super limited white label. one of the biggest dance music releases of the summer? do not sleep! if your looking for a track that will push your sound systemand crowd to the limit, then this is the one. bare noizeÊs destructive tremix of skrein ? harry. has the most destructive drop this year combined with the haunting sample. for all those looking for a dubstep hip-hop mix, here is one that you must check out. foreign beggers, who have been producing beats since as early as 1996, have teamed up with dubstep dons chasing shadows on the flipside.

the landmark tenth release on distances almighty chestplate imprint sees the unprecedented addition of a brand new artist to the label. south londons tunnidge steps up and weighs in with two tracks packing equal amounts of bass pressure, gnarl and darkness. two certified suckerpunches on wax. distance has been supporting tunnidges beats in his sets for a while, so fans will already be familiar with his brand of ferocious and driven bass music.

kryptic minds dont mess about, with yet another huge release on osiris. follow me vip ishypnotising dubstep at its finest. on the flip rubberman is deep and nasty in equal measures. dj support from: youngsta, skream, distance & n-type.

until now duffstep has hidden in the seedy undergrowth of london always in disguise, clandestine and covert, ever plotting his imminent escape. this bid for freedom then, is called >getting to sirius<. sirius is the brightest star in the night sky, in ancient greek times sirius was said to mark the beginning of summer, where women became aroused and men became weak. duffsteps debut album >getting to sirius< is a blend of dub influenced, down tempo beats winding through layers of melody, synths and vocals softening the blow and giving a nice, warm and fuzzy edge to the thick slabs of sonic concrete. though you dont have to wait long before a nice big bass-line knocks you down on your arse again.

raised in the parisian suburb with a background of multiple genres throughout her life : from rock and new-wave to electronic music such as synth-pop, minimal techno, jungle, house, disco and 90s hip hop, malilones productions have helped express her influences and incorporate her emotion into the dubstep tempo we all love. malilone production has seen support from producers like matt-u, von d and bunzero as well as featuring in numerous dj gigs from paris to berlin.

goosebumps ep feat remixes from jamie george (wonderful day vocalist) and bristol dubstep don gemmy. this is dj naughtys second release on the kicks & snares. deep subs driven funky with lustrous bass offset by hard snares and synched to dubby organ stabs to help hone your marcus nasty look.

subway recordings has been a steady force within the dubstep scene the last 3 years. not only as a label but also as one of the most forward thinking party crews on the dutch scene. some of the leading dubstep names have passed through subway first before becoming the new rockstars of today. by flexing its sides from deep to hardcore they have been showing how far the word dubstep bends into multiple angles. after releasing quality tunes like!

after a series of life-changing experiences abroad, kito returned home to australia in 2008 and began to focus on cultivating the ideas which had been germinated through her travels into her own unique sound. the amalgamation of these efforts eventually gave rise to her seminal work what if, which along with cold on the bside was immediately recognized and released by skream, one of dubsteps figureheads, on his label disfigured dubz in 2009. into 2010 and kito has continued the progression of her style and produced a four-track for disfigured dubz featuring the hugely popular lfo with vocals by reija lee, along with on the floor, dont wanna lose you and her remix of vaccine?s fever which are characterized by a pop-infused, fresh and precisely clean production style, kitos music has received support globally from a number of leading djs including skream, benga, diplo, d-bridge, intra:mental, joker, jakes, digital mystikz and many more. with an already large and ever-growing fan base and encouraging articles and reviews from publications such as nme & knowledge, it is clear big things are in store for this young artist.

terror danjah is currently putting the finishing touches to a new album for hyperdub, while at the same time plotting total club takeover with his own soon-to-be-revealed label. this is his second single on hyperdub, after the mighty pairing of >acid< and >pro plus< earlier this year. these two tracks are packed full of energy and fresh ideas.

essential, essential, essential!
wreaking havoc globally, numbernin6s rich schizophrenic sound enjoys support by international dubstep titans including skream, rusko, n-type, plastician, and bassnectar, as well as bbc radio 1 djs mistjam and annie mac. numbernin6 (aka nishant parikh) whose production began in trance scene, is a master of dichotomy who meticulously fuses stark contrasts ?aggressive vs. mellow, darkness vs. light ?into dancefloor napalm. >garbage< intros with menacing lyrics and a series of warning bass stabs that evoke a grimey ghetto scenario. after the drop, all hell breaks loose with a wicked numbernin6 signature bassline and cracking snares. this is an absolute dubstep anthem and has done its fair share of destruction worldwide. for real. coming with a literal double a-side, >hunt you down< begins with a haunting flute melody that winds its way up the mountain, then unloads with a massive barrage of machine gun bass stabs guaranteed to cause speaker damage and crowd destruction.

