coming in the wake of critically acclaimed debut album ‘trouble’ and a string of radio 1 playlisted singles, ‘your love’ is another uniquely brilliant dance record from orlando higginbottom (aka teed). the a side features the pearson sound remix. the son of a music professor at oxford university, orlando has already had an incredible journey in a short space of time, working with the likes of damon albarn, lady gaga and hot chip, releasing his first few records with joe goddard’s tastemaker dance label greco-roman.

40th anniversary! original history concert newly remastered now on 2 lps! sources from the original master tapes! audiophile 180 g vinyl

finest deep space sounds, very dubby & detroit house influenced!

with san laurentinos dreamers & wanders ep, lets play house brings forth a hauntingly beautiful record ideal for the winter ahead—this is music in which to take shelter from lengthening shadows, a warm place in a cold, cold world.

new years deal - behind the highway, near the industrial area, next to the airport, somewhere in the innercity, urban principles fall apart. that leaves the enclaves, mono functionalism and an urban ultra density that local governments are struggling to eradicate. both a cage and a cocoon, there is a space where development opportunities hit the wall. hybrid places that combines urban collapse and >the new culture<, endemic violence and solidarity, all of which is left to the communities to deal with without outside help. when the post-industrial economy becomes sporadic and nothing else takes shape, man is left at the mercy of his environment. techno appears and becomes a parallel between man and the city, as another faceless entity which unifies them. this unity is the result and techno is the process.

>hier ist nicht da< is a dream scapy techno jazz poem that has the potential to carry you away to outer space. you can clearly sense dadas affinity for cage & stockhausen which makes this record quite a special one. dadaglobal is part of zürichs electronic music scene for many many years, involving himself at the most infamous venues in switzerland. dada is performing live with machines only, combining all the things that make him who he is: smart, sensitive, expressive, genuine and educated in classical music. nice try records is also very happy to announce a trippy old school contribution to this release by lausannes producer and dj ly sander.
includes code for free mp3 download of this release.

tomas bjorkman aka deymare slaps us up in the face with some tough drums, melodic keys and a contrasting subtle bubbling bassline on the title track to create a slice of proper house music. remix from deep space orchestra.

returning to this chicago label, he brings a solid release beginning with a spaced out soundscape & flows into dark devotional energies, an eerie cut with killer drums like the china syndrome. place space this galaxy and easing the cosmic streets take on the flip on this essential ep.

use of weapons 5 lands noisily in your back yard with five house marauders hotter than salma hayek eating a hot apple pie. five different artists bring the bacon: label heads deep space orchestra remixing themselves, ex-cosmic boogie overlord asok, perseus traxx, other worlds and wet play executive board member ruf dug. dont forget to bring a towel.

early support from: chris liebing, the advent, richie hawtin, adam beyer, slam, joel mull, psyk, jonas kopp, sasha carassi, joseph capriati, space djz, gary beck, mark broom, edit select, dubfire, audio injection, electric indigo, axel bartsch, alan fitzpatrick, angel molina, marko nastic ...

pias celebrates their 30th anniversary with the re-issue of this timeless 1991 dancefloor smasher by meat beat manifesto.

after collaborations with sunchase for previous horizons releases, nickbee follows his acclaimed solo tracks on the recent >cardboard ep< with a 12 inch which marks him securely as an artist in his own rights. two dancefloor pinned tracks, energy and funk fuelled complete a first solo 12 on horizons, one with many more to come.

nice price deal !!! dennis busch is an artist who is well-known to all pingipung fans for his >james din a4< contributions to our catalogue. this man of many faces has also developed a reputation as visual artist. therefore he decides to present his music under the same name: dennis busch - which we think might be his real one. dennis busch has delivered an enormous output of odd, melodic techno tracks in the last decade – mostly on his own now unfortunately vanished esel imprint (this means donkey).
comes with code for free mp3 download of the full album.

