if you re going to launch a label, it s always wise to start with a bang. that s exactly what newcomers audio visual have done here, recruiting detroit veteran terrence dixon and chez damier cohort michael zucker (boss of finale recordings, no less) for a four-track trip into deep techno and intergalactic house. dixon goes deep into the groove on the hissing, intoxicating deep techno roller -mta-, before delivering a touch more melody on the retro-futurist gem -over the top-. zucker, on the other hand, opts for a jaydee-does-deep house feel to -foundation (part 1)-, before setting off towards the heavens with the deliciously deep, smooth reflections

skylax 136 arrives in the form of a killer ep from none other than lady blacktronika. most will know her from her own imprint, sound black recordings, where she has served up some of the best deep house and slo-mo beatdown to come from the us since the labels inception in 2010. such a stellar output has led many to refer to her as the first lady of both the genres she frequents, and with this new offering of pure-grade deep house, she shows no sign of letting go of that title.

silverback recordings welcomes back the phantom (real name bartosz kruczynski) with the longawaited full length debut lp 1

more seminal techno from the kms vaults. bounce your body to the box gets a timely re issue in original artwork. 1988 really was a vintage year, includes a derrick may remix of the sound.

nice price deal !!! xenogears is the name of the first studio project of marieu and lucretio, also known as the analogue cops. with this moniker they released a bunch of seminal techno cuts on the first chapters of their restoration imprint, back in 2007. tracks which were played by legends as anthony shakir, claude young and the suburban knight. now the xenogears are back with their first album *lost artemis*, showcasing their distinctive fast, detroit-inspired hardware techno. the album features a collaboration with their usual collaborator nomadronin (with whom they run the label bratha) and with the talented producer known as objekt. all the tracks are characterized by a strong fascination for hi-tech synthesizers and rusted vintage gears, a fast pace, and a minimal approach to live mixing. they have explored the subterranean territories between post-atomic noises and apocalyptic breakbeats, finding a way to equate machines with funkiness in an open battlefield.

klara lewis debut release presents an electronically charged reconstruction of organic sound matter. 10 tracks featuring a wide variety of sonic material which is subjected to lewis unique approach to the sonic landscape. field recordings, small sounds, samples, ambient pot holes, repetition, and giddy disorientation are all tactics deployed by lewis. on entering these works we take a voyage through a series of audacious audio adventures, playful musical miniatures and choppy sonic seas. there is a human warmth to much of the material as lewis expertly crafts musical matter from the living world. *ett* is an exemplary investigation as lewis reconfigures sounds of life itself, from the delirious to the tender. a bold vision from a bright new talent. recorded, sampled, edited, manipulated, mixed, produced and arranged by klara lewis, artwork by dave coppenhall.

subtext presents the debut album from the london based american electronic musician eric holm. the release brings together a collection of recordings produced on the arctic island of andøya, an outpost 300 kilometers north of the arctic circle.

julien bracht was one of cocoon recordings and cocoon artists rising stars in 2013.

slammin phunky house, classic vintage analog synth chords and stabbs, soulful vocals and groovy drum beats

shipwrec proudly present one of the pioneers of dutch electronics. for some twenty years vincent koreman has been honing his sound, releasing on a plethora of labels such as bunker, kk, viewlexx, mighty robot recordings and his own angelmaker records

andy meecham is a man of many musical incarnations and has been since the early 90s. following on from projects like the now dormant bizarre inc and revived dub-disco duo chicken lips, it is as the emperor machine that he explores his most experimental sounds. to date there have been three full length albums on dc recordings after the project was initially started with the idea of creating music using just one synth, the roland sh-3a. the results lay out the staffordshire mans love of vintage synthesisers for all to see, and combine tough edged disco beats with more cerebral cosmic melodies into alluring soundscapes that bend your mind and drive your feet. as well as a slew of 12s and lps, the emperor machine has also turned his hand to remixes of giants like moby, daft punk and royksopp, and has previously taken a live and inspiringly psychedelic incarnation of the project to clubs and festivals across the planet.

