the accidental jnr label has just passed it s second birthday mark... so at 2 years and 15 releases in it only seems appropriate for the next 12- release to come from the artist that kicked the label off and has made it his home for the past 2 years... bambooman, with a remix from label boss matthew herbert himself on the b-side. the track can really speak for itself as this one is something special for the dancefloor, the only difficulty is choosing which version to play... dj support: gilles peterson, andrew thompson (huntley s & palmers), laurent garnier, simeon mobile disco, eclair fifi, bake, luke solomon, eliphino, severino panzetta, red axes, andrew weatherall, dixon...

the 1975 live album from tangerine dream back on vinyl.

two track ep from the ever industrious bass clef.

three pumping technotools, made by esther ofei for sheer recordings in 2002.

drum n bass legend decoder is still at the forefront of underground dance, and continues developing his rolling, progressive breakbeat sound on ricochet this autumn...

nice price deal !!! dark tech-funk breaks - incl chris carter remix

first release on ricochet records. nice spaced out, atmospheric breaks 2 tracker. includes si begg remix

der slowenische jeff mills wurde er einst genannt, als er noch für hardstyle berühmt war. geblieben sind seine popularität und seine produktionsskills, sein sound ist allerdings deeper und langsamer geworden. sehr amtliche technoplatte

another lost & found records from the rz vault. this time the ghetto attacks & it hurtz ! chicago powa in the place.

"a well-known producer from chicago recently found a digital tape in his basement with only the words ""work it !"" written on it. after a quick listening it was obvious that he had to remaster it and send it to us as he knows how much we like the underground and mistery. we cannot reveal whose this tape belong to but listen and you should find out.."

next output by american experimental composer alvin lucier.

neues album von reso auf hospital records. reso ist u.a. bekannt durch veršffentlichungen auf med school und horizon.

pressed on 180 g heavyweight vinyl

pop / rock

50 years after ....2023 rsd reissue

deepchord back on soma.

2021 repress, white vinyl

2021 repress

heavyweight remix package.

the new album from taylor swift on double vinyl, housed in a gatefold sleeve.

with deluxe full artwork sleeve

forest drive west is gifting midgar with 4 dub cuts infused with warm, earthy tones and cosmic delightfulness.

remastered reissue on 180 gram heavyweight vinyl.

northern dj & producer asok returns to lobster following a 1.5 year break from the grind, getting right back in the deep with four deep, brooding club-hitters featuring those trademark ricochet hats, undulating grooves and alien-esque doomed interplanetary atmospheres.

lost - minimal-synth-wave - gems have been rescued and now compiled on - nihon no wave-.

26 minutes of divine techno. midnight cults, the eagerly awaited sequel to last years cyanure dance features two epic new tracks from i hate models with vocal contributions from zanias and a sleek wave remix from dj varsovie. on the solar side the odyssey begins. it will last forever discharges a barrage of devastating, tensile beats over a swell of ethereal synths recalling the sirens - muses of the underworld, luring sailors to their deaths in a flurry of aggravated arpeggios. on the lunar side walpurgis night opens with a pristine, glacial sonic field, punctuated by the ricochet of beaten metal and drenched in the supernal, disembodied voice of zanias, echoing across vast fissures, pummelling through deep ravines and back out into space. dj varsovie completes the journey with his sensual take on walpurgis night, tempering the original with an insistent pitch black funk and somnambulant new wave vocals.

fresh from his and elizabeth wights widely supported pale blue debut on crosstown rebels, new jersey renaissance man mike simonetti returns to correspondant with a touching cyclical trip.fuelled by emotion thanks to an on-point sample of a barbed spoken word, i love you mom is characterised by shimmering hypnotic cathedral cascades that fully arrest the senses. symmetrically bookended by the equally overwhelming i love you dad, where the same chords and sample take a much darker acidic trip, simonetti also treats us to the icy ricochet subversions of the chime-binding riser lets go for a walk and the purring electroid bass prowler no gods, no masters along the way. pregnant with restraint and well-tempered emotions but knowing exactly when to pop, its another certified odyssey from the perennial troubleman. feel the love.

