58 minutes of proto house, denizen loops, far flung folk, post punk, cosmic rock and other junk. after forging new ground with his previous sonic hotchpots >miscellaneous mutant mishaps< and >the exploding disco inevitable<, dom thomas returns with another brain melting audio escapade into the ether. the third album in his dynamic anti-mixtape series on brutal music is salubriously entitled >synthetic soul & other junk<, giving thomas free license to curate a mood that takes the unsuspecting listener on a cascading journey of edits and loops, blurring the lines of traditional dj mixes and original compostion. >synthetic soul< is composed of a variety of genres from >international disco frankenstien< thomas musical heritage, warping together vastly disparate records into a rich sonic tapestry. repeated listening recommended with or without substances...

striking the elusive balance between creativity, originality and pop sensibility, canyons have just unveiled the first taste from their debut album (due 2011) in the form of the new single, >my rescue<.
with an aural likeness to elements of psych, folk, house and everything deep, what is essential to canyons is that their music evokes a sense of feeling and truth, ruth. close your eyes, feel the sun on your face and prepare yourselves for the sonic vision that is canyons.

supported by: angel molina, david mothersole, dj tlr, paul woolford, simbad, jörn werner, franck roger, fabrice lig, will o brien, hakim murphy, esther duijn,.. >my electronic soul< is probably one of franco cangellis most personal tracks. slow and almost sensual 909 drums create a sonic canvas on which soulful pads and elegant melodies create a timeless electronic ballad reminiscent of early chicago deep house combined with the melancholy of detroit. as the title suggests, this track pretty much exposes francos true roots and is an ode to those long lost and almost forgotten days. >house for brunch< is another deep house offering with more detroit melodics

after four shared releases from the all stars, here comes the first individual output in our label, handcrafted by the scientist duo exium. mantra is an epic piece of techno, based on solid rhythm foundations, joyful synth work and rolling stabs. a complex workout that demonstrates the skill of this guys in the studio. futuristic techno with roots in the past. peter van hoesen takes the original parts of mantra and reconstructs it his very own dubby and fat vein, sure to please those fans of the berghain sound out there. closing the release, lifeform its the trademark exium sound, where sharpness and love to sonic details are the starring. resume: a solid release, away from monotone affairs, made for please the ears of those who love techno in its pureness.

be prepared to be wowed, as crosstown rebels deliver a serious slice of hot new music from new talent russ yallop aka rusty james. >i cant wait< and >rock me< are two infectious cuts with massive appeal. combining the magnetism of disco with the raw energy of contemporary house music, russ yallop produces a fresh take on a trusted formula. a side >i cant wait< is unforgettable for its contagious bassline, flirtatious vocal cries, cosmological synths and perpetual breakdowns. with just as much appeal and even more originality, b side >rock me< leans on funk laden stabs chopped into sonic grooves and humming vocals, drawing towards a beautiful, driving climax that rocks like a mutha

>trippin< is a bit of a sonic departure for alex niggemann showing a more mature sound with a nod to the old skool. the result is a big dancefloor track that will further increase the young producers rising profile. rio padice gives a taster for his forthcoming solo ep on tsuba with >uptown street<, a raw yet very warm deep house cut made purely with machine

first of 3 volumes taken from the incredibly rare japan only cd release inner films 70 from 2009. the sketch is simple, modern disco artists take on seminal film scores from the 70s and give them a twist. first we have norweigan disco wizard prins thomass take on the theme from rocky – gonna fly now. all live instrumentation… thisll rock your socks off. on the flip japanese artist foog (mule musiq) gives the theme from close encounters of the third kind a new lick of paint, while fellow japanese sonic adventurer hideo kobayashi (apt. international / bite grooves) turns rhapsody in blue into a tech-y workout.

