various artist ep collaborations 2 from unlock recordings, featuring tracks from label head solimano, bruno de vincenti, christian burkhardt, barem and federico molinari. gonzalo solimano first created the unlock recordings imprint back in 2004 as a platform to support latin american productions, and ever since then the buenos aires label has played host to the likes of guti, jorge savoretti and franco cinelli. the second instalment in the labels collaborations series, solimano now invites german producer christian burkhardt to join argentinian talents bruno de vincenti, oslo records artist federico molinari and fun records founder barem for a split release. first up is solimano & bruno de vincentis cut love nebulae which layers infectious percussion with gentle chord sequences and filtered effects. christian burkhardts doog then cuts in on a deeper and darker tip, with a low-slung bass groove and hypnotic pad sequences. up next is barems funk duck with its rolling percussion, staggered synths and a pulsating low end, before federico molinari rounds off the package with 2.014.2, blending dubby bass patterns, chopped samples and frantic synth spirals.

inga mauer loves trains. -it s a fantastic chance to be nowhere-, she says. from cologne to clone is, in many ways, a celebration of this nomadic sense of existence. -i don t need a home, only a studio-, she confirms. recorded in a period when inga lived between cologne and rotterdam, home to the famed clone records shop (hence the title), the music on this ep is inspired both by the emptiness you suffer in futile non-places such as airports and the chasm you experiment in majestic scenarios as a russian forest. both by solitary travels and first encounters with machines you always wanted to touch like an 808. six tracks constructed with razor-sharp drum-machines, penetrating synth sequences and estranged vocals. raw sounds that capture the type of clairvoyance that one can only feel when in transit, far from the chains of our comfort zones. from cologne to clone is much more than a train journey. it s an introspective voyage to a beautifully warped soul. a reminder that, in fact, sometimes you only need your self-expression to feel at home.

bergen’s christian tilt returns to norwegian label ploink with his debut album ‘alt skjedde jæla fort’ this september. norwegian christian tilt’s dedication to techno over the last two decades has securely placed him in high ranks to play alongside the likes of the zenker brothers, margaret dygas and ploink label head thomas urv at clubs such as berghain, jaeger and Østre - all in the last year. here though we see christian tilt make a return to ploink for a second time with a five track lp comprised of an intricate cross-section of syncopated rhythms and dubbed-out techno. ‘dos were the days’ slowly builds hi-hats and punchy kick drums, before a deep-synth melody drives the composition forward. up next is the stripped back ‘btl’ that combines otherworldly aesthetics with a steady bass rattle throughout, before the gritty ‘a visit from france’ unleashes a dark low-end, murky synth drones and frantic pad sequences. a relentless 9 minute affair titled ‘i only work late nights’ then swells and pulsates over an unremitting beat, before ‘Øreverk’ rounds off the package with frenzied clangs, muted hits and rhythmic percussion.

early september will see jorge savoretti release his river plate ep via visionquests special edition imprint, comprising three original compositions from the argentinian artist. having been involved in electronic music as a dj for over two decades now jorge savoretti is firmly cemented as one of the argentinas finest electronic music exports, starting from his humble beginnings in rosario he has gone on to release material with esperanza, claque musique and igloo-rec as well as touring the globe throughout. here we see jorge mark his debut for the visionquest special edition imprint with a new three tracker and taking the lead is title track river plate, radiantly showcasing savorettis dub-infused percussive led style with choppy swinging drums, ethereal pad swells a snaking sub groove and dub chords which ebb and flow throughout. following is parana high which takes a more refined, low-slung approach via soft chord flutters, bright stab sequences and bumpy sub hits while a shuffled percussive drive further fuels the groove. last up to complete the package is u-fonk which delves into darker territories with mind- bending glitch synths, robust rhythms and a vacillating bass lead running throughout its six minute duration.

benedikt frey s arresting out of here was the second entry of our blanc series. originally a vinyl-only limited release, now the track gets a fresh new treatment in the hands of two mainstays of european techno: roman flugel and simon haydo. flugel s cosmic disco drama rework lives up to its name, maintaining the noir disco spirit of the original track but infusing it with tension-building sequences and strings that give it an extra mischievous twist. our favorite frankfurter also straightens the rhythmic skeleton and adds shuffling shakers to make it a relentless dancefloor weapon. haydo s remix delves into a more dismal terrain, transforming the vocals into haunted echoes, adding esoteric synths and topping it all with razor-sharp percussion in what sounds like a storm of ice asteroids falling into a lake of steel. the 12inch comes in a beautiful sleeve featuring an exclusive illustration by barcelona-based artist pau lopez and design by arnau pi.

