up next on balans is a brazilian old school house & techno talent extraordinaire. he operates under the monniker betek and has only one release on black stripe under his belt so far. this is about to change, because he will be a regular on the imprint from now on.
hailing from beautiful rio de janeiro, you might not expect an artist who is dedicated to old school roland drumcomputers and bassline machines. betek clearly has a big love for the edm past, but takes it well into the new millennium with a fresh angle.
you can expect more of betek this year!

souvenirs kid-brother, re.you - is all grown up & showing of his muscle. having previously worked with his brother phillipp with remixes under their belts for &me, turntablerockers and m.in. - now under his own guise he brings a new danceable creepiness to the label as he partners up with hometown hero, rampa of souvenir & keine music - well-rounded producer & dj extraordinaire, versed in the sways of shake - for the >our thing ep<. re.you grabs the a side on his own…with a rework of >ghost< by hamburg duo phantom/ghost - with a haunting vocal that is foggy & vague >relax…its only the ghost…< - matched with excellent guitar underpinnings, and a strong percussive sway…distant & smoky, >ghost< does the trick. the b side brings rampa & re.you together for >awareness< a deep, dark track with a chugging bassline and a heavy, syrup-soaked vocal

nice price deal !!! rippertons wonderful perspectiv imprint look to kick off their 2011 vinyl releases with the bribe em with candy ep. a debut on the label for german duo motec and daniel gelbe under their production pseudonym, eve white. some exquisite house tracks on this ep. lead track sugarbabe with its velvety tones and chocolate coated piano chords is the most delicious of starters. backed brilliantly by its timeless dub. its the cymbals that initially stand out on feel better. the open hats and ride shimmer alongside the twinkling keys. its unique vocal is underlain by an acid line thats contrast to the other elements, is the real key its success. rounding out the ep is anything goes. with pianos being the instrument of choice for eve white, its no surprise to find that the ivory rain-drops and warm throb of the rhodes are key here. this really is the finest of sunset and sunrise territory. bring on the summer!

new ep from our man m.in and his partner under the kaufmann & ferdinand alias. funky funny tracks perfect for style rockets.

kaelter & draussen proudly present their first release on pulz schallplatten- strictly limited to only 300 copies! a variety of tracks - sure there is something for each taste: deep house-grooves, straight minimal-techno and a dark experimental after hour bomb that goes under your skin.

art-nr2 is the third release in art records remaster series following on from carl craigs >psyche/bfc< and kirk degiorgios >nairobi ep<. promenade eleven lives up to the billing of those illustrious predecessors, being a reverse-engineered remake of >night on the promenade< which originally appeared in limited quantities on the new religion label in 2006 under the name >super-a-loof<.
labelled at the time as a successor to classic techno tracks such as derrick mays >the beginning< and rolandos >knights of the jaguar<, this re-make will finally bring it to the wider audience it deserves via the art label.
promenade eleven (original mix) adheres faithfully to the original arrangement but has been re-recorded and totally remixed from the ground-up for a modern club sound.

never losing the musics immediate physicalness out of sight, the driving, bass-heavy energy of alex picones tracks set club floors on fire. still in his twenties, hes been a dj for fifteen years. having never aimed at quick fame, his career is exemplary in its endurance and commitment: he hosted parties in his hometown of padua and became resident at seminal italian clubs. after a stopover on ibiza he now resides in berlin. alex picones first record under his real name is also his first release on cadenza and his most successful so far. the three tracks of fahrenheit tie in with the overboiling force of floppy and furby. while the rattling snaredrum adds a humorous touch, the uplifting groove of inside out pushes on the limits of the energy levels of contemporary house music. yet the heart of the track is the relentless bassline, which liquefy ones body and melds the crowd and the whole club in one torrential stream of tension. with lost in burning man, alex picone fuses an oldschool electro groove in his house beats. this unexpected encounter might remind one of kevin saundersons hiphouse sound. but instead of indulging in nostalgia, the breakbeats add a provoking, startling touch to the track. with the rotary bassline and the playful jaws harp of mandarin, the ep ends on a comical note. alex picones second cadenza is a challenge to a certain house sound that became too accommodating and glossy. his musics driving force pushes the crowd beyond the threshold of the established into a space of limitless indulgence

