incl perc remix

hot new northern electronics coming your way!

in quick succession, tropical disco return with their tenth outing, a fluid, well sketched out and fiery ensemble of tracks, including newcomers and old friends.

alma negra are back on heist! after their much applauded 2017 release with that great soulphiction remix, theyve been rather busy taking over the scene. they started their new label alma negra records where they released 3 eps in quick succession, with new as well as older material that showcases their tropical roots and keen ear for clubby reworks. they launched their live show, doing gigs across europe with a highlight at one of londons more intimate live venues: the jazz cafe. their latest outing making their release count a total of 4 in only 8 months was on marcel vogel’s lumberjacks in hell and explored the more live / rework side of their project. now theyre back on heist with 3 new tracks, supported by an awanto 3 remix. conversation is a track we wanted to put out on heist badly, simply because it’s a beast of a track. it sits somewhere between a live african drum track, percussive techno and moody midwest electronics, with pads and strings coming in and out of play while a relentless kick drum keeps the energy on a haunting level. this track is alma negra at their filthiest, and it feels like they’ve taken a next step from last years dark and heavy luanda dub, bringing it from an intimate dreamy stage straight into the main room. this is the place shows a different side of the house spectrum with the alma’s love for dreamy deep house. the track flows up and down, with soothing rhodes chords, arpeggios and mumbling vocals setting a summery mood thats perfect for your warm up or daytime party. meanwhile, their third original track from the heart goes even deeper and navigates around a smart vocal loop topped with strings, bleeps, claps and rimshots that just keeps going.

ambien baby is an emergent project from the increasingly prolific d. tiffany and dan rincon, both luminaries of the vancouver scene. after a first official appearance on normals welcome last year, the pair are back with some deft and delightful adventures through rugged breaks, playful synth touches and a healthy dose of 90s attitude. somehow these ingredients are deployed with that distinctive laid back west coast vibe that makes for such compelling listening as well as potent dancefloor weapons - take nada (live at sweep up) as a case in point. rolling breaks and nasty acid lines there may be, but the mood still has a heads down quality to it that just gets under your skin.

yaleesa hall is back on his home label will & ink with two eps in quick succession. after releasing his debut album in 2016 this is the first solo output from the amsterdam based producer on the label. this first ep is entitled zoe hayley laura and features a trio of tracks that melt electro, techno and broken beats in arresting ways. opening up the ep is zoe price, a silky electro track with shooting synths and big downward bass strikes that add real depth. it s a urgent and arresting affair to wake up the floor. hayley roach then has much more forceful drums that come in one two punch combinations to the gut. synths writhe and gurgle up top as pads rise up and down the scale and the whole thing is brilliantly large. laura pomeroy then rocks back and forth on its heels, with train track like percussion and malfunctioning machine stabs. it s a real tussle between different elements and locks you right in as a result. once again then, the irrepressible yaleesa hall leads from the front.

forgot 001 is the debut release from london based record label forgot. the compilation is comprised of four tracks by four different artists: harry orso, aka ratomagoson, was last year picked up by gilles peterson’s future bubblers project and has gone on to drop a succession of well received releases on labels such as twosixtysix, polyop and tru thoughts. forgot residents hoffy and joe s both come from beat-making backgrounds while phillip russel aka pila boasts an impressive catalog of material online. since its release campaign launched earlier this year, the forgot 001 compilation has received a wealth of positive feedback from a number of revered and respected djs such as dom servini, adam scrimshire and david hanke aka renegades of jazz. the release gained considerable airplay during the summer: dom servini on soho radio, risha on radar radio, selassie tbc & amy frenchum on worldwide fm, toshio maatsura on tokyo moon and adam scrimshire on balamii radio.

in quick succession to arcs-03, which boasted remixes by the mover, shifted and peder mannerfelt, cassegrain keep up the pressure with a new ep of originals arcs-04. returning to their tunnelling hypnotic trademark sound over three focused, club-ready trips, the arcing seas heads channel varied and irrepressible moods into each track. built on solid dancefloor founda-tions and rich in colourful, non-conventional sound design, they scan through tribal ritualism with a side shahmaran, moving to the pumping urgency of caracal and the rolling post-acid workout of vulpine arcs-04 is a straight-up dj-friendly 12inch, something that’s conveyed in the record’s more minimalist artwork.

