taking up mid/late 1990s minimalist & deadly designer techno vibes

fresh from live performances at bonobo’s outlier festival, the quietus stage at the great escape, and supporting max cooper, london-based production virtuoso guy andrews revisits his acclaimed debut album ‘our spaces’. informed by audience reactions at these shows, he takes two of the lp’s standout tracks and reconfigures them for the dancefloor, with devastating results. meanwhile two like-minded artists tackle the album’s lead single ‘in autumn arms’. max cooper crafts a formidable collage of idm textures, with staccato beats punctuating the lilting guitar riff, whilst dj mag’s former ‘best breakthrough producer’ ben pearce takes the track into the main room, turning in an elemental 4/4 floor-burner.

four raw acid cuts created and performed live by lithuanian producer, audrius vaitiekunas also known as ijo. the artwork image was generated by feeding audio signal through a custom built analog video synthesiser by london based artist and designer tom jef.

driving, rumbling techno beats and soulful vocals. all tracks stand in contrast though they don’t lose their relation to each other. positive vibes have the potential to develop into their complete opposite after re-listening. sounds fade through industrial ruins, always picked up again by vocal snippets. satanic choir meets berghain.
redredred from muenster (germany) is coming to tell a story with his debut ep. shifts between deep rough techno tracks, warm house tunes and ambient pieces like a master. still, other musical influences are present as well. significant here is his distinct sound design. constantly revealing new elements almost like a nightly walk through an empty city under a foggy blanket. this ep is more than a travel companion as it delivers tracks that are definitely suitable for a club.

press release: 124recordings are back with release number eleven the twin suns ep,representing the new generation of producers.first up is an exciting collaboration between pascal viscardi and hugo lx.both names are well known and respected individually from releases on courtesy of balance,mliu,frole and traxx underground,and this is the first time they have released a track together.twin suns is a homage to when house tracks were made straight to tape,with a killer juno bassline and raw beats.next are two young producers from germany.das carmas vitual reality doesnt hold back with a thunderous kick,rumbling bass and gritty stab.philladelphia s matpat closes the first side with work dis.with its clever use of a dj deeon sample,its a raw stripped down 808 groove.the second side opens with parisian duo dub striker,which glides along with warm embracing chords,soft pads underpinned by a bumping bassline,before fonso closes the release with the hypnotic 28 days

six tracks make up jauzas the shining s latest vinyl offering. brutal basslines stand, arms folded, in front of snapping snares, distorted notes bucking under immense mechanic pulses. to help drop the temperatures, to push the punishment, dynarec and raw jay have been drafted in to add their own eclipsed emotions to the mix. dark skies, brimming with rain and heavy metals hover across this record, pin pricks of light piercing the charcoal heaven before diving back into the ink-stained sonic psyche of jauzas.

after the successful -la jupe volante- project, whose b-side has been synchronised on the australian tv series the offspring (channel ten), kind & kinky zoo are back with some hard hitting pure laidback style music. they have received massive support both in the clubs and on the airwaves and now they are back, with on the flipside the help of lack of afro, or adam gibbons as he s known to his psychiatrist. two pistol paced and good-natured tunes as they are very capable of. a side - wonder zebra somewhere between retro psychedelia and afrobeat lies the wonder zebra. speeding along à la calibro 35, the feel is frantic and thrilleresque. now wonder kind & kinky zoo are a big hit on foreign tv shows. b side - v.l.a.m. (loa remix) a breezy bite-sike chunk of head nodding, foot tapping funky beats. led by a warm, sunny flute and irresistable rhodes, rather reminiscent of a 60s slice of dancefloor-friendly acid jazz. small but perfectly formed.

the second release from half true records, a small operation tucked away in the depths of eastern germany. mastered by cgb @ dubplates & mastering, pressed on white marbled vinyl and hand stamped & numbered, edition of 250. escapist, classy house on the a side, marbled unravels over a raw drum groove. queen chronos contemplates time within the 4/4 template on the kaleidoscopic b side, deep house for the past, future, present.

the second release presents a new front left artist – daito (lenny jäzosch). daito is the japanese term for different kinds of swords, used by samurais. this describes his sharp and detailed sound without the lack of emotions & soul. being a regular raver, his productions are dance floor motivated, containing special moments that can be felt when you are dancing to it. his influence comes from an earlier style of techno with a raw and inspiring sound. on the b-side, you will find elad magdasi – a regular front left raver who debuted on the first release(finger trip ep). his style is classic, diverse and 90s influenced. elad is returning with two different types of techno creations.