this first d.e.t.90 lp channels the depths of detroit and chicago’s music lineage. rapid roland step sequences fire on all cylinders, resonant bass pulses kick form below whilst ethereal synth soar above. a monolithic eight track excursion that celebrates the rich history of electronic club focused music.

nice price deal !!! here comes the second release of orioni records, another compilation of argentinian artists. espen lauritzen makes his way on with >1724<, hardened 909 rhythms together a filtered 303 bassline in his own abstract way results in a banging and effective weapon, creating an hypnotic feeling into the dance-floor. b2 is for farceb with >enki<, smashing broken beats, fm synthesis and sharp 909 hi-hats and beats, using a stronger drum workout within. an impressive masterpiece digging deep into the groove. in the other side, >everything transforms< by pulse one, who presents an aggressive killer track with repetitive hard synth sequences, but it also comes with lot of tweaks on the analog synthesis and different types of pitches, modulations and filters for a mental feeling. closing the album, zedje delivers >restore<, full of obscure rhythm treatments, massive kick drums and shuffled 909 hi-hats and rides, different types of drones and complex analog synthesizers around the modular step sequences get together to bring you this massive peace of a track. classy. keep an eye on this new project, orioni, is here to stay.

cafe bohemian is the debut ep from sydney-based producer, t.hanks - one of the minds behind label post pluto. this glorious four track ep features lush string sections and warm 707 sequences in a percussive, deep house groove.
cafe bohemian, the eps title track, takes you on a journey through warm rhodes keys, soaring string melodies and dubbed out vocals. its golf club mix follows, bringing you into the club, with 707 jams paving the way for a dancefloor stormer.

u has always displayed an unironic conformity to his own absolutely genuine/occasionally challenging ideal as to what a release should entail. after a series of predominantly, and (in the most loving sense) maybe begrudgingly, dance floor oriented eps, vienna orchestra is a long overdue insight into his core fascination as a musician, making complex and intriguing experimental pieces that belie the humble mode of their creation, recording from vinyl records and manipulating the audio on old school samplers. this lp is an insight into scores of hours of twiddling with loops and sequences to create music far removed from its source material (dusty classical records acquired on a trip to vienna). this is a dense, blunted world, which holds the sound of a musician indulging their own ear’s obsessions and insatiable curiosity.

the anonymous entity chptr derived from undefined controlled sequences progressing into endless alienated narratives, all live recorded and captured on the eponymous label, chptr.

oskar szafraniec is a musician, producer, singer-songwriter and live performer from poland who lives in berlin. he s been experimenting with music since the age of 10 and has released projects under the moniker oscar burnside on various labels. collaborating with legendary uk producer a guy called gerald, oskar has also performed in many clubs and festivals next to well known artists and djs such as richie hawtin, mixmaster morris, ricardo villalobos, carl craig etc. this ep exclusively produced for cyclo demonstrates oskar s ability to develop a unique style inspired by his journeys around the world and his berlin life. whether for home listening or for the dancefloor, these 4 gems built with deep live sounds and subtle drums sequences will surely confirm the rise of a young talented artist ans producer.

third chapter of the project run by sciahri (opal tapes / ilian tape) and emanuele porcinai (on contort as wsr). unknot03 features explorations of dense and warped rhythmical textures (‘strain’, ‘vapor’), combined with fast-paced and propulsive pieces (‘lockt’, ‘corrosion’). the sound palette remains consistent with the previous releases, where raw synthetic sequences are deployed to shape grooves and melodic lines and to ultimately create alienating artificial soundscapes. ltd copies only

after releases on lobster theremin and opal tapes, u.k based techno experimentalist manse releases the first 12” on his own imprint - mns. “cymbal shudder” is a three track exploration into the realm of drum heavy, blown out techno. distorted percussive sequences clatter above a red lining low end and swampy electronic ambience. compiled of chaotic jumbled elements, the outcomes are merged together and run straight on to reels of withered tape.

novoline makes music with equipment that was manufactured in 1988 and 1989, controlled via midi by two atari sts. as a sequencer he is using an algorithmic composition program that is 25 years old. with this program he creates sequences that he modulates live by shifting numbers and settings while recording. the process is improvised and contains a good portion of randomly generated melodies and drums, carefully selected and combined by novoline. the result sounds a little like something between a dark 80’s sci-fi soundtrack and an endless marching new beat extended version.

