fresh fabrizio and marco d arcangelo release, mastered by loz grover

throughout this release, hodge crafts a unique sound that resonates somewhere between the sparse, delay soaked realms of primitive dubstep, and the driving vigour of modern techno. inspired by the use of field recordings and vintage analogue gear, the dusted ep has a raw and insightful charm that will lure a wide scope of electronica enthusiasts. sealed with a characteristically hypnotic remix of turmoil by close friend kowton, the dusted ep marks the full arrival of one of the most forward-thinking young producers, harvesting the rich breeding ground and heritage of bristol

alex.do is best known as part of the dystopian collective, where he works alongside scene leaders such as rødhåd and recondite in pursuing a focused strain of contemporary club music loaded with emotional depth to match its functionality. this attitude comes through in spades on dusted, where do presents a selection of tracks that tap into all four corners of the night.

housewax welcomes andrea fiorito from bari to the family! we re very happy with the debut. a great 3 tracker from andrea - very nice debut!
white vinyl, hand stamped and as always worth to check!

repress on black vinyl.
after several releases on saved, bitten or bla bla italian hollen debuts on sphera. remixes are coming from dj simi (sci+tec) and tapesh & sindey charles (noir music, toolroom, suara).

after several releases on saved, bitten or bla bla italian hollen debuts on sphera. remixes are coming from dj simi (sci+tec, kling klong) and tapesh & sindey charles (noir music, toolroom, suara).

dusted decks records presents global player stereofunk with his debut on the label.who loves mario? a catchy theme with great dancefloor beats go straight from your ears into your brain! check out the huge remixes by three well known dusted decks artists, breakfastklub, faites leur la danse and dj dee ass take the original track into new hights! after his album radio robotic on coco machete records, this tune will definetly rock every dancefloor!

new with his debut on dusted decks records, birdee! discoo is a massive disco influenced electro house bomb and comes with huge remixes by jay robinson, stereofunk and golden toys!

?action, bitch!? ist ein electro-house-rave-break-kracher erster klasse, energie geladen und mit viel druck nach vorn! eben ganz so, wie man es von den beiden frühstücksclubbern gewohnt ist. boysnoize hero und altmeister jan driver spendiert neben seinem remix auch gleich noch das mastering mit dem nötigen druck für das ungarische duo slap in the bass, sowie den niederländer jeff doubleu.

70% bamboo viscose & 30% organic cotton

70% bamboo viscose 30% organic cotton (biobaumwolle)

70% bamboo viscose 30% organic cotton (biobaumwolle)

70% bamboo viscose 30% organic cotton (biobaumwolle)

70% bamboo viscose 30% organic cotton (biobaumwolle)

70% bamboo viscose 30% organic cotton (biobaumwolle)

70% bamboo viscose 30% organic cotton (biobaumwolle)

70% bamboo viscose 30% organic cotton (biobaumwolle)

25th anniversary reissue on black double vinyl.

third and final part of the album trilogy by edena gardens.

british folk

second studio album originally released on 20th september 1999. it reached number 1 on the uk albums chart and was nominated for the 2000 mercury music prize. standard black vinyl. limited

colored (curacao) vinyl, including downloadcode

reissue 2022, 180 gr pressing, black vinyl

reissue 2022, 180 gr pressing

anjunabeats presents the debut album from gardenstate (marcus schössow & matthew felner). coloured double vinyl (1x green / 1x pink), housed in a gatefold sleeve.

with standard cover, not full cover- originally released in 2014, lucianos Èthe great amael is an enchanting and endearing trip, a lo-fi bubbling groove and dusted hammond organs that hustle along whilst live percussion cuts through the oceanic atmospherics. two years on, and cadenza music call upon a brace of remixers to provide fresh and unique interpretations of this hidden gem in lucianos catalogue.

hi class deep house, decks tipp

introducing this first look at the vision, a bristol boston collab with a locker of funk ready to go. dusted up from endless years digging this pair of record enthusiast’s productions are full of the flavours of original disco and soul. this debut outing sees the pair dive deep into their record collections and add their unique stamp on personal house & r’n’b classics.

new york city house / disco imprint. on a1: well being s remix of detroit jevantte s, mr. piano man is a slamming baseline loop driven groove. next up ari bald and martín miguel, of better listen records fame, bring a summer edit fit for a wbls barbecue. on the b side we have a special filtered out cut with a big low end from tilman. finally on b2, a track from higgins with filtered strings on top of raw house drums.

killer, cosmic leaning german funk-rock moves here on the repress tip courtesy of epsilon, a 4 piece from marburg, just north of frankfurt. that kind of grooved out, downtempo dusted glam type of gear that one might hear dj harvey play at wrong o clock in the morning, or something that loda might flip into mid-set that would have everyone scratching their head in disbelief. one of a handful of cool jams the epsilon guys cranked out, remastered and repressed on a lovely, handy 45. sounds heavy. essential listening for those of a more left-field disposition. dig it.

