incl djoser remix

having been steadily absorbing the flowery humidity in steamy spa towns of central florida since his debut outing chillax, floridian $1 house music purveyor blair sound design aka kyle lyon emerges into the lobster forest with all 16-bit brass and duvet filters blazing. taking inspiration from late 80’s and early 90’s bargain bin finds, as well as a lifetime spent strapped to game boy classic kirby’s dream land, “console humidity” finds lyon on classically chipper yet introspective form, carving a path well trodden but that is unmistakeable his own.

the pieces were created as structured improvisations using a monophonic synth (primarily) along with a yamaha dx7 (borrowed from a friend) and possibly a guitar. recording was made on an older otari mx5050 1/2 8 track. mixing was done on a tascam m-50 console and a revox a77 1/4 machine. i recall the project happened in two bursts: i did half of it in september 85, then i finished up and edited the album together in december 85. i dont really recall making copies for anyone. i think i played it for a dozen people and that was it. just forgot about it. i remember jeff ament from pearl jam (green river back then) came by while i had it playing on my home stereo. he asked what it was and said he liked it. surprised me a little. with regard to overall aesthetic: i like the sound of machinery, but i enjoy the fragility of human error and human instinct. i like to put things into motion then climb aboard and drive. i can’t play an instrument (in the classical sense) for the life of me, so i’ve always just played things that are mostly choice rather than a convolution of style and technique. i guess you call that the brian eno school of rock.

zum tollen console album gibts es nun einige zeit später die 2 remix 12inch mit remixen von daniel bortz, nu und der dritte raum runde sache für den start ins 2014

the documentary-moviemaker jörg adolph and his cameraman luigi falorni are telling the story of the mystic 33 kilometres from dover (uk) to calais (france). the mount everest for long distance swimmers.
for the belonging soundtrack >solo-swim< the notwist worked with dissected guitars and electronic, but they also let nick drake and his acoustic guitar cross the channel. because the music of klimek played an important source of inspiration for that song, the notwist asked him for a remix. martin gretschmann aka console added one unreleased song.

wiederveröffentlichung der 2003er-maxi zum film von hans-christian-schmid. zwei länder, zwei städte, ein fluss. die oder trennt nicht nur die deutsche stadt frankfurt vom polnischen slubice, sie trennt welten. hans-christian-schmid (nach fünf im urwald, 23, crazy) ist einer der aufregendsten deutsche filmregisseure, er drehte 2003 den episodenfilm >lichter<, der im deutsch-polnischen grenzgebiet spielt. die weilheimer band the notwist komponierte für diesen film die musik, basierend auf einem klavier-loop und minimaler elektronik. mit dabei waren sebastian hess am cello und saam schlamminger an der zarb-trommel. die remixe stammen von martin gretschmann aka console.

here the black vinyl edition ..big ep remixes by douglas greed, wareika, dirty doering and marek hemmann for consoles album >herself<!

limited white vinyl release with remixes by douglas greed, wareika, dirty doering and marek hemmann for consoles album >herself<!

weilheimer gleichung: beats + sounds x samples = pop.
limitiertes doppel-vinyl im gatefold-cover, inklusive cd-version des albums.

next quality dj food from mister joerg henze

the second ep on console music comes from the bubbling with talent eastern block! the slovenian veztax, known for his numerous releases and dj performances sharing stage with massive acts such as depeche mode, teams up with the young talent aneuria to deliver the two minimal techno slammers on the a side and sun40 remix on the flip

the first release from the brand new console music label. the jelicopter ep is a massive new wave techno tracker delivered by hofstad. his name might sound strange but actually this is no other but inge kjeilen behind it an extremely famous and successful norwegian techno producer and dj with many solid releases under his belt and whose other projects we will not mention to add some mystical flavour

the morbid label comes along with minupren vs. s.ewe to play 4 games on this hard driving 12 inch !!

eleven tracks of finest electronica ambient !!!

techhouse classic…. ltd restock

back in stock.. excellent techhouse by duncan gray

mega classic tune

repressed, ultraphat electropop Überhit!! zeitlos

sehr gelungenes electro-album!

the new face of danceable funk, dabeull made heads turn around the world with previous eps, that propelled him as a leader in today s funk scene.

analog production is his favorite playground as showing his upcoming 9-track album, analog love, (out on april 12th 2024) was recorded using michael jackson s thriller console - 100% analog.

on stage, dabeull offers an immersive experience, combining the power of his studio productions with a captivating scenic presence , his reputation as a showman has already brought him to the usa, asia and europe. his new live tour is no less analog, as dabeull will be playing with his 9-musicians band. always 100% analog.

incl. the exaltics and console 1999 remix

4 dance floor cuts heavily influenced by 90s

singles from the 10th depeche mode studio album from 2001 on 8 x 12 inch vinyl in a collectors box. including remixes by dave clarke, josh wink, deep dish, danny tenaglia, bushwacka and more!

lp, pink coloured vinyl

heavy bounce swiss precision.