bastard jazz is proud to present the debut ep from brussels based production duo eric p & luigi aka monkeyrobot. coming to light through their work as 74 miles away (melting pot music) and tall black guy, who selected their standout >basement infusion< track to be on his tempo dreams compilation album (released in june on bastard jazz), and alliance between the label and m.r. seemed natural.
here on their self titled 12 inch, monkeyrobot deliver four diverse tracks that showcase their skills behind the boards, the keys, with a keen ear for the dancefloor. kicking things off, >brick stomach< is a synth-heavy four-to-the-floor 120 bpm joint that comes off like a floating points visit back in time to 1980s detroit with its rolling snares, arpeggiating synth bassline and cloudy pads. next up, >northern light< filters shimmering space disco vibes through big, thumping instrumental hip-hop drums and moody analog bass. on the flip, >rose gris< takes things in a funkier direction at 100bpm with its syncopated drums, irresistible lead, squelching bassline and all manner of synthesizer explorations. rounding off the ep is >last days<, which still manages to inject a funky 80s analog sound into its melancholy downtempo vibes.

new kanada enters the fall 2012 season with some dark angular acidic house. black and medleys >roll the dice< - featuring the voice of rosina – is an old-school blend of disco, ny house and classic toronto warehouse vibes. slightly acidic, with its bubbling juno bassline – and slightly techno with the driving, repetitive beat – this house track should rock the deepest of dancefloors. file somewhere between henry street and early adonis. 5am - no earlier. for the flipside, adam marshall sits down at the controls for a clinical, tight, stripped-down scrubbing, turning the original into a late-night fear edit. broken, diffused drums and lots of black empty space in this one. the lights go out – blackout.

are you: troubled by persistant, nagging soul-aches? unable to sleep in old-fashioned three-dimensional space? exhausted from supervising worlds that only you can see? dont suffer for a minute longer - get the filth today!

this is sadly the last in the holger czukay remix series from claremont 56. limited to 555 with 277 pressed on orange vinyl and 278 on yellow. the first recordings of perfect world were made in the inner space studio in weilerswist (1984) together with can members jaki liebezeit and michael karoli joined by sheldon ancel. here is the new remix version by the man himself and on the b side we have the version of photosong recorded live at the roundhouse and the original version of hit hit flop flop.

having hibernated over the past few months, truesoul is back with a run of releases to close out 2012. the italian duo of frankyeffe and enrico sangiuliano kick things off, combining to deliver two smooth cuts that straddle the divide between house and tech house. >consciousness< works up an atmospheric mood with spacey effects and the spoken vocal sample woven into a rolling, percussive groove. >neaps< retains the percussive feel to create a bumping rhythm of drops and builds that provide the space for the distinctive vocals to do their damage.

our two french techno masterminds lowkey & kardinal are back together with two brand new strong powertracks for afulab ! their following is ever growing and they surely defined their own techno style with the more than power and tension fueled creations

model 500s influence on music arguably looms larger today then ever before, with a fresh wave of fascination coming from a new generation of electronic musicians and fans alike, whos lust for the innovative, original sounds of the first wave of detroit techno knows no bounds. ofi has already received the remix treatment from two big guns of the r&s stable, space dimension controller and bullion, who both applied their unique touches to the original in the 2010 remix release, and now it is the turn of apollo - with five new mixes coming from sei a, shadowchild, synkro, indigo and colonel red respectively.

>square< is the follow up to redshapes album debut >the dance paradox< (delsin, 2009) - that is if you dont want to count the double impact 12-inch >red pack< as a long player. and indeed, it is a long player in the truest sense of the term.

chairlift present takes on several cuts from acclaimed second album >something< by some of their favorite producers, showcasing how their songs can easily be adapted for the club. appropriately titled the 6.15amix, spanish equipo fantástico john talabot and pional turn >i belong in your arms< into a balearica-infused club-closer. a nifty piano line and seductive rhythm take the song on a late night (or rather early morning) trip to the beach, while carolines voice is being warped into something from outer space. photek takes the same track to a whole different place with his powerful jungle interpretation. martyn respects both the pace and rhythm of sidewalk safari, yet exchanges the clean production for a rather more cosmic beat, incorporating many of his signature touches to compliment the sinister >i m gonna hunt you down< lyric. dan careys dub mix of >sidewalk safari< shows a more playful side, while arguably the most intriguing remix of the package is the fields take on >met before<, recalling his early work it is so warped and layered you may struggle to imagine the original minus the smallest of hints.

