london based axe on wax is back after a stand out ep with the likes of boo williams, dez andrès, jordan fields and steve murphy. this is a very special ep, the first from axe on wax for record store day. the a side is an original piece from anaxander, who has released on labels like love notes from brooklyn, poker flat and tasteful nudes, with the help of benjamin muller on the keys. the b side includes the remix from another chicago house legend which is glenn underground.

next purple disco machine house wax incl solomun remix !

twin tribes is a dark synth duo based in brownsville, texas. formed by luis navarro (vocals, guitar, synths, drum machines) and joel niño, jr. (bass, synths, vocals) in 2017. they gather their influences from the dark side of the 80s. darkwave, post-punk and cold wave are only some of the genres that the band summons using analogue synthesizers and drum machines, bass and guitar. dark melodic sounds, lyrics of the undead, the occult and parallel universes are what conjure twin tribes.

star wax, the famous french magazine, invites diggers factory for its 3rd compilation on vinyl. and what a compilation! we are proud to offer you exclusive tracks and quality music with this funk / hip-hop / oriental compilation, with tracks from 1976 to 2016 by artists such as geraldo pino, chayeb chbab, janko nilovic, 47soul, quiet dawn, sa’bat machine & tam ly, ahmed malek, last bongo in paris, or doc strange.

we are living in precarious times. a senile, racist old man prone to temper tantrums has his tiny hands on the controls of the most powerful military machine the world has ever known. a handful of his (no less dangerous) international business associates and personal friends possess more collective wealth than the rest of us put together. the oceans and forests of the planet are dying slow deaths by asphyxiation, force fed 300 million tons of single use plastic garbage every year, and the temperature, both literal and rhetorical, rises the world over with each passing day.

frío y vacío is a band based in méxico city, formed in 2015 by the prolific angel kauff (vocals, guitar, synths, drum machine) and jon gil (bass, drum machine). angel also created his more synth orientated stockhaussen and isotropía projects, jon is also half of the identik fact project, the other half being his twin brother jeremy key who in turn is the guest vocalist in frío y vacío s song autodestrucción . what frío y vacío do is a reflection of their name, meaning cold and void . they have been influenced by different music genres, from post-punk and goth rock to cold wave and synth punk, all with a classic 80s sound. the lyrics are a consequence of kauff s personal experiences and feelings. the music, a maelstrom of fast rhythms, sharp guitars, thumping baselines, everything to create an oppressive atmosphere, charged with a high load of electrostatic power that is released in almost every song. pure, dark energy. note: limited to 265 hand numbered copies - comes with download code and lyrics insert

forty six knobs machine by unbroken dub is the first release from nikita zabelins label, resonance moscow. based in the russian capital, the label focuses on electronic music from towns and regions nationwide. unbroken dub is the stage-name of denis safiullin, well known to domestic audiences as a member of the hot wax team. that project comes from the industrial city of tyumen, sometimes called the hydrocarbon heart of russia. winter temperatures in the area can fall below 45c. denis is a long-standing aficionado of analog synths and continues to experiment with all manner of samples. those two trajectories produce a high level of originality, especially when he enlists the support of leading club figures from around the world. denis release for resonance moscow is excellent proof of this bold experimentation. all three tracks on forty six knobs machine use the rokton, an antique soviet drum synth.

limited to 100 copies, chas burns has been producing house music since 96, originally with engineer simon vinyl junkie, and later andrew macari (filter flow). as well as producing under flow he also co-owns low pressings (with hernan cerbello), beat code, boxa records and more devotion (with ben racz). -put my shit on wax- first appeared on the shelves of record stores in 2004. it s release was boxa records (which is still going today) second release. the original press was of 600 and was out of stock very quickly. now you ll need to pay l50 for it on discogs, unless you snap up this highly limited repress (100 copies only - be quick!).