support by richie hawtin, super flu, gorge, toni rios, stephan bodzin, phonique, afrilounge, kombinat100 and many more. auf seinem versteckten spielplatz hat der fruehling bereits vollen einzug erhalten, die warme luft ist erfüllt von heiterem gelaechter und überall bewegen sich nackte fueße rhythmisch im grünen gras. was mollono.bass auf seinem debuetalbum zum besten gibt, offenbart nicht nur einen überaus entspannten charakter sondern auch eine sehr eigenständige und unverkrampfte definition von elektronischer tanzmusik

nonplus+ label owners instra:mental have been working away on solo projects in 2011 with al bleek working under his boddika alias and kid drama as jon convex. here we have boddikas first output on nonplus+ after his debut on naked lunch in 2010 and prior to his forthcoming ep on swamp 81. his work has been supported by djs across the board such as benji b, oneman, scuba, shy fx, martyn, ramadanman, joy orbison, leofah, skream and zed bias amongst many others.

some days passed by and now its just time for the next episode of danjel esperanzas musically diary. >das kleine nachtgespenst< describes the story of the little ghost who comes every morning.three songs of spooky wooden notes, deep strings and acoustic instrument snippets. you listen to cold whispers here and there, doors creeking, footsteps and strange noises. all combined as always with warm pressing basses which are goin under the skin and take you on a spooky dark trip.

the legendary skatalites, alongside the later studio one in-house bands - the soul vendors, sound dimension, soul defenders and brentford road all stars ? were as much a part of the classic studio one sound as were the singers that they accompanied such as alton ellis, horace andy, marcia griffiths and bob marley and the wailers. this album features many of the musicians involved with studio one who literally defined reggae music. from the skatalites members tommy mccook, roland alphonso, jackie mittoo to killer sidemen such as trombonist vin gordon (a/k/a don drummond jnr), saxophonist cedric im brooks, keyboardist and twelve tribes of israel member pablove black. many of the rhythms that these musicians created became the back-bone of the jamaican musical world and their songs have been replayed and re-versioned by 1000s of reggae producers ever-since. the album features classic and super-rare tracks all recorded under clement ?sir coxsoneÊ doddÊs supervision at the legendary recording studio and record label. as well as sixteen killer tracks the album comes with new sleevenotes and photography by dennis morris and adrian boot making this another essential studio one reggae release for connoisseurs of reggae and newcomers alike.

reissue of the divinity ep by walt j, originally released on dow records in 1997. this is the first release on the walt j series on fit. and we are happy to see this because somehow walt j always stayed a bit under the radar, even tho he released some great raw detroit techno tracks.

coloured vinyl arttu aka lump has already built a respectable backcatalogue over the last years, delivering deep dubs and far out disco extravaganza… but this ain t a lump thang! under his real name arttu s about to bang the box in a classy warehouse style - raw minimal shit with an edge and unpredictable arrangements…timeless! thanks for purchasing a real copy!

somfay makes his debut on detroit underground with four tracks of opiate bliss entitled >bright black borealis< inspired from within the corona of lucid dreams. slowing down the use of his birth name on his work, this is the last record he will release under the name somfay for some time while he focuses on developing his various new projects under several aliases.

hot off the heals of the core series reissue of >i feel the rhythm<, slow to speak offers its latest edition of prescription family represses: glenn undergrounds >mighty real groove<. released under his early moniker, c.v.o, >mighty real groove< beats into even the most stubborn ears the truth of trent & co.s collective of hand-picked mid-west talent. the 1995 masterpiece is a devastating, pulverizing party-rocker that utilizes the used and abused sylvester sample so typical of the disco era and re-cultivates its simple universality in a way that avoids the cliches of discos expired optimism. add the smart chord progression and one of the most un-subtle, chest-reverberating, entrails-twisting, thor-hammering bass lines ever to grace a deep house record and you have >mighty real groove<: a party jam that still wields the musical elegance and warmth of the prescription catalog. hammered to death by theo parrish & so many more, this time-tested c.v.o classic has signed up for a second tour of duty, spreading the true underground gospel to those unbelievers who still dwell in the mansion of shadow and despair