"soundboy a-go dead tonight! skrsintl crew load up their dub boxes deep and deliver a wide-ranging, rapid-fire display of their unique vision for musical murderation. pulling the best from their clashes and world travels they weave together a bewildering barrage inna dance leaving a soundboy downright dazed and dusted. and yet within this deadly encounter, there is deliverance when the smoke settles, unscathed, only life remains sekkle urself in this infinity; tune can’t run out."

180gr black vinyl, full colour sleeve. our journey continues with an ep of pure ageless music for the dancing brain, four tracks dusted from the archives of this mysterious artist. real name alastair johnson released only few eps and one album in the mid/late 90s and then almost disappeared, we are more than happy to have the opportunity to highlight this material. the other big great satisfaction is also to be able to involve the historical warp-affiliated duo b12 for a really deep and spacey interpretation. have a good trip!

almost ten years ago, back in november of 2009, before lets play house was even a humble basement-bar and hotel-lobby party, jacques renault quietly released a four-track ep on hole in the sky, an imprint run by canyons leo thomson and ryan grieve, called favicon, that was both a snapshot of new york citys glitter-dusted disco-revival haze and the culmination of the first few years of renaults career through the club circuit. it quickly became a cult classic and set in motion much of what followed for renault it added some fuel to the fire that was runaway, his project with marcos ca

new 7inch from the mysterious gitkin, who crisscrossed the us in the late 70s selling knockoff gibson guitars to the diverse & disparate groups of immigrants from all four corners of the globe who were coming to the us during the 2nd great migration. recycling and filtering the sounds he encountered through his own psychdelic lens, he created a sound rooted in other, but deeply his own. this single is taken from his forthcoming album, 5 star motel and features two tracks from the album grand street feast which charts a sand dusted, melodic funk misadventure, while cancion del rey has the sound of the peruvian chicha steady-moving, alluring, and lyrical winding its way through gitkins fuzz-filtered licks, and the rhythm underpinning.

if youre familiar with public release’s sibling, face, a series of parties, you’ll already know that jee day, né dennis mcnany, has been in the bay area label’s orbit for some time as half of the dfa act museum of love, he joined the inner circle years ago. here, with amot herga laxy, he makes his bold debut on public release itself. the single begins with “crocodile tears,” an abstract, impressionistic tapestry of african rhythms, meditative synth washes, vangelis-esque horns and pads. it recedes and jee day plunges deeper into the jungle with communication masterbation, a propulsive number built around a psychedelic, droney bass that’s wrapped with gritty, distorted effects and layers of topline keyboard licks stacked high. a raw club track cut from transcendentalist cloth thatll lift you off the dance floor. the b-side is a dub of communication masterbation, with an emphasis being placed on pulling out, unraveling, extending the rhythmic elements and emphasizing the electronic veil the piece is shrouded in. a trancey, menacing sprawl that could be an extended sonic youth live jam if they swapped their stringed instruments for roland and korg gear and dusted the whole thing in an unknown psychoactive slime.

the numero groups dive into the deep end of americas private press continues. having battled the witches and wizards of darkscorch, the outlaws of cosmic americana, and traveled alongside ladies from the canyon and their lonesome heroes, its time to take it easy. with pop musics volume knob adjusted for deflation in the early 70s, softness begat smoothness. crewmen arrived from the worlds of jazz, folk, rock, and soul, all peddling a product that was sincere, leisurely, and lofty. a sound that was buoyant, crisp, defined. sometimes classified as west coast and, later, yacht rock the compass points of our private yacht expedition are the blue-eyed harmonies of hall and oates, the cocaine-dusted fender rhodes of michael mcdonald, and the combover strums of james taylor. here, at the glassy apex of rocks softer side, 20 strong swimmers are gathered together. an album for both relaxation and reflection, where listeners can enjoy the present, a cool breeze, and a taste of the good life.

a little over six years ago, let s play house because, in earnest, with a 12-inch called indoor pool. fittingly, the track it revolved around was by runaway, the duo comprised of marcos cabral and jacques renault, and featured remixes by some tight friends of the imprint, beautiful swimmers, slow hands, and soft rocks. we thought it d be fun to celebrate our birthday for once, but not with something too obvious (e.g. a compilation) or too involved (e.g. a warehouse party blowout). what we came up with is this, a 10-inch that reflects a little of the past into the present. appropriately, it includes edits by two of the artists on that debut ep. runaway s is a dusted-off and remixed secret weapon from the act s early days while soft rock s is classic soft rocks, albeit from a more current vintage (it was recorded this year). both absolutely rock. a little twisted, a little tilted, a little tipsy, but, as always, tight and tidy. funny how, since 2009, everything has changed and nothing has changed at all for this label of ours.

must have 12inch lee perry 12inch repressed. black vinyl press - as opposed to the 2017 bf red press. starting 2018, get on down brings you a beautiful package of roots reggae weirdness from the almighty upsetter: lee scratch perry. this 12inch single features the song disco devil, recorded by the legendary jamaican mad genius with the group the full experience, as a version of max romeos chase the devil. but dont jump to conclusions based on the song title musically this is as far as you can get from saturday night fever. thick, reverb-drenched dub/roots reggae laced with perrys dusted vocals and brilliant work behind the boards are on the menu throughout. this cut is undeniably underrated in perrys catalog and fans will eat this up, since it has always been hard to find on 7inch and 12inch for many years now

the 1995 classic album from e-40 back on double vinyl with download code included.