hot creations gear up to drop the eagerly anticipated house & pressure from hot property route 94. echoing the excitement that surrounded his no.1 hit my love, which shot him to stardom, the record has been in serious demand for months. now finally ready for release he showcases his versatile skills as a producer over three heavy-weight tracks. rowan jones aka route 94 explains how he wanted to put out three tracks that were diverse yet definitive. title track house & pressure packs a real punch and contains the vocals from joey negro s classic ride the storm featuring linda clifford. the dominant female vocal on ‘house & pressure’ combined with the force of the drum machines is a traditional element that people connect to the route 94 productions. with ‘crazy bitch’ it’s a more of a big room sound, incorporating ghetto elements. ‘dark keyless’ is the complete opposite, creating a groove that aims to grab the crowd and let them loose. this year has seen a succession of big releases and remixes from route 94 that cement his place amongst the dance music elite including the recent hit mind, body & soul on crosstown rebels. the talented producer first saw fame reaching no.1 in the uk charts with my love featuring jess glynne. keen to remain on the underground scene, he followed with releases and remixes on leftroom, defected and hot creations. overwhelming success followed as he performed at the likes of fabric, sub club, space, ushuaia, dc10 and many more. with a wealth of new material still on the way and a hectic touring schedule in place, its clear this is only the start for the young artist.

few nolder has created a fitting second ep for gardens of god’s sodai label, spotlighting the cream of electronic talent coming out of lithu&#8203,,,ania. ’&#8203,,,ace of space’ confidently delivers three original tracks that build upon an already solid reputation. “&#8203,,,showing a steady upward trajectory, few nolder has established himself as an internationally respected &#8203,,, dj-producer”sosaid&#8203,,,xlr8rofhisrecentwork.h&#8203,,,isopeningtrack‘&#8203,,,balance’isthemostunexpectedtrack linas strockis aka few nolder &#8203,,,claims to have done in years. he is particularly surprised with his approach, discussing the “&#8203,,,deep percussion and long tail cowbells together with windy tex&#8203,,, tures, and lush hypno feel”. while ‘&#8203,,,teaser’, which gardens of god played during his back to back with &#8203,,,b.traits &#8203,,,on bbc radio 1 recently is contrastingly unrelenting. “&#8203,,,the m&#8203,,, elody evolves into a monster”, he says of the record, which can be heard in the metal snares and enchanting flute.&#8203,,, on title track ‘&#8203,,,ace of space’ nolder wants you to imagine “&#8203,,,stars passing by in their intergalactic travels &#8203,,,whilst the drops are like a return from an uncharted nebula”. this is an ep based on big melodies and endless spaces, and a worthy fit for the burgeoning label. few nolder has been creating music for over a decade with a steady succession of releases on ghostly international, planet mu, connaisseur recordings and needwant recording

after a succession of new signings including recloose, tom trago and paul woolford - aus music return to their original roster and roll out another solid 3-track ep from label mainstay huxley who - in a monumental pairing - enlists the help of chicago legend roy davis jr. with a grand total of 8 aus records under his belt including his lauded lp blurred - huxley continues to return with a sound that typifies the label - intricate dance that music that packs power and emotion in equal measures. the rag & bone ep kicks off with do you feel me - a track that seed roy davis jr. and huxley meld moody synths with a tough, rattling low-end. a striking vocal runs over subtle flecks of acid and bending melodies that make for a pensive trip before weapon 3 dials carl craig-esque tension with rough, tribal drums and razor sharp sweeps. the dub of weapon 3 then mellows the tone of the original and rounds off a varied pack of dance floor bombs.