focusing on deep and raw vibes, strictly wax and classic beats, the - montee louis ep- has been directly imported from bellevue ii, libreville gabon, africa & it has been produced by the great bernard da smoove. mpc-filtered deep house with some darker & menacing rhythms, a1 - hudson budd- kicks off the a1 with a meaty 4/4 kick drum which slowly finds itself surrounded by ghostly pads and even more haunting synths. a2 - thrawbock- mutates into a more light hearted house jam for the heads, with its vocal infectious sample. b1 - strctly move - goes back into familiar, smooth deep house territories but still retains his magic touch, able to transform even the deepest of basslines into something both unusual and musical at the same time. b2 & b3 thrawbock 88 & strctly move 88 are the 90s hip-hop (!!!) versions of the same tracks above : insane !! first time we heard it we thought, hell yeah, the production is just terrific & indeed there s a timeless quality to the intricately programmed drum machine rhythms, the drifting chords, warm

first dbl 12 inch on nilla of the two dutch masters, roger gerressen and ivano tetelepta. build from wax is the first part of their sample-based series, which covers field recording and fragments from the past, reconstructed to the future by the tools of drum machines and analog warmth, with the classical flavour of techno and house era. nilla rocks again

tusk off-shoot horn wax unite two kindred spirits that span house musics generations, emerging new yorker pixelife and legendary london pirate stalwart yusuf complement each others work with timeless grooves and serious respect to the source. as a result, both of these cuts are littered with analogue heaviness and acid funk. *filament in strata* wafts with big synth chords and mischievous 303 squiggles while *wardrum acid* lives up to its name in every way. proof there is still heaps of life in the old machines, these will resonate with all ages and tastes. limited hand-stamped hand-numbered 180 gram vinyl 12 inch.

played and supported by sasha carassi, chris liebing, perc, speedy j, alex bau, tommy four seven and various others!
advanced human returns to starkstrom with this amazing piece of wax. futuristic and banging at the same time, this collectors item will be coming on strictly limited orange transparent 10inch vinyl!

highly recommended! marieu comes back with an amazing solo e.p. on his own label enlightened wax after the worldwide success of his first work, heavily played by the most appreciated underground djs. as usual, this record has been written, mixed and produced only on dusty machines and recorded on juicy magnetic tape. the opening track, >ancient times< is a capturnig fat deep house track with a subtle female chant and space-station pads a2, >heat eninges< is build on an heavy ground shaking bass, a wagging latin piano riff. big claps, and sharp cymbals. funky and relentless, its just an essential choice for every swingin dj. on side b,>radiant< develops on a solid bass drum a filtered house groove making a breach to a charming jazzy piano and a blues voice. a complete feeding for every hungry dancefloor b2, >spectrum<begins with a dark hypnotizing groove enlightened in the middle of the track by an uplifting motorcity pad. striking and suggestive.

including lyric sheet and code for free download of this album.

egyptian lover, alden tyrell, dexter and jamie jupiter jamming together in rotterdam and dropping a hot piece of rocking dance music on wax

we are living in precarious times. a senile, racist old man prone to temper tantrums has his tiny hands on the controls of the most powerful military machine the world has ever known. a handful of his (no less dangerous) international business associates and personal friends possess more collective wealth than the rest of us put together. the oceans and forests of the planet are dying slow deaths by asphyxiation, force fed 300 million tons of single use plastic garbage every year, and the temperature, both literal and rhetorical, rises the world over with each passing day.

das zweite album der schweizer produzentin kate wax - nach ihrem 2006er debuet -reflections of a dark heat- auf mental groove - wurde von james holden co-produziert und erscheint auf dessen label border community. kate bietet auf -dust collision- eine unkonventionelle, vocal-gelockerte, darke version von post-electro-pop, unterlegt von einer minimalen synth-aesthetik.

the complete 1967 film score by akira ifukube on element x radioactive green colored 180 gram vinyl.

cool collection of 90s british bass techno on 2 lp, coloured pressing

fourth instalment of mr bongos record club series on black double vinyl.

fourth instalment of mr bongo’s record club series on limited pink double vinyl.

part 4 of the mr bongo compilation series on double vinyl.

cool collection of 90s british bass techno on 2 lp

tribal pulse is 5 years old, and we re celebrating with a special series of vinyl and compilation releases, and parties in some really insane locations, including a unique birthday celebration in the beautiful highlands of scotland. first up we have boom merchant s i see the future available on 180g vinyl and containing contributions from italian slammin techno kingpin johnny kaos and maltese 303 sniper acidulant. the title track is a morphing, energetic futurist techno cut. a powerful, bass-driven groove works alongside complex analogue percussion sequencing and growling distortion before detroit-style chords and atmospherics move in to take you higher, before slamming you back into the dark groove once again. this one is a real bomb waiting to go off. for sub mission boom merchant combines forces once again with johnny kaos, and in keeping with the theme of the ep, the results are dark, distorted and full of flavor. the track roars through lashings of sub and relentless machine bleeps, drums and noises, jumping in and out of breakbeats with a monster reese bass chasing you down from start to finish. to round off the ep, acidulant does what he does best, stripping the original back to its bare elements, looping the vocal and creating a roland-heavy roller full of squelchy goodness. we see the future, and we are bringing it to you on wax. we hope these tracks put a smile on your face.

