big with: chris carrier chris lattner, chris wood, nick curly, jimster, luke solomon, varoslav, mr. statik, tini, technasia, steve lawler, robert dietz, retrac, osunlade, dan drastic,.. our second imprint on >deep series< features an up-andcoming artist from moscow. as a studied pianist kammerton knows the fine art of funk and soul, which serves him well in writing mesmerizing deep house and dub techno. his dj-sets have been compared to the likes of moodyman or theo parrish, giving you high quality unapologetically. on the a1 you will find >take off<, a funky house tune founded on subsonic bass-rolls underneath gently tweaked sequences. this groove to make you move will get any floor going with its characteristic live arrangement. >infuse< on the flip is somewhat slower at 110bpm and surprises with broken beats, chords and vibras - the real funk. the b2 >fosters hats< has shown its full potential in the club, with a steady build-up of drums and chores. this peace of black gold belongs into every house-dj bag!

cesar merveille first joined the cadenza team in 2009 with the outstanding ep. descarga, produced alongside fellow artist pablo cahn and garnering high critique from industry and public alike. a well known and much loved figure within candenzas vagabundos ensemble and equally the international club circuit, it is with great pleasure that cadenza welcome cesar for his debut solo release on the label. maayancholy is a beautiful and heart wrenching record, showcasing the delicate and fiercely musical palette of the french producer. introducing with shimmering open cymbals. light and airy they rustle simultaneously and offer diversity via their multiple manipulation. unsettled and sporadic, they splash throughout the remainder of the piece in an ethereal manner, casting light over delicate steinway piano keys and stabbing muted chord sequences. argentinean artist guti composed the aforementioned piano, his jazz and pianist training clearly used to full degree on maayancholy with simplistic singular key arrangements and piercing chord sequences. as the ascending chords rise, they dance magically alongside the pitter patter of percussive drums in a stripped back and raw demeanour. maayancholy effortlessly lays bare the emotive side of merveille through this ambient and surprising track. luciano picks up the remix duty for with a 16 minute interpretation. as condensed cymbals and piano chords are electronically warped, urgency prevails and groove sets in, securing lucianos twisted version as the perfect companion for the simplistic original. pace quickened and intensity sharpened, luciano demonstrates the clear dance floor attributes within . maayancholy in an electronic reinterpretation fit for the floor

dutch export ion ludwigs first offering for londons trelik imprint is a lesson in stripped back, mechanical groove-funk. title track >as the reaction followed i knew my feelings were right< is a rolling groover with nods to the kdj and theo school of deep house, with oven warm harmonies and vintage key sequences and lucid pads pushing the track along for its eight minute duration. flip over for >l sable<, which takes things in a more hypnotic direction with insistent stabs, a funky bubbling bassline and one of those vocals that you will be happily humming for days. forget what people are saying about old-skool and nu-skool deep house, this is simply house music at its very best.

so it was a massive pleasure that maya chose 2020vision for her next full single release. when we discussed the project with her we agreed it was vital to put together a single that truly reflected her diverse tastes and skills. the title track >focus now< is a unique work that will be hard to even categorise. reminiscent of early matthew jonson records >focus now< features delicate synth sequences weaving in and out of intricate rhythms. it sounds amazing on big systems, like at fabric, where it was road tested by ralph lawson at the recent 2020vision party. it is one to drop at the right time to make a real change in mood and set direction. we then have >little one< which is a solid deep house groove, simple but effective. vocal snippets are added by mjc herself on both tracks but her true vocal talents are shown on >senseless<...

damian and clement of dop fame return to circus company with a new project of dubbed out late night madness featuring vocalist brian brewster. far more sinister then dops recent output, 7 days features 4 tracks which explore am acidic realm of dark ruminations and swamp dredged rhythms. >introduction< aquarius starts things off with a basic channel-esque wash of chords, noise and spoken word sure to appeal to fans of berlins longstanding dub techno tradition. >so low< comes off like a chopped and screwed take on italo heard only through the mixers effect sends, where modulating analog sequences and a thundering motorik back beat desperately swim to the surface of a blackened ocean gasping for air. >before u go< lightens the proceedings ever so slightly, upping the tempo and allowing the undulating synths lines to sparkle in the periphery, while the incessant vocal encourages all self-respecting punters to stay on the floor until the last track has passed ! its final groove. finally >universe< comes off like a lost out take from kool keiths dr octagon project with its classic jacking electro beat and sultry effected vocals.