12“vinyl with replaceable art cover version. resopal is proud to present it’s 100 vinyl release with cavaan & roar. few labels and producers have had the longevity and success of this heavyweight and this two-track 12 sees both artists demonstrate why the label is highly-regarded in the scene. title-track bitcoin by cocoon recording artist cavaan kicks off the ep in fine style with demanding drums and repetitive chord progressions par excellence which are supplemented by resounding pulses of warm bass. further elements are expertly added into the equation soon enough, such as a warped spoken-word vocal, numerous melodic textures and trippy flourishes which all come together, building and yielding as the track drops back into its rolling, sun-kissed groove. on the flip-side is santeria, by french artist duo roar which is marginally the more restrained of the two tracks on offer, characterized by a succession of subtle, misshapen sounds, twisted effects and an ascending synth which compliments the punchy percussion and melodic stabs. both tracks so subtle and charming. highly recommended stuff! first plays by luciano, ricardo ......

double album in gatefold sleeve with transparent orange & red vinyl. limited to 300 copies.
it’s been a while since red lasers last release which left a void in the uk output of manctalo synth jams but now a planned schedule of three releases in quick succession means plenty more analogue chug for you to rattle your bones too.
first of the 3 is this unique double gatefold lp from red laser original kid machine.

ayman rostom has really taken to the maghreban, with a succession of singles for versatile and his own zoot label that have shown him fully capable of bringing his sampling talents to the realm of house, disco and techno. the latest missive from the maghreban comes on black acre, a label rostom has previous with after that superb library music lp as dr. zygote a few years back. two tracks deep, lose it presents all that we love about the maghreban, the title track sees a classic “girl i’m starting to lose it” phrase lifted off an early jungle classic from boogie times tribe assembled with a monstrous analogue bassline and plenty of feverish effects tweaking in the mix. “wrong move” is just as smart, delving into the darkest depths of rugged breakbeat science.

‘circular dispute’ is an exploration that incorporates soft textures, mellow kicks and changes in bass pressure to convey mystical movement. the rigid half-time marker slowly fades in, turning circular pressure into a subtle roller that simply defies the rules of gravity. hysee applies an even more intricate formula to ‘isolator’, one that bends attentive low-end textures and minimalistic percussion through time and space. the way it travels, progresses and ends makes this production a groove on its own & an excellent add to ‘vv003’. hysee’s last succession on the record strikes slowly but steadily, waves of deepening frequencies, mesmerising synths and arrhythmic choirs form the pendulum of his signature sound. this closing production allows listeners to drift off to another dimension or subconscious vibration. visceral vibrations’ third acquisition holds the talent of the italian producer hysee, who takes part in our lineage of forward-thinking bass music. with a review hosted by the trusted fatkidonfire blog and airplay support by influential artists, we’re ready to present ‘vv003’ to the world.

the highlife world series is a collaborative series of releases by uk-based brian d’souza aka auntie flo and esa williams. the first three parts are to be released in quick succession in early 2015, beginning with cuba, followed by kenya and finishing with uganda. each release features original songs produced in collaboration with local musicians. all proceeds from each release will be sent back to the respective countries in order to fund further musical production costs in years to come. we will also be seeking various ways to distribute the music in each country so the music is freely available for the musicians to use at home.

after the new album “still waters” recently released, and sustained by the lively “back for more” and the captivating “2good4me”, breakbot is back with a limited edition ep on translucent vinyl of 4 “get lost” remixes and one exclusive cover by the band jamaica. still with his sidekick irfane, breakbot is more than ever determined to make us dance with a new succession of hits each one more exciting than the last.

after more than 10 years in the game and a string of successful eps to his name, idriss d releases his first proper album on his own memento records. at first conceived as a succession of singles for his “dib 00” series (the first two being constantine and alger), the project then became more of a collection of dance floor tracks influenced by what he likes to play in his dj sets.

having debuted on valcrond video label last year with the immured 12- under her familiar xosar alias, sheela rahman now returns to the platform for some shared make-believe with founder luke wyatt for new project body tools. taking a catalogue number as its title, this two track 12inch follows a succession of body tools radio broadcasts on berlin community radio and showcases a softer, more hypnotic side which in the case of lead track locusts & lions hits hard when the poignant piano makes its presence felt. brave channels a strange, modern kosmische vibe that will really hit the spot deep in the mix.

