one per customer! a three track remix package exploring the different styles of diva bitch in the remix. dj fett burger getting creative with a simplistic accapella based track that goes in and out of hypnosis exploring the freak side of simplicity. dj speckgürtel first out on the b side with a frankfurt style dance to house remix, that will keep you moving to the groove. and last out on the b side dj dog exploring underground house meets euphoria with an italo twist! a real solid remix package and a perfect follow up to diva bitch tracks out now on freakout cult!

jayda j with alexa dash is back on freakout cult. this time with some proper diva bitch house. three tracker with jayda g’s vibey house style and alexa dash demanding devoition vox. includes jayda g remix and alexa dash accapella. jayda g’s excellent new record will also be follow up by a soon to come diva bitch remix pack. so get the original while its hot and avalable.

ultraphat dark underground techno .... mindblowing. masterpiece, just a future classic, only 1 per customer

one per customer.... jayda g s new record out on freakout cult, in collaboration with mysterious laylay. a wonderful bumpin house vibe track with some dancehall infused spice on the a side. b side a more moody deep underground affair, with words of purple wisdom. essential summer record. with smashing party artwork!

ltd 2024 repress - dj boring finally drops his winona track on vinyl super lush deep houz action for the club! backed with a deep freakout jam from miagma on the flip!

ltd brown vinyl, 2lp im gatefold-sleeve inklusive downloadkarte und vinyl bonustrack : the most painful game

album nr 8

turkish psych folk from 1970-1978 on double vinyl, housed in a gatefold sleeve.

super rare disco re-issue

>105< is banjo or freakouts debut single for memphis industries. comes in white vinyl with >dead in the snow< on the b side.

album nr 8

feat. amber kuti, tip!

reissue

sub pop is excitedly, finally repressing vinyl versions of three scorching 90s psychobilly classics by reverend horton heat.

make up the edits 3 by chez damier and nico lahs.. house masterpiece

taro nohara (yakenohara) from japan. lp: 350gsm sleeve, sticker

mike huckaby, bergqvist, dj sports, raam and lns remix ‘deep soundscapes’, takecha’s album recently released on sweden’s love potion. released in march, the album incorporates takeshi fukushima’s work between 1990 to 2013 and affirms why the producer is such a respected figure within japan’s electronic music scene. now his compositions have been remixed by some of house music’s best, featuring renditions from detroit’s mike huckaby, aniara’s henrik bergqvist, the elusive raam, firecracker and regelbau’s dj sports, as well as wania and freakout cult’s lns. mike huckaby inaugurates the release with his sultry take on ‘low sentiment’, blending deep synths with murmuring vocals to forge a proper deep house cut. bergqvist then remixes ‘rhodes deep’ creating a bouncy minimal cut incorporating the original’s scintillating melody alongside meandering percussion and twisted effects, making way into dj sports’ remix of ‘gradual atmosphere’ with its intricate breakbeat drums and dreamlike atmospherics. raam then reinvents ‘calm imagination’ taking it into subterranean territories complete with infectious keys, until lns ties it all together with her mesmerising beatless reimagining of ‘factory 141’.

rising sun, dj fett burger (as fett birger) and tijana t grace the second remix package of spencer parker s different shapes and sizes series on work them records this february. following on from the first remix release, which featured dj deep, akirahawks and setaoc mass, part two will see more reinterpretations of spencer parker s 2017 series from an array of talented producers. rising sun has earnt a cult following for his otherworldly productions as well as curating labels such as kristofferson kristofferson, styrax and millions of moments and here we see the accomplished producer deliver two hypnotic and classic sounding variations of riff shapes. sex tags and freakout cult cofounder dj fett burger then provides an acid-laced mix of size:yes as dj fett birger. finally, respected belgrade techno dj tijana t closes the release with a robust and evolving rework of a different size

lucky number seven for good company records is the o.g.ep, roza terenzi s cheekily-titled debut. three tracks of doof-approved club gear from the perth-born melbourne resident, plus a bonus sunday-morning-coming-up megamix from vancouver s jayda g. with a sound like windham hill gone hardcore, this record promises fans from black rock to berlin. after the driving, new age electro of opener the right zone, terenzi declares yeh yeh yeh with a bush-bashing jeep of a bassline, blasting roxanne shante as the posse pile out of the whip & into the function. later, higher place sparks the chalice for a pre-dawn dip into the spirit realm. sometime after that, designated driver (and freakout cult-leader) jayda g takes the wheel, pulling into the church car park with her deep in your soul remix, a piano house kick-on of all three roza terenzi originals. feels good, right?