new kanada enters the emerging spring season with two cuts of hope and despair. on the a-side, adam marshall drops >vamp< - a 12-minute modal jazz monster that winds its way from a bass heavy dub to an swirling psychedelic quilt of sound. dripping modular sequences for girls in white. on the flip, nk presents a cut from toronto-based matt maaskant. >outside the cave< was recorded in his fathers grain silo in northern ontario and evokes smokey post-club memories. murrs delicate, gorgeous mix-down freezes the track into an example of fragile beauty - complete with fuzz clicks, choir ensemble and a deep 808 kick. burial meets bon iver. we are really feeling this one. music to fall out of love to. limited to 250 copies - clear red vinyl edition.

first on decks.de !! wavering minimal compositions by german techno aficionado felix bernhardt. (a1) felix bernhardt - black donkey : a massive piece of bass concentration mixed with a round sound structure, sampled vocals and a thrilling build-up for explosive dancefloor moments. (a2) felix bernhardt - die lustige lokomotive : felix bernhardt starts the track with playful, melodic bleeps merging into a hammering peaktime track - quirky, dynamic and groovy all along. (b) felix bernhardt - black donkey (wahrlich & carbon remix) : with a pounding beat at the beginning, the remix of >black donkey< comes along rougher and more minimalist than the original. the track develops its own force due to its distinctive melodic sequences.

cultivated electronics is proud to present its 5th release of the year with a remix ep of electro legend carl a finlow aka silicon scally. the track >process< was originally featured cultivated electronics ep 004 and is now re-worked by label head sync 24 and electros flavour of the moment, finish duo morphology. sync 24 opens up the ep with a dark techy interpretation of the original track. chopped up voices, quirky analogue bass lines and spooky atmospheres rolling along at 135 bpm are the order of the day. hot on the heels of two storming eps on abstract forms and an impending long player on zyntax motor city, morphology (aka crc) turn in an analogue machine funk remix combining dark and trippy tones with subtle melodies, sharp beats and tight sequences.

legendary latin sexpop icon ric y martin? the chileans’ answer to menudo? or two of the most distinguished electronic musicians of our time teaming up to take an unforgettable trip through the imagination? dandy jack and ricardo villalobos need no introduction. if you’re reading this, then you already know what to expect. delicate percussive patterns. dream sequences. warm hypnosis. recorded in 1999 and excavated from the vaults for a timely release in an age of increasingly disposable music, alphahouse delivers for everyone seeking a timeless and painstakingly stylish piece of vinyl.

well here it is folks, the brand new debut release and label from glenn wilson & mattias fridell. two production perfect works of solid chunky techno with fat vibes aimed at the big floors, both cuts lay down some serious bass heavy hypnotic grooves, pushed along by strong atmospheric sounds. these tracks are no doubt going to be a popular addition to the dance floor and are already receiving big reviews.. no more ghosts is tonal paths second release and the follow up to the debut release the bridge, which received big reviews and heavy rotation from some of the following cari lekebusch, a.paul, adam jay, dj misjah, mike humphries and ben long. no more ghosts lays down two more fat slabs of production perfect techno to conquer the big floors, kicking of with be yourself which is a dark throbbing workout of bass heavy hypnotic grooves which is fast becoming the id sound for tonal path. false sequences progressive layers works and builds into a heavy grinding atmospheric track with a killer break that slams back in for max crowd pleasure.

marco bernardi marks his second outing on the dirty planet imprint with a 4 track ep bursting with emotion and originality. >i feel the lies< has a more laid back approach with deep and trippy grooves and evolving acidy stabs which are complimented with the unassuming and neatly placed vocal of detroit legend and aux88 founder keith tucker, making it one of those truly >special< tracks. second track >giro< (exium remix) is directed more towards the harder techno fans keeping the arrangement simple and the kick big and bold, this excellent remix has seen early support from surgeon with him choosing to feature it on the recently released fabric53 mix cd. flipping the record over sees two tracks exploring different sounds and moods. >msry< builds pace surrounded by an array of atmosphere, hissing percussion and lush detroit sounding synths where as killer track >giro< is a raw, off beat, electro monster laced with acid sequences and dirty bass.

