the music of team fortress 2 on translucent double vinyl, one red and one blue coloured. housed in a gatefold sleeve with tf2 item code included.

producer mad zach finds himself comfortably nestled in the hip-hop, dub and glitch-tipped zone of electronic music, and his latest productions have done nothing but further that fact.

mad zach debuts his newest ep, fortress, on march 10th via plasma audio. the five-track compilation serves as a follow up to quantum shock, which was released in 2015 including collaborations from g jones and sayer. fortress features zach’s brooding and rhythmic single, “robovox.” mixmag premiered the tune last month. mad zach will be heading out across the western us and canada this june to bring fortress to life.

here we have it, the final installment of the >django< trilogy from the unstoppable dorothys fortress. kill django kill is not letting up, from the opening introvision skit (an old vhs company), right through to yul bryner inspired, westworld skit, dorothy is back on form with this stunning ep. kicking off we have >gekko<, and arpeggiated analog monster, hailing back to the early scored synthesis of john carpenter soundtracks. >firefox< is the answer record to the now cult >silencer<, which appeared on the first 12, with its driving basslines and retro synth leads, this is sure to hit hard when played out. next we have >neon cities<, the 808 / detroit inspired electro track, blended with a lo-fi italo disco sound ! finally the daddy of them all, >hell cat< delivers the chubbiest disco groove around, guaranteed to get you moving, or your money back (not legally binding)

altair nouveau is among the spaciest of dfaÆs recent signings, a producer clearly as in love with the soundtracks of john carpenter as he is with italo covers of classic rock tunes. >space fortress< saves its best for the final two minutes with a synthesized trumpet lead thatÆll have you either pumping your fist or reaching for the off switch. >showdown<, meanwhile, more adequately gets at mitchellÆs soundtrack love, with its pleasantly percolating backing track giving a chance to various sounds to prove their worth. >sorcerer< embraces the hints of flourish that mitchell dropped in spots elsewhere, and goes full-on with the funk. itÆs tough, well-produced and a little bit funny to listen to in the privacy of your own homeùjust like the 80s soundtrack music that it so readily recalls.

altair nouveau consists of one brandon mitchell, a young producer from the west coast currently residing in san francisco. altair nouveaus music, though designed with the dance floor in mind, still evokes a personal element. it is the combination of these elements that give altair nouveau his indistinguishable larger than life, spaced-out future disco sound sure to cause a dance floor frenzy. raised in the sprawling city of san jose, california to musical parents. mitchell grew up with the encouragement of his father, an electronic music teacher at the local community college. brandon began educating himself by collecting albums from the likes of giorgio moroder, vangelis, ennio morricone and john carpenter. this gave way to newer acts such as in flagranti, prins thomas, lindstrom and several artists on dfa. the title track æspace fortress marks a bold and exciting introduction into the sonic landscape of mr. nouveau, combining g funk, p funk and a 4/4 disco foundation that adds up to something otherworldly altogether. released as a joint effort with the uber-hip dfa records this 12 features mixes exclusive to this release from ultra-talented irishman john daly who turns out a deeper take while michel morins criminally underrated nom-de-plume sneak-thief takes it deeper into spacey disco-funk territory.

ultraphat deep & darker spain tribal...incl chus & ceballos rmx

was i the wave? is the ophomore offering from montreal musician and producer miracle fortress (graham van pelt). miracle fortress gained international recognition in 2007 for his debut album five roses, a unique collection of psychedelic shoegazey-pop that garnered high praise from numerous outlets. it was also short listed for canadas polaris prize that year, alongside arcade fires neon bible and feists the reminder. while it bears little stylistic resemblance to his debut, was i the wave? is in some ways a similar offering, insofar as it takes us on a trip deep into van pelts unique musical mind. theres not much of an argument for calling this record indie-rock-its essentially an electronic offering--but existing fans wont find it too difficult to hear van pelts signature hooks swimming among the big synths, and deep beats. like five roses, it was created in isolation from top-to-bottom, with van pelt serving as composer, arranger, performer, producer, and engineer. taken as a product of his occasionally hermitic temperament, many of tracks here express themes of alienation, anonymity, or the desire for the assurances of intimacy.

reissue of the self-titled 2012 debut album by light asylum.

orange vinyl - indie exclusive

part two of our retrospective gems

warg records proudly welcomes its first release in over a year. with a consistent release schedule planned and many renowned artists signed, the future of the label is exciting. pressed on marbled 180 gram vinyl, housed in printed sleeve with download code included.

ultra limited 2x7 inch vinyl collection

new luke hess release on 200 records!

180 g white coloured lp

queens of the stone age’s redefining, 2017 album villains produced by mark ronson and co-produced by mark rankin is reissued in a special, 5 year anniversary package with etching, obi-strip, and a limited-edition poster by boneface. opaque white double vinyl with etching on side d, housed in a gatefold sleeve.

limited liac coloured vinyl

black vinyl pressing

slamming remixes !!

electronics

limited to 200 copies

remastered deluxe edition of the 2003 asian dub foundation album. double vinyl with 3 bonus tracks, housed in gatefold sleeve.