stellar new artists to join our tight knit family. first we invite mariano mateljan with whowhatwhere, his raw minimalistic analog sound really shines through with a swinging percussive bass line, echoing vox and splashes of pads to set the mood. now moving into more techno territory with our beloved mastering guru gabriele carasco with his slow burner theory of flow, has just the right amount of acid to take you on hypnotic journey through the lab. no introduction is needed for one of sol asylum’s core members miss jools. this time around creating a deep and moody vibe with what you do she adds touches of vocals, an elaborate construction and glistening pads that finishes it off flawlessly. last but not least, we introduce markus sommer with san beneghetto. his skills and mature taste blew us away regardless of his youthful years. this garage-fueled track with gliding synths and jazzy bass lines is the perfect track to warm up your summer day

the story begins at the heideglühen club in berlin where the true romance crew saw ojpb play. in the midst of his set he dropped a mysterious track that completely lit the crowd up, it was e-lane 2 troy. in this offering, true romance introduces montreal based ojpb (also known as bowly, dÐd, mtsp). through this alias, french-born olivier borzeix delivers raw and adventurous rhythms sourcing his inspirations in rare funk disco nuggets and the golden age of house music, blending it into what he likes to call : hypnotic soul. e-lane 2 troy is an uplifting cosmic mind bender. with its brilliant disco loops and infectious trance inducing melody, this is one that will fill and fire up dancefloors all over.

with the release of their last album “smoke” (2013) dapayk & padberg moved to a listening oriented direction, that also works perfectly off the dance floor. the new single “sink this ship” underlines their decision to follow this path in the future … maybe even with their upcoming album “harbour” later this year. on “sink this ship” eva padberg unfolds her matured voice, which shows more confidence than on previous records. dapayk skillfully puts her voice in a common scenery, where the straight beats are long over and where is space for extravagances and inventiveness. however, this is not a radical change turning away from the club sound. two of the most sought-after remixer artists at the moment, robot koch and bebetta, ensure the suitability for the dance floor. robot koch skillfully disassembles (for which he is known) the original. primarily he builds his version on the emotional base of eva’s vocal part and dapayk’s warm bass line. however, on the flip side, there is almost a contrasting change. the slight melancholy of the original track gives way for a typical bebetta techhouse beat, that flows through the club in a dreamy, yet simply irresistible manner.

fun records third reference is bound to fly well over the rushes of those trying to find the sounds that should stay fresh until the seasons end. and beyond. barems new ep emerges from a kompass aiming to its perfect and dainty studio timeless beats and to christian burkhardts bombshell, the first remix hosted by fun since its launch in august 2015. the argentinian artist has pushed his studios equipment to reach and outline the sound hues that define his labels personality joining the vibes of its two first releases. the first reference was produced by the two founders: barem and alexis cabrera. alexis cabrera produced the second release and now, as a way of giving this first years cercle a complete sense, barem launches this unique third ep

forceful, industrial and acidic, kamera’s ‘consignia’, taken from his ep ‘ventoux’, arrives reworked by two producers each as uncompromising as the source material. truncate steps up to delivers a remix that further encapsulates his precise vision of deep, raw techno. choosing to boldly strip back the foundations of the original track, his powerful rework performs subtle but precise surgery, creating a tense masterpiece of sustain and release, enveloping the dancefloor in thunderous claps and jittering rave samples. meanwhile, the so far elusive yaleesa hall is tapped for an offbeat, dub version of consignia, twisting the track into something altogether darker and stranger. a muddied, dare we say filthy bassline supports a chaotic framework of unpredictable drum patterns and mechanized noise, while still maintaining a hallucinogenic groove as the track’s original elements gasp for air underneath.

next up on titanic city is stephen lopkin, who serves up five new cuts on the strategic reserve ep. stephen is a massive talent and has really turned heads over the last couple of years with releases on m>o>s, bokhari records, and raw tools. needles to say were delighted to have lopkin on board

guitarist rolando bruno hails from buenos aires and got his start playing a raw brand of garage and punk with his band los peyotes. a few years back he took a step into the not-so-distant world of afro-peruvian psicodelico that s had a recent renaissance throughout south america. what made his early forays into a more tropical branch of fuzz so unique was his accompanying band-or lack thereof. armed with an electric guitar and self-produced and recorded backing tracks, rolando bruno and his orquesta midi jet-setted across europe and japan as a mad scientist one-man band, laying down a relentless style of chicha classica gone loopy that earned him several tours and a full-length album with the swiss imprint, voodoo rhythm. originally recorded in 2011 and now remastered and presented by names you can trust on vinyl for the first time, these two tracks are a glimpse into rolandos prolific electric madness and a lysergic-laced pointer towards things to come from the talented six-stringer.