perhaps record of the year 2011 ! great ... carl craig, seth troxler and american artist kid a all make vocal appearances on sebastien devaud s, aka agoria fourth album, impermanence. the record will be agoria s first album on his own label, infiné music, which over the past few years has put out lps by apparat, clara moto and francesco tristano

supported by: wehbba, ramon tapia, nic fanciulli, satoshi fumi, dubfire (sci+tec), juliet sikora,.. here we are with a new floorshaking tech house project by marcus schmahl and michael schickert called msms. you could know marcus schmal under his aliases broombeck, guardner or rauschfaktor who released on labels like utils, both are friend for two decades and decided to enter spring time with chrystal-clear sound, housy beats and a deep flavour. their first productions were released on starlight unlimited and heatflow so lets have a short look on what they are presenting on plastic

french hard techno king greg notill back in his favourite roll as king cannibal! teaming up with barbers & slugos he is ready to destroy some fresh meat. leaving it half dead after he crushes your skull with his devastating bass drums. no need to boil, greg loves his meat raw to the bone.

special series returns with another hot dj tool for all djs and fans. the year 2011 started with the release of the first album by fer br and it was well received by all media, djs and fans all over the world. from spain to japan almost all the tracks the lp covers are being heard in the clubs today. special series now presents jesus soblechero, another great talent from the world of funky techno producers. the a-side starts of with a remix by raul mezcolanza fresh on the roll with his debut album on patterns! followed by 3 tracks of jesus himself. funky rhythms, old disco feel and pounding beats are the ingredients he will use for his special recipe. have a taste of this, get of your seat and move your feet!

minibar is proud to welcome glucks first solo ep silence-friction. gluck is best known for being 1/2 of minibars super-boy-band ultrakurt and for his sparse solo productions under the monicker spasm. david gluck now returns on his own for a funk-packed house ep, far from all things minimal but still in the purest minibar tradition, in full compliance with official ultrakurt regulations: nonsense as a state of mind, moronic loops for breakfast and cheap bleeps à gogo. get your copy while theyre still legal

the eighth edition of cocoon recordings 10inch series leads us to berlin, where martin müller and daniel stroeter are working under the alias youandme as djs, label managers and producers for labels such as rotary cocktail, 2020vision and compost for more than 15 years now. >raw” is the ultimate soundtrack for the very special acoustic comprehension both musicians have in setting an absolute imperative on the dancefloor by constantly rising noise levels, but without ever neglecting the funk. living in berlin for only a short time, 23-year-old ilario alicante from tuscany / italy has made his appearance by releasing records for cécille, break new soil or sci+tec over the last three years, especially >vacaciones en chile< was an essential part of the club summer 2008. >balance< purifies modern house music down to its essences, using a 2-minute break with a central organ theme to keep your synapses tightly clenched before a massive bass kick unlocks the tension. just a perfect acoustic devotement to the balance of the raw.

produced in 2004, this ep marks an essential shift in the production of stefan goldmann to his modus operandi as a dedicated innovator. he had adapted the barricade guise to induce some serious deviations into the techno realm. yet, heads werent ready and he simply continued under his real name with his major breakthrough works: perlons blood ep and the legendary sleepy hollow tune. hidden from the public, aleko and frantic had built a prototypic aesthetic of rough, concrete-space sounds - reduced dark, metallic percussion grooves, spring reverbs and degraded post-acidic synths. you name it where you heard this sound years later. its revealing how far ahead these tunes were at the time of their creation. they sound more now than many current tracks. aleko is the 4/4 techno version of this soundset, locked-in clonk patterns built around a nitrous bassline. frantic could be a future development to todays dubstep, if it wasnt its actual historic predecessor. add the schizophrenic bass excursion heliotrope and you have a package of painstaking relevance. back then the a&rs simply didnt get it - thats why it took 6 years and the formation of victoriaville to finally bring these gems to light