interstellar ep by label boss deepbass showcases more of informas modern sci-fi sound. two original tracks of hypnotic, atmospheric techno which capture the feeling of travelling through the depths of space. on the first remix we have psyk (non series, mote-evolver) who takes the track to the next level with an intense feel of uplifting tension. our second remix is by nax_acid (aconitio records) who provides a much deeper beautiful remix which takes you even further into the interstellar.

krink, the shooting star of audiolith records comes up on formresonance with 4 night club tracks of smart understatement. his songs does floating so easily- wide space and a perfectly fitted house groove, a modern classic for formresonance.

the seven tracks on this lp or the eight on the mixed cd (including two bonus tracks) owe as much to the traditional methods of house or techno and extraterrestrial disco (i shipped around the s-word here) as they disregard it and they are as characteristic to thomas studio space (i used thes-word here) and his sound aesthetics as they are to his infinite will to surprise

the second single to come from miaoux miaouxs acclaimed >light of the north< album, the limited >autopilot< e.p brings us the original track backed with a heavy-duty line-up remixing select tracks from the album. the original title-track is a glittering synth-fuelled hymn to heartbreak, which incorporates elements of bass and hip-hop, while recalling the stylistic flourishes of boards of canada. reworking >hey sound!<, glasgows very own auntie flo and esa bring their exotic stomp to the table: a percussive journey soaked in dubwise holy water. tom furses remix of >stop the clocks< is almost like a reigned-in, beat driven version of john elliots outer space project, thick cosmic ritual elixir bubbling over the sides. already having made his name on skreams disfigured dubz, echo park takes on >autopilot<, turning the original into a cast-iron lesson in militant rhythm. echo parks real talent however lies with integrating elements of the original seamlessly with his own punishing sound palette.

the queen of england may have celebrated her diamond jubilee this year, but we feel that reaching our very own golden 50th release is almost of equal importance! who else to present this honour but the head brothers-in-arms, tiefschwarz with a stonking remix package of their smash hurricane.

german producer vertical67 debuts on lunar disko records, with a 10 inch consisting of 3 deep & dreamy tracks, crafted somewhere in berlin. the uplifting >in space< covers the a-side with bright and protruding soundscapes, glistening like stars in a far away galaxy. the b-side opens up with >craic memories<, portraying a house groove throughout, yet still retaining an electro mood amongst some delicate and twinkling melodies. finishing up the ep is the affectionate >mutuality<, displaying adept drum programming alongside a lush female voice which rises sporadically above dreamy melancholic sounds and a soft brooding vox ...

already support by miguel migs, dj harri, abicah soul, gavin hardkiss, alf tumble, flash atkins

official release of the previously unreleased album of the famous 12inch classic. asso the alter ego of italian producer victorio pezzolla is something like a italo disco one hit wonder. the do it again / dont stop 12inch has original been released in 1983 and is meanwhile one of the most sought after 12inch releases from italy. unfortunately the related album hasent been brought to the market back in the 80s. victorio pezzolla and private records rediscovered the original analog master tape some months ago in an archive of an italian publisher.the absurdity that the music has never been commercially released leads to the fact that this masterpiece, a complete unreleased original 80s album, will be brought to you fresh and unspent in 2012. italo disco, space funk and balearic grooves are combining to an unique italo disco release.limited to 300 copies

south london ordnance will return with an ep of dense house/techno mutations on september 24. the big boss theme ep contains three tracks on vinyl with an additional two digital-only cuts. stream the relentless ep below.slo recently told fact that >everything is shapes and textures for me, regardless of what it is, whether its marks on a piece of paper or stuff in the interface on logic<. this visual approach to music comes through on his space-conscious constructions. the immersive compositions share a intensity that sets the newcomer apart from his peers: the tracks are persistent but never exhausting. previously released >transmission funk< and >trojan< hum with industrial precision and dancefloor ecstasy, respectively.