ew york s p. leone is next up on spencer parker s work them records bringing a trio of hard-hitting cosmic cuts. born and raised in south brooklyn, p. leone cut his teeth djing during a short stint in tokyo as well as his home of new york before dedicating himself to the studio. he now arrives on parker s work them records, beginning his debut three-track release in mesmerising fashion with atria delivering spectral atmospherics and tantalising melodies. sequences of attraction then introduces thunderous kicks and soaring synths until miradouro wraps things up with dusky pads, echoing aesthetics and spellbinding arpeggio

the very awaited vinyl release of this 2013 digital work of the french frederick barbe aka cold colors with the ukranian oksana rodionova aka xiu. the included tracks are somewhere between classical synthwave and light and extremely peaceful coldwave without loose the dj friendly approach characteristic of past cold colors productions. xiu s eerie vocals gives a new dimension to cold colors extremely elegant and simple analog sequences... this is a truly plastical jewel!. all tracks have been analogically remastered specially for this vinyl version.

in the past, berlin-based djane miss dica showed with her releases on third-ear-recordings and auftakt records her talent for modern electronic music . now, she opens a new chapter with her new label radio productions and proves that, besides groovy tech-sounds, she is also capable of more harmonic productions. in her first release „out of blue“ of her new label, melodic sequences melt together with analog sythesizers. together with her vocals it creates a new signature sound. as external support remixes from the two well-known artists rené bourgeois and lars wickinger complement this release. all in all it is a very colorful release in which everybody will find his favorite.

during their european tour earlier this year, canadian duo jokers of the scene stopped over for a couple of days at club bizarre studio in northern france. the two pair of producers locked up and came up with betaville and breakwater, two killer lo-fi and spaced out tracks. betaville is a fuzzy dream that will make you dance in slow motion with your head in the clouds. boasting a strong melodic and nostalgic feel, it unfolds its warm analog synth pads, old school sequences and drum machine to psychedelic effect. imagine boards of canada wanting to make you dance. even slower is breakwater, a dirtier, chunkier track that ditches the softness of betaville in favour of a more in your face bass line and all together rougher attitude. it chugs along to old fashioned beat box claps and percussion and quirky synth melodies. lastly betaville gets the timothy j fairplay treatment of being violently pulled apart and chucked in all corners. reminiscent of early chemical brothers music, a heavy beat slaps over agressive drugged up analog sound effects while a repetitive, haunting melody screams on top and reverberated vocals whisper in your ears. scary.

repress . this second release for acronym on the swedish imprint dimensional exploration contains three powerful, almost otherworldly techno cuts that take you on a journey through dark volcanic synth sequences to dreamy pads and soulful synth riffs that has you floating above the clouds. this very limited release is highly recommended if you are in to deep techno.
all tracks written and produced by acronym. mastered by neel at enisslab, rome

for the 5th installment in the prrukwht series, spanish hardware icon eduardo de la calle returns to planet rhythm with his adept to the light ep. tr3b conspiracy serves as the opener which combines odd rhythmic arps and subtly placed drum sequences to make a somewhat uncanny atmosphere. on the b side we find ranchor will cut the mood which is a repetitive techno cut that should be useful for after hours. the doubt of the unknown (b2) has a somewhat foreboding title. it’s a fx heavy synth jam that uses oddball synthesis and nicely placed fx chains that evolve throughout.

juan atkins and moritz von oswald – the two indispensable protagonists of the electric garden – plug back into the wilderness. ‘transport’ – the new full length effort of the borderland collaborative project – brings together a new set of studio-refined sequences aimed at colonizing some of the dark energy that pulsates through those areas that are thoroughly electrified, even if not ‘on the grid’. ‘riod’ is the first streak to bolt through. the detroit-berlin axis triangulates to a third point which, like the atomic particle that lives in two places at once, flickers between a form of techno-charged ambience and a futuristic club-jazz which cannot be broken down into constitutive parts. borderland remains caught in a state of enraptured stillness, invisibly moving between every imagined future for electronic sound making. the result: a font from which springs serene and exhilarating musical ideas that vibrate with refined energy for sixty seconds in every minute.
the vinyl release includes a download code.