strangely enough, if you want to get much of the bass music coming out of venezuela, you have to go to japan, and the primary source once there would be murder channel, a long running club night, which has played host to artists as diverse as melt banana to goth trad, and also a label, based in tokyo. amongst the releases featuring venezuelan artists, like the cardopusher full length >unity means power< came the pacheko/dj 100mado collab cd, which was released near the end of 2009. lodubs, having a long running relationship with both the vz and jp cultures, has taken up the charge to spread a bit of this material in the other hemisphere.

having built a platinum reputation as one of the most exciting beatmakers working today, the incomparable blue daisy returns with another burst of poly-genre sound adventure in the form of the raindrops ep. with his debut album waiting in the wings in early 2011, this is the last chance to cherish our boy before his star turns supernova ...

im vereinigten k®nigreich sorgten the qemists bereits mit ihrem deb?t >join the q< f?r m?chtig furore. schon auf ihrem erstlingswerk fusionierten sie genres wie drum & bass, rock, electro, dubstep, rave und hardcore auf nie geh®rte art und weise miteinander, und das mit einer leichtigkeit, als w?rden diese explosiven stile schon immer zusammen harmonieren. unterschiedlichste k?nstler outeten sich bereits zu eingefleischten qemists-fans, ob kool keith oder mike patton, die musikalischen grenzen scheinen zu verschwinden. >spirit in the system< b?ndelt wieder s?mtliche musikalische genres und wartet mit einer beachtlichen anzahl illustrer g?ste auf. mit an bord sind u.a. enter shikari, matt rose, jenna g oder rob hawkins der frontmann der rock combo the automatic. the qemists tourten bereits mit enter shikari durch europa.
inklusive code f?r mp3-download.

dj madds stock continues to rise with his latest excursion on black box. >on top< has become a dubplate anthem with consistent rewinds across rinse fms a-list shows. catchy vocal hooks, emotive horns and solid song structure propel this high above the standard dubstep bangers. >need this< continues the a-grade production quality with an all round more glitch affair. uplifting synth-lines punctuate a tidal bass surge and snappy vocal snatches keep fingers skyward. the dj madd global take over continues.

the others continue to move forward with ever increasing strides with no sign of slowing down, these dubstep stalwarts stand out as true creative trailblazers. having travelled the globe with their unique and varied dj sets, taking in tours of australia & new zealand as well as countless dates all over the uk and europe, clocking up releases on leading labels such the legendary tempa and n-types wheel & deal records along the way.

nochexxx arrives on ramps doorstep clutching the first in the series of his >ram air< 12 inches, following his 2009 collaboration with jungle brother sensational. very limited white vinyl, dont sleep! >this is dope stuff< - 2562

the fruits of a techy stepping collaboration between tectonic don pinch and young belarussian producer pawel ambiont, making his debut here, provide both sides of this welcome one away special plate. originating at and shortly after a meeting in st petersburg, you could be forgiven for thinking that pinch has added cultural attache to his already considerable cv. >jelly bean< is a lustrous, luscious affair - heavily weighted low end offset with crystalline rave ready top end ambience. >poison/remedy< is built for dancehall detonation, a half-knotted-stepping intro builds with tension, as more propulsive stepping textures lunge through to fire up any soundsystem, big!

>listenin to the records on my wall<, the first single from skreams second album on tempa - the much anticipated and highly acclaimed >outside the box< - has long been in demand and is now finally being released on vinyl. >listenin to the records on my wall< is the perfect introduction to why skreams current level of success is just the beginning. its a joyful, ragingly energetic celebration of the last quarter decade of british street music, inspired by the hardcore and jungle records used by his older brother hijak who was part of grooverider<s internatty crew. its also a brilliant pop record that makes perfect sense to everyone who grew up surrounded by the breaks and beats of the 1990s ? and to those who didnt.

finlands 501 made his name writing smashers for labels such as chase & status imprint more than alot, but this plate on black acres dancefloor subsidiary will confound all expectation. >short circuit< marries synthetic pop production with dancefloorsensibilities and adds a dash of pure cheek for good measure. an intro of vibrant chords, talkbox vocals and live electric bass sets up the naughtiest of drops - skipping jazzy beats, switching synth edits and snippets of turntablism, all shoe-horned over an enormous warping bassline.