flume is a 20 year old beatmaker from sydney. he got his first taste for producing at age 13 from the most unlikely of places - a music production program he found in a cereal box. sleepless is flumes debut single and has enough lush pads, chopped and chipmunked vocals, saw synths and awesome percussion to impress any fan of hudson mohawke, flying lotus, seekae or space dimension controller.

pascal pinkert aka dollkraut is a unique specimen in todays world of clean and sterile music production. the dutch producer is best described as an analogue sound wizard with a golden touch for pop moments. his music often sounds like a past that was more beautiful, more broken and more glimmering than it actually was. dollkraut dares to sound like no one else, cinematic and glamorous, rough and haunting. his tracks are driven by a deep love for old lo-fi fuelled recordings,70s space age synths and john barry or ennio morricone fuzziness galore.

with recent releases for internasjonal and tim sweeneys beats in space records, los angeles based producer secret circuit (otherwise known as eddie ruscha) has had a breakthrough year with his brittle synth jams, taking inspiration from balearic disco and minimal wave alike. however, he has been a prolific producer since 1996, and this record on emotional response, entitled tropical psychedelics, collects productions from rusha up until 2010 that have previously only seen the light of day on cassette releases. described by the label as a >balearic-tropical-afro-psychedelic whirl<, the album packs a rich palette of analogue textures into its ten tracks, from the afro dub of >afrobotics<, through the hazy, beatless combination of piano and analogue synth on >psouvenirs< to the psychedelic tropicalia of >foggy twilights<.

we go straight to detroit as we welcome terrence dixon to the knotweed family! terrence has been busy for almost 20 years producing the best deep minimal atmospheric techno, and this is the next chapter of his extensive discography.

the consistently on-point fullbarr imprint returns with another outstanding release this september in the form of machines by hans berg, swedish born, berlin-based hans berg, delivers classy techno that fits perfectly amongst the back-catalogue. berg has been developing his sharp and distinctive works for over a decade also backed with remixes from ed davenport and immer.

to mark its 11th release ce launches a new v/a compilation series featuring exclusive material from some of the hottest names in electro from across the globe right now. the world electronix series will be strictly limited to 4 x single press 12”s with no re issue. the first instalment of world electronix aims to showcase the darker dance floor side of the genre. the series kicks off with parisian resident carl a finlow aka silicon scally who turns in a signature style machine tech roller reminiscent of his early scsi av works. the duty then shifts to spain s number one electro export boris divider with a clinical, tight, rother-esque groove. on the flip we see london based ce label head sync 24 join forces with australia s abstract forms label owner deixis. the debut release for these 2 artists is a spooky,spacey affair with haunting vocals and a killer sub!rounding off the ep are finnish duo morphology, who alter the proceedings with a freaky 4/4 electro piece. the following editions of world electronix will include tracks from e.r.p, versalife, gosub, the exaltics, crc, dynarec, fastrgraph, plant43, defekt, steve allman, sync 24 & deixis. watch this space!

marvin & guy return to lets get lost with 2 superb reworkings. first up they visit arthur russell in a dusty acoustic space jam, while on the flip they enter more discofied proto house territory with bubbling acid tweeks, beckoning vocals and piano magic. closer to all your dreams.

racing between the tangible warmth of the past and the thrilling unknown of the future, guillaume coutu dumont comes flying back within our reach to impart his time-spanning gospel for a third album of subversive house music.

italian duo macromism has lately been making waves in the scene with their latest releases and they land now on be as one together with their long time friend dj kool dek, who already appeared on the labels tools for school vol.3 with take the rhythm ep the trio push things forward and show their versatility in the production room. the a-side hosts 2 cuts of proper groovy tech-house as you would expected from this collaboration. the b-side goes instead deeper and shows a side of the trio that yet was to explore. a 4 tracks ep that will surely find space in many djs bags.

the layabouts are anything but. 2012 marks leigh darlow and alex paschalis 10th year together and they have never been so in form or demand. their cast iron reputation for quality deep soulful house – house music forged with feeling and real purpose – continues, impressively, to grow.
rhythm master darlow and guitarist cum orchestrator paschali first met in 2001– in home city london – off the back of various projects in the same studio space. in time, their mutual love of expressive house music would lead to cult licks feelin right and the way i feel, sizzling material for kenny dope gonzalez and hot-to-trot remixes of dj spinna, da lata, dj spen and robert owens, and soulsearcher.