kris- & konflikthantering is swedish for crises and conflict management, as well as a course at university guiding you how to manage scenarios involving crises and strategies in handling conflicts. this album was put together while harald was taking this course. this album was made during semi-unconscious conditions and is an emotional transcription of experiences to the language of sequences and frequencies. the soundscape is a warm fuzzy travel from krauty basslines, vocal fragments and mantras through echoes and reverberating tunnels with shimmering arpeggios, field recordings and programed patterns in ancient japanese roland techniques. all recorded on the studer b67 master tape recorder, the heart of the kranglan broadcast studio.

its one year since we started this adventure and we want to celebrate pressing our first vinyl. for this special event we have onboard one of our best friends and someone we respect massively, no other than oscar mulero. he his providing two futuristic reworks of uncuts track beneath, floor orientated but mental at the same time, with flanged synth sequences and scientific drum programming making two techno tools that will crush sound systems worldwide. aside from the remixes, an own rework of beneath is made by the hd substance & leandro gamez duo as well as a brand new original track called f9, arpegio madness, concrete beats and solid structures as we should expect from this two veterans. four solid cuts of no joke modern techno made by those who know for those who know.

the anonymous entity chptr derived from undefined controlled sequences progressing into endless alienated narratives, all live recorded and captured on the eponymous label, chptr.

being the second release of the athenian label vanila - this time coming from the man behind the brand, anfs - vnl002 includes 3 original tracks characterized by low frequencies, industrial soundscapes and hard-hitting drums, all structured in four-to-the-floor sequences.

parallax 03 - this upcoming release on parallax features two fresh cuts by yogg on the b-side, and the first taste from his new collaboration with another tel-aviv based producer -pharaoh. 460 is a 10 minute run of subtle deep atmospheres and flucuating dub sequences. for now shows yoggs more violent techno style with its accentuated offbeats & industrial leaning patterns. oo-oo brings this one to closure on a quite but powerful note, with a more lush texture and subtle serial sequencing.

part 2/2 of his amazing album. intelligent communication. since 1967, astronomers have been receiving and cataloging very precisely timed radio pulses coming from sources they call pulsars. they have long assumed these to be natural sources, exotic spinning stars that emit laser-like radio beams that sweep through space much like lighthouse signal sequences. highly regular flashes and complex signal ordering are produced through intelligent modulation of their beam s intensity and direction of polarization. more significantly, through their seemingly purposeful geometrical alignments, pulsars appear to be conveying a coherent message. are these beacons from an intelligent origin? and are they warning beacons to warn us against the next shockwave that comes of the active galactic nucleus ore want they attack us? it might be prudent to consider whether we are talking about friends or foes.....mike storm.

part 1/2 of his amazing album. intelligent communication. since 1967, astronomers have been receiving and cataloging very precisely timed radio pulses coming from sources they call pulsars. they have long assumed these to be natural sources, exotic spinning stars that emit laser-like radio beams that sweep through space much like lighthouse signal sequences. highly regular flashes and complex signal ordering are produced through intelligent modulation of their beam s intensity and direction of polarization. more significantly, through their seemingly purposeful geometrical alignments, pulsars appear to be conveying a coherent message. are these beacons from an intelligent origin? and are they warning beacons to warn us against the next shockwave that comes of the active galactic nucleus ore want they attack us? it might be prudent to consider whether we are talking about friends or foes.....mike storm.

the first release is coming with 4 high-talented players: skymark, nas1, jose rico and gari romalis. each producer delivers something different on this debut ep, expect crispy acid sketches, running mpc sequences, synths unleashed and a jackin’ low end.

tresor.283 unveils yet another exceptional debut ep, this time from the hand of zadig. the head of construct re-form had already been initiated to the tresor catalog with the inclusion of panic on the demo tracks #2 compilation, in 2013.
with the stellar hunter he delivers three tracks rich in tradition, matching impeccably to his style, arrangemental magic and masterful set of technique.
between elongated synth pads, high-frequency blips and reversed kick drum sequences coupler with deep hypnotic bass lines, zadig proves to be the talented recipient of an illustrious heritage in techno, carrying it forward with modern application.

resopal retrieves two more smoldering remix cuts on transparent vinyl. safe to say that both of them - the a side by heidelberg s casio casino (aka steffen neuert of bergheim 34 ) together with lopazz - and the stunning b-side by our marseille connection roar - are absolute stompers. what we have here are two finely crafted remix versions of the original that seduce the dance floor in totally different ways. both contain perfectly structured arrangements that creep up on you with the stealth of a ninja, making them a real pleasure to mix with. the heidelberg guys show a minimal disco hybrid version of the original. from the moment the bassline emerges from a dense thicket of white noise the pair make their intentions clear. with expertly-crafted sequences punctuated by dramatic crescendos and distinctive mood changes their re-work is a melting pot of styles and influences that somehow manage to coexist, creating a rich montage of sounds and textures. on the b - french duo roar deliver hallucinogenic, long, patient grooves followed by some fantastically understated sonic tweaking which gives the track a real kick without ever losing that empty, laid back vibe.