dilated records latest release brings you fresh beats and feelings in 4 different forms coming from adjustment bureau, tripmastaz, silat beksi & patrick weblin and nice’n trick. from russia to ireland, ukraine and romania this va continues the foretold story of our passion for underground music.

nice price deal !!! macro has been the home for the albums of some of electronic music’s most exciting live acts. so when a live band enters this context, it should better enter with a bang. kuf do just this with their album debut. the three-piece outfit with keys, bass and drums cooks up a sound that is as warm, cozy and exciting as it is utterly alien. the rhythm section hints at the great history of dirty funk and bouncing r’n b, but the grooves are firmly of today: dance-centered, thrillingly interactive and broken up at the best possible joints. the bewildering thing about kuf is that it is a vocal-led group that has no singer on stage at all. all vocal elements are based on self-recorded samples which keyboard whizz kid tom schneider melds and bends and squeezes in real time. as if it was the most natural thing to do. with no artificial synchronization in place, valentin link on bass and hendrik havekost on drums push the disembodied voices into an arena of hyperintegrated realtime magic of rough soul, intertwined by improvised outbursts and shaped with the aesthetics of raw mpc-based cut up techno.

limited edition of 300 copies worldwide w/ special colour print gold & black, 140 gram 12inch vinyl. tre, the third release from italys backwords, is an intimate, muscle-and-sinew-deep exploration of the mysterious meeting point of man and machine, here, pardo and vintage synths, drum machines and miscellany from the second half of the last century. twitchy beats, crackling textures and layers of tape distortion conjure a hallucinogenic universe that owes as much to heavy dub as it does to the techno-futurist optimism of the early modular synth pioneers.

the new label la pince records created by the parisian trio dub creators aka dj d2b / steve ko / lucho misterhands is happy to announce you in preview the exit release - mongolistic ep -. for this first ep, dj d2b deliver to us 3 unique et exclusive directed pieces house / techno with a influence minimal. along with beats & vocals of shaman inspiration, hypnotic melodies with sensual tones, -which promise you a nice trip into the clouds-.

michael e s second release of tb303 and drum machine bang outs. star child continues its chronicles of chicago & detroit infused dance floor beats.

lemme kno = max d (aka your boy/-my dude-/future times crew) + dj isle o man (aka mb/morgan buckley/wino boys crew). breakbeat experiments, shplittin atoms and 90s jeep beats.
• debut ep collabo from max d & morgan buckley
• strictly limited vinyl
• silkscreened 2 colour artwork by house of traps
• clear 10 inch vinyl!

keith tenniswood returns in 2016 with dub vault vol. 2, the second emission of dubwise productions under his radioactive man moniker, originally recorded a decade ago while based in scrutton street studios. a long time fan of roots, reggae and dub here he fully indulges in the genre whose keystone bass weighted sounds have informed the electro-focused designs he is predominantly known for. explosion begins the ep recorded utilising new toy at the time, a korg esx1 sampler and sequencer, resulting in simple but crashing dancehall beats with a diliinja style bassline that is pure roughage. second track razor sees tenniswood also take up the guitar as well as beat programming in this track named after the * stepping razor* peter tosh and a nod to his music hero adrian sherwood and on u sound vibes. blazer rounds off the ep, a collab with long term dub head and band member with keith from bargecharge (check fuel records early releases late 90s) james foster. tape echo and distorted bass make up the thick sound of this trac

the master of swedish techno-funk, mattias fridell is here to open up the 7th installment of gynoid reprise with his trademark jackin grooves on the appropriate stimuli . sharing the a-side with him is advanced human with an acidic techno-trance-ambient journey into the labyrinth , a track inspired by the famous festival taking place once a year in the beautiful nature of japan. on the flip-side our berlin girl mary velo provides a raw, atmospheric techno trip into her mind games and to finish off in style melbourne maestro craig mcwhinney remixes i ll never be king , giving it a more current sound and teases out the dub influences.