philippe petit releases his debut ep on involve records, >rhino<. the belgian artist delivers a three-­&#8208,,,,cut weapon full of melodies and acid spirit. serious damage for the dancefloor in this exploration on the grooviest side of techno.

camisole records is delighted to annonce the reissue of serge bulot sought after lp « les legendes de broceliande ». composed equally with synthesizers, organic instruments and percussions in 1980-1981 this album navigates between ambient, leftfield and electronic jazz. from the mesmerizing -euryale- to the contemplative -Échos- each pieces of this album evocates differents stories and legends of britany.the result is a collection of captivating and ethereal tracks making it the perfect soundscape of the mythical french forest of broceliande.

vulcan venti is the sound of a blacksmithÆs hammer flying through the sky. fire that passes passed your ears. hot air com-ing out of the pursed lips of windy melbourne. we aim to discover, seek or create music that offers something unique and exciting, strange or beautiful. tamboÆs house artist bio tamboÆs house is built by two friends. inside this house there are rooms to explore. many different rooms with many different sounds. in the centre of the house is a large, open space. in the middle of the space you can hear every room at once. this is the sound of tamboÆs house

dance und diskurs: mit oneohtrix point never und hudson mohawke produzierte ep.
das 10 inch vinyl release erscheint inklusive cd.

when titans collide! moscow and fuse bosses archie hamilton and enzo siragusa clash heads on moscow020 bringing both of their influences to bear.
&#8232,ricochet is an unashamed terrace bomb which has been tried and tested by the boys all winter. nothing complicated here, just big beats and tension-filled break that satisfies the dance-floor with the introduction of a familiar sounding old school hip-hop style lead. dubby chords then switch the track up for a few bars before going back to business. the flip opens with transcend, an understated acid track perfect to keep things lively mid- set. the lead weaves it’s way through the track whilst playing with a barely audible vocal and plenty of groovy percussion.
&#8232,the record closes with dubinnovation - something quite different from either of the producers’ usual styles. as the title suggests, the track takes influence from dub, using the sampled voice of lee scratch perry. rolling beats, rasping bass and mind warping effects make this the ultimate after party weapon

“mirror test” conjures that rare mood between darkness and elation, contemplation and celebration, and drives it home with an infectious, jacking rhythm section which recalls the late-80s ny club music of boyd jarvis and paul simpson, and labels like easy street and fourth floor, but imbues the sound with a toughness and precision only possible today. analog synth figures, glassy and angular, ricochet around the track, trading jabs with funky snare work and robotic, stabby chord patterns to create a hook-laden machine groove which demands repeated listening.
the record’s b-side feature, “replace yourself,” is the subtler, dreamier, more futuristic of the two. unmistakably urban with its swinging, bottom-heavy groove and strange, architectural chord work, it seduces and transports. “replace yourself” dares you to do exactly that.

the ninth installment on house is ok comes from homeboy who brings four fresh joints to the table. after making the move to berlin earlier this year, this mediterranean goodboy brings some newly acquired production techniques with his latest record. live drum sampling, loose synth riffs and other more personal notes can be heard across the entire release. for decisions ricochet, homeboy teamed up with the croatian blues man bebe na vole who takes this record into unexplored territories for the label. these four tracks werent necessarily designed to move bodies on the dance floor, but more likely mirror his inspiration from the past 12 months and show his abilities to simply write great music. its house not house, post-disco, jazz, and acid synth hippie music all at the same time. the heart is where homeboy is will hit stores in late september both as a 12? vinyl ep