pedro vian is pettres new alter ego (hivern discs) and half of the duo aster (hivern discs / mathematics recordings). after releasing several tarcks in different record labels and sharing his dj sets around europe, pedro vian launches his own platform with the purpose to promote new coming artists and publish his most intimate productions. under the brand name. modern obscure music he will present his first release in mid april 2014 in an analog format.

vincenzo returns to dessous recordings with something a little special. merry go round features the stunning vocal talents of language aka kaori kaneko, a haunting, drifting and highly affecting piece of music that sounds like nothing else.

fina records marks its fifteenth release with borrowed indentitys *bang bang boogie*, a four-track single of rugged house and disco grooves. romanian born now germany based borrowed identity has been releasing gradually creeping out his electronic compositions since late 2011, releasing through reputable imprints such as supplement facts, pets recordings and quintessentials to name a few. picking up support along the way from leading names such as mike huckaby, move d, brawther and delano smith.

quell has had an impressive run these past 6 years, having presented an impressive array of releases on premium labels like ibadan records, tsuba, cadenza, these days and 8bit. 2013 was about to be heavily marked by his debut lp on ibadan and few 12 inches on 2020vision recordings. now, in this early 2014 we are proud to welcome on board this great artist who provided us 3 monster tracks of pure rough house full of dubby elements, extreme grooves and vinyl sampled screams, be ready to smash the dancefloor!

the diversity of the beats and bass scene is reflected in the rotterdam based label lowriders recordings

spanish artist cuartero debuts with the dynamic abandonado ep on desolat x the desolat x series welcomes in spring with a package of peak-time house rollers by spains rising star cuartero, who has already caused a stir with previous releases on labels such as viva music, moon harbour recordings and butchs bouq records

after one & and a half year without editing bloop recordings (lisbon) returns with magazino #22 is the track and the remixes are from well-known brett johnson and tiago marques. vinyl only.

mario weise aka marlow ist definitiv kein newcomer mehr in dieser szene. er veröffentlichte bereits eine palette cluborientierter tanzmusik seit 1994. während der vergangenen 20 jahre bezauberte uns marlow mit releases auf prestigebehafteten deutschen labels, wie dem leipziger moon harbour recordings, dem berliner label konsequenz oder dem hamburger room with a view, um nur ein paar zu nennen. jetzt ist es an der zeit die karten neu zu mischen und marlow bei sonar kollektiv willkommen zu heißen. nach seinem remix für das kürzlich erschienene *re-set* von alex barck feat. pete josef, präsentiert er nun seinen ersten richtigen release auf dem berliner label. *backroom* ist ein verspieltes, bassgesteuertes sing-along im gewand von leichtfüßigem pop/house, was eher auf der heimischen anlage oder dem ipad erklingen wird und definitiv grenzüberschreitend die funkhäuser okkupiert. die b-seite beinhaltet einen weiteren herausragenden track, der den myteriösen namen *l4l (vertigo)* trägt.

stompin at the savoy – live (1983) was a major commercial success for rufus and chaka khan, reaching #4 on billboards r&b albums charts. this double-record set features three sides of live material recorded over multiple dates at the savoy theatre in new york. the band stunned packed audiences with an energetic set of old favorites and new material, such as *tell me something good*, *you got the love*, *sweet thing*, *at midnight (my love will lift you up)*, and *do you love what you feel* as well as *what cha gonna do for me* from khans 1981 solo album of the same name. the d-side includes four new studio recordings of which two were released as singles, *aint nobody* and *one million kisses*. *aint nobody* became rufus final #1 r&b hit and won them a grammy award for best r&b performance by a duo or group with vocal in 1984. the song was featured in the movie breakin and its soundtrack.
pressing on audiophile 180 gram vinyl, housed in gatefold sleeve.

po folk sees berlin newcomers make a welcome return to klasse recordings, their second ep for the label is a stripped to the bone work-out of all killer no filler.

next up on crazylegs, two fiendishly addictive garage cuts - and the first vocal material on our label - from a young veteran of the uk underground, wolverhamptons trc. one of the key players in the late-2000s bassline scene and more recently a prolific grime producer, trcs crazylegs debut sees him on dazzling form: crisp 2-step drums, trademark floor-shocker basslines and melodies so catchy you won t get them out of your head for weeks. on the remix front, a real special pairing: the legendary el-b moulds come bring it into a vintage garage banger, while beneath follows up recent tectonic & keysound releases with a hypnotic, sub-fuelled rework of you & me.