hot off a couple of 12” from topher horn, rocksteady disco follows up with its first compilation featuring a heap of heavily sampled originals from more well-known editors. pontchartrain leads the release off with a summer-inspired aural prozac number, just in time for this june release. next up is notorious detroit editor lafleur, busting out this original milky-smooth detroit boogie house production. a slight little rearrangement from rocksteady disco label boss peter croce makes this one a bit smoother for the djs. lyon, france’s g2s kicks off the flip with a big-bottomed stomper reminiscent of some mcde ‘raw cuts’. pontchartrain book-ends this release with a track that puts the ‘rocksteady’ in rocksteady disco, with heavy analog-meets-electro drum programming and complete with pontchartrain on vocoder duties. hand numbered edition of 500 copies with dl code.

magic source is a project led by producer björn wagner (the mighty mocambos, bacao rhythm & steel band, mocambo records), who is renowned for creating an authentic and hard-hitting raw funk sound. following a few acclaimed single releases on favorite recordings over the past few years, the french label deeply wanted to collaborate further with the german combo, for a special and exclusive project bringing their music on new paths. this new project is a step towards a new style: analog-electronica, or so called cosmic-disco sound.

raw electronix all the way from medellin, colombia. it s retrograde youth making his debut on radio matrix. by serving us three different kind of tunes, he shows us he is definitely an artist to keep your eyes and ears focused on.

debut ep for the italian duo tolebham, “ex siderurgica” spins 3 killer tracks of heavy bumping techno: toxic beats and acid grooves made with modular synths and analog machines to bang your head. handle with care.

one of the founding members of apollonia, shonky was responsible for his label’s very first release back in 2012 with ‘the minneapolis touch’. outside of working on the trio’s debut lp ‘tour a tour’, shonky has been relatively quiet on the solo tip. here on apollonia’s 25th release we’re treated to four new cuts from the berlin-based parisian, kicking off with plombie&#768,,re (plumber in english). shonky injects a variety of unusual sounds, which revolve around a jaunty bassline, while voices dip in and out of the background, repeating the mantra ‘house music’ together with other difficult to decipher vocal clips. the track has a catchy rhythm that bounces along with aplomb. up next ‘house me’ is a sleazy, mischievous cut with a deadly low end and a seductive vocal that urges you to ‘house me’. as the bassline rumbles, high pitched effects add a hypnotic element to the track. badboy business.on the b-side we have ‘perchee’, which is powered by cleverly layered percussion, which is almost ‘live’ sounding. another one of those ‘shonky’ basslines gets us straight into the groove, with utterly contagious beats – this is one to shake the dance floor down its core. finally, ‘cosmopolis’ has that inner city realness flowing through with the chatter of a street corner in the background, a killer b-line and one of those classic vocal samples that is oh so familiar and gets you nodding your head as soon as you hear it. and there it is, four dance floor cuts with plenty of depth and groove in true shonky style… c est formidable!

the 2nd release on allessandro stefanio’s substrato, true to the label’s concept, is another musical exploration of both atmospheric heights and geological solidity, with all the emotional resonance and physical impact that such an exploration implies. this new ep from buck, like the substrato debut fluid identity by limo, is a skillful sonic meditation on the natural living environments that we often take for granted: its mix of intense tectonic beats and ambient winds takes us from the archaic mystery of the underground to the rapture of the open skies above.

the big cover up! bonus 10 ! while youre stretching your best spandex to this disco double play, dan the man tylers back on a tasty 10 with two special dubplate versions of disco circus and firecracker, ready to make you freak again!

major discoveries found in a chicago basement shared with world! this collection shows vast possibilities and a hope for the future of house music that there is much more we still don t know! keep your eyes and ears wide open and support this label! encourage the search to continue. note the mr. fingers sounding track included.

as always limited 180gm pressed vinyl
people must jam s ninth record is from one of our favourite djs and producers. a guy who has a ridiculously large back catalogue and in our opinion it is a crime that some of his records haven t received bigger recognition. a true master of house and hip hop music, kid sublime has been putting out amazing records since 2001. his own label dopeness galore literally does exactly what it says on the tin. even before we launched people must jam s label we wanted kid sublime to be a part of it. now finally we are stoked to present this ep... four serious cuts for four different vibed floors - look out! first up kid s homage to techno legend ben sims with bang like sims a driving deep techno groove. strong percussion, deep stabs and that unrelenting beat are going to ensure this one gets some love on the harder edged, heavier dance floors. we the people heads a little down the tribal route with some afro inspired percussion, haunting samples and that kalimba! dropping a really infectious riff before beautiful piano melodies drift in and out of the mix. wonderful stuff. the title track i like em dirty , we feel, is a lesson in proper deep house. classic sounding house beats, little guitar licks, deep stabs and the vocal sample combine for this perfect house cut. massive. the ep is rounded out with another cut in tribute to the legend that was kenny hawkes. another master of his craft - kenny sadly now passed on but his spirit is well and truly alive in this fitting tribute. one 4 kenny features strong percussion, low bass, deep stabs and slamming beats = cracking stuff