the fifth installment of cosmin trgs fizic comes in the shape of two lethal remixes from some of the most innovative artists in the field, lucy and minor science. lucy takes serpentis mystical energies and blends them into a digital ritual of tectonic plate-shifting drums, sizzling textures and hypnotic patterns. highly seductive and authoritative transmission from the stroboscopic artefacts school of thought. oblic sees its exuberant shimmer and ricochet rhythms reinterpreted with scientific precision by minor science (trilogy tapes, whities). the result is a hyper-modern, high-octane excursion with deep fluid bass drums, expert percussion and soaring synths. oblic/ serpenti remixes arrive on fizic in september 2016 in digital and vinyl formats. lucys remix mastered by giovanni conti at artefacts mastering minor sciences remix mastered by. matt colton at alchemy mastering, original cover artwork by cosmin nicolae.

the return of faetch - four tracks of real 2016 techno earwiggle is the irish techno label from sunil sharpe following the earth-shifting faetch 1, which was played by practically every techno dj worth their salt, tibetan entity faetch returns for the next part in the ongoing saga. sturdy, rolling drums and fiery vocal bursts on jeidge signal early chaos on the a-side, moving onto the pure techno funk of wershif - a definite ear wiggler if ever we heard one. on the b-side faecel is tense, more heads-down fare, not at all dissimilar to cari lekebusch s classic early drumcode material. closing the ep is cargoe , where jittery broken rhythms ricochet off rave stabs and echoed vocals & sound fx. another crucial faetch four-tracker here, for fans of inventive dancefloor techno.

new dolo! max ds dolo percussion alias follows up last year s white label on lies with a new collection of bugged out drum tracks for future times! max milks primo technoid junk, sumo tom hits, ricochet chants, and new wave jungle blasts. nasty stuff built for dj sets!

make no mistake, for vault series 15 the doors have been flung open to welcome a new act to the fold. theres very little known about mistake made. no records or releases exist to date, but they have impressed vault chief subjected enough to have them join the sequestered berlin-based crew. and in sublime compliance with the vault series creed, this debut effort from the shadowy outfit presents yet another set of functioning and frill-free dancefloor material, complete with a rusted-through hue of its own. on the a-side >wrist< jumps straight in with marching intent, complete with fidgety hat work thats both anxious and infectious. then on the flip, >ricochet< opens with field recordings tossed into a stormy concoction of ticks, hats and fuzzy atmospherics, teamed up here with one of those basslines that will keep you glued to the floor. >indec< then concludes in signature vault series style an ominous, growling number rattled with alarm bells and screeching, clangorous detail. its one of those monstrous slow-burners that leaves you wounded yet longing for more. all in all, a rounded first release from a new techno tour de force. this isnt the last we will be hearing from mistake made.

killer ep of hypnotic late-night techno from the rapidly maturing dark arts imprint. the brooding * point blank* kicks things off, combining twisted low end darkness with eerie orchestral stabs and immense claps – a darkly elegant opening. next up, * panic* is an essential joint, riding in on a tightly-controlled broken rhythm before a unique, string-heavy motif provides the intrigue. side 2 opens with the tensile funk of * downstream* – a sleek, driving dancefloor offering to get lost in, with space-aged atmospherics and bristling percussion sitting astride a tunnelling techno groove. finally the motorik * ricochet* combines submerged dub textures with slinky synth work – a strong closing statement for this towering record. tip! with support from the likes of dvs1, nd_baumecker, answer code request and alex do, dark arts is becoming an essential label.

like the face-painted celtic hordes that succesfully repelled all invaders, seaghdha continues to dominate the high ground and provide sonic sustenance for rave caves the world over. as the series continues to pick up new fans and plaudits aplenty, the modus operandi remains the same - precision club workouts, which ricochet between uk flavoured jams, to clean cut techno & stripped down house.