the mighty d knox graces sect with a second ep, >looking through your eyes<.
>at the beginning< is a journey in the way good techno tracks should be. a low-slung groove forms the foundation as strings build, creating composite chords then descending into darker territory.
>if i never knew you< continues the unique and oh-so-delicately balanced melodic sequences, while >out there< is straight up techno funk of the first order. if these guitar licks dont move ya on the dancefloor, you have problems we cant help you with.
>on my way< is a gift for the more experienced techno dj. tricky beats work to create something like a latin shuffle, rounded off by a sonic mind manifesto vocal.

incl ultraphat matt john remix! licensed for the next watergate compilation and played and charted by efdemin, lee jones, benno blome, matt john, d. diggler, jeremy p. caulfield, florian meindl. third installment by berlin based label head mri. after his album heroes, this release carries one outstanding and rare remix by matt john as well as the shaun overworked version from the album. matt johnÆs encore remix is a new stunning piece of minimal techno. stretching over more than 9 minutes he delivers another psychedelic journey through the hypnotic sounds of mr. john, where little bleepy sequences accumulate a twisted impact for the eager souls on the floor.

the environmental radiation dose on the moon ep is the first collaboration between zooloft and aconito records. the two labels are twinned in exploring the limits of techno, experimenting with structures and sequences and ultimately arriving at the place where the deep and dark sublimes. the ep opens with the child that was watching the moon a track lifted right out of the drone-techno hymnal. it starts with muddied, subterranean bass and builds not just outwards but inwards. filled with obtuse references and metallic rasps the atmosphere created is obscure and spectral. on the reverse the moon that was watching the child sounds like its been exposed to radiation. the sounds are distorted, as if created from samples of the genome unzipping. the arrangement is stunning, bells filter in and out and the layers smelt into one another. there is awe at work here, but its an awe that remains underpinned by terror. this release, mastered in berlin at the legendary calyx studio, is something of a record collectors dream. it will be released on solid silver vinyl in a very limited edition of just 200 copies. za000ltd should be enjoyed on wax, this wont be available digitally.

>nausicaä< the female hero fights for survival through ecological desaster. with undeviating force she struggles to revitalize nature. the japanese manga art movie inspired blome to his new release on sender after the 10th anniversary compilation. track one on the a-site >nausicaä< opens with an instrumental amplitude which creates a soulful width. swinging bass weave a well constructed atmosphere of a sensitive play. circulating, flexible sequences combined with sensible used vocals of a guy called gerald creating an impulsive, drifty sound aesthetic. a synchronization of body and motion, of moment and expansion. on the >calamaris street< we travel moreaccelerated through the universe sender. with tentacular sense calamaris street spins strings of sound and voice to a hypnotic bustle. sender 087 is concatenating >nausicaä< and >calamaris street< in an ecstatic synthesis of sound and vision to an new euphoric synthesis.

umek responds to dynamic and delivers this 3-track-bomb for his imprints 20th release. congrats, very well done!

the ep kicks off with the title track >we rock non-stop<. tight kick drums layered with pitched 808 subs set the basis of the track. chopped up machine and voice samples are then layered with smooth pads and delays to complete the track. the second track of the ep >solvent abuse< sees sync 24 sticking to his dark roots. distorted vocals, haunting pads, trippy sequences and dirty bass combined with rolling beats and subs!
the reverse side of the 12 inch is slightly deeper, techy affair. >chosen module< is a spacious wash of delays and pads mixed with robotic bass and crisp round beats. the final track >marios mushroom< carries on the spaced out trippy theme of the side with more spooky pads, bubbly bass lines and hypnotic rhythms.

tiger supported by... rob da bank, kiko, markus kavka, mihalis safras, justin berkovi, ivan smagghe, orde meikle... moonbeam are back on traum! the russian brothers had a great year and have been voted as one of the top 100 djs worldwide by uk dj mag, in december 2009. we think they are wonderful, dedicated people who really deserve winning this award. with their new a-side track >tiger< moonbeam show their timeless quality and their deep knowledge of music, writing a seemingly simple but gigantic track. if you want to express in words what this track is like you might say it is a hybrid of joe beltrams >energy flash< fuelled with a melodic note and a lot of post-techno feeling. creating a revival of rave which so many people speak about, but so few actually reflect in theirproductions! the energy of this dark monumental new school acid track is counteracted by the two tracks on the flipside >land of the lost (strict mix)< and >zoo<. the b1-track >land of the lost< sounds like a soundtrack for a film set in a ghost-town in the midwest of the united states. a track that travels like a camera does... through different rooms of a deserted mansion. the b2-track >zoo< is the beat track of the record. it relies on its cool driving sequences and the hypnotic feeling it creates through them. adding small changes here and there that keep the track constantly going.