limited to 300 copies. support from josh wink, luke slater, dvs1, pfirter, marco bernardi, markus suckut, ambivalent, ben sims, marcel fengler, randomer & mosca.
brack, the new imprint from uk-born berlin-based producer bnjmn, is back in quick succession with another strong transmission from the label boss. after plunging into dirtier, darker sonic waters on the pitchfork-tipped brack001, chromed continues the descent. while the propulsive rhythms and skilfully stacked samples remain intact, these 4 tracks are imbued with subtler elements that become more apparent with repeated listens. drums don’t just bang, they scrape, stab and shudder, and the typically mesmeric synth-lines are swathed in analogue hiss and seething low-end. idiosyncratic aural details have always been a specialty of the young producer, but here they rise to the fore. the rapidly flourishing sound world that is brack comes more into focus, and it appears it is even more intricate and musically rich than on first glance.

released by pizzico for the first time in 2009 with the moniker -erre-, marco antonio spaventi was one of the most pleasant surprises about what an excellent techno producer can do with his beloved background: italo disco. influenced by soundtrack masters as vangelis, john carpenter and most of all italian maestro s like nico fidenco, pino donaggio, francesco de masi, and appearing in the sky like a laser beam in a post-atomic bronx filmed by enzo g. castellari, the positive first album of ma spaventi called -viaggi- is landing. a real journey into obscure worlds, dirty streets, atomic sunsets, broken hearts and analog feelings, a blessing for your most romantic and cinematic essence. could this folding full length fit the modern dance floors? maybe it could be better for the outcast clubs of a near future: synths atmosphere are sweet and pressing at the same time, the melodies and beats fit together in a succession of deep emotions, the -tape- sounds old school and totally irresistible. pizzico is proud to present ma spaventi s viaggi: nine exclusive tracks for a brand new album, invoking and evoking dusty italo vibes, analog synths and written soundtracks for unwritten movies.

black vinyl 180g jacked in full colour printed sleeve. non succede niente- as a stagnating state of mind that rises into neurotic anguish, - non succede niente - as the soothing chant of a mother to her baby. mace s new ep blends in its track these two antithetic yet intertwined situations. “non succede niente - for this reason is drenched in this sort of unfulfilled dualism. these extremely different states of mind are juxtaposed in the succession of the tracks, where introspection and auditory blurriness of tracks like * 21% * or * la fine del sistema aureo* - in this last one the recollection of long past memories is both related to childhood reminiscences and collective historical memory - give space to the shining awareness and self-determination of * ti fissano* and the hope for the future portrayed in * synàptein*.

a1: -deep roads- the idea of perfection has never been so close. with its persistent succession of drums and embracing bassline the first track of the ep kicks in with analog pure sounds. a2: -got me- it is recorded with maria bergson on vocal. 100% pure sexy club banger. b1: -what u want- alex calls den on board to create something extraordinary. the result is a creature that will take your body and shake it all night long. drums and bass recorded live, analog. b2: -got me- (rick wade remix) nothing better than an exotic and tribal version of got me by the master of house mr. rick wade.

the french born but valencia established silvain soulier has grown as his home label sincopat. darlyn vlys has reached top labels as suara, mos ferry, terminal m, form, noir or avotre. he joins now the prolific brighton boy thomas gandey, aka cagedbaby, with a succession of club hits in his career, a really close friend and collaborator with radio slave and fatboy slim and a regular on get physical amongst others. they present two amazing original tracks that show perfectly the vocal skills of thomas and the edge production of darlyn vlys. hero and dont do it are a mixture of breaks, organic bass and cinematic music. yousef, the man behind circus recordings, delivers a surprising rework to destroy the dancefloors. by his side, stefano ritteri choose the dynamism to get a solid piece of tech-house.