brand new boka records in a double-barrelled month for the label, swiftly following on from the innasekt 12 inch, matt-u & riskotheque pop up with easily their biggest tune on the scene >guillotine growl< another one from the archives that has been knocking around on dubplate for a while, big worldwide dj support for a tune with one of the sickest hooks around, menacing and ugly bizness! on the flip matt-u gets his deep, dark roller head on for >double blind< a tune first showcased on the mary anne hobbs radio 1 show, arguably his finest solo output to date making this an insta-bagga release!
support from mary anne hobbs (radio 1), bunzer0 (subfm), dj madd, von d, vista, afterdark, south bound hangers and many more.

punch drunk broadcasts two transmissions direct from the murky depths of the bristol underground. debut 12 inch from respected underground stalwart superisk conjures shaolin indebted psychedelic visions of pathways through austere times. mensah turns up the heat on the flipside, reimagining the originals melodics & infecting them with his signature robust high energy funk.

ikonika & optimum are proud to introduce their highly anticipated new venture: hum + buzz records. this double a side debut release is right at the centre of the current uk crossover, post-genre sound. first up, >aqueous cream< explores a different sound to the one ikonika delivered on her recent hyperdub debut album. a dancefloor ready track with smooth sub bass, staccato piano chords, trademark emotive synth-leads, underpinned by tough kicks, sizzling hi-hats and ricochet snares. on side aa, >ampersand< marks ikonika & optimums first official collaboration. layers of synth melodies float above a steady four/four pulse and unpredictable claps. an angular, broken, melodic march at a house tempo.

das label hobby industries (von u.a. thomas knak alias opiate gegr?ndet) meldet sich 2010 zur?ck mit einer serie von ver®ffentlichungen mit dem hauptaugenmerk auf d?nische elektronikproduzenten. als erste unter dem neu gegr?ndeten >oh boy!<-banner gehen aslope an den start. dahinter verbirgt sich der designstudent torsten linds? andersen, der sich als dj und produzent in den clubs von kopenhagen einen namen gemacht und bereits f?r mark pritchard, nosaj thing und gold panda gearbeitet hat. die ep erscheint mit einem download-code, online gibt es dann noch zwei bonus-tracks.

what you talking about?! continues redlights successful adventures in the unnamed airspace between rave, house, dubstep and other dancefloor sounds. the rapidly-rising producer revolves huge, widescreen synths and hands in the air rave sonics around a slow-mo, dubstep-esque beat, whilst ms dynamite steps up to deliver raucous ragga vocals.

possibly one of the biggest tunes to step out of the nice up! camp - from new signing and dubstep star in waiting adam prescott. having received serious rotation from mistajam and ras kwame on the radio, as well as heavy support from the likes of skream, hatcha, n-type and jakes, the label wasted no time in snapping up >on a dubstep tip<, an inspired reworking of sl2s rave anthem. featuring dynamite mc reliving his rave-hood on the mic alongside jah screechy who penned the original sample source >walk & skank<, this is sure to blow the roof at any dance.
on the b-side, adam shows off his knowledge and love of reggae with updated reworks of classics from some of the most timeless voices in the genre.

der dubstep-pionier maddslinky, auch als zed bias bekannt, ist neuerdings bei tru thoughts gesignt. als vorgeschmack auf sein im herbst erscheinendes neues album erscheint die erste, gemeinsam mit der uk-soul-legende omar (>theres nothing like this<) aufgenommende single. remixes kommen u.a. von toddla t, mj cole und atjazz. inkl. 10-track-bonus-cd mit weiteren mixen.

wtf!? is the new project from adam f and dj fresh, encompassing dubstep, house, hip hop, reggae, electronic and sampled music. they have teamed up with dead prez for their first single, with a new take of the classic track >its bigger than hip hop<, released through breakbeat kaos.

neue 12inch auskopplung aus dem gleichnamigen album von the hundred in the hands mit dem synth-pop-ohrwurm >pigeons< mit remixes von blawan & walls!

abgespacter psychedelic-funk auf gelbem vinyl! vorzustellen hat man das sich wie tony allen meets happy mondays in der new yorker danceteria des jahres 2081 ... brzzvll sind eine fusion-band aus dem belgischen antwerpen. die r?ckseite kommt mit einem remix der k®lner electro-techno-rap-produzenten ampersand (lectroluv).

we are extremely proud to present the re-wired ep, introducing you to four exciting new producers who you will be hearing plenty more from over the coming years.