the third komisch release is by the parallel. with a string of digital releases to his credit, this talented new producer now makes his vinyl debut.
>abyss< gets down to business,as spacey textures melt into billowing chord sequences, underpinned by spiky claps and intricately woven pitchbent percussion. by the time the massive kick arrives, the seduction is complete.
>mind reverse< is focused on the floor, its stomping beats and metallic, robotic synths becoming increasingly more claustrophobic until the track breaks into a ghostly breakdown.
big with: dave clarke, surgeon, kirk degiorgio, peter van hoesen, serge (clone), samuli kemppi, cio d or ...

nsi. non standard institute – eitherway, nsp o7 is the third part of nsi.s scale & sync research series. max loderbauer again is responsible for the analog sounds and sequences and tobias freund was responsible for additional sounds, beats and mixdown treatments. all in all a record that follows the idea of non standard productions.

played by: loco dice, 2000 and one, tim xavier, martin eyerer, joseph capriati, someone else, mike wall, italoboyz, matt star, marc antona, alexi delano, mandy ...
sychi sychi is the second and exclusive release of denkbar,a new and promising russian label managed by alex danilov and michel misha! the little owls attack and the russians strike again… analog passages, strings and flutes were very harmoniously entered in this hypnotizing atmosphere.
the first one delivered by b.a.d is so groovy, perfect for dancing… it features conversations between two spaniards and this emphasized the atmosphere of this track.
>de color verde< is the second track and was made by one of the labelboss, alex danilov! it offers a warm climate, a pleasant sound of a«short» guitar and sensual piano sequences.
with >weg afro<, the third track by michel, the other part of denkbar, you can imagine the shaman dancing near the fire and a church full of people of african origins! a lot of basses and percussions – giving you an excellent combination.

big with: dj koze, brothers vibe, anthony collins, julietta, retrac(acid casuals), varoslav, nekes, ray okpara, johnny d., v.sexion, dimi angelis, ben anders, fimo ...
the 4th release on diaphan music comes as a va with 4 strong trax, that are already played by a lot of national and international artists like brothers vibe, anthony collins, nekes, ray okpara, retrac from the acid casuals and so on, just to name some of them. on a1 spiky makes his debut with forest trees: a minimal track that generates a very funky groove with its cleverly arranged horn sequences. dusty hands on a2 is much deeper with its fat bass lines and some housy chords & vocals. the track is written & prod by lee fraged, the mastermind of the net-label >this side music<. coowee on b1 is written/ produced by little fritter.

>perlmutt< supported by: robag wruhme, timo mass, gregor tresher, chris liebing, dave seamann, paul woolford, john digweed, alexi delano, edu imbernon! dominik eulbergs new traum release >perlmutt< holds two new songs. after >sansula< eulberg has taken another step towards composing exceptional bitter sweet melodies as we can witness in >daten-Übertragungs-küsschen<. his fairylike romantic and gentle melodies are as light as snow flakes and say goodbye to realism. in contrast to the a-side >schnertuppen-regen< keeps an eye on the clubby side of things with rectangular saw tooth sequences, dubby rhythms and back and forth sliding sequences that seem to stem from ancient string instruments and show herewith traces of popular german folk. all of this evokes in us the beautiful and early >acoustic window< phase of mr richard james.

hamburg bad boy electro ferris, member of heavyweight german band deichkind, returns with his second single on freakz me out and it is a big hitter, as it were. co-produced and engineered by tobitob of moonbootica. we have a hand picked assortment of the finest remixers & big freakz me out label friends around doing their magic on this one.deichkind are among the biggest acts in germany, playing sold out concerts and destroying festival main stages on a regular basis. anyone who has ever dodged flying elbows at a deichkind show knows what s up with their remix, dangerous.fukkk offf, also from hamburg has been killing it lately with massive singles such as rave is king or the bottom, an album on new yorks coco machete and remixes for jan delay, zombie nation, decalicious, acidkids and lars moston among others. in trademark style fukkk offf gives us hands in the air electro for fight clubs of larger dimensions.cryptonites go french on us roulé style with their big chords and big smiles version, keeping the vocal sparse and transforming it into chopped up dancefloor dynamite.stuttgarts autodidakt has taught himself a thing or two about turning out killer peak-time electro remixes, like this one, sporting massive detuned synths, driving sequences and the deepest of kicks.the remix package is completed by freakz me out veteran & big label friend markus lange who build a huge floor bomb with his remix. yeah!