we are happy to welcome oscar barila as society 3.0 recordings artist - one of the most outstanding producers of the spanish electronic music scene with more than 70 releases on top labels such as trapez, kling klong, material series, suara, plastic city, acker, einmaleins, musik gewinnt freunde, parquet, bondage or king street. introducing his first release *moonlight ep*, a conceptual ep dedicated to the moon, including four tracks in totally different styles, from techy house to deeper elements. superbly worked ep that will surely be a feature in many sets, one to watch!

oberman knocks original version (white) is a laid-back affair housed within a glassy place of worship, echoing with monastic vocals, strings, wind instruments and field recordings, which are offset by synthetic beats, funk bass and entwined sleazy vocals.
in contrast autechres remix (black), panning out at just over 17 minutes long, is everything that you wouldd expect from the duo – a frantic, fractured and detailed to within an inch of its life piece, that has no need to build, but instead unravels and mutates into what is an unmistakable autechre crescendo.
whilst both versions play out at opposite ends of the tempo spectrum, what connects them is that they are both emotional machine music with guts and vigour.
repress in standard sleeve.

uruguayan guillermo miranda is no stranger to cynosure recordings having released a number of eps in the past as of the defunct super duo monoblock. following a path to the dancefloor similar to his past collab releases with martin teysera guillermo steps it up and delivers a bomb combination of chunky house groove and futurist techno sound design with the dragones y otro cosas ep

limited to 300 numbered copies. brand new label out of london town! alex & digby channel vintage perlon vibes on this debut 12 on their flash as a rat imprint. stripped back, rolling numbers with an unforgettable vocal loop on the a-side. these will cause absolute devastation on the summer terraces!

torrebros (numoment recordings / komplex de deep) is a french duo delivering in melted faces a subtle collage of samples and original floating textures. melted faces original mix reminds, by its driving beats and low-slung bass, the early nineties detroit moisture. borrowed identity (mistress recordings / quintessentials), a german-romanian producer, which last productions has been released on dvs1s new imprint mistress, gives here his layback and savoureuse interpretation by rearranging the original sample groove. dj steef (retrofit / gomma / numoment recordings), the mysterious french producer, finalized the ep with 2 more deep and downtempo remixes with a catchy and seductive rolling bass perfectly seated on a powerfull drum loop pattern.

memoria ltd is a vinyl only label from the dutch imprint memoria recordings. musical art combined with amazing paintings on the covers. unique & limited.

ovum recordings kicked off the 20th anniversary with a stunning release from chymera. after the melodic chymera, we are taking you back to the darker side of techno with the follow up ep from steve parker.

home invasion is the new label from real tone man franck roger, a man whose career has scaled the full depths of house music over the past decade or so. evidently seeking a new challenge, the parisian s new imprint promises to adhere to a vehemently underground way of working, with every ep upfront released on vinyl-only terms and produced exclusively on analogue equipment. ogers re-tracing of his roots pays dividends too, and whats most striking about the labels debut outing, the simply-titled home invasion 02 ep, is how very different it sounds to vintage real tone planes. gone are the whimsical, celestial deep house hues so favoured by the latter, and in there place is a series of cuts that expertly toe the line between house and techno without resorting to generic soundscapes

luca lozano, owner of klasse recordings presents this majestic 4-track ep on optimo trax. inspired by the past but sounding the antithesis of retro. in his own words.... the optimo trax ep was born out of a time when i was listening to a lot of old bleep house and rave, early 90s uk stuff. growing up in sheffield i was lucky enough to spend some time in warp records when it was still a record store and being around this music and the people that made it must have somehow embedded itself into my psyche. listening to pirate radio stations like fantasy fm as a teenager helped shape my musical interests as they are today and i guess this ep is somehow a reflection of that education, i wanted to make a collection of music that sounded like it was related to a certain place and time and in effect confirm my own identity within its context.