chris weeks has been building up the kingbastard catalogue for a long time now, generally taking a self-reliant approach in the underground electronica scene where cd-r releases reign supreme. hes been a key figure on ambidextrous since the label launched back in 2008, and now he s committed to wax with a range of crunched up leftfield sonics for the machine-loving crowd. anxiety is a melodic cut with a house-minded structure, but theres a lot of production acrobatics and compositional swerves taking place within this framework. scatterbrain is more overtly out there, tapping up the kind of heavily processed sounds that producers like paradroid have championed in the past. data loss strike a heavy blow somewhere between dubstep and electro, and data ctrl ups the tempo for a rabble-rousing exercise in mind-bending machine music

after a track, a tape and an ep released on acid waxa, opal tapes and dream ticket, respectively, binary digit logically sees his first lp, 38000 summer hits, released on stochastic releases.
this new album comprises 6 tracks of edm: emotional dance music. they were made and recorded during the hot summers of 2016 and 2017. everything you need then is freshness and coolness and this is exactly what they are giving. they combine the overall positivity of the summer and the melancholy caused by the insistence of the heat, of the light, of the endless nights. they were played directly from the machine to a 1/4’’ tape, which explains their very natural and direct development. 303-like bass, gnarly hi-hats, heavy kicks and digital licks are still to be expected here.

following up to three albums on kompakt since 2011, the latest being signs under test (kom321/komcd119) in 2015, los angeles based house and techno producer john tejada returns to the cologne-based imprint with his thirteenth full-length, dead start program - an eleven-track journey spanning a prismatic array of styles and patterns, from john s signature soulful techno tunes to the further mazy, hypnotic motifs of his trancey electro hybrids. be it solo or through a host of multifaceted collaborations, tejada keeps himself busy on all fronts in and off the club environment, be it by contributing the 44th number in fabric s seminal mix series, playing drums for detroit legend daniel bell (as dbx), testing the limits of acid with tin man or joining forces with the hilarious self-proclaimed disinformationist reggie watts as wajatta. since his beginnings and the drop of his debut 12inch, waxing , released through his own label palette recordings over twenty years ago, john has been carving out a lane of his own combining and assembling elements from all ends of his wide-spanning spectrum of reference in a way that allows a more direct transition from the realm of the mind to the circuits of the machine, as confirmed by the deliberately limited studio setup used in the making of the present album. navigating across the lines, from the arrhythmic machine spook of the album s opener autoseek via the straight out thumping and jacking pulse of hypochondriac and heavy-lidded breakbeat of sleep spindle onto the kosmische-infused vibrations of telemetry, vibrant slo-mo inertia of loss and wistful club-ready winds of duty cycle and heal, john threads his way through genres and tempos with optimal chameleonic effect. cloaked in a beautiful sleeve art courtesy of johns long time friend juan mendez aka silent servant another key contributor to the los angeles scene worldwide

tr one return with 4 very different tracks recorded in one take at their studio in the irish southeast. a month has passed uses a dubbed out aesthetic merging influences from uk bass and detroit using shimmering melodic progression. the boutique of never ending dreams works towards a synth laden dreamlike peak. the printer duly merges playful chicago drums with an organic chord structure to create a head nodding funk. finishing the ep is road to the sea , a pensive sway of dubby sonics masked in a fog of reverb. tr one are an established name in the irish electronic music community and are known for their energetic and engaging performances as djs. they have received critical acclaim for the raw soulful productions from their studio in hometown carlow, ireland. they have gained respect for their ability to deftly move between the lines of genres with a strong sense of adventure and connection with detroit/chicago/dublin machine soul. from this they have released music on lunar disko, apartment and fine art recordings, with the strains of the us midwest never far from sonic influence. they have worked in a range of styles from old movie soundtrack disco with new jackson to punishing techno sharing wax space with the phantom planet outlaws.