motorcitysoul are frankfurt veterans and deep house pioneers matthias vogt and christian rindermann (aka c-rock). vivid follows various successful releases (kazan and space katzle) on aus music, and their first debut studio album >technique< on simple. hailing from germanys own >motor city<, the pair have developed a reputation for creating soulful yet truely futuristic deep house that has a signature sound all of its own. >vivid< is trademark motorcitysoul û resonant evolving chord sequences, beautifully arranged organic percussion and >wild pitch< fx and loops combine to devastating effect. fellow frankfurter roman flugel gives the manheim house sound a damn good run for its money with a tight, loopy groove that locks you from the off. all kinds of detail and sound flourishes pop in once, never to be heard again, keeping the listener on their toesà.the package is completed with a percussion heavy dub that threatens to steal the show. roman flugel needs little introduction. one half of alter ego and one of the collective responsible for legendary labels playhouse and klang and not forgetting one of the finest clubs in the worldàrobert jonson

daniel mehlhart is an aficionado. that would explain the cosy buzz emblazoning his >coming close<. the deep bass adept prepares some tasty meal here, just like an accomplished cook, pecking only the best ingredients for his versatile tracks. two soulflul clappers are the radiant result, featuring tenderly restored sequences and carefully tailored samplework. gabriel ananda shows off impeccable taste by firing up the robot beatbox for his remix, tuckpointing the sounds so well, that one might want to rub his ears due to so much rapture. three masterbuilders ftw

passionate, uncompromising, resolutely underground. a few words to describe the work and career to date of swedens finest real techno exponent, grovskopa. masterminding two high-calibre labels with frequent appearances on other imprints of repute, whilst giving a voice to the techno community through the nursery forum, he is clearly one of the harder working producers around. >make tomorrow< is the next chapter in his tale for the label, following the hotly anticipated and well received prologue of sect 2. >atopic< creates dense and intimate atmospheres, overlaid with a reflective, introspective key structure, culminating in the most poignant & moving of melodic sequences. >skinstrumental< bridges the void between tracks, speaks of the space between stars as our minds turn to thoughts of galaxies and nebulae, the spirit of detroit radiating like a supernova.>the fierce hug< completes the aural triptych, by contrast offering a more upbeat, playful yet no less desirable option for the more creatively diverse techno mix

support by: adam beyer, speedy j, emerson, brian sanhaji, joel mull, perc, steve rachmad, the advent, paco osuna.... true type tracks starts here with two artists that have created a very distinctive sound both together and solo, and represent a way of understanding techno music in which we firmly believe. our dynamic duo meets again to continue what they started on the ad ltd imprint. two tracks that define their own sounds and as the two artists behind them fit so well together they have to be in the same plastic. as a is for alexi, time out fills this side with powerful, dirty, jackin driving techno. alexi delivers a track were the classic flavour of techno is completely infected by his characteristic twisted futuristic sequences. the track grows full of tension and it s a sure killer. it s funk, it s dark, it s strong. on side b, xpansul signs a playful techno track full of swing and funk, hip techno a la xpansul. jackin beats and dubby bass support several freaking melodies that build this trip to dancefloor madness. we love techno!

played by dj koze , mathias kaden, laurent garnier... philpot records proudly welcomes reggie dokes on board. the owner of awesome psychostasia recordings in detroit and well known producer for the detroit beatdown posse as well as theo parrishs sound signature drops with the >rain redemptive love< ep his first release on our label. >love< got this amazing typical reggie-groove: rollin percussions meet melodic sequences, forward-pushing beats go hand in hand with charming piano chords and lovely strings partsàvery psychedelic! the second title >rain on me< is a deep mover par excellence, an arrangement between very dry and percussive beats and twisted arpeggioà. italo without the cheese! finally >black children of the ghetto< (taken from the album >my electronic mind< as a vinyl exclusive) rounds up this 12inch, slowing down the tempo and totally trippin out on its repetition. thanks for purchasing a real copy!

