big house anthem

limited edition remastered reissue with download code included.

vinyl only release in full colour sleeve.

vinyl only release.

adryiano with a solid versatile four track ep on baka gaijin.

the first release of düsseldorf-based baka gaijin is here: 001 - -life s a beach- by j. lewinson. evolved from art exhibitions an artistic event with musical guests like gerd janson, italojohnson, bicep, ata, tom trago, tama sumo, borrowed identity - the label wants to prove that a diversity can be brought into this genre, when being combined in the right way. this is what this release tries to show, too, j. lewinson one of the residents of baka gaijin proves in his debut a fine feeling for a nice combination of genres, sounds and influences.

yellow coloured vinyl

black standard vinyl

time to celebrate. with this cool coloured vinyl !

sultry synth-pop gemz, cryptic house numbers and tropical trouser-movers from musique chienne. plus techno/d&b/rave remixes from fellow label dons roy of the ravers, lesinge & aftawerks. a bit like an unholy collision between glasgow s free love & jamal moss. tip!

happiness therapy celebrates their 3rd anniversary with a huge double coloured vinyl compilation.

limited rsd 2018 release with download code included.

!k7 are pleased to announce forest swords as the next curator of the ever essential dj-kicks series. following acclaimed albums on ninja tune and tri angle, soundtrack and installation work, and remixes of the likes of bjork, matthew barnes aka forest swords has curated a 25-track compilation that draws a line between past inspirations and his current peers. like much of his own output, his dj-kicks skirts around pristine electronics and embraces more organic textures: 80s post punk (anna domino, dead can dance), classic 90s british electronica (orbital, mira calix), and smokey digi-dub (rhythm & sound), all rub up alongside some of the most forward-facing producers working today (demdike stare, laurel halo, fis). the compilation sifts through rhythms, shifting speeds and emotions: from pop icon neneh cherrys primal thudding to the zombified throb of exclusive forest swords track crow via deena abdelwaheeds clattering deconstructions to the euphoric two-step of djrum. its a collection of tracks that feels as restlessly curious and weighty as barnes own work. the double vinyl release includes a download code.

tokyo horoki (tokyo wanderings) is a collection of tracks from pleasure cruisers last two years living in ota-ku, tokyo. the first part features tracks recorded with shinichiro yokota featuring vocals from ayako higa, chara and wakana hrt. part two features collaborations with okayama upstart keita sano.

the first full artist ep of 2018 is one by a new artist for heist, but a familiar name for any modern day house aficionado: adryiano. after taking 2016 off, he came back guns blazing in 2017, releasing 5 solo eps in 1 year on labels like shall not fade and baka gaijin. his me and you and her ep for heist showcases his contemporary view on classic house and acid, and is an experiment into how much distortion a track can actually handle when youve got a killer sample hook. me and you and her is about as classic as a house track can be and moves in similar fashion as his post-2013 hit ‘on my side. its got a sweet and repetitive vocal loop, some semi-grainy but definitely groovy percussion and a deceptively simple piano hook. add some filtering and youve got a lovely warm house song that can go on forever. the a2 move it, move it moves straight into old-school chicago territory, with a raw af acid bassline. chicago bred jamie 3:26, now residing in its dutch counterpart rotterdam, gives the track a nice old school twist. hes going full 707 on the percussion and has casually added an amazing synth hook to give the remix a true vibe of its own. the ep closes off with fashion country girl: adryianos dystopian view of a world where dolly parton gets mangled through an overdrive, then gets distorted, crushed, mangled, deleted, re-added in 8 bit and then crushed some more. the result is an uptempo roller with more than enough grit, and just enough tongue-in-cheek to make everyone smile a little bit more. yours sincerely, maarten & lars.

stiff little spinners vol. 9+10. this is the end, my friend. the final chapter is released on a 2lp. 2x12inch limited 300st. incl. downloadcode!

multi culti s lucid-lifestyle dreamer peter power takes us on a free-wheeling trip to the motherland on afro damba. the irish-born voodoohop resident has returned from the jungles of bahia with a fresh ep of primal party tracks sampling voices and rhythms from across africa and it s neighbouring islands, producing what is easily his most club-oriented work to date. whereas his tracks for voodoohop were spiritual flute-heart-openers, these are neo-pagan mating-ritual floor-fillers. the rhythm is set to tribal chug, with rollicking percussion, reverb-soaked vocals, and all the fun jangly bells & bits you expect to be hanging off such a well-traveled producer. if that weren t enough, we enlisted romanian-dance-duo khidja to rework adama waro resident mix-lord dreems also weighs in with a subtle remix of dansakoni, gently upping the tempo and tweaking the knobs in selfless service of the original groove.

over the years, phil mison has become the go-to selector for those looking for ibiza-themed compilations. none of his previous collections, though, have been quite as personal as out of the blue, a compilation inspired by his first spell behind the decks at the café del mar in 1993 – and the remarkable chain of events leading up to it.