icicle goes dubstep, deep and moody dubstep.>xylophobia< on the a-side has been cutting up the more discerning clubs for quite some time with its enormous low-slung bass line thatll punch straight through any club system with ease to floor all those within dancing distance. on the flipside we find the younger brother of >minimal funk<, the d&b track realeased to riotous applause on the first shogun evolution ep earlier in the year. >minimal dub< is the lower frequency alter ego with the familiar bongo patterns accompanied by a new nasty gut-wrenching version of the original bassline for the dubstep generation.

the 10th release on base.corrupt hails a new artist to base.corrupt. fused forces providing an awesome remix of one of matt greens tunes. look out for more remixes & tracks from other dubstep artists on base.corrupt as interest in this amazing label gains even more momentum!

after his massive ep on ptn, doc daneeka drops a sneaky one sided 10 inch of lazy summer vibes for ramp, all wrapped in a lovely painting by brainfeeders teebs.

night hunter is the debut release from fis-t on new south london uk hybrid label 502 recordings. 502 represents new sounds born out of the collision of many modern forms of uk underground music. taking a focus on the new hybrid sounds of dubstep, grime, house and garage, 502 brings north london house and funky producer fis-t forward with his underground haunted-house smash night hunter. the track has been bubbling on the underground for over a year now with noted support from some of the uk scenes top djs. originally released digital-only through itunes in november 2009 by fis-ts boom ents label, 502 bring it to you fully mastered on 12 inch 180g vinyl and digital re-masters to follow.

final part in the recent scion series which resulted in the digital release of a dub police label showcase to appeal to the us market. subscape and j:kenzo step up for this episode, loyal dub police member subscape doesnt disappoint with the track >dominant species< followed by j:kenzos >constant< on the flip. big!

following on from his critically acclaimed third album basho basho, kidkanevil is back with a selection of remixes from his forthcoming basho basho remixed album. first up is a long-time friend of fw in the shape of eliphino. he provides a stunning sub-heavy mix of >the floating world<, fans of floating points, joy orbison & bukem need to check this out. next up is manchesters illum sphere, fresh from the release of his titan ep on martyns 3024 imprint (becoming only the second producer aside from 2562 to have a solo 12 inch on the label). his rebounce of >when doves bounce< does exactly that, adding spooky electronics and tougher drums to the original.

incl faity dl remix

brand new ptn, the prolific ramp recordings sub-label prepare their latest line of ammunition in the form of breach ? fatherless, a funky/dubstep/garage hybrid coming on like a cross between el-b and roska, this one is receiving heavy support from the likes of mary anne hobbs (radio 1), doc daneeka, greenmoney, pariah, brackles, west norwood cassette library, sinden, oneman ? the list goes on ? dont sleep on this one!

since her debut ep for hyperdub early last year, which won accolades everywhere from the guardian to mixmag to music week, cooly g has become firmly established as an in-demand producer and remixer, touring the world as a dj. she is also starting her own label, with new music due for release soon. this is her second proper hyperdub single, which follows the hyperdub 5.5 ep she shared last year with mala from digital mystikz. side a is the utterly dreamy >up in my head<, a blissful track built around coolys vocals, lush sheets of chords and pulsing drums that sound like a never ending build up. side aa, >phat si< is, in contrast, a frantic swirling drama where drums and abstract bleeps and stabs snake around each other over tough as leather drums and pulsing dread bass.

after a short spell away, caspa is back with one of the most highly anticipated releases of the year on his own sub soldiers imprint. first up is an anthem that has been lighting up dancefloors airwaves globally as of late, in the shape of >back for the first time< featuring dub police label mate d1. gathering heavy support on bbc radio 1 from annie mac & zane lowe, as well as being battered in the clubs by the who is who of dubstep a-listers this is fast becoming one of the biggest tracks to emerge from the scene so far this year and its not hard to see why with its catchy eutrophic chords and growling bass ? this is no doubt going to be one of the tracks of the summer! on the flip caspa teams up with another label mate, subscape, for a tune that has torn apart countless dancefloors lately. >geordie racer< takes no prisoners with its driving beats and outrageous basslines, anyone who has been lucky enough to be in a rave when this monster drops will no doubt tell you the carnage it creates in the dance. again gaining support from dubstep royalty and being featured on caspas >mystyle< mix cd. all in all this is one obscenely big release that you cant afford to pass on ? big things once again from the caspa & the sub soliders / dub police camp.

this is the debut release on hyperdub for north londons ill blu, one of funkys most celebrated and promising production duos, who since forming in 2008 have had a string of underground hits as well as recently putting remixes for the likes of cheryl cole and hot chip under their belts.