nice price deal !!! david sugar has been a popular face on the uk, and european chip music scene since early 2004. he uses ætracker software on a gameboy to create sequences, which he then builds over with other instruments. after being selected to take part in the desiel u music tour in the uk during 2006, his profile has risen, and he will now accompany calvin harris on his uk jaunt in june and july 2007. he regularly plays to large crowds all across europe, including germany and switzerland along with his mos radio show

cynosure flag ship artist and label navigator mike shannon reaches into his archives and selects the much-anticipated “the box ep.” “the box is open” was always a highlight of many of mr.shannon’s dj sessions and live acts. this cut delivers nostalgic, old school of detroit, soulful, techno jack. a ton to digest there but there really is no other way to sum it up. adam marshall graces the ep with a stormer of a remix. taking things a step further, adam really explores a different use of the chords given to you in the original. a smooth kicking set of drums and ever elevating sequences of synth keep you on your toes never really knowing exactly when things will drop. definitely a production trait that adam is best known for and it never fails on the floor. howie mangel

winter here and cold sounds also, this time warm up engine s drivers are grovskopa and agony forces, joined in remix duties by label s boss oscar mulero. grovskopa ignites the flame on b side with jauhar, and industrialized piece of dark techno with an analogue bassline as a starring ,resting on top of an abstract and metallic beat, salted with hypnotic vocal samples and atmospheres. a peak time weapon for the hard ones. closing b side oramics by agony forces investigate in the same field, nearly industrial beats, crunchy and dark, sinewave sequences, fat bassdrums and again an hypnotic and lisergic feel. as the the track goes on, pads and synth atmos do the job adding a mellow edge to the dark side. alone on a side, oscar mulero s rework of jauhar is pure floor action, substracting atmospheres and focusing on rythms and beats. giving a straight ahead approach to the original. electronic body music for the 21st century.

der aufregendste microcosm release seit einer weile. und das heisst schon was, denn die anderen waren ja keinesfalls schlecht. miskate rockt hier auf foundsound-weise ziemlich vielschichtig um die ecke aber trotzdem geradeaus. ihr wisst was ich meine, oder ?

after several months of hard video- and filmwork, and several awards, french-vietnamese cutie tk.kim aka. pop-3 will finally release some new tracks, on vinyl and online, and by the way, she promised to release more stuff in 2009! so, the new release, chicks and cuts, with 8 tracks online and a 4-track vinyl 12, is definitely dancy, clubby and loud. definitely in the tradition of pop-3s former releases, that never perfectly fitted a precise music category and prove that tk.kim still refuses to be house, tec or minimal. shes all of them or none of them. and what does chicks and cuts sound like, then? boomy squeaking analog sequences combined with delicious samples of her sweet voice will delight the dancefloor, lo-fi audio splinters coming out of old analog drummachines play something like very reduced melodies, and well shaped bassdrums and deep synths will delight your tummies. the very minimal lyrics are in french, as usual. and, goodie: sonja moonear and akiko kiyama contribute with amazing remixes to this fine girls-only oeuvre, rhythmical and minimal but still very harmonious the one by akiko, deep and mysterious the one by sonja. and by the way, the cover is really sweet, people say.

since their last releases on forcetracks and pokerflat crane a.k. have intelligently developed their style. with genius remixes by tom clark and orlando/nobel, the most talented newcomers on forcetracks label, they have compiled a cool and minimal-groovy record. crane a.k.s unique way of arranging tracks surprises with spherical and extremely danceable sequences - diversify to take a step out of the conventional minimalist monotony. forcetracks calls this new groundbreaking style >affected<. all four tracks are dance floor fillers

breaking the rules and beeing anything but mr. nice guy - with this massive new ep on karateklub blood & tears shows his straight, trippy, disturbed and mindthrilling way of getting a dancefloor boiled, slaughtered and painted blood-red. blood on the dancefloor is a hypnotising anthem, a bow to the sound of frankfurt of the mid ninetees, pounding more than nine minutes, combining the catchy grooves of todays- and the spirit of oldschool techno with rising pads and pushing sequences. this was made to be played on big floors on very high volume, so turn it up and see what happens when the drums return after a breathtaking break...because blood will follow blood - flip the disk and drop the needle. another advanced dj tool awakens the b-side - your truth was just another lie, something like the beautiful silence before the storm which is the heavy and absolutely non-compromising i wish you were dead. eight minutes of hate and destruction, of nothing but pure techno and a statement that needs no fucking explainings!