these two young guns from amsterdam promise to leave a big mark on the scene. their fresh interpretation of classic us house convinces with soulful vocals, stomping beats and surprising breaks. on their debut ep, soultage delivers with old school love and soulful damage two house anthems, which will definitely make every peak time dancefloor go boom. to warm up the place in the earlier hours, the duo recommends a swinging groove and jazzy trumpet. to round things up we find let s play house maestro jacques renault on remix duties, who turns soulful damage into a percussive dub monster. say what? house music all night long!

mmusic is a modern day music vinyl imprint, paying a 12 inch respect to quality productions, compiled together, for a must have vinyl record. limited to 300 copies.

ex:el is the third studio album by 808 state, released in 1991. in contrast to the band s previous works, the album features heavier beats and percussion, embracing earlier flirtations with hip-hop and industrial music.
extended 25th anniversary release, including 4 bonus tracks. first pressing of 750 numbered copies on yellow coloured 180 gram audiophile vinyl. housed in a gatefold sleeve with 4 page booklet and printed innersleeves.

repress ...rounding out this iteration of the moods & grooves classic series are two of its best selling releases from one of detroits most prolific producers, theo parrish, and label head mike grant. the mr. g remix of my soul, my spirit nets a pretty penny at the online marketplace so if the steep prices have deterred you, now is the time. chunky was produced during the time theo was a leader of detroit s raw & dirty house sound.

following off the stream of succesful releases discobar present their fifth chapter by french talent robin ordell. this ep presents a slightly more raw and punchy aesthetic and marks another strong addition to the rising producer and label s discography

raw machine funk from an intergalactic mind – hakim murphy brings us two contrasting sides of classic analog jams, chicago style. on the a-side, ‘toms from space’ and ‘bgstyle’ both have a melodic nostalgia, the former with pads and drum accents that are almost conversational, the latter’s ringing synth lines cleaving more to the jamal moss school of machines-gone-wild, but still in an introspective mood. the b-side is a heavier affair, ‘stompsb’ coming at you with a barrage of snares, claps and toms that will tickle the more adventurous dancers out there. by ’tf3_2’ the machines are in pure revolt, battery draining and sounds escaping in fits and starts – avant-garde chicago house, no questions asked.

catz n dogz ready the next 12inch on their vinyl only pets raw and refined offshoot step. this comes in the follow up to records from a1 bassline, eduardo de la calle, andre kronert and the label owners themselves and marks the return das komplex who offers up his all for love lp. hailing from koszalin in poland, das komplex is undoubtedly an artist of many talents, a full time architect by trade, he has released material on father and son records and tapes label and also offered up the extolled and coveted 6th pressing on the step imprint back in august 2015 a record that sold out rapidly after hitting the shelves. now, his return marks the first foray into long-play format for step and allows das komplex to stretch his legs across 8 masterful disco grooves. diem kicks things off to a sunny start with sizzling guitar licks and softly pattering bongos before the slick italo-tinged obelisk and the richly atmospheric redukcja dysonansu poznawczego follow up. the project spreads out towards the jubilant and dreamy all for love which leads into brukiew, an introverted but ultimately feel-good conclusion that wraps up a beautifully balmy collection and another coup for step.

pyramid: twisted raw funk groove
anchor: boisterous banging bum shaker!

as we move into the summer months, yoruba records is pleased to present this tasteful rendition of celebration of oggun from the much acclaimed sunlightsquare. based on a traditional yoruba chant performed by havanas abbilona, sunlightsquare takes the original and gives it a modern deep house touch. a soulful tribute to the protector in the orisha system, sunlightsquare provides a rhodes-driven melody that accompanied by powerful chants will have you grooving any time of day or night. a2 finds us with the stripped down yoruba soul beats version from osunlade himself. a unique percussive number that keeps the soul of the original – the bata drums command you to move your body in celebration. as we flip the record over we kick off with the yoruba soul mix. using the backbone of the beats mix, this nearly seven minute ballad is an absolute must-have in your bag. a smooth, subtle bass keeps you grooving as it makes way for the vocal – elevating you in the spirit of dance. lastly, we close with a stunning mix by none other than trinidadiandeep. this future yoruba classic is as deep as it comes. guaranteed to keep the floor moving, this must-listen tracks pads help round out an ep were extremely excited to bring you.