home invasion is the new label from real tone man franck roger, a man whose career has scaled the full depths of house music over the past decade or so. evidently seeking a new challenge, the parisian s new imprint promises to adhere to a vehemently underground way of working and produced exclusively on analogue equipment. franck is back again for another solid ep, this time coco bongo is taking the level really high with some mpc beats, weird stabs going thru analog delays mixed with some spring verb to give a unique sound and direction on this one. hypnose is one of the first series of hypnotic low techno direction wich franck wants to go back, using some modular sequences aswell on this one. virgo will surely please some of the deepcore heads around with a ruff beat and hypnotics stabs still mixed in differents external effect wich franck got the secret.

myth music returns with urgency grip ep by s:vt aka sven von thülen, including a remix from white material’s young male. the 4 track ep shifts between pulsing bass tones, robo-rhythmic drum grooves and sleak detroit inspired sequences, making it a perfect addition to the myth music family.

the sophomore ep by label head n conduit. the name and inspiration for the pumps ep is derived from new yorks infamous strip club, pumps. located on the border of queens and brooklyn on the english kills canal, its one of the last holdouts of seedy and unkempt brooklyn, now that the high rises and artisanal establishments have taken over. the pumps ep consists of three original tracks and a remix that are supposed to capture whats left of this through raw analog sequences and drum programming.

nado16 saw stratus take us all the way from the gower peninsula to the adriatic, and now swedish newcomer gryningen beckons us into a sepia dream for aficionado s third 10- special. the latest example of moonboots & boardman s fine ear for talent, the mysterious gryningen appears out of the shadowy stockholmsnatt without a word or a website, on hand to lead us right through the looking glass. the opiated drones of tvu kvarter frun vintergatan set the tone from the off, shifting and shimmering while languid synths lazily embrace you amid the gentle roll of the groovesome rhythm section. as the opener drifts out into the crashing waves, jag flyter omkring i en ask rises from the baltic sea with a lilting sway and understated melody. cosmic sequences sparkle like water in the moonlight and the subtle textures of acoustic guitar and chimes send us deeper into slumber. the organ-led slia dagar i rymdlaboratoriet tumbles down through the ocean murk into a subaquatic terrain of dubby reverb and psychedelic echo, illuminated occasionally by the refracted shimmer of chiming keys. from that moment of nocturnal shade we soar into the light on the swooning, swaying beauty of frun andra hand till strnnderna i nice . born out of the hazy childhood memory of matinee performances and fine white sand, this exotica inspired beauty warms the soul with its cinematic sense of wonder, all told through orchestral intricacy and steady guitar. this is a dream you ll want to have again and again. officially aficionado.

nice price deal !!! its a fact, argentina has been providing us hi-intensity doubtless quality techno during the last years. this record is a perfect sample of what is coming on. jonas kopp invites the new young values of the local scene to show the sound of buenos aires. classical percussions and synthesizers which evolve to paroxysm, surround sequences and metallic texture determine the character of this four track vvaa.

with his third release of the bella avgvsta series, daniel bortz shows that augsburg offers more then its famous puppet theater. the opener don’t forget your sword provides crystal clear techno, discreetly interrupted by accented fades of an exotic theme. with rolling dub sequences, decent recurring swishes and a peacefull breaks jump in the water describes the impression to dive into the humid element. lonely soldier then provides more power again. the basic theme which is dominated by a minor tone displays an inner unrest created by the unknown that is daily lurking out there for us. the beautiful deep dub-track hide from the sun finally plays with the change of shimmering heat and chilly shadow. who does not know the feeling on a hot open-air-afternoon to take an occasional time-out from the merciless burning sun. overall this is the most personal and deeply emotional release and as we think a worthy highlight and conclusion for the bella avgvsta series.

the anonymous entity chptr derived from undefined controlled sequences progressing into endless alienated narratives, all live recorded and captured on the eponymous label, chptr.