comes with code for free mp3 download of the full album.
formed in san francisco in 2009 by wooden shijps guitarist ripley johnson and sanae yamada, moon duos first two critically acclaimed eps, killing time (2009) and escape (2010), fused the futuristic pylon hum and transistor reverb of suicide or silver apples with the heat-haze fuzz of american rock n roll to create tracks of blistering, 12-cylinder space rock.

ununhexium (r-n 116) is the sixth release of raster-noton unun series. emptyset is a bristol based project formed in 2005 by james ginzburg, di- rector of the multiverse studios and the curator and electronic artist paul pur- gas. the project explores the legacy of analogue media, integrating aspects of rhythm, signal processing and spatial recording within the framework of mini- malist composition. their work interrogates the perceptual boundaries between noise and music and the potential for both technology and architecture to em- bed and codify themselves within sound. collapsed is emptysets first release on raster-noton and investigates the threshold where sonic structure is destabilized to the point where a chaotic order emerges out of a resistance to fragmentation and likewise explores the potential contained within this liminal space of transition. across the four tracks of the release a structural grammar is defined and then pushed to excess to the point where it reforms from repetitive and stable frameworks into non-grid based forms and ultimately chaotic rule sets.

two stunning slices of mercurial and heartfelt british techno from two outstanding northern producers that cuts across the m62 corridor like a night drive into oblivion. a 10inch black hit of space, lovingly designed for the dark, sweaty basements of provincial, post industrial towns and the cold light of day in the car park of knutsford services.

this second release of the grey series is dedicated to the above mentioned star alpha centauri. ness uses all his skills and experience to create a soundtrack to describe the atmosphere of three important stages. drones and metallic sounds that move through space and a mystical universe. three tracks where you can feel the depth and experience the fear of the unknown. techno of a high quality that fully reflects the school of music where ness comes from.feelings that come from far away!

mermaids surfaced at the end of 2011 into a lagoon of crystal clarity, brimming with starlit life and perennial funk. combining elements of the past and future to create a present that is at once sky high, another ocean deep, their music has sent a stir through the blogosphere, finding its way into tastemakers sets across the board.

foam fangs could be a term used to describe silks preferred take on that too-easily dismissed 70s dancefloor dementia of disco – the soft bite, love nibble, mirrorball on steady/ready perma-revolve. jesse reiner (jonas reinhardts first mister, alongside past/part-time collaborators like phil manley of trans am and damon palermo of mi ami/magic touch), who never quite had the kranky krinkle of his ohm-ambient labelmates, travels head-on, tomorrowland-style, through long-form cosmic moroder constellations of >foam fangs<. nothing frothy about it, though there is a bit of the rubbery in reiner’s bounce-about, cool, funky kraut-disco. suddenly we are beaming back to a time when the world looked forward, envisioning a 21st century decked with silver, chrome, and neoprene. it is a sonic space both transparent and shiny, the metallic ding and cold ribbon of data, scrolling through infinite space. the opener, >foam fangs<, transports us instantly into an ever-expanding universe of sound and light at once fanning out and folding in on itself. variations on that theme continue as the jonas journey oscillates through the beat-beyond.

blank code presents bcr002 - beta ep from the plant worker (also known as a. trebor), released on 12 inch vinyl with custom made silk screened jackets and available with an additional track found exclusively on the digital release. beta 01 represents merciless techno, with a pounding kick and unexpected drops that leave the listener gasping for breath. the luis flores remix introduces a subtle swing, making it more danceable than the original while still retaining the ominous tones imbued in the track by the plant worker. beta 02 stumbles in with anxious acid synths and urgent hi-hat patterns, slowly building to a massive climax. mysterious chimes wandering around the sonic space give a haunting feel to beta 03, the eery conclusion of the vinyl version of the release. the eps digital exclusive, beta 04, returns the listener to the original themes of beta 01 – open, reverberating bass accented by the sounds of echoing metallic decay.

fur coat explore the power of thought in their first album for crosstown rebels mind over matter after a steep climb into mainstream consciousness.