following the t. williams ep, acclaimed by everyone from joy orbison to sinden, comes local action 002, the debut ep by new york wonderkid svpreme fiend.
on the surface its haunted 2step in the vein of burial, but the more you listen the more you realise theres little else like it, with skeletal drums, beautiful melodies, rnb and soul vocals bent into twisted, purgatorial shapes. sketches of tracks that form and dissipate in front of your eyes.
the killer ep collects 4 of his garage-leaning tracks - future stuff from svpreme will be weirder, housier, sometimes beatless. but this is the perfect introduction.

nice price deal !!! the first release from this imprint sees 2 refixes, art of dub (its a pitty) is a classic, with great catchy soulful vocals over a 2 step beat, which is punctuated with great sounding retro keyboard sounds, a great track to get anybody in the mood for a party. gun slinga is a seriously cool track with a wild west sound-scape, classic western movie samples over filthy bass lines makes this.

shortstuff dribbled this ep out of his arse. it took him 12 months ? he worried about everything, accomplished nothing, and then called it something stupid. by the end of the process, everybody at ramp wanted to die. the end result is a 6 track ep, released on 3 separate 10 inches throughout august. dj support from scuba, roska, loefah, jackmaster, ben ufo, ramadanman, pangea, scratcha, lvis 1990, brackles, toddla t.

>hurt inside< is mixture of old school house and uk funky. the track is currently been supported by a range of djs including marcus nasty, brackles and dj footloose. >intruder< contains raw beats and bass.

boka records hit release number 30 and they have delved deep into the dubstep archives on this one. innasekts >cluster< has been around on dubplate for well over a year now with the dubstep heads still demading its release, its finally here! this one packs a punch, ultra deep and heavy basslines with innasekts signature technological atmospheres. backed with their remix of sumones (planet mu) track >zombie<, a voyage into deep and atmospheric drumstep. its been a while since innasekts releases on rottun recordings and the rumour is this could be their final release under this name. dj support coming from the likes of scuba, faib, bunzer0, matt-u, moldy & truth.

truth, undoubtedly new zealands greatest dubstep export, have been making a huge impact around the world with their heavy bassline riddims. truth have a style that defies categorization, encompassing an array of melodies, vocals and spacious beats that range from half-step stompers to the deeper profound realms of sound, all with one common element which underpins every track, a heavy bassline riddim that lays sheer force on any system heavy enough to handle it. the badboys of new zealand dubstep team up for their first single on argon records. bombay sapphire takes you on a trip through bass, while worlds apart flips the script for a jazzy dubstep experience. two incredible tunes, one essential argon single.

fans of the itchy robot sound will go mad for this release as it has all his trade mark production technics glitchy beats and deep b-lines rule, are you ready to funky is the cry you hear from the intro. then from the drop the drums take over and with the screeching synth and power bass matched for effect. esoteric sound delivers a similar sounding track although it rolls along a bit smoother with a pounding driving b-line, and echoed out one beat vocal hook.

these 2 badboy producers hailing from usa arent unknown faces to the scene after having releases on labels such as subway, argon & truetiger its time to raise the bar. raising the bar aggy wise that is. kamikaze is a eastern influenced riddim, dont be mistaken with the gentle approach cause you will pay dearly when this one drops in. with its gnarling sounds & pounding beats itll make any dancefloor quiver in fear.

scorns fourteenth full length release remains in the vibe and tempo of modern dubstep while adding a brand new element to the scorn sound: a live drummer, ian >yan< treacy. the vibrant sounds of the kit are run thru the filters and dub wizardry of mick harris, former drummer of napalm death and guinness world record holder for composer of the worlds shortest song.the tracks are a journey into dark atmospheres and atomic warhead bass, with more variation and hue than 2007s >stealth<. yet on >refuse, start fires< harris has returned to painting angry pictures with more colours than simply black - the record takes on new territory at the 70 bpm mark, and the live kit gives the tracks a more fluid groove than ever in places. but this is scorn, and scorn delivers darkness and anger like no one else, with merciless cuts such as bear felt nowt and shitwinds a-coming providing harsh atmospheres and endurance test bass wobble like only mick harris can dish out. scorn is an entity - for over 15 years mick harris has not relented with the projects dubbed out beats, film noir atmospheres, and over the top bass compulsions. >refuse, start fires< is perhaps the angriest and most well articulated of his projects in the last decade.

heavy bok bok and roska dubstep remixes of modeselektors >art & cash<.