big with: andrea bertolli, elio riso, john acquaviva, deep dish, tom stephan, .. xavi beat returns! one of the biggest deejays & producers from fresco records presents his new production after a long time playing in clubs only. xavi beat is evolving to minimal sounds, without losing the fresco sound which characterized him. cyclic is the 19th release and has two tracks full of power that will delight the most demanding clubbers. inside the first track we can see original version. a sound that sorround you from the first minute. endless and constant rises, the presence of powerful bass joins with electronic sounds to form sequences that will drag you to an endless number of sensations. the second track is a remix created by dformation one of the most recognized deejay & producer in the international music scene. that remix is more progressive house than the other track with minimal touches full of strength and style. choose the track you want, but without doubt this single will not fail to surprise at any deejay set.

todd bodine demonstrates with this ep once again extraordenary taste and skills. after a very successfull excursion on claude van strokes mothership label and his activities as a heavily booked live-act and dj he presents on >unexpected life-form< two brilliant tracks, that seem to burst with their energy. todd bodine apparently has gained a lot of experience how to bunch the impact on both the dancefloor and the musical side and how to turn the result into a wall of sound. and hes doing it by following his own unique style. on the a-side >calypso< captivates you right after a few seconds with its pulsating sequences and a subtle growing energy-level from break to break. developing a drive which wont miss its impact on any floor. >snakeskin< on the flip is homogeneously build around shimmering melody-sequences which create the energy of this track, while the bassline below pulsates warm and deep. sounds like: detroit without kitsch. or like a cross between matthew johnson, robert hood and fabrice lig. to put it in other words: a typical todd bodine release in the best sense. allready a true highlight in the highgradecatalogue in 20

many international top-notch djs are already playing and supporting this tune like laurent garnier, gusgus, raudive aka oliver ho, len faki, john starlight, hernan cattaneo, james talk, perc, glimpse, ed davenport, chris fortier, p.toile, savas pascalidis, tony senghore, oliver deutschmann, mario piu or mtv-man markus kavka. after many years and releases on some of the most important labels of the electronic music-scene like for example liebe+detail, areal or trapez and countless remixes for artists like dominik eulberg, move d or solomun, hamburg/belgrade-based artist denis karimani aka remute is coming up with his own, self-titled label, which will be the future homebase just for his most uncompromising, rocking and surprising tracks. the 1st release called zuendli is an unmistakable groove-monster and is already driving people wild since weeks and months as a part of remute s highly acclaimed livesets all over the world with grinding and rotating sequences, unconventional sounds and a killer break

played by dj koze , mathias kaden, laurent garnier... philpot records proudly welcomes reggie dokes on board. the owner of awesome psychostasia recordings in detroit and well known producer for the detroit beatdown posse as well as theo parrishs sound signature drops with the >rain redemptive love< ep his first release on our label. >love< got this amazing typical reggie-groove: rollin percussions meet melodic sequences, forward-pushing beats go hand in hand with charming piano chords and lovely strings parts…very psychedelic! the second title >rain on me< is a deep mover par excellence, an arrangement between very dry and percussive beats and twisted arpeggio…. italo without the cheese! finally >black children of the ghetto< (taken from the album >my electronic mind< as a vinyl exclusive) rounds up this 12inch, slowing down the tempo and totally trippin out on its repetition. thanks for purchasing a real copy!

this three track ep starts with the title track >walking alone<. showcasing mike’s attention to the deepest details, this track begins with warm, fuzzy chord sequences onto which a multi-layered framework of tones and textures are laid. crisp beats mesh with hypnotic bass pulsations, inviting the listener to lose himself in the sound. proper deepness here - for those who seek the essential elements and nothing more, rhythm, melody, bass line, emotion.. expertly produced, >passing tunnels< goes further below the surface as icy chords meet electrified analog stabs, enveloped in cavernous reverbs and shimmering delays. this is a dark, simmering groove for those who know the rare and precious value of a deep, unpretentious tune that can move you from the inside out. take time and listen - there’s no denying the vibrations here. and finally, rounding off the ep is label boss patrice scott’s rework of >walking alone<. properly titled the >atmospheric remix<, p. scott takes the track to another level. while keeping the basic elements of the original, p. scott adds spacey, vibrant melodies to extenuate his version taking you on a journey to a distant planet while on the dance floor.