nice price deal !!! antennae international present >all the engines< from chicago producers josh werner (former partner of dj sneak on strictly rhythm, force inc. & relief records) & steve hitchell (of echospace) with their long running collaborative project. a modern look at the jak track aesthetic, the original mix melds boomin 808 and crispy hats with a slippery, funked up bassline while the flip tamps down the bpms to a swingin 116 and amps the analog machine funk in the sleazy turbine mixx. the release rounds out with the atmospheric soundscape of >retrofit< drenched in reverb and subterranean bottom.

windy city producers steven hitchell and josh werner continuing to challenge and confound expectations as antenna international drops >fractalrip< a speaker-melting 303 drenched bomb from chicagos southside, harkening back to the earliest days of outlaw warehouse and loft parties this track is already doing damage in the crates of justin long, traxx and adam marshall. while on the b-side we partner with fellow chicago independent imprint nation to bring the >preludes and nocturnes< mixx of >introspective< from traxx faith cd to light. this version has been put through the sonic cacophony that is hitchells echospace studio, packed with myriad gadgetry of assorted compressors, delays and the infamous echo chamber to create an ominous, building, dark entity not for the faint of heart.

not content to simply sit back and watch his 1605 baby grow from strength to strength, label head umek makes it a strong point to make regular contributions to our output and so he has obliged with the imaginatively titled >omgwtf< track. a superb new composition from mr 1605 himself, >omgwtf< is everything one can expect from umeks sonic arsenal. funky, pounding, innovative, fresh and a surefire dancefloor mover. if the title is anything to go by, we d say you have been warned!

pure groove is delighted to be releasing the first single by new fiction (home of elbow, snow patrol, filthy dukes and new dave sitek superstar project maximum balloon among others) artist alice gold.
she has got a big year ahead of her kicking off right now, with solo shows, support slots galore (including the eels uk tour which touches down at brixton academy) and some late summer festival slots.
produced by dan carey (the sonic alchemist who has twiddled the knobs of franz ferdinand and hot chip among a gazillion other british musical luminaries) orbiter will be another delightful limited and numbered vinyl edition, with lovely packaging that will make it a collectors treat.

yes people, like dillinja once said, its time to get grimey! at the end of september, the man, the myth, the legend, mr terror danjah blesses rwina with the reinforced ep. a storming 3 tracker of top class grime for the connoisseurs, the ep is fully equipped with lazershifting bass-terrorism and high-end sonic manipulation.the lead track,reinforced,switches from sweet but dark r&b vibes to classic acid-esque rave touches, guaranteeing a proper reaction on the floor. peanut punch, a collaboration with regular sparring-partner d.o.k., sprinkles neon highlights over a minimal, bass-led beat, while the ep finishes up with stomp test - 4 to the floor club music designed to kill any dance. rwina & terror danjah - a perfect fit.

the third release of the new label >lets get lost< which was started by mule musiq and force of natures kza. this third release is by uk producer extrodinaire leo zeros remix of the uks florence & the machine. this leo zero remix was released on only cd single and itunes in 2009. when i received this remix from the agent of leo zero i fell in love with it immediately. it was one of the biggest tracks for me in the last year but was never released on vinyl. leo zero reconstructed the aesthetic alternative rock (like a pumping cocteau twins!?) to very emotional house music. its simply good music and not only for the dance floor. greg wilson has edited it into a semi instrumental version which has never been released on any format. this release is official bootleg for limited press! dont miss it!!

until now duffstep has hidden in the seedy undergrowth of london always in disguise, clandestine and covert, ever plotting his imminent escape. this bid for freedom then, is called >getting to sirius<. sirius is the brightest star in the night sky, in ancient greek times sirius was said to mark the beginning of summer, where women became aroused and men became weak. duffsteps debut album >getting to sirius< is a blend of dub influenced, down tempo beats winding through layers of melody, synths and vocals softening the blow and giving a nice, warm and fuzzy edge to the thick slabs of sonic concrete. though you dont have to wait long before a nice big bass-line knocks you down on your arse again.