limited pressing especially for the subway destination lp if you havent heard about this one you have been living under a rock!one of noah ds biggest tunes to date has gotten the vip treatment. for a while now this one has smashing up the dancefloors & festivals left and right from the atlantic. a seeeriousss vip for a seeeriousss riddim. heavy play support comes from the likes of europe heads, skream, benga, joker, hijak, 16bit, trolley snatcha, doctor p, flux pavilion, 501, the others, emalkay, noah d, antiserum, 12th planet, spl, djg, broken note, n-type, seven, matt-u, akkachar, taz buckfaster, marlow, hatcha, jakes, komonazmuk & alot more!

following on from his string of successful 12 inches on styrax, l2s and mj coles prolific label over the past year, roof light drops a four track ep of dancefloor killers for highpoint lowlife.
already getting heavy rotation from the likes of hot city and mj cole, these four tracks span the spectrum of current uk club memes, from the 2step rhythms of title track >what makes you so special<, the slo-mo house of >face up to your sensibilities<, through to the todd edwards influenced of >prayin to t.e.<, and the moodier down-tempo sound of the closing >cakes, biscuits, and hows yer father<.

two new heavy bass riddims from the current hotbed of welsh production talent. both tracks have had radio one support from mary anne hobbes and gilles peterson as well as love from greenmoney, martyn, oneman, seiji, ben ufo and more. the release is number two in a five part series of coloured 10 inch vinyl, strictly limited to 350 copies each. all vinyl are coloured and numbered, with hand screen-printed sleeves. each vinyl order includes a download code for instant mp3 / flac / wav format.

running and releasing on the labels equalized, wax and subsolo, shed managed to become one of the most influential artists in todays techno, house and dubstep genres.
the vinyl version of his new album >the traveller< will be packaged in a luxurious gatefold cover.

finest deep floating dubstep! taken from the album.. very ltd

hyetals stock has been in the ascendant since his flurry of synth-heavy moves for bristols punch drunk (with shortstuff) and soul motive labels. for orca records he offers the paisley pomp of >phoenix< and the smoother swinger -like silver-, both sure to raise his profile further. -phoenix- is the one for us, making the prince love clear with lazer zapping chords before tilting forwards with a kit of rugged linn drums. -like silver- reduces the exuberant pace in favour of a loose swinging vibe with idm-ish melodies

produced by borgore

produced by code 9

dubstep vom feinsten !!!

produced by adam jackson

produced by d.kennedy

taken from the forthcomming album

dubblestandart brings together a world class summit of mad genius: jamaican dub originator lee >scratch< perry together with iconic american filmmaker david lynch, plus as an added bonus, famed french avant garde composer jean-michel jarre.

produced by koan sound

limited vinyl box !!!! ollie >skream< jones is on a major roll. the 25 year old croydon dj, producer and original dubstepper had the festival anthem of last year with his lets get ravey remix of la rouxs >in for the kill, hes just been featured on the cover of nme with his magnetic man co-stars benga and artwork (not to mention the covers of dj and mixmag) and as we speak, he is all over radio 1 with the lead track from his second solo album, outside the box. skream has selected 8 tracks that cover hip hop (8-bit baby, with la rapper murs from living legends), bass-wobbling dubstep (the self-explanatory wibbler), dreamy electronica (perferated), a dark and tribal track with la roux, and a strong dose of euphoric jungle on >the epic last tune<, a track that is inadvisable to listen to whilst driving unless you want another six points on your licence. essential !!!!!!!!!!!!!!!!

vier jahre nach >skream!< präsentiert dubstep-babyface skream mit >outside the box< sein zweites album. das album-format war bisher nicht so das ding des notorischen londoner vielproduzenten, der im letzten jahr mit seinem remix für die 80er electro-popper la roux die charts gestürmt und damit den wohl meistverkauften dubstep-track gepustet hat. um die 30 maxis hat er seit >skream!< veröffentlicht, remixe nicht mitgerechnet. in seinen schubladen sollen noch tracks für knapp 100 weitere alben rumliegen. neben dem indie-rapper murs sind auch dbridge & instramental, sam frank und la roux mit gastauftritten auf >outside the box< vertreten, das wie auch skreams erstes album auf tempa erscheinen wird

vier jahre nach >skream!< präsentiert dubstep-babyface skream mit >outside the box< sein zweites album. das album-format war bisher nicht so das ding des notorischen londoner vielproduzenten, der im letzten jahr mit seinem remix für die 80er electro-popper la roux die charts gestürmt und damit den wohl meistverkauften dubstep-track gepustet hat. um die 30 maxis hat er seit >skream!< veröffentlicht, remixe nicht mitgerechnet. in seinen schubladen sollen noch tracks für knapp 100 weitere alben rumliegen. neben dem indie-rapper murs sind auch dbridge & instramental, sam frank und la roux mit gastauftritten auf >outside the box< vertreten, das wie auch skreams erstes album auf tempa erscheinen wird. die limited deluxe edition enthält alle 14 tracks der standard-version plus eine bonus cd mit brandneuen und exklusiven skreamnizm-tracks (various artists)! limitiert auf 250 cds in deutschland!