many international top-notch djs are already playing and supporting this tune like laurent garnier, gusgus, raudive aka oliver ho, len faki, john starlight, hernan cattaneo, james talk, perc, glimpse, ed davenport, chris fortier, p.toile, savas pascalidis, tony senghore, oliver deutschmann, mario piu or mtv-man markus kavka. after many years and releases on some of the most important labels of the electronic music-scene like for example liebe+detail, areal or trapez and countless remixes for artists like dominik eulberg, move d or solomun, hamburg/belgrade-based artist denis karimani aka remute is coming up with his own, self-titled label, which will be the future homebase just for his most uncompromising, rocking and surprising tracks. the 1st release called zuendli is an unmistakable groove-monster and is already driving people wild since weeks and months as a part of remute s highly acclaimed livesets all over the world with grinding and rotating sequences, unconventional sounds and a killer break / strictly limited, one-sided clear 12 inch

3 electronic house sound tunes...ame style!!! with trancy sequences !

we are very proud to present the debut of 21 year old tim toh, a fresh producer with such a huge talent and character in his tracks, we guess, we didn t hear for the last decade in house music! that s a big goal to claim, but it s also the reason, we signed him for a three-part series called >join the resistance< and this is part 1. the a-side is like an intro to the whole series, starting with some charming detroitish-sequences and a smooth piano, while the beat shapes itself naturally out of the track with raw percussions and a thumpin kick... from then on it twists and turns into sweet eternity…timeless! the b-side is beatdown rhythmic wizzadry and a tool par excellance, polyrhythmic percussions and a beat that will shake every floor you dare to play it

first 500 limited edition on red transparent vinyl! we are very proud to present the debut of 21 year old tim toh, a fresh producer with such a huge talent and character in his tracks, we guess, we didn t hear for the last decade in house music! that s a big goal to claim, but it s also the reason, we signed him for a three-part series called >join the resistance< and this is part 1. the a-side is like an intro to the whole series, starting with some charming detroitish-sequences and a smooth piano, while the beat shapes itself naturally out of the track with raw percussions and a thumpin kick... from then on it twists and turns into sweet eternity…timeless! the b-side is beatdown rhythmic wizzadry and a tool par excellance, polyrhythmic percussions and a beat that will shake every floor you dare to play it

4 takes of electromagnetic waves that are constricted to travel trough different sequences. this is the universe of der zyklus, the evolution and experimentation of electro physics that never seem to stop. highly recommended

both tracks written and produced by chris liebing at studio one. (a1) supported by ali (deepdish)!! the a-side >bangpop< is at first obviously driven by a central bassdrum. little by little, it steps into the background and makes room for the fine and striking, hypnotic sequences. that sounds good already, but gets polished by a snaredrum that simply makes you happy. a little hit? we wouldn t be surprised. on the b-side we are facing >puckelbop<, a 12 minutes long monster. a good example for how efficiently a bassdrum and a sequence can clear an aisle into a forest. no tree will remain standing – theyll move! clr20

a1: bando, label owner strikes back with palo cero palo characteristic tune of his new sound , soft techno sequences over an electronic base rhythm with breaks for the dancefloor that others would define as hi tech. b1: tim baker. chicago based label owner of elephanthaus and realestate, 20 years djing and more than 10 producing for labels like ovum, nova mute and his owns. creeper has a chord sound that reminds to the classic basic channel / maurizio but with his own imprint, same style of his last release misconceptions of the misunderstood. b2: leandro gámez. dont break my heart is a minimal-tech track with vocals in the line of his last release me implica on circle music.

oldschool at its best. the third release on two faces introduces love nine (london/uk). the ep starts up with feedback, a wicked monster track with a jacking groove, frequency modulated sounds and an inspiring oldschool touch. the flipside starts with the detroit mix of feedback, which puts a little bit more of a relaxing touch to the track with its deep detroit styled chords. gadget shot on b2 is a groovy house tune with laidback chord sequences and a moody bassline. just like a fresh and summerly breeze