nice price deal, only standard cover !!! wph 021 hails the return of spains nacho marco, who was responsible for wph 010 together with raoul lambert. for his wph comeback our valencia kid has teamed up with the vocal talents of aqeel, bringing you the acidic soul masterpiece *open*. think deetron on a dark day! on remix duty we find young wph buck kiani & his legion who came up with two remix versions. his basement remix will go well info any levon vincent set and his normal version is vintage kiani. that says it all really, vintage kiani, after just 6 tracks officially released. raw belgian talent at its very best!

starting off 2014 with an italian/manchester collaboration - the 3rd release on el diablos social club sees dj rocca (ajello, erodiscotheque, crimea x) & chris massey (electric elephant, paper recordings) join forces to bring us a selection of spaced out, chuggy goodness with just a bit of a nod to certain croatian festivals. drug chug kicks things off with a plodding 4/4 infused with cosmicesque swooshes & whooshes along with a bassline to rattle the funktion ones. whilst synths reminiscent of the time & space machine add that much needed touch of psych to proceedings. shone takes the party to late night in the club where spiky 909 percussion meets chunky analog basslines before dropping in with distorted & reverb drenched piano chords that guarantee to leave a lasting impression on both the head & heart! remix duties come in heavy on this release with craig bratley dusting drug chug with his own style of studio fairy dust to knock it up a notch that will surely please those who have followed his sounds on andrew weatheralls bird scarer imprint, robsoul, foto, is it balearic, instruments of rapture and his own magic feet label. lastly edscs very own head honcho neil diablo tackles shone and lays off the epic-ness and brings a straight up basement chugger. this release has grit & oomph balanced with a good helping of sunshine infused warmth that will ensure its place in the boxes of both house heads & balearic boys all over!

amir alexander returns to plan b recordings and delivers an extraordinary four-track ep that includes his signature jacking house style along with that plan b grit. all four tracks are dance floor heaters and some of his best material to date.

the young french producer and dj oliver andrade returns to dessous recordings with his brand new, fresh for 2014 ep, madness

limited edition of 500 vinyl copies in special die-cut sleeves.
oberman knocks original version (white) is a laid-back affair housed within a glassy place of worship, echoing with monastic vocals, strings, wind instruments and field recordings, which are offset by synthetic beats, funk bass and entwined sleazy vocals.
in contrast autechres remix (black), panning out at just over 17 minutes long, is everything that you wouldd expect from the duo – a frantic, fractured and detailed to within an inch of its life piece, that has no need to build, but instead unravels and mutates into what is an unmistakable autechre crescendo.
whilst both versions play out at opposite ends of the tempo spectrum, what connects them is that they are both emotional machine music with guts and vigour.

a new line (related) is the latest venture from lancashire-based andrew johnson (hood/remote viewer/moteer). utilising tools from the early days of home produced underground dance music (such as sk5 sampler keyboards and vintage drum machines) andrew has unearthed a beautiful album of downbeat, lamp-lit techno, industrial grade ambience and sonic experimentation which at times recalls early warp records, gescom and raw, 313 area beatdown house, as well as the more modern breed of electronic and techno travellers such as actress, mark fell (late period) and even theo parrish (the slow sound of your life).
the double vinyl lp includes a downloadcode for the full album.

here is the fourth rutilance recordings release! a guy called jay shaw from the other side of english channel offer us an ep called outre manche ep with 4 warm traxx. enjoy the leeds bassline!

parquet recordings is back on vinyl! lets start with this excellent most wanted ep including 4 of the most succesful & supported tracks of the last month! already big dj support by maceo plex, hernan cattaneo, riva starr, kolombo, wankelmut, nick warren and many many more!

juju & jordashs three-track debut right outta amsterdam on the brand-new dekmantel recordings.

here it is, our new release comes from the far west coast of the usa, from a total american,a blend of the north and south continents, the scfi xicano: santiago salazar. he is a long running veteran, ambassador of the deepest techno, founder and president of thehistoria & violencia imprint, sandwell district cooperator. if you are into techno, this guy needs no introduction. for his debut in our label, santiago provides four pieces of soulful electronic music suitable for mind or body dancing, slow tempos, vintage drums, resonant pads and heavy synth workout.