few artists can lay claim to such a continuous output as bpc resident joakim ijäs, better known as kiki. for kiki, continuity also means permanently developing his musical vision - his superb second album kaiku is testament to this. the current 12 inch >cinema obscura< follows on seamlessly from us house traditions, yet also reduces them to absurdity with its atmospheric density and sonic extravagance.

hear all the music: in comfort and style headphones that could reproduce the true dynamics of today’s music were a rarity—until the legendary beats™ studio™ hit the scene. now, a new headphone in the beats tradition, beats solo.™ brings you amazing sound in a smaller, lighter on-ear design. with beats solo, you’ll hear every sonic detail the musicians and recording engineers laid down in the studio. deep bass. hard hitting drums. bold midrange. and clean, undistorted highs. all in a comfortable fit you can wear for hours.perfect while on the move solos are compact and incredibly lightweight and ready for your active lifestyle, gym work out, or frequent travel. the tri-fold design allows solos to fit into the included compact carrying case. with beats solos getting a great music experience has never been easier.controltalk: the ultimate in ipod control and hands free calling with the built-in controltalk remote on the beats solo™ headphone cable, you get on-cable control of your music, as well as easy, high quality hands-free calling. you’ll enjoy quick-access music playback control, like volume, play/pause and tracking, without having to dig for your ipod. plus, the high-grade mic and high-resolution, sound-isolating headphones all combine to let you hear and be heard much more clearly—and conveniently—than you ever could with the phone to your ear.a natural fit with solos, you feel the music, not the headphones. plush, on-ear cushions comfort your ears and form an acoustic seal that keeps the sound in and noise out. remote and mic supported by ipod® nano (4th/5th gen), classic (120gb), touch (2nd gen), iphone 3gs and newer, but not all blackberry. remote supported by ipod shuffle (3rd gen). requires software v. 1.0.3 for ipod nano (4th/5th gen), 2.0.1 for classic (120gb), and 2.2 or later for touch (2nd gen). support for blackberry varies by model.

isomer transition, also known as rj valeo, is producer and live performer from brooklyn, new york. after producing for a many years, his productions caught the attention of the moodgadget label and then pheek from archipel. he has released on both imprints and both were well received and respected, songs in his discography have been featured on both maryanne hobbÆs the breezeblock and magdaÆs fabric compilation. musically, isomer transition wears many hats and he offers race car productions the most avante-garde and futuristic of his repertoire. from the bursting and driving communication breakdown to the playful melodies of yellow orange flowers, all the way to the deep and thoughtful composition of on the verge of a breakdown, isomer transitionÆs expert attention to the most exacting sonic details will be sure to inspire both mind and body

brandnew album of full analogue techno house killer tracks! hammered / loved by : marcel dettmann, len faki, ivan smagghe, laurent garnier, seth troxler, troy pierce, phil kieran, perc, de:bug, groove mag, chris liebing, butane and many others ! !!

one of the key artists in japan is so inagawa. his first tack of relaxine has been mixed by harley & muscle in >deep house part 1< compilation album. next up is >cabaret to cabaret ep<, tracks which new style of deep house, featuring deep and groovy sound. so inagawa info: started his career, influenced by the jesus and marychain,the smith and so on. >cabaret< released from french famous label telegraph record in 2005. this aesthetic minimal abstract track was licenced by tobi neumans mix cd, and its become a bomb. he keep releasing constantly from milnormodern, rrygular, fenou, trimsound, minimood, goosehound, unfoundsound, multivitamin by both of so inagawa and the suffragettes. better not to miss his live, dj in the clubs around.

in recent years lil silva has been responsible for some of the uks biggest underground bangers, with his uniquely stripped-back, heavyweight style blending jacking house with the raw sonic energy of 1st generation grime.
following up on his ltd white label release in april, night slugs are proud to present night skanker, lil silvas iconic new ep.
the four melodic, synth-laden tracks are typically raw and grimey but also run deeper with a newfound luminescence. constructed from a robotic new sound palette, silvas tuff flange-funk drum programming and twisted carnival rhythms are permeated by razor-sharp neon synths, jacking cowbells, massive slabs of sub bass and even silvas own sampled vocals. these are industrial-size riddims for worldwide dancefloor demolition!