180 g black vinyl

limited

limited, 2xlp repress with deluxe tip-on gatefold jacket

for fans of boards of canada, bochum welt, luke vibert, steven rutter, space dimension controller

60 years of music from ennio morricone, played by the czech national symphony orchestra.

tracks from the 1975 movie “diamonds” on double 7 inch.

ignorance defeating pleasure rave

angesiedelt im jahr 2019 in neo-tokyo, erholt sich die welt noch von den verheerungen des dritten weltkrieges. die symphonische musik zu akira wurde von dr. shoji yamashiro komponiert, kopf des hoch geschätzten japanischen musikerkollektivs geinoh yamashirogumi, die die musik auch einspielten. neu aufgenommen und mit den fortschrittlichsten audiotechnologien remastert, ist diese veröffentlichung der unvergesslichen filmmusik von akira von einzigartiger qualität. auf der ebenfalls erscheinenden vinylveröffentlichung ist der klang gar so makellos, dass sie den »hypersonischen effekt« hervorruft, eine physiologische veränderung im gehirn, die beim hören von klängen vonstattengeht, die über dem menschlich hörbaren spektrum (40khz+) liegen. das ergebnis ist ein wohliges, entspanntes gefühl, ausgelöst vom high-frequency-audio.

following their appearance on dimensions recordings’ debut release, the three part compilation ‘an introduction’, with the twisted ‘crosstalk’, london modular alliance step up to the plate with their first full ep for the label. the ‘hands & brains ep’ further demonstrates the skills that the london based trio are becoming renowned for. as the minds behind the fantastic london modular store in london specialising in modular equipment, often supplied to a host of well known musicians, it’s unsurprising to hear that the guys are serious gear heads, what is surprising is the quality and consistency of their growing output! across four tracks the london modular alliance team demonstrate their complete mastery of the electro form with four varied cuts. from the breaky, bubbling, modern acid of lead track, ‘hands & brains’ to the drexciyan underwater inspirations of the closing track, ‘forbidden’ and the brooding machine drone of ‘i settled for her leftovers’, it’s clear that the future of the genre belongs to london modular alliance and it’s in very safe hands… london modular alliance are taking their impressive live set up to dimensions festival this year to unleash their mastery at the croatian fortress

the 7th album from queens of the stone age on double vinyl with etching on side d.

ramrock records are proud to present the new album from musical visionary, ghetto priest. already known to many as the frontman of asian dub foundation and vocalist on their globally acclaimed single fortress europe , ghetto priest has been captivating audiences with his powerful vocals and magnetic stage presence over the past three decades. with a raw energy and spirit un-matched by many artists of his generation, he constantly pushes at the boundaries of roots music, his style strongly maintaining the essence of his jamaican heritage. produced by on-u sound supremo adrian sherwood.

sprouting arms and legs to emerge from his wetlands lair, mysterious scaled amphibian bufobufo leaps onto land to launch new vinyl label ritual poison.
the a side is taken up by the house sounds of “what’s that noise?”, a stripped back acid bit ready built for blowing up the floor. on the flip, there’s “parasol” - agaric electro served raw and deadly and “spider fortress”, eight-legged techno spun smooth like silk and tough as steel.

claude speeed returns to planet mu, two years after the “sun czar temple ep”, with his second album “infinity ultra”. he describes the record he’s been creating since he started making computer music as one “conceiving an interior territory: an abstract space to process the oppression, confusion and insanity of the contemporary age, and to formulate an honest emotional and artistic response - a psychic jumping off point into an uncertain future.”

jamie xx, bicep, paranoid london….and now absolute. the latest artist to emerge from that bastion of forward thinking electronic dance music, fortress studios in london’s old street. fairground is the debut single from absolute. and has picked up early support from everyone from dj ez to horsemeat disco. remix by kda. single mastered by matt colton

bound adam is the first in a series of reissues by american artist elysia crampton (f.k.a. e&e) for total stasis record label. originally self-released in 2011 as digital files, this is its first vinyl pressing. its three tracks are an ode to the artist s ford ranger. 2011 is also the year ford discontinued the ranger line. as crampton says, -it is a speculative/ontological poem about a relationship with a car.- 7- vinyl record mastered by brandon hocura cover + insert by felix lee

after a storied recording career that has so far taken in albums for further, mathematics and danyy wolfers strange life label, spanish artist vagon brei added label boss to his cv earlier this year with launch of mystic & quantum. record labels come and go but few arrive driven a real specific concept in a way that mystic & quantum are with each album length release conceived to show stories of adventures, magic, science. having launched in auspicious fashion with albums from dmx krew and san laurentino, vagon brei helms the third release with a nine track set entitled the secret of swamp castle. seemingly taking influence from giallo horror, brei s album comes across as a compelling collection of synth explorations that will have you returning again and again in order to uncover the swamp castles secrets. limited edition of 180 copies on pink vinyl with special artwork, first 75 copies include a fridge magnet.