new label from belgium with veteran dj trish who has a great reputation in her home country. first release on this new label drops a hot track that obviosuly is inspired by the sounds of the motorcity detroit. original version is a energetic building track with a great hookline and a staccato drive that stands out. the remixes by orlando voorn and klaina add some playfulness and changed the rhythmic structure. this first release comes in a small batch of 200 records stamped and hand written info text.

with his debut album back to bedlam, elia vens presents the astonishing result of his musical rebirth. no doubt, he keeps the balance between underground techno and rhythmic house music with a dash of haunting melodies. the production time of one and a half years proofs his will to accurately establish a serious musical base and that he took his time to collaborate with several artists from divergent fields. the element of surprise runs like a golden thread through all tracks and eventually leaves behind the answer to the very question for the identity of elia vens.

marcman!!! after the huge success of marcmans first ep with drumma records, the romanian talent comes back with four tracks. in this ep we have four strong tracks that represent the artists eclectic perspective of electronic music. sometimes marcman will show an industrial side with raw speech and sometimes he will express a rhythmic and harmonic intention.

laurel halo returns with behind the green door, a stripped back, rhythmic, and sonically absorbing ep. while re-injecting rhythm as the central focus, laurels compositional senses of elevated flow and ambient detail remain intact, harking back to earlier releases like hour logic on hippos in tanks, and the spring 12 inch under the king felix alias.

state is the debut from ore, this is techno deftly delivered. four original tracks showcasing an artist ready to make their mark plus remixes from darling farah and jon convex. a debut that stands out - state showcases an artist ready to make their mark. prime-time berghain techno functions are triangulated with detroit in 1987, birmingham in 1997 and london right now. the result is sumptuously textured asymmetric dance music. richly harmonic, expressionist techno that takes in pneumatic hi-tech funk, warehouse-maddening propulsive hydraulic and rarefied low frequency dub chords. complete with laboratory-precise edits, cold, crystalline sampling and skeletal machine effects ore recalls richie hawtins plastikman all the while keeping a rooted afro-rhythmic swing reminiscent of theo parrish with shuffling hi-hats, deep bass and strokes of barely-tamed percussion.

adam beyers unique vision of the afterparty uses phased percussion, tripped out drums and an ethereal like pad and melody to create a stand out remix that blends together two unique ideas momentously. ben klock steps up to take on the afterparty too with the sound ever so synonymous with him. he uses rhythmic stabs and an unusual melody that works so well within the atmospheric landscape he has created.

the latest offering from san franciscos icee hot label finds the young imprint officially welcoming another artist to its gradually expanding roster. that said, contakt isnt exactly a stranger. the michigan-reared, new york-based producer is one of the founders and resident djs at brooklyns turrbotax® party, which has long been a sort of sister party to icee hot. contakt has previously released music for respected outposts like local action, grizzly, and dutty artz, but nobody else and tessera 04 find him taking an important step forward as an artist, delivering tunes that are richer and more really realized than anything from his past. particularly on nobody else, contakts flair for big-room melody remains intact, but he takes notes from classic kms, filling out the songs cresting synths with a full-bodied bassline, a hooky vocal sample and a sturdy rhythmic underpinning. tessera 04 goes deeper, channeling maurizio while delving headlong into a dense cloud of synths and maintaining a steady sense of forward momentum. on the flipside, icee hot resident ghosts on tape continues his recent hot streak, infusing nobody else with punchy drumwork and a potent rave sensibility. detroit legend robert hood then rounds out the release, transforming tessera 04 into a pulsing and purring slice of heady analog techno.

adam beyers original track starts with a heavy bass line that is a sure-fire, grooved out killer. the infectious vocal hook and melody line supplies the extra force to make this track one of the strongest releases on truesoul to this date. nic fanciullis take on take me away uses a rhythmic melodic synth-line before bringing in the vocal to maximum effect. alans darker approach gives this release an extra dimension, using deep-pounding toms to create a cool, stripped back vibe with warm stabs and hats to match.