james duncans le systeme records in pleased to present a new ep by nyc native carlos hernandez. carlos has released on basenotic, rong, and danny wangs balihu label and appeared live with arthurs landing and metro area. 3 tracks of disco influenced sonic gold here. the 9 minute disco epic >bank beat< on side 1 should be rocking dance floors and dj sets for years to come. side 2 brings two other flavors of carlos personal take on disco and soul.

the mighty d knox graces sect with a second ep, >looking through your eyes<.
>at the beginning< is a journey in the way good techno tracks should be. a low-slung groove forms the foundation as strings build, creating composite chords then descending into darker territory.
>if i never knew you< continues the unique and oh-so-delicately balanced melodic sequences, while >out there< is straight up techno funk of the first order. if these guitar licks dont move ya on the dancefloor, you have problems we cant help you with.
>on my way< is a gift for the more experienced techno dj. tricky beats work to create something like a latin shuffle, rounded off by a sonic mind manifesto vocal.

split over two vinyls to ensure maximum sonic quality and complete with beautiful hand drawn illustrations from yuko kondo (directed as ever by our own peter saville, phantom), it picks up where hands of love left off

after a string of fresh remixes, including a great one for the homewreckers here on circus, dave aju offers this two-track side project treat while we await his next album. picking up where he and the invisible art trio left off, and adding another member, we are proud to present thèse unique cuts by mr. aju and his new sol percussion ensemble.using a single percussion instrument for each track, aju and the ensemble bring a raw acoustic and upbeat live jam session vibe to the proceedings on “vibra” the scene shifts to day, as an unabashedly sunny feeling builds up into a sort of loose latin jazz/house interpretation of bob james’ “spunky, filled with refreshingly fun instrumentation and vocal accompaniments- it’s that vibe! . “flexa” starts off with a strong rhythm base, then takes off into the night as warm bass tones and vocal scat chants alternate over the course of this future-meets-primitive hypnotic groover. both tracks reintroduce some playful sonic alternatives to today’s more discerning dance floors, and with the diverse background of aju and his fellow sf bay area ensemble members, there’s plenty of soul and sol, just in time for summer.

repress, including download coupon!
lover. fighter. prophet. freak magnet. time-traveler. musician, photographer and designer jimmy edgar is a wayward prodigy streaking across the cosmic dance-floor. in 2001 at the tender of 18, his hyper-sexed microchip stylings caught the ear of warp, where he cranked out his brand of amped-up laptop funk for the next eight years, culminating in the full-length classic >color strip< (2006). now 26, edgar is shaking things up at !k7. on new turf, edgars sonic prowess takes on a leaner, more radio-ready shine and what edgar does essentially and very well is make your body move.

for release number 5 well rounded goes deep with the debut release from donga & blake.
label owner donga met blake when both djd at brightons forward thinking drum n bass night carbon spinning similar shades of the deeper end of dubstep. this lead to the idea of hooking up in the studio, and whilst initial experiments at 140bpm were promising, it wasnt until they decided to lower the tempos to housier speeds that their sound clicked into place. this sound is a balanced fusion of soulful house, deep textured techno and rhythms absorbed from garage, funky and broken beat. these 3 immaculate tracks have a simple appeal but also contain many layered sonic details for the closer listener.

becoming real is a young producer residing in a forgotten suburbia, busy channeling his very own postapocalyptic vision of london. a spectre-like entity flitting between a range of electronic frequencies, his self-termed >ghost-step< sound is as much influenced by a conceptual future dystopia as by luminaries zomby & mount eerie. re-imagining the iciest of grime synths through a warped k records aesthetic, becoming real has forged a frozen universe that still retains an unequivocally human feel. charged with future-dread, this is music for seas drowned in oil, tar-coated forest landscapes, and a prophesised world of underwater clubs and haunted dancefloors. after a sold out debut white label release last year, becoming real is ready to emerge in 2010 with the release of >fast motion< / jens clock<, backed with a scratcha dva remix of fast motion.

