tectonic label boss pinch returns to home territory with his latest tales from the darkside. hard, uncompromising beats, sculpted for twisted dancefloors. lead track ‘screamer’ sees recent collaborator and grime-legend, riko dan, pick up the mic to voice pinch’s industrial garage style rhythm, true to terror-form. complementing the darkside sonics, riko’s savage delivery threatens from the offset, with no let-up, no sign of weakness. not for the faint hearted. flip for ‘no justice’, seeing pinch on solo production duties providing a sub-heavy pounding rhythm, twisting an almost ragga style beat in dark dub territory. police sirens wail around calamitous thunder and atmospherics before the beat pounds in. second drop brings warped basslines to the forefront, pushing things further down the rabbit hole. ‘screamer’ has been played on bbc radio 1 on the benji b show, also featured on mary-anne hobbs’ 6 music show. dj support from the likes of mumdance, loefah & many more.

2nd album by london-based the rocks brings us fresh indie and punk-rock

scccccrrrrreeeeeaaaaammmm.. ich habe solche angst mikey, du musst mir helfen, bitte hilf mir !! absolut nix fuer zarte gemueter dieser druckvolle screamer..

already supported by artists like chris stussy, cristi cons, vlad caia, thalo santana

deep house presented by fit of body

ryan parks is a mixed media artist, music producer/performer, and ceo/founder of critically robust cassette tape label, harsh riddims. he was born in college park, ga and grew up skating all around atlanta, soaking up the dense kaleidoscopic cultural ooze found both in and outside the perimeter of atlanta. aside from his visual practice which usually takes shape as mixed media (jacob lawrence/matisse inspired in my opinion!) collage, he has been releasing music as fit of body for seven years. fit of body crafts soulful house ballads that draw on freestyle, bell hooks, old school detroit techno, jazz, and southern rap passed through a no wave paradigm. fit of body has previously released work on cgi, dka, ransom note, and his own label, harsh riddims. “black box no cops” is fit of body’s debut 2mr release, named for atlanta hallowed skate grounds, black box. the vinyl release includes a download code.

returning with four tracks from four upcoming artists, lkr003 explores a variety of styles on the fringes of modern techno, with elements of industrial, noise, atmospheric ambience and clattering breakbeats forming an uncompromising whole.
on the a-side, strahinja arbutina’s brutal four-to-the-floor techno screamer ‘dehumidifier’ rattles the roof, leading into iazikzazubami’s slower, mysteriously murky ‘brmaa’, where visions of dark landscapes are conjured. on the b-side, consulate drags you further deep into the nightclub dungeon with his techno + breaks laden stomper ‘klattenburg’, while the ep is drawn to a determined close with hymns’ ‘map 7’, which gathers the eerie, robotic vibes of the previous cuts, and projects them into an energetic, mechanical climax.

cult melbourne band primitive calculators cut a single in 1979 before splitting in the true punk fashion. a posthumous eponymous live album was released in 1981 (also reissued this spring on desire) and that was it. those two tracks are as fresh now as they were more than 30 years ago: in a style not dissimilar to the screamers or cabaret voltaire (circa nag nag nag), primitive calculators used raw monophonic synth lines with scratchy guitars and screaming vocals but the songs were standing on their own (as the unplugged version of do that dance that appears on the primitive calculators and friends 1979-82 could testify. the original 7 inch is now incredibly rare and hard to find and this reissue is its exact replica. first pressing limited to 500 copies.

the next full length from techno tastemakers delsin is co-released by the man who made it, morphosis aka ra.h aka rabih beaini, on his own morphine records, as well as by close associate m>o>s. entitled what have we learned

für alle die nicht aufgepasst haben gibt es die rrygular 14a, 14b & 14x als komplette dreier vinyl packung im hübschen cover

limited

nois land is a collaboration of artists from the detroit area who have come together to create an ep appropriately titled big kahuna. these are studio sessions pulled from a time capsule, reconstructed and brought back to life. a uniquely diverse and original listen, with styles ranging from island grooves to disco screamers to peak hour beatdown bangers. featured artists include blair french, todd modes, peter croce, mike seversion, damon warmack, topher horn, sam beaubien, and lennox karlisle.