john ciafone and lem springsteen are true house legends, under their mood ii swing production moniker the duo have scored an endless succession of club classics, cult hits and underground anthems. since 1992 theyve been at the forefront of the deep house and garage movement emanating from new york citys clubs and streets and they show no sign of quitting anytime soon! the latest, and third sampler of mood ii swing archival tracks is here, and as usual its full of the duos seminal productions, dubs and remixes for nycs finest, king street sounds. tracks featured: the summer swing, inhale, on your knees and driving me crazy

groove covermount track! pan is excited to announce the release of objekts debut album, flatland. written between 2012 and 2014, flatland follows up a succession of dynamic single releases from his base in berlin, including the recent split 12inch with dopplereffekt on leisure system, cactus b/w porcupine on hessle audio and three 12inch singles on his eponymous white label series

nofitstate return with four tracks from hot talent a1 bassline whose reputation has been building of late from a succession of releases for the likes of dirtybird, get physical and gruuv amongst others. here hidden agenda finds the young producer in true devastating form. skippy percussion, a nod to the uks garage scene, vibes the track along nicely whilst the bass does the damage. burnt out piano island delves deeper, acting as a neat counterpoint to the more main room agenda. here the style is much more nuanced with a more hypnotic leaning. outsider picks up the pace against, albeit in a subtle, uplifting vibe with warped pianos and razor sharp percussion. t moe p rounds things off nicely with a moody bassline driven groove.

wilson records is back with a branding spanking new, special printed-screen edition celebrating label head, fabio monesis first solo ep. the succession of the label and fabios sound has been ever so apparent. a manifestation into something much more darker and refined, something represented crystal clear in the riveting rhythms of the a side with *gotta blaser* & *djago*. on the flip, the b side is a declaration of love, if you will, to the mother of it all, chicagos house music.

limited edition of 300 numbered copies on colored vinyl: 1st record white with black splatters, 2nd record transparent with black splatters.
ah the humble double pack, isnt there something so very satisfying about this format? sccucci manucci evidently thinks so as the nine bows ep is the labels second release in succession to embrace the double pack. it s another high profile cast that contribute to the eight tracks here, with montel, mikki funk, jackson ryland and aashton all featuring. it is the latter, brighton-based producer who opens proceedings with *i cant shake it*, a summer house anthem in the making that showcases his love of a classic rnb vocal. maverick follows with *wait for u* which is not only his sccucci debut but also the parisian s first production committed to wax - hard to believe! the mood swings through various shades of house from here with *lemme hold u* from montel a mid point highlight thanks to a killer vocal hook.

rhythm - a movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions. dance music has instantly recognizable patterns of beats built upon a characteristic tempo and measure. please enjoy three spirited and robust rhythmic workouts from fantastic man on this limited edition 12inch.

circling sydney as the most prodigious producers in their adopted home, tuff sherm (perth-born eugene hector / dro carey) and cassius select (canadas lavurn lee / guerre) guise-up for a split 12 that follows dros seven-date debut european tour, and cassius breakout one ep on gardlands hunter gatherer imprint. returning home after a string of releases via merok, ramp, opal tapes and the trilogy tapes, tuff sherm shifts the counter balanced brilliance of dro carey with beast numeral - a six minute succession of classic house jaunts.

both listening hip hop and electronic, raphael henard and maxime denuc started to make music together in 1999. interested at the same time by mainstream tunes and extreme audio researches they try to propose their own interpretation of club music and released a first ep on the french-japanese label sonore in 2011. they have been invited by prestigious festivals and promoters around the world such as sonar (sp), villette sonique (fr), club metro (jp), todaysart (be), dans dakar (sw), les siestes e&#769,lectroniques (fr), universidad de coimbra (pt), nouveau casino (fr), le lieu unique (fr)... succession :struck by the vertigo from pancrace royer while watching the bertand dumont film «l’humanite&#769,» plapla pinky started to include that track in their dj set. after some research in the field of baroque musique they decided to make a mixtape of their favorite tunes of the genre, paying homage to the modernity and emotional power of that era.