ikeaboy is the intermittent project from damian tubbritt, who first debuted the moniker more than ten years ago. it s been a long while since any fresh material from this deep cover curio of oddball techno hit wax, but now wicked bass have done the honourable thing and gathered up this excellent trio of tracks. shape memory plies a funky line in squelchy bass and jangling delay trills, while living in the future opts for a more mysterious, pad soaked trip into spooked out electro. on the b-side dayna sports some forthright drum machine beats and epic sweeps of synths that only serve to confound any expectations you might have about the sound of ikeaboy.

finally the long-awaited second series of invisible family outings has arrived.label boss and compiler gk machine has this to say beyond ecstatic to get these tracks out. the gazeebo track i ve been playing in my sets for years. digital only but so great it definitely needed to get pressed onto wax! i would dj with it using ableton and speed it up a lot so for the vinyl i asked jon (nedza) who ive been a huge fan of since his community recordings releases on grayhound and imperial dub, whether he could speed it up a little bit before we pressed it up. now its 100% perfect: a moroder-esque cosmic stomper thats sure to set any dancefloor alight. the apiento track is another one that s been gestating for a long time first appearing around the time the original e.s.p. 12inch appeared on the wonderful golf channel recordings in 2014. secret circuit gave it a complete overhaul, in fact several complete overhauls, plus some of his signature guitar and has turned the already blissful track into an afro-esque, trippy, beautiful, beautiful piece of music that (imo) is one of his best yet. utterly gorgeous! then there s the boy-girl retro-future duo der kundalini coming from the wonderful lectric sands stable in ny who gave us zoovox. this one s also been hiding on my hard drive way too long! finally relative newcomers konzel (of junto club/optimo music fame) & natural sugars (pardon my french) round off the package just perfectly. the former so distinct that i felt it was a perfect opener for the a side. so, i hope you dig it and keep an eye out for the super limited 12-track cassette too! limited to 300 hand-numbered copies.

limited to 300 copies
for their second release, 12th isle proudly fling blubber tottum into the waxen sonic abyss for your full listening pleasure. the inaugural lp drubbed from the glaswegian machines of cru servers is perhaps best framed as what it would sound like if early life took its first steps out of the primordial gloop, dragged itself ashore, decided to make dance music and discovered they had a knack for it. it dangles precariously in the fault lines between discordantly melodic rhythm tracks, steadily paced chaos and swamp-soaked bass oddities. laden with eerily familiar samples yet always in a world of its own.

cazeria cazador records have been purveyors of the spikier end of techno and electro since their genesis in 2016. this, their first various artists compilation, is a ruff n’ raw reflection of the labels life to date. producers russell, aurelius98, tomas urquieta , mas569 and mucho sueño combine on this hot slab of dark wax tripped and wired with intelligent stutter-gun drums and machined funk.

john shima has been quietly plying his trade in techno soul since 2010, shoring up on labels such as boe recordings, contrast-wax and firescope. now he inaugurates distant worlds with another fine clutch of introspective beats delivered with a classic early 90s feel. it s hard to ignore the influence of b12 on -renegade-, while -machine works- takes on a moodier tone without losing that inherent warmth that makes his music such a pleasure to listen to. -veloc- reaches for a heavy-lidded euphoria, and then -troglodytic- makes for the consummate b2 track by heading out into ambient pastures, showing off shima s synth skills in fine style.

arvid whetman has plenty going for him at the moment. as sexazoid he s dropping all kinds of off-kilter machine beats on excellent labels like born free, while as your planet is next he builds on appearances on junk yard connections, waving hands, opal tapes, studio barnhus and klasse to deliver this chirpy four-tracker to acid waxa. from the twee vocals to the playful synths and straight up drums, this is club music crafted for an immediate hit. whetman makes this approach work magnificently though, liberally applying his musical personality to lo-fi deep house and roughshod acid, with heartbreaker being a firm favourite thanks to its fulsome 303 bassline and hooky vocal mantras.