inklusive mp3 download code. remixe von mooryc, marbert rocel, douglas greed feat. kuss, jesper ryom, ruede hagelstein & the noblettes, mathias kaden, console und klinke auf cinch.

miki aka major hypnotic key institute

drumcode annual a-sides vol.8

slamming minimal tech house groover

a new project from two anonymous aussie veterans. melbournes smouldering underground turns up two untitled cuts from bad channel, named for the faulty mixing console they were produced on, with a cheeky nod to mark and moritz. organic late night tracks, soulful and dub wise. they passed bradley zeros litmus test, so now they come to you cut deep on rhythm sections twilight sister imprint international black. the a-side keeps it spacious, a relentless stepper for the early hours. side b is music for autobahns, starlight soul for the post-club cruisers.

get your rda of focus, 3 of your 5 a day right here.
z lovecraft opens a channel into his musical universe with three diverse cuts pinned by mellow breaks, nintendo sequencers and crystal chords. nicely pressurized with springy ambience. known to treat data overloads and warp connection burnout from peckham to hyrule.
a rhythm section family member and no bad days console controller, z lovecraft steps out on the inaugural guru meditation disc.
broken beat. lounge. dub techno. &#120452,&#120445,&#120440,&#120451,&#120456, &#9835,•*¨*•.¸¸&#9834,

limited to 250 copies, next up in tartelet’s limited-edition series is renaissance man n.o.t.e. with “night frames” – a compilation of barrel-aged sounds for the warm nights ahead. n.o.t.e. is a new project by an already established artist who might be of swiss or italian origin, depending on who’s asking. a seasoned sailor of musical waters, he enjoys jazz piano, fine wine and silk linens. though none of that matters. the first release under his new name could be described as a mini concept album where different routes are explored, bringing n.o.t.e.’s musical diversity and capabilities to light. starting with “falsa laudis,” n.o.t.e. takes the listener back to the 80s with clear references to italian boogie and jazz-funk of that era. the track is warm, fat and sparkly, and best enjoyed with a cocktail in hand. following this is the title track “night frames” – a bruk-jazz escapade not shy of elaborate rhodes solos and filthy funk. the b-side opener moves further south: “obaleyako” is fueled by tropical energy, mixing african percussions with soft piano chords. it’s weird, mysterious and red hot! last but not least, n.o.t.e takes on the finest deep house sound with “en route,” where endless layered melodies and percussion form the farewell. this is an ultra limited-edition release of 250 copies (strictly no repress!), written and produced by n.o.t.e. and mixed at panalama studios in copenhagen on the neve 5088 shelford console for good measure. enjoy!

sharif laffrey can charm the snake out of any basket. this is his first offering for the esp institute. side as tangier is a long drawn-out exercise, an endurance test of the highest order. over the span of some thirteen minutes, elements bob and weave intermittently and layers overlap haphazardly the type of exciting dynamic that s born out of restrictio as if putting down a live jam without enough hands to work the console, yet sharif perseveres. as touch and go as this arrangement may be, there is something that undoubtedly glues it all in place the combination of his massive rolling 16th-note bassline and his tough-as-nails drumkit is so good that, upon first listen, we spat out our tea and insisted on its release. on side b, everything is nice carries on with loose arrangement, dirty production and layers of inexplicable spoken word samples (a sharif calling card by now) but this time we re lead to a melancholy place, the blue comedown to side as antagonistic trial. with his esp institute debut, sharif leaves you mentally unhinged, as if youve smoked something interesting and arrived bewildered in some saharan labyrinth. these two songs will guide you through the medina to score the black meat.

danyb s next wave of tunes picks up where the first two left off, with an added refined quality. not to mention, a second rendition of the buzzworthy south african gem from vol. 1 on the b side making for a back and forth opportunity for the ages at the mixing console. with volumes 1 & 2 doing the business out on the floor, volume 3 is sure to please, with a variety of tempos and energies packed into one heavyweight slab of re-tooled obscurities. gravi affari!

coming from the sound system scene in geneva, androo began to produce 80-90s infused digital dub as a teenager. his interest in jazz, new wave, dub and house gently collide in his studio a place he sees as a laboratory of experimentation here everything is mixed, dubbed and recorded live at the console. with this first ep release on second circle androo s music reveals a desire to avoid categorisation whilst displaying a clear love for percussive rhythms and emotive melodies. big tip! second circles first release of the summer features an ep of tracks by young producer androo from switzerland. having released on the sparring partner label which he co-runs with bony fly, androo has another release imminent on his second imprint poly dance .

quantum collage is the latest pseudonym of olaf gutbrod aka ohm-g. having built a reputation around his long list of chill out tracks produced while resident in ibiza, this release on martin gretschmann (acid pauli, console) and nico stojan’s ouïe sees him dive into some more electronic textures. ‘lucid dreaming’ is a chugging, groovy trip built around a shuffling beat and dubbed out percussion and horns, tapping into gutbrod’s talent for amplifying the vibe. ‘afrika im weltraum’ adds a little more tempo - a swirling, driving drum loop provides the basis for layers of extra percussion and spacey synths and various chants and radio broadcasts. her beauty certainly draws on some the mastery gutbrod showed in his releases on café del mar and hotel costes cds - a chilled out groover with the sunset / sunrise seemingly in mind.