with a techno career stretching nearly a decade, finlands samuli kemppi is a natural choice for the fourth edition of themas continuing chronicle series. his intensely rhythmic, futuristic style has been making its mark across europe since 2004, but it was really four years later, when he was picked up by ostgut ton, prologue, and kosmisch, that the world found out the true impact of his sound. since then he has enjoyed his strongest support from the last of these imprints and, even more importantly, from luke slaters powerhouse mote-evolver, a go-to since its inception in 2006 for the freshest sounds techno has to offer. following the summer launch of his own deep space helsinki label, we are proud to announce kemppis chronicle debut with voyager, an ep of deep, science fiction sounds backed by intense beats.

amongst the mortals with its syncopated rhythm and eerie background sounds takes you on a slow walk among the mortals for sure and is nothing for the faint hearted. daughters of the everfire is yet another sinister track from valanx and with its hard bass sound beating the rhythm it takes you on a trip to the dark side. daughters of the everfire (yves de mey remix) is a strong rhythmic track were yves has pulled out all his skills of the hat to rearrange valanx original version.

new on caribou frontman dan snaiths jiaolong imprint. grind is more of a straightforward house track with a warped vocal sitting in the center of it, whereas *prelims* borrows uk bass stuttering, deep rhythmic tics, along with some out-there sounds that wouldnt have sounded foreign on snaiths lp as daphni

orre releases a 12inch mini-album by the inimitable avrocar. cited by radiohead as a prime influence on their kid a album, they also did an acclaimed session for the radio show of the late john peel. the eight songs here are improvised sketches, referencing the psychedelic side of krautrock, harmonious sixties pop and lethargic post-punk. combined with a modern feel of rhythmic progression and production, avrocar effortlessly comes up with songs that are moody, but yet fit many moods. without pretension, straight to your heart and mind, avrocar is a band to be cherished.

reso “tangram remixed” features koan sound, om unit, billain and doshy remixes on the 12&#8243,,, vinyl plus the digital bundle also includes starkey, drop the lime, dj kentaro, danny scrilla, evol intent and emperor remixestangram remixed opens with koan sound tackling ‘axion’, pushing the tracks rhythmic possibilities yet further the oswla signed duo switch the glitching beat complexities into halftime stepping bliss.

poly kicks is a new uk label run by ed russell aka tessela. first single is the much anticipated hackney parrot backed with helter skelter. both tracks are rich with the sounds of early uk hardcore and show tessela continuing on his breakneck rhythmic explorations. expect rough percussive workouts and quality control of the highest order.
support from jackmaster, loefah, pangaea, pearson sound, paul wollford, truss, modeselektor, addison groove.

madteo (aka matteo ruzzon) creates music whose understatement is overwhelmingly compelling. an italian native who moved to new york city in the early 90s, madteo has forged a production style that casts techno, house, and hip-hop in a gritty, stripped-down subterranean murk. his keen ear for unusual tonalities and his inventive tweaking of rhythmic tropes lend his music a functionality that feels anything but perfunctory.

less than a year old, the newly formed label apollonia presents its debut album release inviting you on an imaginary journey in their lotus seven, a road trip back to 90s san francisco takes chris carrier and hector moralez on a musical mission, stopping for hip hop style smokes, disco jams and soul-warming joints on the beach, this is an exploration through their colourful inspirations and rhythmic upbringing.

this well established label of dub-techno comes with the fifth release after a short break. the original track is signed by the label owners alessandro verrina & ander plau, it is beautiful and deep, as usual. the experience of marco zenker (ilian tape,etc) creates a rhythmic and lovely remix. the last track on this ep is a more dub and chill-out version of youandewan, who is always in good shape. for pleasure is back.

the second part of alan backdrops excursion-series comes with two extended and very personal tracks. with this two musical journeys, inspired by early 90s robert hood techno, crispy rhythm&sound elements and refreshed with inspiring ambient sounds and broken dubstep beats, he goes ahead building up his own musical signature. pure rhythmic soul confessions!

