an hommage to adam green by regina spektor, father john misty, devendra banhart, the libertines, jenny lewis, sean ono lennon, frankie cosmos, the lemonheads and many more.

das dritte album von adam angst.

the new album from adam green finally available on vinyl!

the first release from the manchester based label beatnik collective. a four tracker from various artists - alex arnout, robert james, henry hyde & residents adam & rossa.

indie / rock

incl famous xmas songs like driving home for christmas & let it snow !

dj hockey betreibt zusammen mit adam 2 das pprz in vancouver und ist seit einigen jahren ein fester bestandteil der pulsierenden techno-szene im pazifischen nordwesten.

typical adam bayer techno. tip

house / disco

emotional melodic afro track on keinenmusik für die besonderen momente auf dem floor

incl famous female vocals, huge tip!!

2024 repress!! the next summer hit is coming

without artworkcover

collaboration of adam beyer and raxon, departed in day and night

ten dub workouts from adam prescott for moonshine recordings.

180g vinyl! the summer of 2008, the echo inspectors are touring germany. one of their stops lands them in koln, after getting their fix of record shopping at kompakt they would meet up at a local bar with pawas who just remixed their latest record. joining the guys for a mid afternoon beer would be local producer and friend of pawas, adam kroll. fast forward to 2020 and adam would reappear on the radar as adam k.roll with a fresh new dub sound, completely different to the minimal techno records of the mid 2000s. this fresh take on dub would capture the interest of the echo inspectors. many dms later would lead to adam producing five fresh tunes for primary colours. trying to describe adams music is not easy. adam seamlessly blends the sounds of dub techno, ambience, electronica, jamaican dub and an infusion of summer island sounds. primary colours has the honour of re-releasing one of their favourite adam k.roll tunes, into the ocean, initially released digitally on adams on bandcamp page, into the ocean has been reborn on wax. we loved it so much that we got the echo inspectors to remix it into a formidable dub techno groover. kick back, sip on a fine whiskey, light a little number and immerse your aural senses to the sounds of the final call.

4 panel digipac /album features the legendary niles rodgers + 12 page booklet

straight, rolling techno tracks who know exactly where they want to go

restless planet v/a compilation with tracks from adam collins, christine benz and intensive purposes.

ßisolate: 5 years remixes - on 3x12 inch vinyl

dj support: laurent garnier, françois k, adam bayer, john digweed, timo maas, danny howells, jimpster, gorge, mr. v, joyce muniz, jonathan kaspar, musumeci, m.a.n.d.y., pig & dan, mihai popoviciu, marco resmann

future music from new kanada s frontman adam marshall. sometimes its hard to categorize certain tracks and these ones are from outa space. it reminds me a lot of the time when we all discovered the first playhouse records from isolee, losoul and soylent green. magic moments which at first listen maybe not seem to work on the dancefloor because they are too challenging, but if you find the right moment they gonna work wonder…tip!

thermo acoustics is the area of sound that seeks to reconcile the laws of sinuous audio strands with the existence of black hole event horizons. much as the study of the statistical mechanics of body radiation led to the experience of quantum sub dynamics, the effort to understand the statistical mechanics of bass has had a deep impact upon the understanding of holographic principle, leading to the formulation of these tracks.
pressing on transparent, red coloured & smokey marbled vinyl.

new kanada welcomes londons bob bhamra into the chamber, with this two-track breaker from his west norwood cassette library (wncl) guise. >say what?< is a broken sub workout, with a strong nod to the hardcore continuum. distant alarms, aggressive drums, and deep bass drops make this a floor-killer for all sound camps. >flashlight< is an aqueous solution of damp funk that will resonate the head and drop the lights. gaseous and moody. on the flip is a slow burner remix of >flashlight< by adam marshall - sitting somewhere between tired breaks and acid reggae. 11 minutes of moog.

exposed within the interior of these tracks are a variety of intrusive and extrusive igneous structures. they include the extensive hydrothermal alteration of rhyolites and gabbros and a central megabreccia created by hydrothermal dissolution and collapse. the siliceous megabreccia is at least 40m thick in its center - to only a few meters thick along its edges. the breccia consists of fragments of white to dark gray cherty material, quartz-rich bass, diagenetic clap nodules, and stromatolitic snares. it is intensively silicified.

chaos is a tough, ny-house jam with 909 trim. first 3 minutes for the mix, then ending up just north of hypnotic bell house. strictly for the floor. memphis is a broken shell of a sampled break, worked and loaded under matt maaskants emotive freestyling on a concertmate mg-1. trace is the wandering groove of an excited arpeggiator, after the drum machine has left the building.

new kanada enters the fall 2012 season with some dark angular acidic house. black and medleys >roll the dice< - featuring the voice of rosina – is an old-school blend of disco, ny house and classic toronto warehouse vibes. slightly acidic, with its bubbling juno bassline – and slightly techno with the driving, repetitive beat – this house track should rock the deepest of dancefloors. file somewhere between henry street and early adonis. 5am - no earlier. for the flipside, adam marshall sits down at the controls for a clinical, tight, stripped-down scrubbing, turning the original into a late-night fear edit. broken, diffused drums and lots of black empty space in this one. the lights go out – blackout.

new kanada enters the third season with two white hot electronic tracks. >white mouse< is an acidic stormer which winds its way from old-school house - into serious dark club territory. with a shifting, swinging bassline, tough metallic toms and some killer drops - this one is a weapon in the mix. sounds like tevo howard meets luke slater. kind of. >spectrum< is deep, digital radio dub floats freely - somewhere between baby ford and a broken fm receiver. drifting melodies, haunted white noise and serious house beat. a track for late night driving, and early morning warmth.

nice price deal !!! powerful track excursions from adam marshall. >bass tracking< is a raw, throbbing techno bounce with jamming claps and a grizzled analog bassline that will tear out the speakers. >holding down<, and the alternative beatless version are trusted mixing weapons for early mornings or dark, heavy nights.

nkltd enters the fall season with a simmering two tracker from adam marshall – backed with a tough remix from torontos kevin mcphee (idle hands, naked lunch).

limited backstock action !!!

new kanada wades deep into the white waters of bass for this black summerdub. >my best dress< is a tough, confident jacker with awesome, mystic vocals by rosina of lal. 808 thumps, moog whispers, and a serious cr78 swing – nicholas murray (aka murr) really massages the mixing board on this one, and the resulting production shimmers with unexpected aggression. adams remix extends the raw groove into a 12-minute journey that beats the wooden floorboards into pleasant submission. disco hats, b52 bass lines and suburban base drops – the new feel for the old style. new kanada goes blue.

new kanada hits the quarter century mark with a long, subtle 10-minute analogue jam session. with milosh (plug research/k7) on vocals and melodies, and adam on the mixing desk - the single sided vinyl release is made for the long mix. a real slow burner that climaxes with an emotional payoff at the 5 minute mark. gavin russom meets talk talk. red, yellow and orange.

no stranger to straight up, tracky techno - the cuts on adam marshall’s third cynosure release are pure evidence of his familiarity with the genre. >searching< on side a is the slick, dj-friendly, jacker - reminiscent of detroits early sound. a relentless, but never tiring, deep analog bass sequence backed with marshalls signature grooves are the recipe here. killer just about sums it up. on the flip, >jamming the unit< is another tracky workout designed for the long-mix, followed by the kick-less basic channel-influenced builder, entitled >champion<. a perfect weapon in any techno set. yes, another timeless, ace of an ep - packed with mix appeal from adam marshall… order now!