unknown mobile has quietly carved out a place for himself in the ever-evolving vancouver beat camp among contemporaries like mood hut, 1080p and project pablo. last years no motion 12 on a/s/l singles club was levi bruces dreamy introduction to most, and 2017 finds him stretching out a bit to further expand his palate of rhythms and textures across the five track mixed use ep for young adults. four sided pebble is a breezy bouncer woven with tickled keys, raw bass and a seamlessly organic live feel throughout. shoreline dub pulses in stuttered syncopation, but keeps its sights set on the dusk dusted horizon with delayed rhodes chords and ocean swells. country side is a total mind-melt, a pastoral graze through mazes of circuit board crop circles. the juggler churns a buttery 4/4 beat in an echo chamber, while proteus 216 dims the lights on its way out to an interstellar communications convention.

having impressed on the home grown ep, released in march of this year, london modular alliance return to hypercolour with the 5 track wolves ep. once again, a heavy arsenal of modular synths and analogue hardware were deployed in the production of these tracks, each once packing a punch and aesthetic that will appeal to many. ôbrockie detö fires out the blocks with on point electro beats and melancholic pads, whilst militant continues the theme, with dusted drums and thick washes of bass for a real futuristic funk moment. elsewhere on the ep, the disassembled arrangement of advance & proceed gives off a cold and discordant atmosphere, but remains firmly in groove and sonically tight, theres a distinct jazz flare in the mix also! tremors hits hard and heavy, giving the detroit electro cats a run for their money, whilst the ep title track, wolves is a busy and inspired slab of british idm at its very best.

das liverpooler quartett clinic schickt sich an, dem erst vor wenigen monaten veröffentlichten album free reign einen kleinen bruder an die seite zu stellen. daniel lopatin, der das album bereits mit produziert hat und zur zeit insgesamt recht ordentlich beschäftigt ist bei domino (ducktails, peaking lights), hat sich das gute stück nochmal zur brust genommen und nach seinen eigenen vorstellungen durch den wolf gedreht. das ergebnis erscheint anfang märz auf lp only via domino. limitiert auf 125 stück für deutschland!

the thule vaults open up once more to give us further insight into the foundations of one of the great bastions of icelandic deep house and techno. plastic is an early alias of yagya, who was on searing form when he originally made the river electric 12- back in 1999. a metallic finish gives -brain plasticity- it s unique appeal, while -translated translations translated- heads into dubbier territory (albeit with some cheeky bitcrushing thrown in for good measure). whichever cut you plump for, thule have dusted down yet another gem of unique scandinavian techno you won t want to be without.

the man known as dj nature holds a long and illustrious list of releases that spans all the way back to the early 90s, when, as nature boy, the bristol born dj and producer was carving out sample heavy house music for labels like ruff disco records and the underworld affiliated tomato label. his relatively modern re-incarnation, as dj nature, has seen singles and two albums come correct on revered labels like golf channel recordings and jazzy sport. following on from futureboogies landmark 50th release, dj nature drops a heavyweight four track ep on the bristol label, each track promising and delivering summertime vibes in abundance. born lifted, with its deft guitar licks and soulful vocal chops over lazy, hazy beats, is a great example of the nature aesthetics that make his tracks so very popular across the house fraternity. my life picks up the pace, deploying granite hard snares and cosmic chords with dusted vocal samples. on the flip, what it isnt packs some jazz chops with its sampled pianos and saxophone riffs over a discordant beat that swings with the best of them, whilst ep closer loving u more again serves up some delicious summertime grooves with the perfect marriage of deep, funky bass and seductive samples.

viva music boss steve lawler serves up a brace of balearic-tinged groovers as he preps for another firecracker season in ibiza and brings his years of experience and production prowess to phil weeks’ robsoul recordings imprint for the very first time. adding a dash of breezy, feel good aesthetics - mixed with shuffling, shining rhythms - opening track feelin has a light and steady pace, retaining a focus on groove and space, with vocal chops dusted across the track while melodic atmospheres underpin and a deep, soulful and powerful soul vocal sample cements the hands in the air vibe. equally sun kissed is take me there, bringing a percussive rhythm, laced with bongo hits and skins, while more vocal chops and layered percussion find themselves dancing in perfect matrimony. another day, and another dancefloor weapon from birmingham s finest.

eight dubbed out techno cuts with a futuristic twist blending the memories of nineties dub techno with contemporary sound aesthetics.

selected advent deal. charlois present where is the champion, timothy j. fairplay s first full length solo album. twelve shifting, shuffling and shimmering tracks make up this debut. cruising the highways and byways between proto-techno, horror disco and forlorn wave, fairplay conjures up his creations from metal and smoke. saturated snares, clipped claps and warbling chords are dusted with distortion. and this idea of distortion, manipulation and the blurred line is omnipresent. innocent and sinister, cruel and playful, accepted boundaries are brazenly ignored as engines growl and synthlines soar.