, love what you do, love music and art. needing a bridge at this point nothing would be sweeter than a little excursion to the french touch sound and vibes of the late 90’s and early 2000’s. so, the a-side ends up with a question „shall i give love another try“…flip side „i’ll think of you” keeps this mood until „your soul” takes us slowly over to the final declaration of love „lullaby for daria“.

the 2001 album from michael jackson on double picture vinyl.

...comes with an inlay
umeko ando (1932-2004) was a folk singer from japan. she was a representative of the ainu culture on the hokkaido island in the north of japan. “ihunke” is her first album which was recorded with the ainu musician and dub producer oki kano in 2000. it was released on cd in japan only and is finally available on vinyl (2lp + linernotes, dl included). “ihunke” is following last year’s single “iuta upopo” pingipung 58, incl. m.rux remix which had been received with overwhelming enthusiasm and was quickly sold out. the 16 ainu songs on “ihunke” are delicate, natural gems. they are built on oki kano’s tonkori patterns (a 5-string harp), over which umeko ando develops her repetitive, mantric vocals, often in a call-response manner. oki kano is one of very few professional tonkori players who performs worldwide with his oki dub ainu band. the songs possess a mystical energy – when crows call accurately with ando’s brittle voice in the first song, it seems like natural powers join in with her music. her voice sounds like animals of the sky and the forest. oki kano: “it was a lot of fun to record with umeko ando. many ainu hesitate to break from tradition - if umeko hadn’t been so flexible to work with the younger generation and recording technology, this album would never have happened. our sessions were intense, and we were proud and happy about making such beautiful music.” upcoming in autumn: remixes of “ihunke” by tolouse lowtrax, m.rux, dj ground, el buho mark peters, gama, andi otto, and dreems. historical background: only recently (in 2008) have the ainu officially been acknowledged as indigenous people who are culturally independent from japan. this record is an example of how their music has been passed on through generations in the underground ainu communities while it was oppressed by the japanese hegemony. it deserves a huge audience. follow kompakt

only one music presents dan curtin and his futuristic -when worlds aligh ep- from 2000. space techno at it s best from one of the genre s master!

after being one of the many standouts on the we are opilec…! vol. iii compilation back in 2016, i-robots glamouflage is now getting a full vinyl release with artwork by tomozo kevorkian, who was designer for nyc s body & soul, and remixes by a standout team of producers from japan to switzerland to south africa and the usa. opening up the ep is a fantastic new take ii version from label boss i-robots, who added exclusive chinese vocal samples recorded on the streets of huang jiang city many years ago. the track is inspired by ennio morricone and supermax and is a loose and infectious groove with brilliant drums and percussion and an elastic bassline that really gets you moving. it s a subtle update to the original—also included here as a bonus cut—which itself is a steamy and tropical sounding groove. swiss electronic pioneer schaltkreis wassermann then features on a version of the original that reaches for the cosmos with its rugged bass riffs, tumbling toms and busy, ever evolving groove. it has a big breakdown with exotic synths wandering through the night and oodles of effects and big guitar licks. the first of the remixes comes from kuniyuki takahashi who has been a big supporter of i-robots since 2000. he is a sound designer from japan who had a compilation of his works put out by music from memory back in february. his version is laden with cosmic synths and chants, grunting and organic drums and is sure to be massive this summer thanks to its open air vibes. detroit s underrated but vital gary martin is the boss of the teknotika label and his version featuring colten decker playing an unusual sax line shows another side to the motor city. it s a curious and mysterious tune that makes for an unsettling atmosphere that keeps you locked throughout as it snakes along.

limited edition of 2000 copies on transparent blue 180 gram vinyl, housed in a gatefold sleeve. the electronic music duo groove armada released their fourth album “lovebox” in 2002. the album includes some of their best tracks, ramping through genres from rock ’n’ roll to the psychedelica and ska. it also features collaborations with artists like neneh cherry and richie havens, who ads some soulful voices to the whole. opener “purple haze” introduces us to a giant guitar riff and highlight “madder” takes the groove out of the clash’s “magnificent seven”, before moving on to the raps by m.a.d. they’re incorporating a lot of samples in the fine structured melodies of soul/funk/rock and hip-hop. after playing at club nights for years andy cato and tom findlay joined forces and created their debut album northern star and breakthrough hit “at the river”. it was the start of a collaboration that brought them hits like “my friend” and “superstylin’”.

limited edition of 2000 numbered copies on pink and yellow 180 gram vinyl, housed in a gatefold sleeve. groove armada’s fifth studio album “soundboy rock” is an unpredictable mix of breakbeats, trip hop and electro-driven songs. the diversity and continuity of their previous work lovebox is combined with some exciting heaviness. they offer so much diversity that every musical fan will get it’s taste of their great production skills. mc stush shares her vocals on the hooked single “get down”. the eighties pop and new wave comes together on the glorious “song 4 mutya (out of control)”. the productions sounds perfect and the vocals turn out well.
the electronic music duo andy cato and tom findlay took their first step in the music scene when they were working together in the music club groove armada. later on they released a couple of big hits, including “my friend” and “superstylin’”.