ales boek alias alex long returns to afulab with a very nice tech-house ep for the summer and all the outdoor adventures and excitement! four absolute floor and beach fillers that wont let anybody do anything than booty shakin and enjoy that well done long drink from the bar.

supported by: troy pierce, camea, par grindvik, ambivalent, alexi delano, someone else, dustin zahn, paco osuna, dubfire, paco osuna, ellen allien, chris liebing, butane… lurking far below the surface of the ocean, the mysterious viperfish swims in solitude from any signs of human life. dwelling in the dark, cold waters, he waits patiently and lures his prey in with a light producing organ, attacking at an astonishing speed. this fish is considered to be one of the most unusuallooking and fascinating predators of the deep blue sea. he is a born hunter, a misfit, and yet his intricate design is beautiful and intriguing. this is the beginning of the story. tim xaviers first full-length work, titled viperfish, is a meticulous assortment of live studio recordings, deep ethereal techno cadences, and fun, driving dj tools.

ahhhh, mr mark e. arguably the leading light in the resurgent obsession with all things disco and slo-mo, convincing über tastemakers like giles peterson, as well as countless weekend warriors with his sonic sorcery. conjuring up edits that were so much more than edits, dropping smash hits like the janet jackson rework on golf channel, and the magnificnet womack & womack re-do on jisco, and more recently becoming remixer du jour as well as crafting equally impressive original music, not to mention kickstarting this, his very own imprint! >special fx< weaves snatches of mid-eighties magic into a lengthy groove-out with that patented mark e throb, whereas >christo< drives us down a decidely more detroit bound freeway, sounding as it does like carl craig remixing prince, well. you dont need us to tell this is the real deal folks!

58 minutes of alienated, global sound oddities. mixed by dom thomas (b-music/finders keepers). following on from the highly acclaimed ‘miscellaneous mutant mishaps’, b-music and finders keeperslinchpin dom thomas digs deep into his library of forgotten and unloved sound oddities. blurring the lines of mixtape and original composition, this is an explosive mix of denizen funk, psyche rock and proto house, effortlesly crossing boundaries and uncharted sonic soundscapes, defying genre classification. check!

stalwart is bringing you fresh blood for its 17th release. el prevost aka lincoln prevost, is a london based producer who started is carreer in music as a sound engineer at londons matrix studio. becoming a big fan of the underground house scene through the years, he decided to start making music, looking for new directions in sound shaping and manipulation to produce strange new sonic elements and radically altered drum patterns. once again, a great package for you to choose from!
early dj support from: danny krivit, dj spinna, rocco, jellybean benitez, marlon d, aaron ross, ralf gum, master kev, jihad muhammad among others.

doppelschall is back with its 2nd vinyl instalment. and its clear what the label is aiming for... high quality modern electronic dance music with a warm soulful edge. jazzy injected mordern house tracks from mr bozeman is what they present after the more then excellent release of dollkraut. hypnotic and pulsating house with a dusty sample aesthetic that ads a warm flavor that makes this sound like a record that one knows like its own pocket. brandt brauer and frick committed to do the remix and come up with a brilliant jazzy work out of the title track. needs no recommendation!

earwax is very proud to present this huge 12 inch from >purple trinity< producer gemmy, guaranteed to cause serious sonic pressure on a dancefloor near you! >maroon chant< is possibly one of gemmys biggest tunes yet, a carefully crafted dancefloor monster brim with catchy purple melodic synths and heavy weight bass. the intro leads in with a looped tribal chant as the pattern is sucked into rolling snapping percussion before the squelching, ever-evolving bassline drops. the track build and flows effortlessly maintaining high energy levels throughout. big tune. flip then for >last 3 digits< ? the title being a reference to pirate radio shows where the host refers to callers by the last 3 digits of their phone number. >let me have 1 caller for the rewind<. heavy hitting rave stabs punch out the catchy melody here before the track switches up into a grimey beat and even grimier bassline. quality rave music.
dj support from: joker, roska, pinch, mary anne hobbs, guido, ginz, reso, baobinga, appleblim, peverelist, rsd, plastician dusk & blackdown, and many more..