sheffield based john shima joins the diametric. family. after a series of digital releases in the last years it is a tremendous pleasure to release the very first vinyl 12 inch of john on diametric. his music could be easily described as the logical progression of the legacy of famous uk acts such as b12, stasis or nuron, but that would be only half the story really. john mixes very emotional and deep techno with intrinsic and delicate rhythmic structures, in parts even harsh sounding bitcrushed percussions, and idm influences together to his very own special blend. now we can already hear the stupid comments from the haters saying that his music doesnt sound new and like the next big hype but the simple answer is: even if so, who gives a f#ck? it is great electronic music and diametric. certainly hopes you enjoy this record and are blown away like us.300 handnumbered limited vinyl copies only. no digital distribution.

after 21 releases and covering most areas of house its time to introduce anaxander and present a new sound to the ever growing local talk catalogue. the a side antionette is a perfect electronic influenced body-locking flavored track, an organ alongside a bouncing bass and a rhythmic feel is sometimes all you need to get moving ! its the b-side that really take things to the next level. anaxander both puts his own clever stamp on these two tracks and delivers acid in the old, vintage sense that owes more to the raw and unpolished club tracks played by ron hardy at music box than to the old school house vibes you have expected from local talk. both cat feeding and i want you now are two tracks of a new era of local talk. innovating, futuristic and original produced electronic analogue funk for 2012

carrying messages of extraterrestrial, tropical madness from planet klajnak, the frikstailers (pronounced freak stylers) have been chosen to deliver the funk. manned by the multi-rhythmic madmen rafa caivano and lisandro sona, frikstailers were tele-abducted by an advanced civilization from the planet klajnak, and are forced to transmit their electronic messages to earth.

nice price deal !!! the kwattro kanali label returns with its second release containing 4 brawny tracks by liebig & enviro. the 4-tracker presents at first a gorgeous disco funk edit of a wellknown 80s synth pop hit with massive drums & extended synth line providing a definite cosmic disco feeling. next up is a heavily filtered disco tool with horny snippets woven around deep n low grooves, strictly made for maximised happiness. on the flip waits a smashing dancefloor-friendly groovetool contrasting its rhythmic drive with filtered vocals and a monstrous bassline. beefy kicks are added, guaranteed to raise a desire to dance! the last track is a hazy slo-mo looper with vocal teases, sexy shakers and a tough kick settled in a huge groove. don t miss that vinyl only release!

kuhns sophomore effort for civil music, kings ep is a collection of four diverse uptempo club tracks with an eclectic sampling palette and footwork-inspired rhythmic complexities.
includes full high quality download of all tracks with additional remixes.

the radioactive orchestra is a scientific musical translator based on our current knowledge of the structure of atomic nuclei in nuclear physics. using the radioactive orchestra, we can create melodies and rhythmic patterns that are based on the nuclear energy levels and gamma radiation observed in experiments at accelerator laboratories around the world. radioactive orchestra remixed is the result of a competition held by studio barnhus, kth royal institute of technology and ksu. using radioactive orchestras online music composer, contestants were able to submit their own compositions. the two winning contributions, by the zzzzz and abdulla rashim, have been remixed by Âme and jonsson/alter.

perc trax is proud to unveil the debut ep by pinion, known in a former life as us-based producer bobby dowell. pinion is the sound of a man with his own vision of music, sitting somewhere between classic industrial and contemporary techno without slavishly bowing down to either discipline. where the likes of ancient methods and perc are the sound of metal on metal, pinion is more like wood on leather, a ceremonial throb that switches in an instant from tightly locked grooves to more freeform rhythmic patterns.

with his second release for planet mu this year, >dream on< is more of a full-length outing for ital aka daniel martin-mccormick and a much more substantial record than the popular and critically acclaimed >hive mind<.
on >dream on< ital takes his experimentation with house and techno forms even further, creating impressionistic deconstructions from the tropes of early house and techno. sunny chords, laid back drum shuffle and rhythmic vocal loops are picked apart and threaded with a rich psychodrama of delirious textures, tidal chords and uneasy roughness and dissonance.
vinyl format ships with digital download code.