wonderwheel recordings is proud to present the remix 12 inch for alsarah & the nubatones. called the new star of nubian pop by the guardian, the album, silt was produced by alsarah who describes the sound of silt as east african retro pop – it is music that harkens back to the hazy sounds of 1960s and 70s nubian music with its haunting instrumentation, soaring vocal melodies, and pentatonic arrangements.
the original song *soukura* a small taste of the upcoming album silt (out on 3/11) gets a signature deep and entrancing ancestral soul remix by african house legend boddhi satva. perennial wonderwheel favorite the spy from cairo gives *nuba noutou* a dubby dancehall re-rub, and label head nickodemus takes *rennat* into late night house territory with his remix, letting only the slightest of vocals come through and build tension until the final moments of the tune.

travelling to our extended network at the other side of the globe, we welcome australian producer safire and his very first dispatch recordings ep. emerging as one of the dark horses of the label of late, his debut ep consists of five superb tracks that combine raw elements with sophisticated production, to bring some of his best music to date. leading on from *power of thought*, safires contribution the transit 2 compilation, he heads straight for the jugular with title track *homeland*. deviating into 140 bpm territory on his second solo effort of the ep, *face your fear*, safire proves he can master all tempos. having previously joined forces with other artists for dispatch in the past, safire completes this ep by collaborating with yet more high profile artists. working with dlr on the ruthless *hurdles*, adding infectious vocals in *timeline* with cern, and sending out warning signals with minor rain for *transit*. each track is brought together with meticulously assembled drums, an ultra-high level of technical quality – you can expect to see a lot more from safire in the future.

travelling to our extended network at the other side of the globe, we welcome australian producer safire and his very first dispatch recordings ep. emerging as one of the dark horses of the label of late, his debut ep consists of five superb tracks that combine raw elements with sophisticated production, to bring some of his best music to date. leading on from *power of thought*, safires contribution the transit 2 compilation, he heads straight for the jugular with title track *homeland*. deviating into 140 bpm territory on his second solo effort of the ep, *face your fear*, safire proves he can master all tempos. having previously joined forces with other artists for dispatch in the past, safire completes this ep by collaborating with yet more high profile artists. working with dlr on the ruthless *hurdles*, adding infectious vocals in *timeline* with cern, and sending out warning signals with minor rain for *transit*. each track is brought together with meticulously assembled drums, an ultra-high level of technical quality – you can expect to see a lot more from safire in the future.

scythe squadron recordings is a polish label launched by osmo, athar, art00r & moon. the idea of the label is to release the best acid techno and techno tracks by talented, new rising stars from all over the world.

cocoon recordings keeps on celebrating the arrival of the new year and with our second release in 2014 we present rars first 12inch for cocoon recordings.

the first release is always a big milestone for any label. in our case the first one (astrac ep) is also a long anticipated one, the title track waiting to be released for a long time. so far there is nothing ordinary about ztrls career as he had a big fan base without a single release or a dj gig. as a result of his ongoing inspiration by ricardo villalobos and encouragement from a:rpia:r s petre inspirescu among others he sharpened his producer skills which yielded astrac ep, another 2013 release on pluie/noir recordings compilation (pluie/noir year one) and an independent release on soul.on records titled >soul two< which was also remixed by the hungarian laurine frost. on top of his producer activity hes an avid record collector and a regular guest on uks rejam radio show, hes also done a podcast mix for the romanian nightclubber webzines unknown 500 series.

compass point, muscle shoals, sun studios, studio one, cargo studios, spaceward studios : all seminal recording studios. here in glasgow we are very fortunate to have green door studio which is a free thinking hub for wild, original creativity and great sounding analogue recordings.

kris wadsworth is an increasingly rare breed of artist that flat refuses to play industry games and pander to current trends, focusing on the darker, more uncompromising (and more honest) realms of electronic music. releases have steadily clocked up for such esteemed imprints as boe recordings, nrk music, alphahouse, get physical and morris/audio, landing on hypercolour for 2009’s impressive ‘deport this” (and subsequent single “mainline”), and it is for the eclectic and forward thinking uk label that wadsworth aims his second full length player at.