its been a while, but what can we say, you want the best? you got the best. but you gots to wait, you gots to be patient. so as winter seeps away and the frost melts we at duff disco are getting ready for these sidewalk, hot summer nights, radio bout to blow, small talk under the lights, feel the heat wild and sweet, duff disco returns with his peerless edit series clocking in at a number 5, yeah, a fist full of dollars, the five knuckle shuffle of releases. sticking to the slo and sexy formula >catch me out< and >you wish< are two sultry jams signalling that spring is approaching and all the ladies will begin removing the layers and making the days instantly seem brighter.

psq005 is furesshus follow up 12 inch release to last years trio of tracks (psq002) that garnered attention from ben klock, sigha and marcel dettmann, who continues to play out his music regularly. furesshus bleak and powerful remix of l-ow (psq003) has been criminally under appreciated, and now his second 12 inch on project squared (psq005) will showcase a more house influenced, but still techno at its core, sound with >lucid< and >all i want<.

... around this time, takkyu founded an indie label, >platik<.in 2006, he formed a unit >ink< with hiroshi kawanabe of tokyo no.1 soul set, and released the original full album >c-46< from ki/oon records under inks name. the units second album, >ink punk phunk< was released in august 2007 also from ki/oon records and mueller records sublabel neon. japans matador of techno comes with a new mini - album .takkyus releases havent been available for quite a long time. from now on mueller records will release the music of this outstanding artist. takkyu has been on the scene since the early days. funky techno , clubtools , techno. one of japans best selling techno records now available also

this is the first album oscar mulero has released under his own name, after two acclaimed lps under the moniker trolley route. well known for his skills as a hard-edged, raw and floor-orientated techno dj, his productions go far beyond, digging deep into the intricate landscape of intelligent techno, floating moods, reminiscent atmospheres, harmony and detail. grey fades to green is the affirmation of his maturity as a producer, using both hardware and software in the pursuit of a highly coherent and diverse album.

anyone who advertises on their facebook site that they create music for dogs while working under the name dachshund must have a sense of humor. and indeed, it seems the swiss dj, producer and label boss doesnt think much of sterile production and is prepared to use his sence of passion and fun to create rhythms of every kind in his work. perhaps this is a legacy of dashshunds musical roots: in the 90s he played in various reggae bands, which eventually took him to jamaica. from the sunny islands he brought back a dub influence which can still be heard in his music today. he has already proven, with his highgrade debut on the >group of connected heads compilation, his feeling for up-beat, bouncy rhythms. nothing has changed with his first solo release on highgrade. groovy, original and funky, it booms from the speakers. that the first track is called >stand firm<, must be due to the humor of dachshund: the beats immediately encourage you to do the exact opposite… shake your booty!

johannes mai, the rostock born, crazy drummachine user is back under his john spring attire for a gritty floor sweepin three piece ep on airdrop records. it is with great pleasure that we announce this benzo ep, for airdrops magical number ad 018. the record opens with >playing no more games<, with its old school samples and structure, already set to make some serious floor damage. the title track, >benzo< brings things down a notch, featuring heavy filters and hat action. hands down, >drummachines< and its libidinous basslines win the grit-cup!

head-turning singles >tuff enough< and >take em up< from marcus >shit robot< lambkins fantastic debut, from the cradle to the rave, get reinvented by two of the most talented dj/producers working in electronic music. on the a-side is germanys michael mayers epically inventive take on >tuff enuff<. less muscular than lambkins original, the remix softens things up by placing supple keys under the hardened exterior. the climax is an otherworldly listening experience that literally builds to take off. on the flip, john talabots remix of >take em up< starts like a laidback house party that builds just enough energy when its relocated under disco lights. the haunting opening — a swirling, ghostly blend of elliptical vocals and handclaps — leads to a sonic journey that is as smooth as it is wholly entrancing. this fantastic coupling of tracks is being produced in very short supply, so snap them up quickly!