very limited white label. rmxs 005:the 5th in the series sees silver (accidental heroes and sonic and silver) deliver his interpretation of >jonny jungle< the original tune was from 1994 and was a huge hit back then! dj silver bring new life to the track as he brings it up to date? this has had massive support from all the heads in the scene. the flip is work done with good friend and fellow producer lutin from france, as they come with a soul infused number called >i choose you< which was a hit originally by >wille hutch< this tune is defo one for the summer time ladies

catcalling from the depths of a city seen from the outside as crumbling, sonic grooves carve a path to the soulful detroit duo known simply as the oliverwho factory. first noticed across the primitive music sharing plateaus of a decade past, the oliverwho factory quickly gained notoriety overseas with a glasgow based distribution, and a keen sense of product importance, releasing rich, mood-driven tracks on vinyl, inspired by and resonating the roots of rock, pop, jazz, and r&b. earth near-silently stumbles with the distinct yet mysterious, funk laden blend of house and techno that oliverwho and shonie c. so naturally provide. like stepping into dreamscapes of unknown desire, the obscure flavor of owf s tunes keeps unconventional beauty and otherworldly adventure at the forefront of this duo s detroit-based soundboard.

>nausicaä< the female hero fights for survival through ecological desaster. with undeviating force she struggles to revitalize nature. the japanese manga art movie inspired blome to his new release on sender after the 10th anniversary compilation. track one on the a-site >nausicaä< opens with an instrumental amplitude which creates a soulful width. swinging bass weave a well constructed atmosphere of a sensitive play. circulating, flexible sequences combined with sensible used vocals of a guy called gerald creating an impulsive, drifty sound aesthetic. a synchronization of body and motion, of moment and expansion. on the >calamaris street< we travel moreaccelerated through the universe sender. with tentacular sense calamaris street spins strings of sound and voice to a hypnotic bustle. sender 087 is concatenating >nausicaä< and >calamaris street< in an ecstatic synthesis of sound and vision to an new euphoric synthesis.

groove charts # 3 !!! >sex ×technology = the future< ( jg ballard) wires are the arteries of the modern world, connecting and supplying practically everything that defines our lives. we channel our desires like an electrical current through our machines. musically, the concept is about drawing together the different strands, from techno and minimal to house to ambient and experimental. there is a common thread that runs through these different genres, linking them like the roots of a tree. this diversity is what keeps everything fresh for me. the >raudive< project explores techno and minimal, further releases will feature >atlas<, a new project created by myself and co-producer tommy gillard which moves into more detroit house territory. later there will be music from >zov zov< music that references pan sonic, coil and sunno))).

a new name appears in the hispanic techno scene: architectural, label and author, all in one. but who is the mind that draws the plans with this new pseudonym. we still ignore it, but this one, who has wanted to give free rein to the creativity that beat under his skin, has sculpted the first tracks that you will be able to listen, from a solid matter base composed by pure sonic techno with minimalist touches from chicago, with detroit streaks and forged alloy derived from the most genuine soul.

chaim, the sound architect from tel aviv, is slowly but surely taking his place amongst the bpitch residents. the specialist in sonic witchcraft is keeping us in regular supply of 12inch insights into his fine art.

die erstver®ffentlichung der langenj?hrigen losen zusammenarbeit zwischen dem gitaristen und s?nger von sonic youth lee ranaldo, jim o rourke und dem deutschen experimentalk?nstler christoph heemann.
listen to the words fall apart as christoph heemann deconstructs lee renaldos recitation of >bloomington indiana?<, then flip the disc and hear heemann and jim o rourke work a little bit more space into the mix with >autumn<. like the space cowboys they are, streamline rides again!