sound carrier volume 8it’s back to the cosmos with the latest instalment in chris carrier’s always-on-point series, sound carrier. the label is a home for the prolific paris artist’s techno stylings, and no.8 in the series focuses on a galactical fight theme – taking us from terra firma up into the skies and beyond. the first track, ‘alien blaster pistol’, couldn’t be more self-explanatory. mysterious keys parade over an ominous bassline while the beats keep things moving neatly. gentle chimes and bleeps are added, initiating a dialogue between the various high frequencies located in the top end. next up is ‘mahem (magneto hydrodynamic explosive munition)’, which steps into familiar sound carrier territory, that is… slightly unhinged. rolling along at a steady pace, the tune is rough, yet light with shimmering effects and charming wobbly chunks of bass. on side b chris gets gnarly on us with ‘earth invasion’. it’s the beginning of the end, so of course the music has to match that frightening prospect. gruff beats and stomping bass collide with cymbals, crunchy snares and mutant acid licks to create a beast. finally, ‘haumea brigade’ takes us into the twilight zone again, whirring fx float above hard-hitting beats and a mean b-line. eerie pads help to maintain a chilling tone throughout. deadly, the soundtrack to the end of days here on earth... prepare to evacuate!

emil take us out on a journey between drum n bass to ambient. from broken beats to techno. its a reason he is first out on kalvaberget recordings. this is a press of 250 copies (no digital release).

answer code request picks up where he left off with his album (code, ostgut ton, 2014) and 12“ (calm down, mdr, 2015): with the neume ep the berghain resident offers three new tracks, meandering between restrained club contexts and brittle break beats, machinery and futurist soulfulness. the eponymous track “neume” starts off on a with shuffling rhythms atop a heavy kick, soon caught up by first surging then predominant drone motifs, flashing bleeps and piercing strobe sounds. “meta” on b1 clocks in instantly without any build-up: its rhythm section sets the tone with broken beats while acr slowly carves out more musical detail and textures: subtle command vocals from the machine room, swelling synth pads and other chilling, athmospheric means are subsequently being added until the track’s break where the emphasis shifts towards the kick, pads and synth melodies until the track’s sustained, smooth outro. “vis” on b2 is the ep’s most protruding track: classic uk garage shuffle rhythms and amen breaks are contrasted by a funky kick and dreamful pads, intertwined with additional sparse percusion, layered with what in the first instance sounds like chirping birds but then like sparking wires. answer code request continues what he does best: combining the warm human touch with chilled alienated aesthetics.

the new bomb on echocord colour comes from mike dehnert. mike already released several eps on echocord colour, and we are happy and proud to have him back. this ep contains 3 powerfull techno-tracks with dubby elements, typical stripped down mike dehnert sound, perfect for the peak time dancefloor. mike dehnert is mostly known from his own imprint, the raw techno label fachwerk which he has been running since 2007. he is also releasing on other respected labels like delsin, clone basement series and deeply rooted house.

electro kicks, raw textures, ominous choirs: l immaginario, previstos opening track, ties a bound between martellis two releases on antinote, giving us one last glimpse at the uninhabited post-apocalyptic landscapes drawn in menti singole. however, this time leonardo martelli explores a more urban universe, as the use of rap samples on negli abissi and lo schema suggests. martelli exploits their aggressiveness in a way that somehow reminds us of minimalist rap tapes from memphis. the third tracks title makes it even clearer: called leggende metropolitane, the song is a trip into the darkest blind alleys of the city, an invitation to wander among human wastes, driven by its light kick.

killer old school analogue hardware jacking acid tracks by perseus traxx by this bunker artist. expect those raw bunker/acid planet vibes on this new barba release! recommended!

saobi is back and we are happy to present our 7th vinyl release. this 12 inche includes 4 warm house cuts by santi and nasty boy, the new release is a combination of melodic synth patterns with catchy bass lines, chords and percussions with some sweet female vocals. it develops the feel good vibes over its solid beats, simply few words, musicality and dancefloor efficiency!