excellent splitt by chimpo & biome

coole nummer !!!

spaced out dubstep madness

finish copy. down jones puts 2 big bad and heavy tracks out on foulplay dubstep imprint uptill this release it has been a strickley digital label but with these 2 tunes they had to go out on vinyl. dumb it down is an industrial styley track but with a hard ragga vocal hook to suck you into the tune. do it to it features a raw hip hop vocal and with 6 block on the remix you know it?s a heavy tune.

part 2 of 3, tracks originally featured on the scion-audio dub police compilation released over the in the states. this time the others step up with quantum leap a dancefloor smasher with signature others vibes, big support for this track ? watch out for their brand new solo single coming soon on dub police! ld steps up on the flip for a tribal-stepper, more music needed from this man always coming with a different approach

after leaving behind the somalian pirates, geiom is cruising the sunny waters of the indian ocean when he picks up a distress signal on his scanner. he follows the signal until he locates a tiny remote island and a guy called bowly, who said that he was on his way from france to the new world, but got totally lost. judging by the age of the map he was using its easy to see how. bowly spent his time on the island hanging out with the locals who amuse themselves by creating a unique style of music on some amazing handcrafted instruments. geiom helps bowly get on his way again, and leaves him with a more useful map. some months later, bowly beams over his music as a gift from his new found homeland in canada ? the tracks are like some strange mutation of those distant tropical players and the uk-based pirate radio transmissions that bowly has been tuning into ? geiom loves the result and decides to send them straight over to transition in london for mastering and release on berkane sol. this 12 has been getting played by selectors like ? subswara crew nyc (soul motive), brackles (rinsefm), grevious angel (soul jazz), martin kemp (blunted robots), cooly g (hyperdub), shortstuff (ramp), spamchop (wigflex), oneman (rinsefm)?

jakes steps up with gemmy, back to back in this lively first twelve inch pressing, first in a series of five incoming in the dubkasm remixed series. both sides have been receiving maximum rinseage, the jakes mix providing a notable transition moment in headhunters recent juke to dubstep dj excursions.

broken beats, bass killers - stealthy limited edition three tracker by an un-named producer, big with the likes of mala, peverelist, 2562, martyn, untold, brackles, oneman, ben ufo ...

incoming release from bristols immerse label sees rankin records label boss planas deliver two stunning new tracks of jazzy and dark edged dubstep. immerse continue their foray into the realms of all things quality with the enlistment of toby davies aka planas for this new 2 track single. davies is the man behind the much respected uk dubstep label ranking records, an imprint that has been releasing consistently outstanding records for the last 3 years, most of which have featured him either as a solo artist or in collaboration. first of the two cuts here comes in the shape of >look into my eyes<, a jazzy, summery slice of broken beat brilliance. melodic rhodes parts and ethereal female vocals float over an undercarriage of rich rollin bass and cut up drums with the whole thing held together by pads and subtle toplines that are reminiscent of classic good looking recordings. this is superb sun drenched music - light, musical and highly engaging. the flipside track is entitled >roots music< and is a darker, brooding affair with razor tight percussion and earth shaking bass. once again the record is given a melodic vibe with dubbed out piano stabs, effected blues harp riffs and tight arpegiated synth lines used to lift this recording into the realms of the sublime, pure class. after an incredible 2009, immerse are definitely a label to watch this year, with an open music policy incorporating the best in uk electronica, dubstep and techno and with the addition of planas to the roster it seems things just keep getting better.

bristols immerse label is on something of a roll at the moment and whilst still basking in the glory of the incredible debut lp from russian wunderkind kontext, they set force with the imprints debut single from asusu. asusu christened craig stennett hails from gloucestershire in the west of england where he has been developing his own twisted take on infused sounds of dub and techno.