boys noize and housemeister, 2 good old friends from berlin with a lot of love for analog found together again to rave in the studio. after their first collaboration in 2006 under the name of eastwest, they are now brining us 3 new jams you don¥t want to miss. shizzo is the track youd probably expect from these 2 f..ckers:loud, noizy and stupid! its up and down parts shake the club like you were sitting in a rollercoaster - beware this is not for everyone. nbaxx is a new breakbeat track. breakbeat?yeah! with a hint of inspiration by lfo freak, this one comes quite minimal but hard, just the way these buddies like it. saturday the secret a side on this maxi is a disco-tech track, with moving arpeggios and big melodic break where spheric disco pads cool you down before you and the kids jump up to this piece of 2011 disco music.

hot off the heals of the core series reissue of >i feel the rhythm<, slow to speak offers its latest edition of prescription family represses: glenn undergrounds >mighty real groove<. released under his early moniker, c.v.o, >mighty real groove< beats into even the most stubborn ears the truth of trent & co.s collective of hand-picked mid-west talent. the 1995 masterpiece is a devastating, pulverizing party-rocker that utilizes the used and abused sylvester sample so typical of the disco era and re-cultivates its simple universality in a way that avoids the cliches of discos expired optimism. add the smart chord progression and one of the most un-subtle, chest-reverberating, entrails-twisting, thor-hammering bass lines ever to grace a deep house record and you have >mighty real groove<: a party jam that still wields the musical elegance and warmth of the prescription catalog. hammered to death by theo parrish & so many more, this time-tested c.v.o classic has signed up for a second tour of duty, spreading the true underground gospel to those unbelievers who still dwell in the mansion of shadow and despair

nocturbulous is proud to present his 2nd release. qubo will be feature from label owner himself, jean bruce with two exclusive remixes, from andr dalcan and david carretta. the sound is again under 80s and early 90s influences. qubois now ready to make the dance floor burn

supported by: radio slave, robert dietz, lauhaus, alex celler, matt tolfrey, slam, anthea, konrad black, anthony collins,.. air london presents the debut solo release from adam shelton. already releasing music with subb-an (either as subb-an & shelton or under their sas guise), air trax marks the first full release for adam in his own right, and its one hell of an introduction. both tracks here have been made for the late night hours as adam shelton really gets into his gritty groove with this speaker-busting double hitter. >crazy talk< starts off with a hypnotic rolling drumbeat and a fixating, echoing vocal that builds until the driving bassline kicks in and leaves you hooked. on the flip >do not attempt< is another killer cut with clipped broken beats and crisp hi-hats. a shady vocal, uttered throughout, is swathed in siren cries and more brooding bassline

one off is a 10 inch coloured vinyl series for amp-art artists to release a one off track anonymously, under no name. this means anything goes and the only identification will be a number. future releases on the label will come from linkwood and cottam so that gives you an indiction of the kind of quality we have here. first up on the one off series we have an unnamed but acclaimed producer who delivers this stunning piece of electronic funk.

the spanish duo exium has been working non stop for almost ten years, both on stage and in the studio. after releasing more than 50 releasesin several labels from around the map, this year they will release their first full lenght album under the nheoma records flag. a mature work that explores the darkest corners of electronic music creation, seriously and scientifically.

repress !! blackest ever black is a new london-based label that seeks to re-establish electronic music as a poetic, provocative and emotionally inquisitive force. music by artists, not engineers. its first release is a self-titled ep by raime, a british duo who draw explicit inspiration from the marginal mavericks of early european goth, industrial and synth wave - artists largely omitted from the current master narrative of post-punk history, and who strove to make music at once cerebral and visceral, futuristic and atavistic. well-versed in the language of club music, but rejecting its typically rigid sequencing and arrangements, raime use technology pensively - to convey a sense of crisis, collapse and longing. transporting and disorienting though their work might be, its narratively taut and has no truck whatsoever with the cosmic, its too aggressive and engaged to be called psychedelic.