das fünfte release des muenchner labels musica autonomica, die adversario ep - ist eine compilation, die verschiedene tracks von jungen und talentierten produzenten aus italien, frankreich und deutschland beinhaltet

the *belly of the beast ep* consists of four raw cuts coming from machines for the main room, with dramatic chords, obsessive sequences and recordings from *the san fermines*. gal aner (guitar) and chris gray (voice), join them in the track *human show*, fusing electronics with pure emotion.

french producer julien saillenfait (deapmash) is delivering broad shouldered textures and sequences with attitude for the sophomore stale output. from the jump, the picture that the french producer is painting shows really vivid. intrusing rhythms that pierce through ear canals and are nicely propped up by taints of distorting and peculiar vocal cuts.

limited to 200 copies. spanish electronic music sculptor imp comes through with his second release to date, and its on the titans halo label, an imprint reserved strictly for the moodiest of electronica experimentations. -rain over orion- would be the perfect companion to an 80 s manga flick, where distant melodic sequences flutter among watery atmospherics and meditative pads the remix jobs come from boris divider, who chucks in a half-time beat and a flurry of machine-like noises, and brain machine who delivers the techno makeover in fine style.

limited edition of 200 copies on black vinyl.
in this most recent phase, the intercontinental duo progress into new territory on four tracks that dwell in minimalism. atmospheric white noise and resonant synthesizer sequences combine together with spatial awareness and repetitions that build structures progressively. primal, slow and pulsing sounds give way to dynamic peaks. these tracks were recorded in the same session as the recent “el temps no passa” release on the philadelphia imprint white denim making it a perfect follow-up.

norwegian duo trulz & robin throw down the gauntlet with the third vinyl-only statement from the cymawax label, delivering an acidic take on their patented ‘hot and crunchy techno with soul.’ the prolific pair from oslo have been a force in their country’s electronic music scene for over two decades, with massive singles for full pupp, eskimo recordings, and the cymasonic and cymawax labels to show for it. now, the agent acid ep finds trulz & robin infiltrating the secret lair of a 303 conspiracy and decoding a quartet of sonic documents full of heavy synthesized funk. the ep’s title track is a slinky introduction, featuring battling analog squelches and drum machine patterns while a disembodied vocal plays on top. “i disappear”, adding collaborator brokkoli on the voice, is a more in-your-face effort as its pulsating sequences give way to floor-thrilling breakdowns. the low end might of “magnetisk smultring” showcases trulz & robin’s experimental side, complete with a disconcerting middle passage that soon reveals gentle synth melodies over a hypnotic rhythm section. then “my body”, the release’s closing track, introduces mysterious feelings … percussive clicks and tones build steadily as dub effects, sharp washes, and ominous whispers take hold. the agent acid ep is another triumph for trulz & robin … a masterclass of covert nightclub maneuvers.

*repress. nb: comes in house bag now, not picture sleeve like original pressing.
after more than two decades of behind the scenes collaboration juan atkins & moritz von oswald present borderland - their debut collaborative album to be released this summer on tresor records. the album - made up of 8 sequences, which seamlessly blend the styles of both masters - was recorded at the beginning of 2013 over various studio sessions in berlin and will be released as a series of three 12 inches and a cd album

recorded in a bunker somewhere in the ancient basque region, sagas of subterranean life is a collection of 5 sagas that are heavily influenced by scandinavian life and european culture in general. showcasing a versatile collection of 5 bits that range from moving distorted house jams to synth blops and violating techno, norse is not just a collaboration between soul notes head honcho kastil and rotterdam based gitchell moore, it s also a project that tends to avoid genre-restrictions and box thinking. odd sequences x violating drum patterns x palindrome titles = sagas of subterranean life.

one per person pls following her debut on the music for shut-ins compilation, antenes concocts three tracks of otherworldly techno on l.i.e.s straight from her nyc workshop. tip! *antenes operates a laboratory of self-made analog sequencers and synth modules built and manipulated in the name of rhythmic, sonic and spatial exploration. antenes signal path transforms synthesizers into sequences that burst with percussive energy, bouncing sound through sound like so many fuzzy am radio stations clipping during a late night drive. the result is a sound fundamentally unique and viscerally propulsive that shuttles dancers into a vortex of electro pulses. *

the hotly tipped glasgow based imprint presents a selection of live edits from the burrell connection, driving drum sequences with atmospheric synth lines creating a nicely balanced club record that can be enjoyed from your living room

wolfers incorporating uplifting, dreamy synth sequences alongside his instantly recognizable gritty floor-fillers. the title track is such a killer...future classic!