its a captivating encounter when a producer of relative anonymity bursts onto the scene with an exciting and engaging release, that you re drawn back to again and again, wondering how you ve never heard of them before. porto producer pedro, & washington dc vocalist jenna camille have achieved exactly that with this first release on the mighty wolf music recordings. the influences from jazz though to soul, rnb & broken beat are weaved deep within this record. you re drawn in from the off with an intro of stripped back pianos behind an emotional spoken word monologue from jenna, before it opens up into a beatsy, rnb infused groove. having pulled you in float hits you with a richness of synth textures, layers of broken beats and dreamy chords alongside jennas float mantra hypnotising you deeper and deeper. reaching the last section of the track though you re woken from that hypnotic groove with a switch to a raw and energetic breakbeat sure to get any crowd moving. keep it h 2000 , the final track on the a side, has a real flavour of fatima to it emanating from jenna s blissful vocals - laid over the top of sustained rhodes, weighty synth lines and dynamic drums. flip it over and there s a tougher intensity to future dance (it ll be ok) , coupling rhythmic stabs with jazzy chord progressions, laced behind a groove that wouldn t be out of place lighting up the floor at a co-op night. to close out the e.p. you re given a sensory overload through jenna s staggered, overlaid vocals panned to come at you from every angle its the perfect outro to both stun you and leave you wanting more. and if this extremely well-polished, first key release is a sign of things to come, pedros name will be becoming a lot more familiar in years to come. support from afronaught (bugz in the attic), bradley zero, henry wu, lefto, atjazz & osunlade

das zweite album der wilden jagd auf doppel-vinyl.

ltd copies, screen printed sleeve by al white & house of traps, this marks the first new vinyl release from echospace detroit this year with all the content lovingly re-mastered in echospace, detroit, usa & cut @ deepgrooves. an unreleased classic from the vaults emerges with newly remastered content from radius s celebrated -obsolete machines- double album & two of the most epic creations featured on the -interpolation tapes- cd series, available for the first time ever on vinyl format. many of the songs featured in this project were initially sent to rod modell & mike schommer shortly after they launched their brilliant deepchord label in 2001. (recorded from 1993-2000) they were incredibly kind in saying it was the best demo they had ever heard and passed it on to octal records for release, sadly, that didn t materialize and since then these masters have been collecting dust in our cassette rack for nearly 20 years now. we ve spent months doing our best to restore the old tapes from our tascam 688, an 8 track cassette recorder purchased and abused since 1992 and to our ears still sounds quite impressive even by modern standards. we ve had nearly every component replaced and re-calibrated to bring this obsolete machine back to life, it s been a truly nostalgic experience re-visiting and redesigning these masters. we truly hope you enjoy reliving these magical times of music, very inspired by all that was happening in those years, there was just something in the air, an undeniable energy, long may it live on..

we present you three remixes from kaiserdiscos recent another dimension album on tronic. adana twins skillfully reworked varuna keeping the intensity while adding their touch to it. andre crom delivers a nice and dark remix of orcus, while aitor ronda supplied his chunky and powerful interpretation of hydra. dj support: wehbba 2000 and one sinisa tamamovic arjun vagale james zabiela jam el mar the advent enrico sangiuliano gel abril noir

this summer, skint records serve up a brilliant package of remixes of midfield generals huge 1999 smash reach out with linda lewis. the new remixes come from the one and only crooked man and feature vocals re-recorded by linda in 2000 which were consigned to a draw waiting for the right person to use them.

z records continues its commitment to unearthing the obscure and long forgotten tracks from the last 40 years with the much-anticipated follow up to backstreet brit funk. volume 2 has been eight years in the making and continues to showcase the best of the genre from the late 70s to early 80s, compiled once again by joey negro

zwei house-versionen der neuen single -neptune atmosphere- von robb scott (feat. gina foster on vocals) aus seinem neuen album -sirens-. an den reglern standen der glorreiche phil asher zusammen mit mighty zaf, bekannt für seine dj-edits diverser disco/boogie-klassiker, sowie dego (4hero) unter seinem alias 2000 black.

western australia s red ember records is back from another archive diving adventure. -embers only : swan songs- presents four previously-unreleased, deeply emotive cuts by ewan jansen written between 1999-2000. the lead track swan marks the dance-floor tone in the collection with a hypnotic pseudo-electro groove sky lined by cathedral-like chords. following on, sea for yourself reaches into deep minimal house territory with a powerfully gentle, piano topped, 4/4 approach. on the flipside, the earnest and leafy love machine is drawn down the proverbial path, dropping broken beats and inhibitions along the way. the collection is signed off with the ambient chordal wash of afterlude ... an introspective repeater equally on call for any early morning after party or your final few waking moments.