thats right folks, the todd is back, bucking trends and shucking conventions to bring us two tip top reworks of an as yet unreleased original.taking the console for a-side manoeuvres, four tet scans the star maps and picks out a particularly jazzy path to a distant dance floor dimension.over on the flip, olsen regular prins thomas gets in on the action.

nice price deal !!! besides delivering impeccable back2back performances behind the decks at events world wide (such as sensation, extrema festival and a day at the park), organizing their own housequake events (15th august & 13th september at blm9, bloemendaal) dj duo roog and erick e also made their way into the studio! after spending quite some hours behind the mixing console, the result is nothing short of amazing: housequake & anita kelsey shed my skin.

nice price deal !!! donÆt we all love to play with our nintendo/wii these days? oh yes we are all hooked, admit it! this first collaboration between two rising stars in the dutch house scene, mell tierra en tim benjamin, features the track æstill playÆ, which is meant for us all to come out and be a proud addict to the console! o yes we still play yes. æfor a minuteÆ, could be your gilrfriendÆs answer to æstill playÆà tech house groove stuff!

dj sonikku debuts on distant hawaii with three sparkling, island-hopping balearic house joints from the heart of a deep jungle-smattered paradise. dreamed up from within the internet-scorched mind of tony donson, his dj sonikku alias sees him utilise segas heralded yet mildly-ancient 16-bit megadrive console as a proto-mpc platform from which to assemble his tropical-tinged house sound.
repress on translucent, blue marbled vinyl.

streng limitierte 12--edition (150 stück), handgestempelt und bestickert. ein wunderschön-episches kraut-yacht-rock-psychedelic jazz-groove-werk mit gitarre, percussion, analogsynthesizer, flöte, sitar, bass, orgel, alles eingespielt vom großmeister roberto di gioia. gold ist das metall der götter. pur, elementar und unschuldig. die musik wurde komponiert für und basiert auf einem theaterstück namens gold der avangarde-theatergruppe hunger & seide. alle instrumente wurden vom legendären genie roberto di gioia (hobby, marsmobil, max herre band, udo lindenberg, klaus doldinger s passport, u.v.a.) eingespielt. der multiinstrumentalist , songwriter, preisgekrönter jazzmusiker und interpret roberto di gioia arbeitete auch an produktionen und live-performances mit Âme, peter kruder, dj hell (gigolo), wigald boning, beanfield, console, notwist, helge schneider, trüby trio, christian prommer

after the release of lil louis *fable* (in conjunction with diamond records), gramaphone records is proud to present the inaugural release on its very own imprint! gramaphone house buyer, queen! resident, and balance recordings artist, garrett david, steps up to task at hand to deliver this masterfully-crafted ep, a new room.

the second set of house tracks from the skid row sessions. menacing early morning meditations over a console and tape recorder in a filthy warehouse downtown hollywood. limited edition of 200. tibetan woodblock with india ink stamped jackets with color art print insert. no 2 copies are alike!

snow bone debuts for lobster theremins second release, with the a-side roaring and crackling with noise and ebm-influenced toughness, whilst the flip plunges much housier territory featuring a jared wilson remix. the tracks blew the mastering console four times so you know this is going to bang. mastered by christoph at d&m. ectoplasm a4 insert as standard!

lofi electro a la early console / c64 sound

release no.2 on nofitstate sees matthew styles taking over the reigns the signals ep is a varied beast as youd expect from one of the most distinguished and versatile producers of the last couple of years. signals kicks things off, a beautifully effortless flowing groove with on-point percussion and subtle elements that keep things moving perfectly. lucky keeps the vibe nice and deep, a razor sharp snare imbuing the track with a sense of energy whilst codex leans toward melody with it s pitch perfect arpeggiated motif dominating proceedings. gesopik console rounds the ep off nicely with a nod to nu-disco energy.

slamming disco edits at it best, huge dj support: danny krivit, late nite tuff guy, ashley beedle, rayko ...
derek kaye married his schoolboy passions of music and electronics in 1973 when he constructed his first disco sound system, aged just 13. prior to this, with dj equipment something of a rarity in those days, he created a custom setup that bypassed the need for a mixer by rewiring his turntables in such a way that he could flip the sound from one deck to another, and installed a switch that would dip the music so a microphone from a portable cassette player could be used to announce the song on rotation. his work soon grew in sophistication and a new console was built, with his schoolmate, greg wilson, buying derek s old rig, thus beginning his own well-documented dj career.

lets get lost celebrate 15 release with a killer edit of letta mbulus glorius track nomalizo. a side sees eddie c at the console and on the b is kza is at the helm. originally a highly sought after japanese only release from the 80s.