3th keep on releasing techno with an eclectic vision, although - for this output - each track has its different shades and rhythmic approaches. divided into four acts, it sounds like the journey continues after the previous appearance of lucindo on the label with *the twenty-ninth act*.
act 83 and 86 are both powerful tools that are lead by acidic repetitive patterns and distortions.
act 100 contains a raw and strong beat that travels through cosmic and epic soundscapes.
as conclusion, act 63 is characterized by emotional melancholic melodies and brain-dance music, accompanied by succession of rousing rhythmic evolutions.

more fresh & effective techno tools from blue hour. limited clear vinyl with insert and poly sleeve... in quick succession after his debut ep, blue hour continues to deliver raw & effective techno on his self-titled imprint. the second release >axis motive< pushes the next instalment forward into slightly austere, jacking territory.

warm and crispy as always, the third monday night - mixed, structured and recorded live on tape. the whole ep is a cutting-edge merger between old school and modern, carefully crafted sounds, to forge an outstanding collection of deep house tracks with a timeless fashion.the opening track on side a serves a gentle two-chord loop, locked with a groove beat progression, whilst track two builds up a dense swarm of rapid drums, with synthetic bursts twirling on an energetic bassline. on the b side, a bare, rampant one note bass leads a haunting, gloomy first track, whose main theme is surrounded by recurring confused, scatterbrained vocal samples, while the second one is characterized by the simplicity of an upright, stabbing rhythm directing an emotive one note chord. the ending track develops around a big, serious bassline, pleasantly contrasting with a succession of dreamy, floating melodies and noises

at the edge of failure a door to greater understanding and discovery is sometimes opened. some of mankinds greatest discoveries and experiences took place by sheer coincidence or even by mistake. from the big bang, to penicillin, or the invisible light we call x-rays, chance and human error has played a big part of our history and evolution as a species - can we really afford to be perfect when we owe our mistakes and weaknesses so much?

after their sure-fire succession of great releases dam swindle end up on the excellent freerange imprint. and if you like the words deep along with atmospheric then this will most definitely appeal to you. from the opening title track with its lush, moody nu-groove styled pads and thunderous hand-claps these three productions simply ooze class and intensity in abundance. next is >gotta know< which rewinds back to classic house sounds and injects a sense of melody into the already swinging rhythms and punchy, detroit bass. which is then followed by >brotherman< and yet more in-depth moods, this time accompanied by jazzy, scat styled vocals for added diversity. finally we have wolf music main man krl stepping up to remix brotherman and a rather sterling job he does to. making great use of the vocal krl brings us a slowed down version with his trademark shuffling drums and a dynamic arrangement. piano stabs and a cheeky boogie synth sample all help bring his own sound to the track and round off the package perfectly.

massive groove packed with swollen plump chords and sexy sighs hammered together with percussion like a machine gun, firing off the beats in quick succession. repeat after me – this is good!

aura go rises, opens, rouses not unlike a soft light growing to illumination, a day slowly revealing itself. synths whisper and ring out – like bells marking an early hour – at the start, followed by a succession of other awakenings: a palpitating beat, vocalizations that repeat like undulations, percussive poundings and ringings. it all leads to full on, acid-infused, dance floor hypnosis, with producer dennis dj mcnany pushing polyrhythmic, almost tribal beats to the very front. with the addition of husky vocals from collaborator jee young sim – imagine siouxsie sioux crossed with planningtorock – the sound becomes something altogether, and altogether unexpectedly, gorgeous.

italian-born luigi madonna made his name in his home town of naples with early eps released by loose records, kondens, analytic trail, mkt catching the ear of many established techno stars before his original productions and remixes for the likes of material and drumcode began punctuating a succession of plus 8 / minus boss richie hawtins dj sets in recent months. and so hawtin has now called upon the producer to step up for his debut ep on the plus 8 imprint, throughout which madonna explores streamlined and stripped back grooves of the sort perfectly befitting the outlook of the label.