having released on shifting peaks with label mates such as trevino, youandewan or mak & pasteman, modular synth aficionado cutoff!cutoff! is finally delivering his first wax on the berlin based toys imprint. toys affection for uk club sounds is mirrored in the ep s title track -shifted- that nods towards the british dance music tradition with its ravey pads and vocal snippets amidst heavy hitting stabs. the drone sounds and gnarly synth of volatile delve deeper into a sinister atmosphere. the relentless machine groove of this modern take on underground techno is aimed at warehouses and basement clubs alike

after almost two decades, dan pius album self education (moto 003) finally gets the vinyl treatment it deserves: the best tracks extracted from dat tapes, pressed on wax and renamed to living in fear for cartulis music s fourth release. even though the original and incredibly exclusive cd was heard and appreciated in the years around its release in 1999 from djs such as jeff mills and carl craig, it was virtually impossible to own (only 30 copies were made, ever). despite its rarity and status, cartulis choses this masterpiece for one principal reason: the music. an exhibition of an innovative era, of heavy duty machinery (roland juno 60, roland juno 106, roland tr-909 and emu vintage keys, just to name a few) and of fine craftsmanship (using his own samples and playing the keys himself), the album opens your mind and ears to interconnecting styles of ambient atmospheres, electronic-instrumental hip hop, and signature dance-floor killers self education and living in fear. not only for fans of dan piu and his subsequent labels (moto music, deepartsounds, no acting vibes) but for any music aficionado that appreciates a deeply cult classic.

fedbymachines has been active for almost a decade now, lurking in the undercurrents of netlabels and digital releases. now shipwrec shine the vinyl light of this shapeshifting musician, an artist who has ably turned his hand to a dizzying spread of styles. this skill is amply shown on his first wax release, relapse ep, where a glut of genres are fed into the machine. ambient. electronica. techno. electro. all are combined to create a textured sound, one of delicate strings, ghostly clicks and static. ochre closes the quintet with a remix, one that amplifies the organic nature of this absorbing encounter.

a regular contributor to figure spc, it was jeroen search who both started the series and also put an end to its story. with this creative chapter neatly closed, he is now bringing his ever-impressive work back to the main label. across the ep the dutch artist doesn’t stick to one style, instead he lets his infamous machines roam about freely. they take us for a smooth ride along swaying dub chords and gentle ripples until bellowing eches slowly rise above a hypnotic groove.?on the b-side search then pulls out all the stops and barges right in with fidgety claps and whirling bleeps, leaving the track itself gasping for air. this is the renowned ferocity of his live act - carved into wax! ensuing the sonic assault, a simple synth figure emerges stoically over an almost housy bounce as nostalgic rave strings bring the ep to an epic ending. firmly rooted in the past while always looking forward, jeroen search clearly is still on the top of his game. he simply keeps coming up with timeless techno - time and time again.

the long awaited ninth release from going good is here. the first live incarnation of naples infamous mystic jungle collective. analogue improv captured live in front of an audience of around 100 people in an art-space in the city. sprawling across 2 sides of wax uninterrupted and encapsulating the tribe s cosmic drenched machine funk live in napoli is a fascinating document of a crew formulating something that touches equally on boogie, new age, house and esoterica with ease while oozing the sophistication and singular style the mjt have become known for in recent years. recorded in 2015. released by going good in 2017.

the latest in cold busted’s 7” series – featuring previously digital-only cuts now enshrined on wax – comes from accomplished polish beat-maker emapea. known for his contributions to the iwymi and bust free compilations as well as his widely lauded album seeds, roots & fruits, emapea has been recently selected for inclusion in mark farina’s next mushroom jazz installment. so the time is ripe to get funky and fresh with this prime beat-maker’s new 7” single. this one goes out to the b-boys, as “b-boy stance” grooves with its ‘70s-style car chase guitar, feet-shuffling rhythms, horn splashes, and energetic vocal drops. every b-boy needs a solid b-side, and here you’ll find “b-boy theme”. this one transports the floor to a raucous block party complete with breakneck scratches and energetic drum loops, alongside ‘70s funk flourishes that’ll get any private dick – who’s a sex machine to all the chicks – quickly moving his hips.

device control is jake reifs new solo production outlet which draws equally from the pools of early wax trax and medusas with the hybrid pit jack of early farris or rush. machine made yet with a soul, all four cuts are for the true hyper jackers on the floor, tested and recomended. born in new york and spending his formative years in the mid-west, jake reif has served time amongst some of the best, producing alongside both mystic bill as well as reade truth releasing well recieved 12s on rong music and a break out remix on snuff trax in recent years. back in the day you could catch jake clocking hours working at sonic groove records among a motley crew of heavy hitters whilst honing his talents.