the dynamic duo of second storey and appleblim return to r&s for another slice of their off kilter dance floor alchemy second storey & appleblim bring their detroit machine rhythms and sleek electronic grooves back to r&s for the ‘gimme 6’ ep. since their initial forays in 2015 on the label in the form of a trio of eps and a compilation that introduced the world to their unique strain of cyborg funk, the duo have gone on to refine their sound to ever new creative heights. this new ep is the fruit of that hard work - opener, and title track ‘gimme 6’ sees their production grandiosity hit new highs - swooping pads soon give way to slurping twisted bass and mechanistic hi hats before a collapsing breakdown freakout twists the trad techno blueprint into exciting new shapes. ‘levying rooks’ injects a sense of frenetic levity - serrated bass and scudding percussion, while ‘aperture‘ is drenched in swooning pads and fizzing, flanged out hats underpinned by relentless mutant kicks. too often modern electronic club music is all too content to sit heavily within genre boundaries, and ‘rules - ss&a’s gleeful disregard for categorisation and innate sense of melody, harmony and rhythm make their offerings the perfect antidote to the jaded veteran techno fans as well as the gleeful new jacks

temple traxx is my brand new label specializing in material from the early days of techno and house. at the time i was living in nyc and ran the electronic record shop temple records and a weekly techno party called “killer” at legendary save the robots. i was releasing my music on force inc./mille plateaux, djungle fever/structure (now kompakt) or harvest/emi for europe and in the states with smile communication, direct drive, or freddy fresh’s electro imprint socket, besides my own temple records nyc, super-8, and el turco loco labels. now, 22 years later, i am excited to curate a new outlet for sleazy-machine-music called temple traxx in homage to the pioneers and early electronic music community i still call my friends: jammin’ unit, dr. walker, who together form air liquide, kerosene, dj silver (paolo dinola), bolz bolz, alec empire, freddy fresh, mike ink, and bionaut just to name the closest circle. all re-edited and freshly mastered. “bad computer” was originally released in 1995 on temple records nyc and is now the first 12” on temple traxx. produced by brother jammin’ unit, who also signed for re-mastering, and myself as bizz o.d. in wild pitch matters. cube 40 was always meant to be the ramones of techno by repeating the same track idea over and over. compare with “you make me function” and you’ll get the idea. currently in the temple traxx pipe-line: mass-turbator “s/t”, jammin’ unit “remote car baby”, khan & walker “schleichfahrt”, 4e, and captain comatose “$100” old and new mixes.

next up on the docket for acid camp records is a record created by duo john tejada and justin maxwell. the pair came together to make acr iii with two things in mind: creating sounds that put a smile on their face while possessing as much character as possible. the opening track, -i ve got acid (on my brain)- is a mind-bending wavetable freakout, the likes of which tejada and maxwell have been striving to do for years. using a vintage ems vocoder to create an original vocal sample, this track is bright, playful, & vivacious. -the name rolls in- is layered in an acid playground of sounds. a rhythmic track with a potent 303 bass line, prominent percussion, and that infamous vocoder back at it to create a distinctly groovy track. -field notes-, is a composition of celestial arrangements that is completely beatless. carried through by tiers of sounds, filters, and noisier elements, this track lulls the listener into an alluring sonic dreamscape.

inspiriert vom post-minimalismus und modernen klassizismus zeitgenössischer produzenten wie nils frahm, max richter oder steve reich, veröffentlichte der britische techno/house-produzent sasha sein album -scene delete- innerhalb der -late night tales--serie. nun erscheint eine zweite limitierte 10- auskopplung mit zwei remixes von max cooper (als emotional-deepes dancefloor-experiment) und matthew dear vs. audion (als verzerrter techno-freakout). weisses 10- vinyl mit download-code für mp3/wav/flac-formate. auf 1.000 stück limitierte und nummerierte auflage.

geography 008 presents jayda g on a tripp! one original, one vocal version, one dj dog remix! strictly for everyone. with previous outings on butter sessions and her own (and dj fett burger’s) label freakout cult, jayda g now turns to the somewhat highly acclaimed but in no way award winning label geography for some canadian-swedish bilateral abracadabra. swirl shake mix features three hit tracks for every occasion, starting out with two different versions of the stripped back track shake it all down, and ending with the funk affair feel it, featuring the mysterious but fast food loving dj dog on remix duties.

oh my goodness ! oslo s rune lindbaek finally unleashes his latest stash of secret weapons - featuring the incredible higher (as featured on harvey s boiler room milan show - back to back no less !) uber rare disco / rock extensions flipped with beautifully realised edits taking in afro- balearia, an early 80 s dub freakout & a sunrise classic. limited run - buy now or cry later .