deepblak chief alchemist aybee returns unveiling >worlds< on deepblak. once again we embark on cross dimensional travels into rhythm as aybee dives head first into sonic landscapes. >worlds< is a rhythmic cartography of the many moods of the oakland, ca based producer. fusing elements of the cosmic, and the deep as he mines through a host of emotional transitions of the last few years. true to aybees production aesthetics >worlds< is full of depth, layers, and colors while touching on various tempos. always seeking to expand the boundaries, aybee once again delivers a long play project that transports the listener while evading convention.

just 14 years old cologne native tim engelhardt is gifted with talent and skills others wont reach within decades. after his remix debut on the new vinyl-label playmusic productions, headed by andreas lindemann, tim comes up with his first solo release including 3 tracks for showing us what the definition of deep house really means. a perfect fusion of groovy soundscapes, rhythmic percussions, melodic piano hooks and epic synth pads is just the basic description of the complex timeless sounds he did. this kid gots real potential being a big one in the future, we should definitely keep an ear on it ...

the second of two eps from talented californian newcomer, tyler friedman, has now arrived. a night in the woods ep starts of as a murky rhythmic experiment. when released of its bound, it transforms into a hailstorm of sound that builds in melodic intensity towards a final climax. this is scenic and brave electronic dancemusic that over and over again will capture the focused listener. on the b-side rivet for sure push tyler towards berghain. but now the tool is somewhat different. rivet transforms the cinematic original into a very dirty and dry party stomper.

special 12 inch featuring new versions of the track fa, taken from the debut fennesz solo album >hotel paral.lel< (1997). 15 years after its initial release, christian fennesz gives this throbbing monster of a track a new seeing to, extending it and adding more of that magic he is so well known for. the album was always an exercise in exploring alternate means of hearing club based music. this new version carries that concept further.
this is backed by a cracking new mix by the ever productive mark fell, adding his unique beat structures, and even a mlk sample, which lends his contemporary rhythmic landscape a odd nostalgic twist.
this 12 inch can be seen as a warm up for the new fennesz album, which is currently scheduled for 2013 release.

from raw chicago acid jack to strictly rhythmic disco smack - mr. adalberto is unmasking his schizophrenic house addiction by providing 2 different moods. pressing on grey marbled vinyl with handmade silkscreen artwork by the labelhead himself.

joyce muniz is a vienna-based, brazilian dj, vocalist and producer. muniz was introduced to us by maya jane coles and we are proud to increase our female talent at the label. joyce is currently one of the leaders of a new style which fuses european club sounds with rhythmic influences from south america and the caribbean. she has collaborated with stereotyp, louie austen and munk, and her solo outings for exploited have been getting rave reviews

after his soul tinged #1 single >tonight<, migs returns back to basics with >dance and clap<, a fun, deep and dubby track based jam with an underground edge, containing plenty of knob tweaked pads, subtle synth melodies, thundering bass grooves, and rhythmic vocal arrangements. one for the dance floor in mind and reminiscent of his earlier track based works, migs knocks out these little gems for salted.

proteus: a solid, dynamic and linear track, with strong harmonic resonances and a slowly growing rhythmic in a hypnotic groove of atmospheres. definitely a dancefloor one!
nereus: this track has deeper mental space sensations in which hypnotic noise sequences travel smoothly in a crescendo of acid riffs.

the label from the infamous spanish new rhythmic store has build a solid reputation and prooves it status with this high profile release.another big serious techno release featuring some of the top stars in the scene. you will find hardly anywhere a crazy line up like this on records.. you know the score! big!