jack this is a typically powerful and funky slice of peak-time techno from tom hades. the main hook comes from a big descending siren that is worked in around the groove and succession of drops and builds.
loco & jam (1605, mb elektronics) are selected for remix duties fresh from winning best new artist at the 2010 irish dance music awards. their mix takes the groove deeper but still retains the incendiary edge.
barnes bachelor rounds off the package with its linear, driving groove and gentle melodic shifts that lift up the darker, brooding undertones of the bassline. a subtle but effective track for the longer sets / early hours.
supported by: acquaviva, mauro picotto, paco osuna, eddie halliwell, cari lekebusch, yousef, joseph capriati and many more!

some serious biznizz goin on here, no doubt - elementals brand new 12 inch for reduction brings some major, dirty break-step action to the floor, phat-ass, squelchy, distorted, squashed low-end and rollin beats make for two dark and heavy drops. this is the kind of style that wears its junglist roots on its sleeve, with a real, late night warehouse rave nastiness - and we totally love it. elementals growing reputation for tough dubstep cuts is supported by a succession of releases from him for labels such as audio freaks and urban graffiti, he s had tracks appear alongside scuba on hotflush, released with caspa & rusko (dub police / destructive), been remixed by boxcutter, and featured on fabric live.32 mixed by tayo. bristols reduction label first debuted with a plate from wedge (paradise lost / z-audio) featuring a remix from gatekeeper (soul jazz / tempa). here they bring a prime slice of local talent from a west country city positively teeming with innovative music.

this is the first in a series of three various artist 12 inch releases, that features four of the dublin labels most trusted henchmen. puresthatreds >robbery< is his debut track on mantrap and what an awesome one it is: dark imposing bass and beats meet the sound of smashing glass, rave led keys and all round mayhem, with haunting strings that send this one into deepest hell. meeting him there is magnetize, who in one take supplied this evil vox led synth grinder in >distant observer< , with deft 808s and distorted crackling fx creating both a scary but grooving feel. rory st john pushes wobbly techno eccentricity on >dysentry<, with fluid editing and supreme use of effects proving again why he is one of the most exciting new talents around. sunil sharpes >print more money and shut up!< is a slippery mover, where a succession of unruly lead sounds accompany odd vocals and rasping hats - with a straightforward approach that will penetrate all in its way. so, four top class techno cuts here, all with their own unique character and all for peak time play.

fresh after the release of their debut album on simple, the second motorcitysoul ep in quick succession is as accomplished as we have come to expect from the frankfurt deep house duo matthias vogt and c - rock.

joel armstrong’s dot dot got off to a flying start with the excellent hey hey hey. following on in quick succession is another single from joel, this time featuring a string of superb mixes. from the deep house, bubbling grooves of the original mix, to the heads down techno vibe of the joel & timo remix, and then some quirky tech house offerings in the form of timo rozendal mix, this is essential.

as one of the pioneers of the signature hospital records sound logistics already has an impressive succession of albums, eps, collaborations and remixes in his repertoire. fortunately for us heÕs adding one more to the list with his incredible sixth studio album, Ôelectric sunÕ filled with jungle flavoured rollers, garage-inspired chop-ups, down tempo head-nodders, swirling synths and merciless subs.
the double vinyl comes in a gatefold sleeve with album-cd included.

pan is excited to announce the release of objekts debut album, flatland. written between 2012 and 2014, flatland follows up a succession of dynamic single releases from his base in berlin, including the recent split 12inch with dopplereffekt on leisure system, cactus b/w porcupine on hessle audio and three 12inch singles on his eponymous white label series.

when grammy award winning producer lil louie vega signed me to his renown imprint vega records he assumed the position of executive producer for invocation. with this cam five more masterpieces to include to the already twenty tracks i had created while in belgium and africa. under the guise of louie i was able to fly to the the us and work with some artist that i really looked up to.the album was a succession of blessings after blessings. i received the support from devoted singers, songwriters, musicians, and friends who truly believed in the project and helped me with their contributions. invocation has been a long time coming but i couldnt have asked for a better time. i feel that all the stars are aligned and for the first time people are really going to experience boddhi satva in his truest form