keyboard masher came to our attention with their incredible debut km editions 1 ep early last year, selling out immediately through the handful of uk outlets lucky enough to get a few. as a fairly under the radar operation from london town, enthusiasts and champions of the good stuff, km have kindly allowed us to help them move the sensibly titled and equally brilliant km editions 2 ! picking up plaudits from titans of balearia like phil mison, moonboots etc, km editions 2 is a heady mix of early 80s, synth drenched boogie (amor & satisfaction), arabic influenced folk-funk (discotheque arabe) and a beautiful alan parsons style mid-tempo jam in the shape of >tartari< really very special indeed...

to kick-start the fina campaign we literally hunted high and low to find an artist and sound that we felt would represent us and give a statement of intent. what we didnt expect was for this search to take us south of the equator and into to the deep southern hemisphere. this is not the first place that you would expect to hear warm, deep underground house but this is exactly what you get with the melbourne based mic newman. and thinking about it, it doesnt get warmer or deeper than melbourne does it? mic is a young producer who we believe is destined for greatness. at the age of 29, hes already had a string of underground smashes on labels such as murmur, tsuba, dirt crew, freerange, and now for fina records. the intriguingly named live east, die young ep (mic riffing on his time spent living in london) sees what mic doing what he does best and demonstrates why his future is so bright. on die young, the tougher a-side, mic keeps the beats solid, and the groove tight and hypnotic, while the smooth chord stabs get right under your skin. prolonged foot tapping ensues. on the flip side, live east, mic takes it a little deeper with ever so subtle disco touches. the vocal sample asks what your name is and to take off your jacket as if to welcome you to a very messy after hours on this mcde-esque low-slung house groove. on remix duty, the on-form jacques renault and marcos cabral aka runaway, lift the track out of the south hemisphere and take it in a north easterly direction all the way to the caribbean – adding plenty of steel drums and pads on their interpretation of live east

thomas fehlmann is integral to kompakt and the labels history. his solo releases and collaborative work with alex patterson as the orb have been some of the kompakts most revered and cherished tunes. following the success of his 2010 full length gute luft (a collection of re-edited versions from his score to the hit documentary 24hr berlin), we start 2011 off with titan one / dfm. on october 16, 2010 thomas fehlmann performed in montreal, canada at the historic molson coors brewery building together with members of the montreal symphony orchestra (osm). together they sought to recreate a version of gustav mahlers classic symphony no. 1 (titan). kompakt is proud to now offer a new recording inspired by that epic concert of symphonic and electronic with a new recording inspired from that performance – renamed as titan one. the hum of cellos and strings conjoin fehlmanns electronics – held together by the sublime, unobtrusive thump of a bass drum. titan one flows with a beauty and edacity that is rarely heard in both classical and electronic music form. the b-side features a new recording inspired from the second piece of the performance - a new version of thomas fehlmanns du fehlst mir from his 2006 kompakt full length visions of blah. reanimated as dfm, the piece again conjoins the different musical worlds in a way we have never heard to such a high standard. a much more upbeat affair than to titan one (of course) bass and keyboards mingle with the symphony the playfulness of the original song rolls throughout dfm. whether as palais schaumberg, the orb, or 3mb (to name only a few alias). fehlmann may have 3 decades of professional recordings under his belt but he continues to prove to the world as being one of the most fascinating and creatively open musicians in his field. this release clearly proves his story is far from over.

lithuania based new producers debut release on endless flight. they have released from future classic, under the shade, mantis and own imprint silence music. their debut track >test< was licensed for the gilles petersons mix cd and supported from ewan pearson. this time they teamed up with nu-disco diva >kathy diamond<. original version on a side is dark, dubby down tempo vocal stuff and soft rocks remix is slo-mo ambient house. the dub version on the b side is a club friendly edit.

patrick rasmussens musical worldview goes beyond the adjectives that are continuously used to describe his music - eclectic, accomplished, experimental. he is a restless journeyman who, as raz ohara, has sojourned in collaborations with electronica luminaries such as apparat and luomo, and has penned solo work of electronic downtempo, acoustic, folktronica, and various points between. most recently, under the guise of the odd orchestra, he changed course again and crafted two albums, raz ohara & the odd orchestra and ii, both explorations of hazy, pastoral, avant-garde pop, grounded by rasmussens soulful and heartfelt vocals.

