rock

limited rsd 2018 release.

very green velvet styled production on the flip side (ghoul woman)

punk

from house to garage

limited edition of 500 with exclusive artwork by pierre thyss, obi strip, and liner notes

full uncut original soundtrack of the 1985 horror comedy classic on pink coloured 180 gram vinyl lp and bonus 7 inch.

more pinkman in the pipeline. this time label regular dollkraut serves 3 tracks.

these two masters of dancefloor darkness found that the sum of their collaboration was indeed greater than its parts...

great new kojak giant sounds 12 inch straight out of finland. deep euphoric vocal house music, while the b side is more stripped back with haunted vocals. very limited copies ... these wont last long.

rekids present >ghouls< by the multi-talented music for freaks luke solomon. a massive stomper of a record with heavy drums aplenty - this is the peak time jackin house that luke does to perfection. this killer 12inch also features a hot remix from man of the moment >claude von stroke<. he takes things strictly minimal but bouncy then beefs things up near the end of his mix as the bassline turns much more snarling. perfect for the dance floor!

cool rockin techhouse three tracker with dirty basslines and freaky emotional synths..

pop

pop

original soundtrack

pressing on ghoulish translucent vinyl.

feat. andre baum

on his third album comité hypnotisé let you belly flop into his eleven chambers of the danza del piri-piri

the ultimate halloween-themed novelty rock n roll soundtrack featuring vintage sides from the 1960s and audio of 3 horror movie trailers.

violet vinyl release.

classic black vinyl release.

die alten freunde john cravache und i:cube haben sich zusammengetan, um das debütalbum von chimère fm auf versatile records zu veröffentlichen. verträumter synthie-funk reibt sich an heidnischen rhythmen und minimalistischen elektronischen drones.

rock

4x12 inch collection box

incl beefep016., beefep018, beefep022

doghouse records, a classic 90s house label that released some of derrick carter and jazz-n-groove s earliest tracks is back with this 4 track house ep from dallas native & dolfin records own ben hixon. deep underground house with a touch of detroit beatdown. no forced build-ups, just simple hypnotic grooves.

epical cinematic pop moments, sexy and electronic! on her second album, elena alice fossi, better known as the singer of the italian cult-group kirlian camera, promenades through tinsel town in high heels with her all-girl band spectra*paris. at the edge of pop, glam-rock, alternative and electro, the alluring ladies are spicing up today’s music scene with fresh energy, inviting you to a glittering homage to the glamour of the big screen. with her powerful, versatile and matchless voice, elena alice metamorphoses from innocent girl into grand diva to savage rock singer, gracefully moving through her sonic short films, ranging from spy stories to horror flicks, with distinguished pop-appeal. “license to kill” is released as a regular cd album containing a warholesque, punky bonus dvd and as a strictly limited, lavish fan-box containing a clear vinyl version of the album, a poster, a patch and a classy shape-cd-membership card including an exclusive, previously unreleased track. limited to 500 copies!!

isolation diaries is argentinian producer alejandro mosso s 2nd album. it comes more than ten years after his debut, hiperborea in 2005. he says i think the album is warm, emotive and nostalgic but not dark nor sad. it is percussive and melodic but not laid back and balearic. it is tribal and organic but still very precise, as only electronic music can be. the grooves are strong and infectious and the sounds are rich and satisfying, resulting in music that sounds very organic and unpremeditated. the album is accompanied by a burnt freidman remix of the track isolation diaries, and a ricardo villalobos remix of deardrum.

for the fifth installment in the common thread series we are launching our series of various artists eps called *knives replace air*. for the first effort in this series we have the likes of chinaski, mangulicafm, 33.10.3402 and gitchell moore cooking up stuff. expect an odd mixture of genres all sharing a common thread in terms of feel. maybe not the most dancefloor friendly record but definitely some kind of miniature soundtrack in its own right.

nice balearic edits from beloved the kenneth bager experience

>ortloff zehn< is a family getaway into the dark woods of lindenau with four fantastic tracks by jennifer touch & porkfour, john barera & chase smith, mod.civil and qy

echovolt notch up their 8th release with a fine offering by r-a-g and crystal maze member, g string! g string delivers two delicately rough dance music delights, effortlessly marrying tripped out emotive ambience to the essence of jack. the 12inch is topped off with a wonderfully blurred out remix of ghoul by d marc cantu! limited to 300 copies only.

code for free download of this entire album included.

obscure electro funk groove raw and not clean at all from the pioneer of skweee !

the eps title track baltic pine bounces an elastic bass with a punch whilst its magical melody evolves out of the groove, taking you skipping away until it breaks into a ebullient cacophony of accordion, piano and brass.

smooth ambient and pop influenced electronica tracks

in keb darges own words: i ve done many a compilation in my day, mostly based around the tunes i played at my long running deep funk nights in madame jo jos. that night is no longer on the go, possibly due to a growing lack of interest on my part, (sorry). in the last few years the lost & found: nights at the club have been my real passion, and indeed little ediths and andy smiths passion too. what a marvelous era this is for good music. we may still have pure stuff like dub step: pulling in large numbers of sheep, but an equal number of youngsters are being attracted to retro, or at least retro sounding music. people tell me it is because the youth are fed up with computerized music, or men with drug problems angrily shouting at them over a dull repetitive beat, but i know lots of teenagers who have bypassed this muck all together. must be the internet that is helping kill off the demand for empty music. you no longer need to go to a retro club night, or indeed search out rare records to be exposed to good music, the internet is full of the stuff. my fifteen year old daughter is a marc bolan fan who while researching the poor fellows influences discovered chuck berry, sun records, etc, etc. i dont really know or understand why so many are at last getting into the good stuff, but they are, and it is wonderful for the likes of me.