ecm-era don cherry global jazz meets contemporary electronic avant-garde, true world dance music for the next millennium.

strictly limited edition white vinyl
nils frahms late night tales sind eine hypnotische reise durch moderne und klassische komposition, experimentelle elektronik, jazz, dub-techno, filmmusik und soul, gleichsam verstörend wie betörend.

nils frahms late night tales sind eine hypnotische reise durch moderne und klassische komposition, experimentelle elektronik, jazz, dub-techno, filmmusik und soul, gleichsam verstörend wie betörend.

nice price deal !!! gatefold cover, coloured vinyl. as you will hear: the short motif, as simple as it is, is ideal musical material.

180g ltd ed 300 copies,
peur bleue records is pleased to present the imminent release of gohan s ep, ‘stabbed in konya’. you ll find a private link below for listening and downloading the entire ep on soundcloud.it describes a tragic journey into a fictional depiction of konya - a raucous and hostile anatolian city torn apart by mysticism and conservatism. the ep explores a landscape of detroit electro vibrations and dodgy murmurs whilst offering gracious melodic digressions along the way. after the album peur and the ep hedge fund released in 2012, gohan comes back with a new imaginary soundtrack on the edge of violence and grace, exploiting harmonic and texture flaws, enigmatic collages and a grinding bassline.

albinos has now been meaning to open communication channels with the baka pigmy tribe for quite some time, sadly to mixed results… this indeed represents a rather difficult task considering their take on the devil is a tall white man graced with white hair and red eyes! even though the baka people is a peaceful one, the legend goes that if they were to catch that albino devil, they would gut its organs out and turn those into an aphrodisiac concoction. strangely enough, albinos believes that his music just might be the best language to turn those antagonistic feelings into a communion, he even dreams of performing his tunes to the whole tribe, deep within the jungle, surrounded with exotic birds and the most hungry kind of predators! somewhat at times on the verge of irony, his music definitively trades with sketchy, raw and deep emotions, always sincere in the making: always a few steps away from the pre-shaped house and techno idioms, he offers his very own take on dance music, a most peculiar one. solely using old cheap hardware and an antique atari, the tracks at hand are one-take live performances, brutal incarnations of albinos simple virgin vision. as the quest for the baka people goes on, the antinote team is proud to help shed light on the journey of this obscure producer hailing from the grand north.

d julz returns to ovum with his >second hand feet< ep. this is the follow up to the hugely successful >just so yo know< d julz releases have seen support from the likes of richie hawtin, luciano, loco dice, anja schneider, and many more.

station 17 ist hamburgs einzigartiges kultprojekt zwischen behinderten, stereo total und michael rother. der vierte teil der remixorgie lässt sich nicht lumpen und bringt mixe von my my, ada & tobias thomas an den start

klingt als wäre das erste album von depth charge in die neuzeit katapultiert worden. freak-beats hurra

come together - the whos is who of the legendary indie dance szene in the beginning 90s !

dark ritualistic jungle - deformer, bong-ra and scapu-lox are back with the 2nd voodoom album.

!k7 are pleased to announce forest swords as the next curator of the ever essential dj-kicks series. following acclaimed albums on ninja tune and tri angle, soundtrack and installation work, and remixes of the likes of bjork, matthew barnes aka forest swords has curated a 25-track compilation that draws a line between past inspirations and his current peers. like much of his own output, his dj-kicks skirts around pristine electronics and embraces more organic textures: 80s post punk (anna domino, dead can dance), classic 90s british electronica (orbital, mira calix), and smokey digi-dub (rhythm & sound), all rub up alongside some of the most forward-facing producers working today (demdike stare, laurel halo, fis). the compilation sifts through rhythms, shifting speeds and emotions: from pop icon neneh cherrys primal thudding to the zombified throb of exclusive forest swords track crow via deena abdelwaheedÕs clattering deconstructions to the euphoric two-step of djrum. its a collection of tracks that feels as restlessly curious and weighty as barnes own work.

nils frahms late night tales sind eine hypnotische reise durch moderne und klassische komposition, experimentelle elektronik, jazz, dub-techno, filmmusik und soul, gleichsam verstörend wie betörend. viele der tracks, ausgesucht aus seiner reichhaltigen plattensammlung aus schellacks, 7 und lps, kassetten, minidiscs und wav/mp3s, wurden neu editiert und mit effekten versehen. dennoch wirkt die zusammenstellung niemals wie ein mixset, sondern entfaltet sich eher wie eine fluffige daunendecke Über das gemüt des zuhörers. wir begegnen solch unterschiedlichen künstlern wie miles davis, boards of canada und nina simone, während nils frahm selber eine neuinterpretation des john cale tracks 4:33 als exklusives cover beisteuert.