device control is jake reifs new solo production outlet which draws equally from the pools of early wax trax and medusa s with the hybrid pit jack of early farris or rush. machine made yet with a soul, all four cuts are for the true hyper jackers on the floor, tested and recomended. born in new york and spending his formative years in the mid-west, jake reif has served time amongst some of the best, producing alongside both mystic bill as well as reade truth releasing well recieved 12s on rong music and a break out remix on snuff trax in recent years. back in the day you could catch jake clocking hours working at sonic groove records among a motley crew of heavy hitters whilst honing his talent

expanding on their psychedelic-soul sound, the 11th sky continues the surreal storytelling of last years aeons ep, which also featured kimbra and deva mahal on vocals. the brand new album is described as david lynch meets motown by frontman and producer mara tk, and indeed, a sense of the otherworldly is present here within ewh s layered electronic production and maras soaring vocals. tracks like go slow walk into the genre-fog amongst drum machines and synthesizers. meanwhile i light a candle with it s piano, chopped vocal samples, towering strings and 808s strikes right at the heart of soul music. electric wire hustle s last album love can prevail found support from the new york times, bbc radio and wax poetics, and won best electronic album at the new zealand music awards, continuing a track record of critical acclaim that started with their debut self-titled album. the 11th sky is due out on september 30th on lp, cd

here you go, the first va release on my label propaganda records called >zbirka<, made, in the best traditions of wax, on 180 gram inside-out black vinyl in a gatefold sleeve and with very special inside-out cut. nastia

phlowgod returns to salt mines for the labels third outing. fracking head first into the sweat stained catacombs with the 20062 ep. slowed down club burners and pneumatic drum machine workouts leave us with a sweat soaked slab of wax.

waxtefacts swings by the block with a bunch of ep’s from the crew. first off - strip steve with the dog days ep. landing on the a-side - cause it’s cold outside cools up the vibe with it’s evolving racing mood which is set to shift temperatures across any room. whatever u.b. pushes you back where you came from and gets your inner you dancing with the other inner you. for machine gum funk, strip steve teams up the mysterious dj storch for a live jam that captures the moment. capo puts the crown of the ep with teleporting you to the land of dreams where we will leave you hanging until the next wxtfx release.

e.o.s. is the acronym of evod, oisel and syntaxism. the collaboration is born togheter with a new catalogue of evod music, called evod excursions. luna nuova is the first of the 8 releases planned on trasparent 7inch vinyls. the collaboration project was born to blend the main sonorities of each artist, with no borders of experimentation. all the sounds were created and processed with analog machines, live recorded. the final result is a track splitted in x and y on the wax, a full side and an ambient side, respectively.

last spotted on the exaltics’ solar one imprint and the hague’s notorious bunker label, enigmatic producer q-chip unleashes a 6-track ep on gnosis, following the labels inaugural release from myriadd (aka mantra). ‘access consciousness’ is the logical 21st century progression in an electronic music lineage that can be traced from the blueprint laid down by kraftwerk’s ‘man machine’ aesthetic through drexciya in their various incarnations. armed with his machines, q-chip harnesses the energy of pure voltage and sculpts it into sonic visions of the future, whilst acknowledging the rhythmic foundations of electro. this is music that is in essence synthetic and yet at its core human. immaculately produced and conceived, utilising precision tooled beats, deep analogue basslines, eerie glacial synth work and economical vocals deployed to maximum effect. dynamic and inventive arrangements ensure this slab of wax will be in the crates of many discerning electro djs long into the future and should appeal to any ears seeking science fiction through sound.

culled over the naïve bedroom sessions of early university, “chillax” is akin to blaring an extra hot mixtape from a junky deck in your car on your way to cape canaveral to see the last space shuttle leave earth, all while trying to speed run kirby’s dream land on your sister’s gameboy color.
heavy sampling tends to drive this jeep and give it some character, many popular/unknown gems lifted from various dusty tapes and wax procured from thrift stores and vinyl throughout northern florida, cheap drum machines are clumsily slammed against it all and keep everything in a familiarly dance-y zone, while amateur chords and melodies are provided via guitar center synths and youtube ripped commodore 64 blips and stabs (note the cheeky nintendo voices as outliers). a fusion of analog discoveries and pixelated memories (melded together by the relentless florida heat), its an apt soundtrack for long and wistful road trips.