the production and dj sets from metabomen aka krause duo is constructed for the most part as a free-spirited bunch with a special twist. it doesnt matter whether the material is with a jazz catalog, a frizzy sound, a dragging house or a techno press. an inimitable signature is not only clearly identified, no, but for the listeners of krause duo the good ol 10-second preview doesnt need three guesses. the answer from every contestant in the studio booth comes as if shot out from a cannon, so distinct is that krause formulation. from depth and nevertheless a clubby art with stay-fresh ideas. here, reliable doesnt mean stagnant. for the (up to now) 34th release from musikkrause, ian simmonds is comfortably on hand for both sides of the vinyl disc in the studio. out comes two monumentally deep waltzes full of raunchy charm and a knee-deep appreciation for jazz. the impact of both tracks is so spiritual that to speak of dance music is not the issue at hand, but rather something of a ghostly slam to the body. if you listen closely enough you can hear the diligent work of your own being. by means of the poetically-painted tones of simmonds and the clutter, which despite the many tonal designs and devices in this >authoritive-techno<, it has no fore-bearer. you can also tell the form of the work undertaken by the joint venture krause/simmonds isnt complete by a long shot even though in this manifestation there is nothing left to add. the distribution of dynamics appears to be so well-coordinated that there is simply the thrill of savoring such thoughtful club music
sehr abwechslungsreiche 3 track ep von düster über poppig bis roll-ig :-) >> lasst pressetexte sprechen pt.3: >im düsteren erwacht die treibende kraft der melancholie, die in den tiefen einer höhle zum licht wird. in deren schlund schweben fledermäuse aus stahl in weichem, goldenen gefieder umher. umso weiter man hinabsteigt, spürt man die hoffnung, die alle trauer besiegt und erzeugt glaube an das positive in allem sein.<
hier kommt das lang erwartete debüt von shaun reeves. es erscheint am 23. juli auf dem label visionquest, einen tag bevor der in michigan geborene künstler 40 jahre alt wird, und fällt mit seinem 20 jährigen bestehen als dj zusammen.
written a few years ago, black pigeon is one of fonoms first produced tracks. freshly re-mastered in 2018, the track emerges as the first release of the new producers self-run label fonos. the original engulfs in deep and dark tones with synthesizer orchestrations vividly portraying talk, communication and agonizing cry of cybernetic pigeons, while the other tracks are variations of the original as reworked by eduardo de la calle. the remixer employs jazz elements to introduce further variety of rhythm and sense of floating through time while exploring monotones, layering and space in other parts of his two remix version work with thematic hints and references to space flights aboard the >nostromo<.
die erste veröffentlichung auf lapse records begrüßt dj gonzo & dr. yes, aka klein / melchner, und sasha zlykh für eine vier track split ep. das label wurde vor kurzem von jessica, der jetzt in berlin lebenden dj, mitbegründerin des headroom festivals und gründerin des von frauen geführten musikprojekts rhythm sister gegründet.
2021 repress! the third time is the charme...thats right. thus, the joy about the third album by marek hemmann is huge. likewise, the third album is perceived as an important brand which ought to show the actual extent of a musicians potential. either hold ones ground or dare something new? marek hemmann is not deterred by such expectations. he was merely in the mood for new tracks. the eight newcomers on moments sound accordingly - easygoing, detached and characterised by the same profoundly and harmonically balanced musicality for which marek hemmann is world-renowned. anyhow, a just continue as before mentality is not an option for the berliner by choice - from the beginning, his music effort- lessly blurred the established genre lines. in this vein, his new work is influenced by a great candour. as already accomplished with his highly esteemed albums in betweenand bittersweet, in moments marek hem- man takes the listeners - and certainly the dancers - on a journey through different spheres of contemporary electronic music.
short repress! 2x12inch on heavy weight 180g! its no surprise the evolutionary trajectory the other side has taken, and now for the 10th release they introduce dubfound who delivers two wobbly minimal groovers. joining the other side team is none other than rprs rhadoo who delivers 2 remixes to complete the package.
alle platten sind einzigartig unterschiedliche visuelle versionen mit einer mischung aus farbigem, marmoriertem und transparentem vinyl, was jede platte zu 100% zu einem unikat macht.
vier tracks, die von trippigen glocken und gespenstischen synthies auf der dancefloor-orientierten a-seite bis hin zu breakigem elektro und uk-garage-inspirierten rhythmen auf der b-seite reichen.
der sound von mirror touch lässt sich am besten durch einen moment in der zeit beschreiben, als mitte der 90er trax-platten aus dem mittleren westen der usa die brutalen grooves des techno mit schichten von gefühlvollen harmonien kombinierten, die auf das funk-, soul- und jazz-erbe von detroit zurückgehen. tip!
auf taus zweiter veröffentlichung des jahres 2021 begrüßen wir skatman in der familie. der in berlin lebende produzent betreibt sein eigenes scatcity-label und hat mit seinem geschickten, gefühlsbetonten spiel die dancefloors auf der ganzen welt belebt und seinen weg in die plattenkisten einiger der einflussreichsten djs der globalen szene gefunden.
inside out is a brand new series that invites djs and producers to blur the boundaries between traditional artist albums and mix compilations. coming from aus music label head and dj-kicks curator will saul is at the helm for the first volume.
after already an outstanding split ep alongside paolo macri for us in 2018, our hermano pohl is back again to show how hes excelled his sound signature even further with his first solo ep on lowmoneymusiclove
2020 reissue - original released 2004 wir plädieren dafür die nächste loveparade in jena zu starten. vorne im zug schlagen die wighnomys die bassdrum während magnet den zug vor kuhfellwestenträgern schützt. prima teamwork !
re-release! 2x12 inch + dl , gute luft is the result of months of work scoring the hit german tv film 24h berlin - the longest documentary film in history which featured 80 camera teams following the lives of berliners over a 24 hour period. obviously a huge challenge for fehlmann, beyond the scope of the project and hours of music involved in a 24 hour film, there was dealing with the decision making process that went with working with such a large production team. as he shared scoring duties with another musician (separately), inevitably a lot of his music ended up not making the final cut. gute luft is about re-tweaking and editing material from the countless hours of recording he had created. in a sense, gute luft is fehlmanns ideal soundtrack to the 24h berlin documentary.
c.o.r.n! is the debut album by nick acorne and patrick wurzwallner aka. c.o.r.n! eclectic mixture of genres and styles. c.o.r.n! is unexpected, unbelievable, unpredictable and always groovy. c.o.r.n! is rick and morty in music.