after mukatsuku records summer hammond organ screamer from billy hawks (mukat 052) the label goes deep on an international funk tip. few years ago label manager nik played in france and the promoter pulled out a biosis now 45 that he never knew existed up till then and was generally thought to be a long album track only. an extensive search revealed nothing online including popsike/discogs/ebay except a tropical seller who d just bought a huge caribbean collection with the record included saying he d never seen it before either and he was keeping itâ&#128,¦failing to secure a copy themselves the label licensed it instead and created their own 45 edit which retains all the funk & soul of the elongated album version into a 7 inch friendly format. on the flipside and 1973 tumba safari from afro train get s a funky afrobeat re touch for peak time club play that would save you several hundred pounds on an original if you could actually find a copy !

belle alliance is the second studio album by german electronic music group ashra, released in 1980. it is the follow up to correlations from 1979 with the same band members: manuel göttsching (guitar, synthesizer, sequencer) , lutz ulbrich (guitar, synthesizer, piano, mellotron) , harald grosskopf (drums, percussion, synthesizer). the two albums released before under the name of ashra: new age of earth and blackouts (released under the name) had actually been manuel göttsching’s solo albums.

(ltd coloured vinyl in silk screen printed sleeve) go march is a new project born out of jam sessions that have resulted in their debut single rise, an electronic, germanic-infused, post-rock screamer that is a sort of mogwai meets kraftwerk.

(ltd coloured vinyl in silk screen printed sleeve) go march is a new project born out of jam sessions that have resulted in their debut single rise, an electronic, germanic-infused, post-rock screamer that is a sort of mogwai meets kraftwerk.

das mystische, urspruenglich 1979 veroeffentlichte synthpunk kultalbum von c.o.m.a. erscheint nun erstmalig auf cd mit 4 unveroeffentlichten bonus-tracks. bevor er mit charles de goal ein franzoesischer popstar wurde, war patrick blain teil von c.o.m.a., die nur ein einziges album veroeffentlichten. das von sammlern gesuchte album mit aehnlichkeiten zum sound von metal urbain enthaelt eine schraege mischung aus punk-gitarren, proto-industrial synthesizern, mundharmonika und elektronischem schlagzeug. inspiriert von bands wie devo, wire, xtc, kraftwerk, the residents und magazine, sind c.o.m.a. soetwas wie the screamers diesseitig des atlantiks.

seven tracks on the new lowriders release and its a real joy to listen to! the ep opens with the cheerful title track with the likes of kissey on vocals and it is amazingly sticky and feels like a compendium of 30 years of electronic music, with seemingly effortless transitions between detroit house, booty bass and future music.baby treats you on a twostep/house bumper which will kill you. bek is like your 808 swingbeat ghetto track: redundancy to the bone covered with bubbles and some essential vocoder science. sduk makes baby into a dancefloor stomper, whereas starkeys interpretation of field (which appeared on our beatitude compiler) adds and enhances drama and suspense from the original.and then there is the magical krampfhaft remix of tic tac toe, a worthy last track, schizofrenic, driven and recognizable as a mutated juke screamer.
pressing on orange marbled vinyl.

side a) soft house company – what you need… the most perfect italian piano house tune ever. this record oozes sophistication and perfection in its beautiful construction. as compared to some of the italian piano screamers of the past that have dated quite badly, this continues to live on as a classic emotive piece of house music. a perfect end of the night anthem! a little piano on the flip was regularely dropped at the classic hacienda in manchester circa 1990, huge piano anthem. junior vasquez used to mix 2 copies of this track at the legendary sound factory club in nyc! simple but effective bass with italian piano….. house!

