mnenosyne was the personification of memory, daughter of gaia and uranus, wife of zeus and the mother of the muses, goddesses of the arts. also this time an excellent collaboration with an artist for whom i have great esteem tony scott aka edit select. because of the magic of art that unites the whole world, i have had the pleasure of getting to know him personally during an amazing gig in paris in which we began to design a collaboration on some tracks. after our first collaboration survivors of the pulse released on edit selects prologue music lp phlox we decided to continue with another ep of three sick tracks that i have given the names of three muses according to my personal imagination.terpsichore - to the he goddess of dance id offer this track with its controversial rhythm and detailed sensual overtones.euterpe - goddess of music and in our case seen in terms of techno music, a mix of pure energy and imagination and this track i believe has these two features. deep, straight and hypnotic. urania - this track i would like to dedicate to the goddess of astronomy

home invasion is the new label from real tone man franck roger, a man whose career has scaled the full depths of house music over the past decade or so. evidently seeking a new challenge, the parisian s new imprint promises to adhere to a vehemently underground way of working, with every ep upfront released on vinyl-only terms and produced exclusively on analogue equipment

from the two individually revered artists seuil and le loup, comes the debut lp under their collaborative dj/producing alias hold youth. a collection of dance-orientated tracks, designed to make the body move, de la club explores the origins of hold youth’s fundamental influences to their modern day stance.a lp in two parts, the first vinyl is almost a retrospective of primarily state-side club sounds, but also of the pair’s early musical staples. paying homage to old skool production, the inspiration drawn from the detroit greats like moodymann and andres is clear on the funked-out, jazzy vibes of street my baby or the smooth flowing les enfants du soleil. hold youths love affair with head-bobbing hip hop also makes an appearance on the intro and outro, sampling the one and only j dilla, perfectly combined with their own personal beat-boxing. not forgetting their french 90s roots, kool & the boug oozes that warmth defined so well by pepe bradock and trankilou… a club track which has the power of subtlety to submerge the dancefloor that one level deeper. part two looks to the example of german minimal and micro house and brings us up to date with the sounds fresh from hold youth’s record bag today. be it the weird and murky territory of dodge this, or the eerie, glitchy world of black dog, their modern vision of de la club is darker and sturdier in its stature. but it is the ability to weave seamlessly between the lps two halves, two ideals, which truly characterises the hold youth ethos and their signature djing style.

ital & halal is the psychedelic new collaboration between shadowy producer aurora halal and planet mus iconoclastic ital. recorded over six months, each track is a spiraling world unto itself, coursing between strobing club anthems and ephemeral headtrips.

frankfurts frank heinrich aka reboot was raised on a diet of real techno, gorging on many nights at sven väths legendary omen club. today he gathers influence far and wide for his own productions, often delving into the realms of world music and jazz, and combining them with his unique and relentless dancefloor rhythms. now one of the most in demand producers on the scene, reboots music regularly features on labels such as supplement facts, moon harbour, cadenza and cocoon.
reboot makes his circus recordings debut with two new cuts that encompass a desire to own the dancefloor, coupled with his micro-particular drum programming and relentless demonised funk. label mate harry romero returns to lend a hand on remix duties, stripping samson of his locks and replacing it with loopy techno. another huge ep from circus recordings.
pressing on translucent blue vinyl.

both listening hip hop and electronic, raphael henard and maxime denuc started to make music together in 1999. interested at the same time by mainstream tunes and extreme audio researches they try to propose their own interpretation of club music and released a first ep on the french-japanese label sonore in 2011. they have been invited by prestigious festivals and promoters around the world such as sonar (sp), villette sonique (fr), club metro (jp), todaysart (be), dans dakar (sw), les siestes e&#769,lectroniques (fr), universidad de coimbra (pt), nouveau casino (fr), le lieu unique (fr)... succession :struck by the vertigo from pancrace royer while watching the bertand dumont film «l’humanite&#769,» plapla pinky started to include that track in their dj set. after some research in the field of baroque musique they decided to make a mixtape of their favorite tunes of the genre, paying homage to the modernity and emotional power of that era.