northern structures (troels baunbæk-knudsen and lasse buhl) are a copenhagen based techno duo. troels has been making all kinds of electronic music since the age of 14 but focused mainly on a long international drum’nbass carreer under the excentric pyro moniker. lasse is a longtime dj and has been developing his own productions, with a background in soundscapes and organised noise. both share a love for the harder and deeper sounds of techno not often found in copenhagen, taking in a wide range of influences from the early uk industrial and dub tinged berlin sound to jazz, experimental electronica and rock. the ambition is to create a marriage of industrial and organic textures by avoiding strict rules of programming and aiming for more of a jam based musical playground feel.

a brand new 4-track e.p. from nick dunton, lovingly crafted on limited edition quality vinyl with original artwork from jon marston.
nick is a highly-respected electronic music producer based in the uk, and probably best known for his work alongside richard polson as the 65d mavericks and their own label surface records. he also has a string or releases and remixes under his belt for others such as inceptive, downwards, coda & blueprint.

limited to 350 copies !!! first release on a hot new crosstown offshoot. focusing on more under the counter, edgier releases, sis delivers a killer ep. gallian is a monster of a track, off kilter beats punctuate a funky ass sparse groove whilst a rich soulful vocal rips the track to shreds. this release is simply huge, the fusing of the soul vocal and spine tingly staccato beats works a treat, a must for all floors! on the flip >machiste< is an epic, of a track, 13 minutes of pure beauty. warm, sub aquatic sounds float effortlessly in and out of the hypnotic rhythms whilst disengaged vocals eerily haunt the track, fading in and as sounds envelop you…wow!!! please note this is a limited release, so get these hot puppies whilst you can, because when they are gone, theyre gone!

all indians no chief. everyone is winning when two like minded souls are sharing their passion under the strobelight. each design strictly limited to 100 copies!!! quality: 100% cotton - 170 - 175 g / m2 - single jersey, preshrunk

all indians no chief. everyone is winning when two like minded souls are sharing their passion under the strobelight. each design strictly limited to 100 copies!!! quality: 100% cotton - 170 - 175 g / m2 - single jersey, preshrunk

2nd remix part with four remixes from mihai popoviciu, sante, marc miroir , matt star !! perfect dj food

following the critically acclaimed debut-release of bob bhamras west norwood cassette library alias teal recordings presents blonde on blonde as its seminal release. this one is surely ment for the dancefloor: an addictive bassline, and a stomping house beat executed as were it a hidden gem dug out in a new york pawnshop. the ubiquitous ramadanman hits the flipside under his pearson sound monkier, with a rehash of blonde on blonde, with subtle references to the original version david kennedy takes the remix to quite different, but equally interesting, places. lush early morning vibes! - a must have! support from, untold, 2562, ben ufo, shortstuff, mosca, pariah.

roberto bosco is a young italian producer with a short but highly impressive discography, citing labels such as samuel l. sessions klap klap, orlando voorns night vision and len fakis figure. lately, he has released on be as one, an israeli imprint thats attracted the tastes of loco dice, gui boratto, kate simko, agoria and gummihz. claudio mate has an unique kind of sound: there is something like classic atmospheres expressed into new spine-tingle grooves, a deep-cosmic-solid journey or more simply just the trip of his life story. claudio mate got the respect of such names like the godfather of techno music juan atkins (for him claudio remixed >game one< previously licensed on the legendary metroplex), orlando voorn, francois k, derrick may and manuel gottsching. the swedish techno heads like adam beyer, samuel l session, joel mull always supported him since the first projects. mate & bosco together are abstract souls, a new project set up to develop their deepest sound. >abstract souls ep< is their first release under their new moniker and contains 4 deep techno tracks, solid techno grooves infused with dark dubby atmospherics and cosmic influenced rhythms.