following the great international success of glitterbugs album >supershelter<, everyone has been curious to hear what this unique and unmatched producer will bring us next. and truth is, there is a lot! glitterbug has been working on piles of new enchanting materials, tracks, projects and remixes.
as a first release in a series that will lead to his next (double cd) album, is the >dim flares ep<: a dream-like, intense and deep moody ep that carries that very special glitterbug sound to a whole new level, touching on deep emotional techno with a utopian 4/4 perspective.
this beautiful ep opens with >so much more>, an epic track that releases its melancholic-euphoric mood slowly over the course of 9 minutes, turning itself into a beautiful, hopeful, hand-raising screamer that floods the dance floor with overwhelming warmth and heartfelt love. side a ends with >deadpan<, an intense dark ambient miniature that lets us peak at glitterbugs world of score-like ambient compositions.
the b-side begins with >daubed beams<, a deephouse track all glitterbug. >daubed beams< feels like what mid 90s detroit techno released on warp would have sounded like: unbelievably deep, pensive, warm, divine and pumping.
c.sides latest emotive ep culminates with >be content<, a warm track with a deep drive of warped pads, a dark bass-line, airy percussion and unforgettable arpeggios. this exhilarating dance track is layered with bottomless emotions, the kind you want to close your eyes to, hug the person dancing next to you and wish it would never ever end.
the >dim flares ep< is the first in a series of 3 magnificently moving eps (by glitterbug, christian löffler, and a collaboration between glitterbug & ostgut ton s murat tepeli) to be released on the c.sides label in 2009-2010, all leading up to glitterbugs extraordinary next double album which is currently in the making and will be released in spring 2010.

speedcore 6 tracker!!!

new release on the constant screamer dirty label. this time with the likes of photonz. and including a club stormer remix from discodeine.

the label introduces you to about a hundred ways to mash up your brain. here we have session seven with four more excellent tools to disrupt your brainwaves and make your system go mental! wortex (psychik genocide, cardiac arrest, fatallic res.) kick things off in style and is assisted by definition of mayhems lexis and two promising newcomers, krokz and oliver clothsoff!

top price action !!

hier kommt er, der zweite teil des from karaoke to stardom albums. als schuber angelegt in dem entspannt alle drei teile platz finden. musikalisch logischerweise dem ersten teil ähnlich

two frenchies named jean-pat (19) & pacey (21) are cousins and decided to make their own music after they ve seen para one live. they got all their money together to buy equipment for producing and they ve created this all-out pumpin music. on their first e.p. you ll find 4 screamers you can t go wrong with. each of these work really good in small & big clubs as i play all of them in my set. enjoy!

deformer classics, unreleased tracks and a dj mix on triple cd.

mit traumwandlerischer sicherheit schlŠgt lawrence einen bogen Ÿber 16 jahre gelebter clubgeschichte, ohne dabei das akustische hier und jetzt aus dem auge zu verlieren oder auch nur eine spur in anachronistischer nostalgieseligkeit zu verfallen. stattdessen gehen unter seinen sensiblen hŠnden meilensteine des minimierten deep house wie >forever monna< von chez damier, ron trent und stacey pullen (1995) oder der 99er clubhit >overcome< von thomas melchior/baby ford mit kontemporŠren intensiven detroit-techno-hommagen wie smallpeople & raus >life aquatic<, delano smiths >my life< oder pigons traumhafter >koto<-dubtech-romanze von der 10 jahre dial-compilation auf wunderbare weise zusammen. au§erdem mit dabei sind so bekannte namen wie aril brikha, isolŽe, das ifach collective und robert hood, bevor roman flŸgels auf duran durans >save a prayer< basierendes meisterwerk >brian le bon< und das kristalline >oi< von plaids klassikeralbum >not for threes< (warp) den wehmŸtigen schlussakkord setzen. lawrences mix atmet hier jedenfalls die gelassenheit eines lichtdurchfluteten sonntagmorgens zwischen modernistischer gro§stadt und waldlichtung und gibt so seinem globalen kŸnstlerischen ansatz die passende dimension