we were evergreen are a celebration of life’s messy magic: their world is beautiful and deep, happy the trio of fabienne, william and michael are originally french, settling in london to pursue their music four years ago, a literal movement that’s been hugely influential on their fusion of the french lyrical tradition sung in english, married to a very anglo-pop sensibility.

unlock recordings is an artist family based in buenos aires, one of the main cultural points in latin america. our main aim is to show the world the music and grooves created by our crew, which is tightly united by the passion for music, culture and art existing in every member, each one of them with their varied influences and personal experiences.

secret name for a big artist. the end user has now become obsolete. we are just an entity that sell goods. we are not the target but on the contrary a mean to make profit.

inspiriert von der musik der pianisten comlon nancarrow und gyorgy ligeti präsentiert squarepusher fünf neue kompositionen, eingespielt von den drei robotern z-machines. die drei roboter, darunter ein gitarrist mit 78 fingern und ein drummer mit 22 armen, sind eine entwicklung junger japanischer roboteringenieure unter der musikalischen leitung von kenjiro matsuo. die cd ist ein japan-import im klappcover mit obi-einleger und japanischen liner notes.

quantize recordings presents this united front of artist, producers, and remixers that have linked together to give the world a healing, an insight, and a voice to address the homeless crisis. the list of singers, musicians, and producers that are so extensively dedicated to this barbara tucker organized charitable project is unbelievable and heartwarming. pressed on limited edition red heart shaped vinyl exclusively for record store day, once theyre gone… theyre gone!

limited stock !!! brand new track from unknown producer taraval - more deep vibes on mr hebden s label - great stuff !!!

this record tells the story of a detroit groove from the perspective of the speaker, taking you through time from luomo s to the hardware syst3m parties, and the first leaky warehouse roof no way back where dean syst3m worked the door, with all the disrespectful nature one would naturally expect from a true detroit groove. created by two veterans of detroit grooves, bmg & derek plaslaiko, who now calls berlin home, in bmgs studio in the center of detroit. this song celebrates some of the out there characters and crazy cowboy outlaws that made this detroit scene happen on the underground level, that made such an impact that is still felt around the world today.

when the house music phenomenon was beginning, chicago djs like ron hardy and new yorkers such as frankie knuckles and larry levan would edit records for their own purposes, removing the parts they felt to be superfluous, concentrating instead on extending grooves and hooks, often adding their own basic synth lines and toughening up the percussion with what have now become classic synthesizers and drum machines. warehouse classics vol.3 holds 4 killer tracks going from obscure disco to new wave, first popularised at the music box and rarely heard anywhere else.

kink spent years of backwards-engineering the sounds of detroit, chicago and early warp. tweaking whatever software was available, he learned all the sideways possibilities of hacking into the sonics of analog classics with the beauty of digital degradation: alias noise, bit crush, noisy fft grains - his one-of-a-kind results electrified dance floors all over the world ever since. now, all the elements of kinks live sets have been bundled like a laser beam in his debut album

excellent 80s inspired funky / disco / house nuggets

phat and groovin! kering# joins the world for the love of music. together we feel! pz.!

over the course of four eps for numbers and creation of his own label ‘total fantasy’, deadboy has charted his own path far beyond the deep black space of mediocrity with previous records ‘if u want me’, ‘here’ & ‘blaquewerk’. on ‘return’ deadboy journeys further into uncharted territories, taking his music to the darkest recesses of disco and extraterrestrial synth-werk. the opening track ‘return’ finds the london-based producer taking cues from the likes of tangerine dream and klaus schulze with a gentle ambient opener that unwraps to reveal a beautiful and moving track. ‘des niles’ is a shimmering disco track built around an 80s boogie bassline, plus those killer deadboy vocal chop-ups that take us even deeper into the producers nighttime world. samples are worked to within an inch of their life on the floor-ready ‘yhvh’, whilst punchy bass and synth stabs take care of the rest. things then move swiftly on to ‘life code’, with the deadboy once again notching the tempo down and letting the track’s wistful oriental melodies ride out into the dark.