mental reaction ep is an original scan 7 release on detroit underground of classic detroit warehouse techno and electro via two new tracks and a remix. after many years of collaborative work we are wildly ectatic to present – finally! – scan 7, fabled anonymous masters of stealth, activism and classic detroit techno. mental reaction and noise tension are two new ‘zenith’ recordings shifting the order of things to reveal dark energy amid consistent, intense forms of brightness. punctuating the diptych is a ground pounding, break-oriented remix of mental reaction by dus annie hall. state of the art graphic futurism by dmas3 makes strange any sense of normality cutting new forms for productive living in an ever-expanding universe. mental reaction is the antidote to austerity via classic detroit warehouse techno. a new throbbing, syncopated scan 7 classic detroit rhythm hails us, freeing up accumulated, pent-up anger having to cope day-after-day witnessing cowardly, hypocritical elites avoiding culpability for wrongdoing in the world. warm, rhythmic frequency distributions align logical and ethical sensibilities hypnotically. mental reaction is a new scan 7 legend to reveal dance-activist pathways to higher ground in the face of adversity.

from raw chicago acid jack to strictly rhythmic disco smack - mr. adalberto is unmasking his schizophrenic house addiction by providing 2 different moods. limited edition of 100 copies clear vinyl with handmade silkscreen artwork by the labelhead himself.

from raw chicago acid jack to strictly rhythmic disco smack - mr. adalberto is unmasking his schizophrenic house addiction by providing 2 different moods. limited edition of 100 copies black vinyl with handmade silkscreen artwork by the labelhead himself.

the second album from the artreform label. track tripping perfectly fits the concept made for djs. a remix by the germans superlounge completely changed the rhythmic part of the track and gave it hasteless groove.

next michel cleis masterpiece , this time on dj kozes pampa records... >mir a nero< begins with a steady, upbeat kick underlying a simple piano arpeggio - like if philip glass make dance music - but then some accents of vibrant hand percussion loosen up the vibe, soon progressing into rhythmic layers that cause the energy to swell. by the 4-minute mark, a subtle, buzzing synth permeates the background, contrasting the tracks overall organic feel, leading into the playful piano chords and colombian vocal hook. simply put, this is latin house with that anomalous pampa records swagger, drenched with flavor like sangria-soaked mango. flip that baby over and you get >amaranthus<, named after the famed flower that represents immortality. this piece stands as a color-negative of >mir a nero<, an unwavering stomp with just shadows of the piano sample heard earlier. freeze-dried rather than sun-ripened, >amaranthus< is a dubby, more technofied counterpart to the a-side, crafted for deeper and darker moments on the dancefloor.

as the range, james hinton has released previously on astro nautico, alongside other such rhythmic alchemists as obey city (now signed to lucky me), time wharp and howse (now signed to tri angle) as well as appearing on remix duties for kuhn on the london based civil music label. outside of this moniker he released >cower<, a full length under the alias stegosaurus, on his own sqwal recordings imprint.
operating out of providence ri, james hinton fuses snapshots of global electronic music into a heady brew of deep sub bass, rattling footwork drums, juiced up junglism and dirty south rap beats. here we present the five track >disk< release, bristling with frenetic energy, complex percussion and cerebral melodies – >disk< is as suitable for the home as it is for the club and marks the latest evolution of the range sound.

calling on a roster of talent that includes the much vaunted luminaries tyree cooper, rick wade and his namesake wilhite, scott grooves, terrence parker and more you know that the vibes & pepper agency expanding operations to include a label means the standard of music will be high. number three in the fledgling wax initiative arrives with the man, the myth, the maverick that is norm talley at the helm for the three track bumper the westside project. talley fans will be all over this one for the chance to grab b side hugger >grove street shuffle< a track that originally featured on the producers uber rare 1997 release for city boy, and the two tracks that complement it find the beatdown brother in fine form. lead track >do what you like< deftly weaves in some expert voodoo ray sampleage amidst a permanently punchy groove whilst >greenfield groove< has talley in looser rhythmic mood, with busy percussion driving through a thick swamp of vocal pressure and ever twisting piano riffs