limited to 200 copies, vinyl only!! abstract forms brings you another slice of fine quality electronic music. derrick may describes him as >a very accomplished musician<, and he is not wrong. . . please welcome the very talented louis haiman. the formless ep features 4 tracks of wonderfully thoughtful and sublime electronic music. from hypnotic detroit influenced techno to slow outer limit electronics, this ep oozes buckets of digital soul thats carefully designed to take you on a sonic journey, it will free your mind. featuring 2 new exclusive tracks and 2 tracks from the >life after people< lp that was previously only available as a digital download, this ep will no doubt please all the vinyl lovers amongst us..

james ruskin is considered a veteran producer these days, after co-founding blueprint records in 1996 with richard polson, and releasing a string of classics on blueprint, meta and tresor labels to name but a few. 2009 saw ruskin re-invent his sound, a far deeper bass driven aesthetic, with killer releases on sandwell district, token and the newly reformed blueprint imprint.

following on from his recent release on aesthetic audio (detroit) miles returns for his second offering on his imprint atmospheric existence rec... the causal structure ep takes in many shades of deep atmosphere, from the haunting deroit electro tinged opener the fall to the other wordly miaplacidus , via the futuristic funk of follow the light.. the distant acid of face the music takes us through the stars. the release takes on a wide dimension of sound that steps out of the box to reveal an essential audio document for the more discerning listener

nice price deal !!! this second release from glasgows fortified recordings is a departure in sound from their first acclaimed ep by dundees loops haunt, but all the same in attitude. iranian born, texas residing garagesmith vvv uses his late night musical tests to forge and perfect his sonic output, and deploys a range of techniques not normally found in the often formulaic world of garage and dubstep. this patchwork quilt of laced beats, field recordings and intensive sample editing has made manifest a four track ep that simultaneously references the work steve gurley, todd edwards, carl craig, my bloody valentine, the cocteau twins and roy davis junior via the bastardised strains of 2-step and house practiced by the likes of ramadanman, untold and joy orbison, peppered with that magic elusive el_b swing that only the greats are able to achieve. at the same time familiar yet different (how many times have you heard that?), the four tracks on projects kick with the intensity of the best club music and invokes the cosmic spirit of classic motor city techno with an uplifting and deep soulful vibe that reveals layers of orchestrated natural sound upon repeated listens. in other words, its sexy as fuck. slated for an official release early march , one can only assume this limited 12inch will fly off the shelf much like fortified s inaugural release did

wurst kicks off the new decade with reade truths auspicious debut for the label. the longtime techno vet - he of strictly rhtyhm and sonic groove pedigree - turns in quite the heady offerings. >lets go to heaven< is a brooding, electro-fueled, and dare we say, sleazy affair. perfect for building the night up or taking it down, horizontal dancing style.

the needle-drop fuzz that cues sam amidons fourth solo album of songs, i see the sign, raises the curtain on a world of little theatres, foretelling of an aural gut-grip that is fully human and wholly natural. amidons intuitive and often radical reworkings of age-old secular ballads, gospel, folk songs, and hymns render familiar characters new through his direction, vision, vocals, banjo, guitar, and stellar contributions from fellow musicians. stylus magazine raved that amidons sophomore solo album, but this chicken proved falsehearted, was >the most interesting folk album of 2007<. in 2008, bedroom community debuted his third album, all is well, which garnered mediaenthusiasm as a >a goose-bump-manufacturing sonic piece de resistance< (cmj new music monthly).

theres something brewing down at dumb-unit and this time its in the venomous form of a cobra sun. legend has it that the cobra sun is a sun so fierce that a man can only face it at the crack of dawn. only at this point can one survive its monstrous wrath. whatever the truth may be, what is certain is that a new legend arises with pheroxs moving interpretation. a massive journey full of dynamism and extremes the cobra sun is yet another notch to be carved into dumb-units sonic bed post.