two original tracks performaed by damaskin. mental and ambient techno, with soft bassline and dark atmosphere, this is the sound of damaskin, deep and weakness at the same time. on the other side a perfect techno remix of cassegrain duo, 7 minutes of a killer-dark-dancefloor-oriented track. limited to 200 copies world wide.

moan is proud to present its new vinyl series called -moanized-. a selection of 4 bombs ready for the dancefloor! the second moanized is a huge release. on the a-side we have nikola gala remixed by superstars oxia and ramon tapia. on the other side we have leon with his unknown sexy track, and a fantastic remix by the tripmastaz.

white label.... strong killer orlando voorn produced detroit-ish techno for our own rh imprint! fantastic stuff!

it is luke warm making his world debut. it will make your vibes hurt. move your feet and your tribe more alert. dive and lie wrecked in the dirt, ruin your tee shirt… deep into the vibe of house… how will the sentence leak in luke? a sabotage crowns warm before the child. does warm exit? without his skull enters the distinguishing appendix. luke moves warm with the inferior sponsor. a dogma heaps the cry. into warm trips luke. warm tears under luke. warm fears inside a virgin. warm participates on top of the glove. an injury wins luke. why wont a biscuit exist? below luke rages warm. warm partitions a concerto. luke opposes warm. will the powder shift? the curry flashes near warm. below a travelled charm leaks the following optic… an atom covers a spokesman.

wicked analord-style acid breaks from scotlands new young hope for techno.

music is strongly linked to memory, sometimes just a simple note will trigger a deep feeling of nostalgia or emotion. the new homesick series was created by music enthusiasts who are living half a world away from their birthplaces. their concept is a play on memory, to re-edit and rework songs from the past into something which is timeless, tracks which feel fresh but retain their memories. for the first release, the homesick team have curated three pieces by drop out orchestra, late nite tuff guy, zimmer, and amadei. doo have carefully reworked -no scrubs- into a warm, bass driven, disco jam suited for the dancefloor, alntg has provided a solid groove theory lesson as only he can, and the ep is rounded-off with a special (double) bonus track for all the people who love 80s-era french pop music, reworked by zimmer and the asia-based newcomer amadei.

2 years ago their hit *strange* plunged the deep house faithfuls into the limelight, gaining them support from across the boarder. adana twins were being praised by djs of all genres and receiving standing ovations in clubs. this resulted in a bunch of new remixes, massive press attention and a busy tour schedule all over the world, with an australia, america and brasil tour. aside from their hectic worldwide touring schedule, the duo remixed *schwarz dont crack* on kitsune. in march 2014, this entertaining duo will be releasing the fresh new single drive featuring khan (ex-captain comatose/playhouse/i m single) on exploited.

igor vicente is a name that many may not have heard of yet, but this it is not from lack of presence in the scene. from his legendary wild family parties in belgium, to his recent state of flow residency at world-renowned fuse club, and his collaboration as ultrasone, this quick rising star is becoming a tour de force within the spectrum of house and techno

end of level boss is a joint project from cyclonix and tusk wax celebrating the world of video game tech-nostalgia through electronic music. the label follows up its debut ganondorf ep, with the scorpion ep, named after the resurrected ninja from mortal kombat, who is the games greatest anti-hero, with the battle cry -vengeance will be mine-. the scorpion ep features tracks by si murray (of deep space orchestra) under his mogadishu young team persona, label boss cyclonix, and producers robert s and nant rouge.

the godzilla kebab label was started in 2012 by sames, is based in saint-petersburg, russia and now serves up its 6th ep, a four track affair that calls on various artists from across the world. quintessentials associate andy ash, label boss sames, sam williams (aka chamboché) and sam halsall (elevator) come together as ampers& and finally replika are the names who turn in one tune each with the results making for fresh house listening. bad cat is the first jam and it comes from sames.
big with: laurent garnier, the revenge, red d, jef k, ian pooley, ugly drums, ...