this third outing expands further the mosso musical range, presenting alejandro mosso in some of his most rhythmic and yet, dreamiest atmospheres. unlike mosso002, which got the producer to hunt in his forgotten documents, both airs present on this record have been impetuously developed over the last few months. on the a-side, pleamar is a driving number which boots with a hypnotic metallophone pattern, slowly giving way into a electro (rga)nic piano fest, which in turn twists itself into bent, crushed and perverted synth whistles. this a-side has been designed keeping the lower half of the body in mind, offering full waves of joy and jubilation! now that you are grounded enough, how about flipping that record and meeting us on bajamar - low tide, litterally. on the shores of this b-side is where a wonderful landscape of shimmering spray and glistening stars await you. here again alejandros ability to bring together biotic and mechanic in a homogeneous unity is best revealed. in a magical tour de force, bajamar sends tingles from the base of your heels, up and all along your spine, into your crown, triggering instant wonder, reveries and realisations.

psychoskunk recordings introduces error etica. error etica is victor martinez..is main musical project which has the essence on the deeper side of life. experimental, deep and dark sounds, departure from the hard rhythmic on behalf of way of understanding techno now a days, a sound carefully crafted and skillfully developed, without losing the essence of the label. complete album on digital format and 4 tracks on vinyl with special rmx from: obtane, paul boex and agony forces.

morphology is back on semantica with his trademark sound, his moody atmosphere, beautiful melodies and rhythmic beats that we have come to love.

straight from germany, this talented producer delivered some of the best deep house music around. entitled >the first floor ep<, it starts with >show me< which is one of those eminently soulful house tracks with a sparse approach to production, all the elements sounding so crisp and distinct in the mix but judged perfectly. whilst >rooted< is a louche head nodder supreme. on the flip side, with >got that< hes creating an all-enveloping atmosphere with its oven-warm pads and rich analogue bass, punctuated with jazzy chords and vocal murmurings. >defense< showcases hes excellent knack for crafting moodymann style textures with the depth to boot, combining a solid rhythmic snap with drawn out vocal landscapes and detroit-referencing melodies. and to last,>trouble< is all brisk, upright percussive layers splayed over swooping disco filtration. nicks approaching house from various angles and tempos and naturally theres plenty of deft usage of samples, such an ep just demonstrate how on top of their game skylax / wax classic is right now - big tip!

following last years triumphant debut on untolds imprint hemlock, brighton based producer guy andrews is back with his first 12 inch for hotflush recordings. a superb followup to his 2011 auditory missive, the wait / hands in mine merges percussive elements with heavy basslines resulting in two dark dancefloor cuts. shuffling and persistent, side a is bass-driven track filled with arpeggiated goodness, while on the flip, andrews shows off his ability to manipulate genres by using a bass kick and frenzied rhythmic percussion to dial up an atmospheric tune. with recent acclaim from xlr8r, resident advisor and truants along with dj and radio support from the likes of benji b, l-vis 1990, brackles, sound pellegrino, shortstuff, benjamin damage and throwing snow, guy andrews is on the rise. lookout for another 12 inch via hotflush this fall.

played and supported by markus suckut,inigo kennedy,dvs1,drumcell,angel molina,arnaud le texier,ness,cio d or,xpansul,bcr boys and more.for pleasure records shows the fourth release on vinyl. it confirms the class to propose pure dub-techno.an original track signed by alessandro verrina & ander plau (labels owners).an endless journey into the deeper atmosphere.voices coming from far away, creating a beautiful atmosphere almost mystical.absolutely rhythmic old school, where clap and hi-hat rule over everything. the remix of roberto bardini trasforms the track in a soft poetry, never heavy.nikita zabelin signing the second remix with much darkern atmosphere,its a version with a very personal view!for pleasure records walks the right direction!

100 copies worldwide. limited edition vinyl with hand printed cover and paper bandarole. warm rhythmic echoes of a steady synth pulse spans the vast side. a bass line surface midway and falls into place. electronic dub sits firmly on the second side. waves of bass washes ashore as the sun sets over the caribbean islands.