the seventh instalment in lo sheas series of 10 vinyl only releases on seaghdha. you know by now how this goes - precision club workouts, which ricochet between uk flavoured jams, to clean cut techno & stripped down house. vasquez leads the charge here, less about the legendary captain of the soundfactory, and more the soundtrack to a drug deal gone bad in downtown miami. like her flails around a bowel troubling low end and crisp snare double act, piling on the pressure with an unrelenting groove and some deftly applied distortion. elsewhere 365247 is in more familiar lo shea / seaghdha territory, with some expertly manipulated, atmospheric sampling laid over a spare, shuffle-happy herbertesque workout. finally flash gives us a glimpse into sleepless basement, inhabited by addled humanoids, playing glass bottles.

supported by: ryan elliott, ben klock, dvs1, dustin zahn, andrew grant...
edec presents its 10th release - the heat - with three dance floor burning cuts from jon hester. lights down: tough tom-driven rhythms and a resounding vocal hook set off a soaring synth crescendo. heater: big rig classic techno vibe with a huge synth line, ricochet drums, and a break that brings the heat. tension wire: enveloping kicks, booming percussion, and sparking claps are met with a surge of energy for electric rooms.

a true journey through sound, felipe venegas >i ching< pushes house music to extraordinary levels with its complex passage through sound. on the flip, >orisha chango< sees felipe utilize his skills to ignite the dance floor the as he delivers a powerful yet sensual cuban influenced track. a bounding rubbery bass line and velvet spoken vocals roll as the gods of the yoruba mythology are listed. as tightly sprung samples ricochet against each other, >orisha chango< reaches its high in the last two minutes, its production excellence throwing us around in rich texture.

supported by: ben klock, marcel dettmann, ryan elliot, derrick may, cassy, rhadoo, zip, sven väth, pedro, raresh, dana ruh, davide squillace, radio slave, vera, dorian paic, spencer parker, tato,..edec is back to deliver a second offering of floor destroyers. this ep combines the forces of jon hester and the remix skills of dvs1, two purveyors of rhythm hailing from the hidden techno gem of minneapolis, usa. shouts in the dark (original mix) tough concrete beats pump the speakers with urgent rhythm to get pulses pounding. a danceable jack vibe permeates a punchy kick and ricochet percussion, with building pressure in undercurrent noise setting up a strong break. shouts slice through the percussion to make this an upbeat techno burner. shouts in the dark (dvs1 found the light mix) by adding some moody synths, noise, and reducing the percussion, dvs1 (transmat, klockworks) lifts this interpretation into beams of light. no more words to speak as bright versions of the original sounds weave their way into a tight groove under smooth, shimmering synth waves, punctuated by sharpened claps. shouts in the dark (dvs1 lost in the dark mix) dvs1s darker interpretation strips back to sparse synths, snapping highs, a deep kick, and pushed into the shadows.

ikonika & optimum are proud to introduce their highly anticipated new venture: hum + buzz records. this double a side debut release is right at the centre of the current uk crossover, post-genre sound. first up, >aqueous cream< explores a different sound to the one ikonika delivered on her recent hyperdub debut album. a dancefloor ready track with smooth sub bass, staccato piano chords, trademark emotive synth-leads, underpinned by tough kicks, sizzling hi-hats and ricochet snares. on side aa, >ampersand< marks ikonika & optimums first official collaboration. layers of synth melodies float above a steady four/four pulse and unpredictable claps. an angular, broken, melodic march at a house tempo.

>hollow hills< keeps the psychedelic side of riley reinholds music up, which he has released since his first release on disko b in 1995 (red flare ep). jittering voices, sounds that ricochet and basslines that come like little earthquakes. the 11 minute epic >hollow hills< works similar to the waves at the beach, constantly featuring irregular shapes and never repeating itself. the track has been remixed by french artist gohan, who lives in paris and who has electrified the track with his vision of modern daring electronica, bordering on music the glorious wishmountain did in the past. finally domestic musical impact comes from the cologne musician oeler who has made a tougher and more elaborate percussive beat, the core element of his interpretation of >hollow hills<.