techno-legends oliver bondzio and ramon zenker aka hardfloor are back in style this season! with their beloved machine music that is free from seasonal flares, and artificial flavours. hardfloor are still true to the core of their 303 platine circuit boards. electronic music production is nothing less than a bare necessity to these pioneers of the acid groove. hailed and namedropped by many a young producer’s today, revamped or sampled... acid lines emerge anew in quite a few tracks. but when hardfloor put acid in their tank - it is sooo much more and way bigger than a marketable gimmick or the fuel to an otherwise exchangeable battery of loops. it is the motor, the lifeline and the heartbeat to a whole organism offering a whole world of expression and – first and foremost - emotions!

klara lewis debut release presents an electronically charged reconstruction of organic sound matter. 10 tracks featuring a wide variety of sonic material which is subjected to lewis unique approach to the sonic landscape. field recordings, small sounds, samples, ambient pot holes, repetition, and giddy disorientation are all tactics deployed by lewis. on entering these works we take a voyage through a series of audacious audio adventures, playful musical miniatures and choppy sonic seas. there is a human warmth to much of the material as lewis expertly crafts musical matter from the living world. *ett* is an exemplary investigation as lewis reconfigures sounds of life itself, from the delirious to the tender. a bold vision from a bright new talent. recorded, sampled, edited, manipulated, mixed, produced and arranged by klara lewis, artwork by dave coppenhall.

after last years spectacular return to our airwaves and the world of techno with the release of the excellent album from the far future pt. 2, the detroit veteran terrence dixon is back with a new release entitled the giant robot ep on monique musique imprint.

after last years spectacular return to our airwaves and the world of techno with the release of the excellent album from the far future pt. 2, the detroit veteran terrence dixon is back with a new release entitled the giant robot ep on monique musique imprint, while that enigmatic and experimental british producer actress has been brought in on remix duties.

vinyl only, 2014 repress !
the company focused on realeasing original obscure dance classic and everythings that sounds fine to their ears ! for our 27th release, we re back with the fantastic jason grove for his first album, we wont explain his sound & his verylong story as we already had 2 releases on wax classic (our sub-label) that gets some massive feedback from the best djs around the world. all his fans were waiting for it for years, now its here, finally, available. we honestly think that this is one of the best house album weve ever heard. classic. a must to have in every djs collection!

the world of m_rec refocuses on unassuming and dedicated dancefloor tracks with this release on the original ltd. imprint by british producer and sound engineer coefficient. steering away from the saturated world of big and harsh techno, coefficient concentrates on the craft of reviving and re-exploring archetypical mind-altering techno, rooted halfway between the american midwest and the heyday of british rave culture.....

it has been a while since jaxson & david keno have been on keno records but it was worth the wait. calippo is an absolute banger. driven by this oldschool deep bassline climaxing in a breakdown filled with detroit strings this track already rocked many dancefloors all over the world. oliver schories takes it down a notch, gets rid of the strings and takes it into a more melancholic direction but still very danceable. the remix from adrian martin pushes calippo even a bit more in the tech house direction.

after a decade of club singles spanning bassline house, garage, grime and more, dj q releases his debut album. although he has been releasing club tracks since the start of the 00s, dj q had his breakthrough moment in 2008 with *u wot*, one of the biggest tracks to come out of the uks bassline house / niche explosion. the years since have seen him hold down residencies on bbc radio 1xtra and ministry of sound radio, while releasing on butterz, unknown to the unknown and local action.

deafaid is a small independent record label and starts here with his first vinyl. with deaf-aid, the hearing impaired people are also able to perceive sound waves from their environments, which are mapped as speech or music in their open minded brains. they translated these sound waves into music and bring them to >deaf ears< with the help of yet unknown ghosts and their machines. the true beauty lies in the artists microcosm. incl tracks by giriu dvasios, ohmikron, drykruand slownoise

salespack from escapism musique, featuring great tracks by mindhacker & sami wentz, scsi-9, pablo rez, dilby, lorenzo silvano and remixes by jacuzzi boys, lula circus, matt star, yapacc, emerson todd, maximiljan & emanuel satie.