reduction ramps it up another notch with some crisp pressure - minimal militant music from newcomer jackal youth. >let me be< opens with a simple collage of broken house drums and brassy stabs, vocal micro-samples hinting at the yearning vox to come, add in a popcorn-esque riff, tick-tocked percussion and punchy sub hits and you have a cheeky catchy little anthem. >bruk< on the flip continues ina similar vein - cut up funky riddims and sliced female vocals wind together into a bumping garage cut that builds all the way - adding layers of synths and percussion as the pressure mounts. >broken< rounds off the ep with a more complex piece, the conga-soaked house riddim overrun by offbeat detuned chords and a topline which sees the main motif develop and gather pace, adding new colours witha bittersweet flavour.

part 2 of 5 in the dubkasm remix saga, featuring mixes by appleblim & gatekeeper, hyetal and forsaken!

stunning dubstep 2 track ep...

caspa and netsky take the swedish house mafia into dubstep and drum n bass areas!

orca recordings was created to deliver music built for the dance-floor that retains its integrity by pushing creative and production standards to a new level. operating out of north london, orca is set to represent forward-thinking artists who are influenced by, but not restricted to, the many strands of uk bass music.
the first release comes from x.i, one of the most exciting producers in bass music today. the track, named >the ghost< captures the exact sentiment and ethos of orca, xi creates an instant vibe with a short and energetic intro before the simple yet highly effective drum pattern and tough sub work out release this tracks potential.
on the flip, headhunter demonstrates exactly why he is one of the most sought after producers as he puts his unique touch onto his remix of >the ghost<. his trademark razor sharp drums and expertise help draw attention to the amount of space he has created in this track giving a meditational, eyes down vibe, now uncommon in uk bass music.
strong dj support has come from across the board, and includes: mary anne hobbs, loefah, youngsta, icicle, hatcha, appleblim, hyetal amongst many more..
in addition to this, orca has forthcoming material from hyetal, luke.envoy and asusu.

excellent 2 track ep with huge modern dubstep... very techy

commodo returns to untitled! after his track ..

part 2 of the >i need air< release with redlight drum & bass mix alongside bonus track >mad<.

ho_tep proudly present the debut release from young uk producer ross tones aka throwing snow. his sound is an amalgamation of dusty samples, crunchy electronics and swirling analog synths? with an added sprinkling of digital age software. reminiscent to the sonic landscapes created by likes of martyn, four tet and flying lotus, throwing snows wonderfully textured and colorful style owes as much to the future as it does the past. already receiving support from benji b, gilles peterson, sinden, ben ufo etc.

numbers finally unleash the mighty redinho. this limited debut ep contains 8 tracks worth of futuristic bass music styles and melodic electronics from this hotly tipped producer. with constant plays from hudson mohawke, props from anthony shakir and a mary anne hobbies session already under his belt, this is a man who looks set for big things.

the eighth release of the infamous rwina records is brought to you by noah dickinson, better known as noah d, or perhaps noah deezy if he happened to have a paul wall grill in his mouth. his 2009 megahit!

after the massive succes of the machine gun ep with its awesome remixes by amon tobin, 16bit & spor its time for another one. this time the immense title track split the atom gets a massive rework by none other then virus dons ed rush & optical.. & dubstep rudebwoys bar9... while both known for their own signature sounds & productions it was only logical for these guys to rework the catchy split the atom and bring it to new heights! and if that isn’t enough check out side d for browntime.. don’t shit yourself now...

double a side release from a london based unknown artist on this dark dubstep label inspired by early 90s sampling culture. first tune up is a dark and heavy stepper with sinister vocals drenched in echo. mutated basslines sit nicely under face slap snares. flip side is a nice roller that never lets up, a chunky bassline plays off the relentless beats while paranoia samples bring on the thc induced psychosis.

few artists nowadays can claim true originality in the music they make, artists who have their own unique sound. you can easily spot a dj premier break, an m.i.a. chant, or a timbaland beat, because these are the artists who have etched out their own niche in the musical forum. these people push the envelope with their production, keeping things fresh, exciting and interesting for us lowly listeners. steve spacek is one of these people.

american men are a three-piece synthetic rock band formed of claude speed, alilloyd, and scottt chevrolet - members of dananananakroyd and other obscure and fantastic glasgow rock bands.
this is fun, clever, cinematic music playing with time signatures without losing its bright optimism and danceability.
remixes come from hudson mohawke, ikonika & optimum, falty dl and machinedrum

white label release.

the third release on project squared features on its a side two tracks of techno infused dubstep from l-ow, an estonian producer who has been building a reputation and discography since 2008 with a string of excellent releases.