classic arthur russell 7 inch from the depths of west ends vaults. timely remastered from the original tapes. this is a different version to the honest jons 12 inch released in 2003 with more moog bleeps and a slower tempo and has never been commercially available on vinyl (track run time 2:45). it also includes the uptempo freakout rare as hens teeth instrumental mix. original 7 inches going for up to £200 on discogs and only 12 people in the world showing they own a copy. this release never got passed promo stage at west end in 1980.

the japanese kin-ben label offering a fine blend of some powerful techno tracks from a range of up and coming producers and some established japanese names such as akaaki itoh who has been around for a while and played in more then 20 countries/200 cities. ninja power techno!

fantastic new album of disco, modern soul and boogie from 1978-82 on soul jazz records. the 2x12 inch lp includes a download code.

following the success of the digital release of sleazy mcqueens *you know how ep*, upstart label, cvmr were compelled to press the remixes to vinyl. the proceedings open in superb style thanks to the revenges live dub. a bass heavy tool with equal parts classic house and disco, with a touch of arthur baker-style drums. on a2, sleazy mcqueens space coast take things to the basement with the help of romano arcaini (latenight society), warm rhodes, live bass and an absolute drum-break-freakout add a decidedly different dub flavor to the package. b/w compost blacks main man kasper bjorke offers his acid tinged interpretation, driven by a gritty saw-wave bass hook, rolling snare hits, wanderings arps and crunchy drums, a simply stunning piece of music as expected from the undeniably talented copenhagen born producer. closing out the remix ep, cvmr in-house producer, century strips back the vibe to a dropped tempo, emotive workout fuelled be heavily reverberated piano chords, echoing vocal lines and a general chuggy, low-slung vibe throughout.

originally released in a highly limited pressing in 1981, this synth jazz funk soundtrack freakout record was destined for cult status. wt records found a copy in a dirty basement complete with newspaper clippings and a business card.

great 12 inch featuring two superb rarities from renowned disco label sound of new york. run by legendary producer peter brown, this small harlem-based imprint garnered a massive reputation in the late 70s and early 80s turning out some of the best disco tracks ever made. first up here is ny disco funk favourite >dance freak< from chain reaction. produced by peter brown himself, this is pure dancefloor dynamite, as raw and funky as it gets with pumping horns, grinding bass, wild percussion and crazy synths building steadily to a high-octane blistering dancefloor freakout! on the flip is the equally fantastic >shout at the disco< from little scotty, another relentless rough grooving jam, also produced by the prolific mr b. with both these tracks super-expensive and extremely hard to find in the original, don t miss this chance to get your copy!

limited edition of 200 numbered copies in sleeves handdrawn by andrea amaducci!
supported by the whole eclectic balearic community and leftfield thinkers like tim sweeney, coyote, tiago, a love from outer space (andrew weatherall & sean johnston), massimiliano pagliara, chida, red rak em dj rocca, mushrooms project, ivan smagghe, luminodisco ...
>vannij< is a remix collection by italian social-kraut-disco pioneers crimea x for the likes of bjorn torske, twin sister, a classic education, banjo or freakout, bremen…
on this fantastic limited 12 inch the epic balearic workout on welcome back sailors chillwave anthem >i ll be there<, crimea x first remix ever, the space-disco journey on luca baldinis massive >hooked<. b-side gets cinematic and darker with the awesome takes on banjo or freakout >upside down< and post-balearic classic >oceanica< out of dyno latest album: blissfull stuff.

feat dancefloor mixes by herve, armand van helden, filthy duke, john b, mogwai, gold panda etc....

over the past few years john tejada has been splitting his time working with long time collaborator arian leviste and more recent collaborator justin maxwell. why not combine all 3? palette all-stars is just that. a collaboration between the 3 main palette artists, each (tejada, leviste and maxwell) playing a particular role in each song. from the ep opener, >after school special< you get a sense of the trio each working on a particular element. tejada’s driving drums, maxwell’s modular synth work, and leviste’s bassline elements sculpt a driving track with a classic feel. >the pilot< features leviste’s smooth melodic synth work while maxwell processes through the modular and tejada privides the dubby beats. the ep finisher >downtown hotel< features a mad maxwell modular freakout and driving 808 s

feat. additional disc of bonus tracks and remixes including reinterpretations from jaki liebezeit, kate wax, ghosting season, banjo or freakout and more

walls are a band from london made up of members sam willis (of allez-allez) and alessio natalizia (of banjo or freakout), >we take our inspiration by the sense of discovery, curiosity and playful nature of our approach to making music. we have a pastoral take on the natural world, music that has a natural, unique and personal feel - utilizing the best that old / modern technology has to offer.<