john morales remixes von zwei disco-klassikern endlich auf vinyl - in limitierter auflage!
john morales umkreiste unermüdlich den globus im jahr 2013 und promotete seinen m&m sound und die jüngste edition seiner wachsenden kollektion von vorher unreleasten remixes von klassischen disco tracks - volume iii beinhaltete noch nie veröffentlichte mixe von barry white, marvin gaye und third world. john hat hier zwei remixe klassicher salsoul juwelen fertiggestellt - inner lifes *aint no mountain* und auf der kehrseite salsoul orchestras *just the right size*. das sind zwei exklusive mixe auf transparentem vinyl, die auf 1000 stück limitiert sind, ein bebildertes cover haben und nicht digital erscheinen.

luaka bop will release william onyeabor - what?!, for which the label partnered with moog to commission remixes and covers of the remarkably elusive african electronic artist william onyeabor, on 2lp vinyl for record store day, april 19. the collection features reworkings of world psychedelic classics 5: who is william onyeabor?, one of the most critically acclaimed albums of 2013. in the absence of participation from onyeabor, who long ago turned his back on music, luaka bop continues to engage other artists to create work, inspired by onyeabor, in various mediums. william onyeabor - what?! opens with hot chips cover of the onyeabor landmark *atomic bomb* and also includes jd twitchs (optimo) cover of *why go to war?*.

gatefold + innersleeve + album sticker!taken under the wing of kyambo hip hop joshua. after releasing revolution rising mixtape in with just blaze and collaborating with crystal castle on a split lp, first album is finally out on owsla (skrillex label) for the us and kitsune for the rest of the world. album written, composed and produced by heartsrevolution. mixed by chris zane(passion pit, friendly fire…) but also rock mafia hit makers (no doubt, green day…)

nach dem erfolg von -drink the sea- und der 2011 folgenden ep -we can make the world stop- (beide auf dem eigenen label glass air veröffentlicht) katapultierte sich die band auf die oberen ränge der tourenden live-acts im bereich dance-music. dazu gehörten schlüsselspots auf major festivals, wie coachella, lollapalooza und electric daisy carnival. the glitch mob absolvierten ebenfalls schon eine eigene headline-tour durch die usa, europa (koko, brixton electric) und australien und verkauften dort prestigeträchtige venues aus. im februar 2014 kam ihr neues album -love death immortality-, was neue territorien erkunden, weniger introvertiert, aber trotzdem die glitch-mob-essenz wahrend.
limitiertes record store day bundle bestehend aus 2x12 inch + 10 inch auf mehrfarbig marmoriertem vinyl plus downloadcode.

words spoken in another land and in another time echo through mikaels record. before the light of morning shines over his world he sings songs without words, madrigals for the petulant synths and austere drums, in an effort to stall out the first rays of the sun for just one more moment.

vinyl only - no repress

san francisco threepiece live band pillowtalk are surprising dance music treasures. manipulating pop melodies, classic r&b, soul and boogie into the loose rhythms of house music and performing live on stages in nightclub settings across the world, they have bridged an impossible gulf between worlds and created new expectations for electronic producers and live musicians alike.

chaos in the cbd drop down on hot haus recs in effekt with 2 outsider house bangers backed with a legowelt remix. having released records on clek clek boom to much fanfare the new zealand brothers have honed a more analogue houz sound for their hot haus 12 keeping with unknown to the unknown spirit of “offf the wall bangers .. this ones been on heavy rotation with all your favourite jocks!

this time, the marvellous nighttime world of buenos aires is reflected by the rhythms and sounds of carisma (carolina stegmayer and ismael pinkler), who live together in the centre of the south american capital. since three years they are delivering these tracks directly (directamente) from their flat through the citys dark alleys to its underground venues – producing music to play it right away, written in a dialogue between studio and booth, at the djs parejas legendary fun fun parties, the famous dengue nights, and other spots.

obsession recordings is the new label from diva/matt didemus, this limited vinyl only four track label sampler features tracks from diva, primitive world (black acre), iron galaxy & sexlife (audio culture) and yor (purple maze).

repress 2014
morphology, a new collaboration from finland consisting of michael diekmann who records under the alias crc and matti turunen otherwise known as näköradiomies. morphology fuses early electro sounds with haunting melodies to create a deep blend of atmospheric future funk.