2 massive hardstyler!! includes hardstyle mafia remix

mono-enzyme 307 debuts on the main natural sciences label with adventures in cryosleep , a record of corrosive space sludge dipping between deep acid trajectories, twisted cyber funk, narco new beat, android warehouse movements, detroit machine tyranny and musicalities often referred to as -techno-. we present the first phase in the mutation.

the eps with their trend-setting sounds range from drum & bass to techno and dancehall to electro, always with the focus on the dance floor.

fünfter release in der environments-serie der kult-elektroniker future sound of london. begann die serie ursprünglich mit unveröffentlichtem archivmaterial aus ihrer früh-1990er phase, enthält vol.5 nun 13 brandneue produktionen, die in der ersten jahreshälfte 2014 aufgenommen wurden. mit gastauftritten des prämierten komponisten daniel pemberton, sowie von raven bush (syd arthur) und riz maslen (neotropic). electronic listening par excellence. erstmals auch auf lp-vinyl.

part 6 of the machine funk series by cygnus. cool picture vinyl

involve records affiliate fabrizio rat is back with a brand new ep on the label. this time, the italian artist delivers two original tracks (three on the digital version) filled with his very own vision of techno music, combining once again piano keys with fat drum machine beats. to round it up, heavyweights ophase and shlomo come to stage on remix duties, bringing a new angle to the sounds of fabrizio. a must-have record for all the technoheads out there.

pressing on blue coloured / orange splattered double vinyl.

incl oscar mulero

*** check b2: !!! *** bath-come-london party purveyors, origins, take to channelling some of their creativity into the creation of their own origins label. at the helm for the debut release is bristolian up-and-comer tommosini. having heard move d unleash the beauty of another dimension at freerotation last year, origins knew they had to find out who the mastermind behind this deep house gem was and the rest, they say, is history. another dimension transports you through the galaxies via a combination of dreamy pads, crisp percussion, full-bodied bass and those sensual deep tinged vocals. future classic in the making. the a2 i dont stop carries on the u.s flavoured deep house with a vocal house track that wouldn t be out of place coming from the shores of chicago masterfully intertwining a bumping bassline, soft organs and those introspective, luscious vocals. flip it over and you re treated to two interpretations of another dimension. first up fellow bristol bass badboy, hodge, serves up a signature remix, chopping the vocals and layering them behind a pounding kick and machine gun percussion to give that bass heavy flavour hes become so well known for. deadbeat steps up to close out the ep with a heavyweight techno rework of the original, complete with hypnotic bleeps, phased hats, and intermittent sub bass goodness, all tied together with a driving kick to give a real industrial feel to the remix.

with fractal s analogue assassin ep, dubliner dave hayden (alias roguefrequency) delivers four acid/techno bangers openly displaying industrial influences. jerked off sturdy analog gear, the solid 808, 909, 4/4 rythmics is skirmished by cavelike 303 acidic patterns. rearguard consists of sunless modular synths and gritty atmospheric drones. as a certificate of choice, the release has already been supported by dj s such as unwelt, errorbeauty & and. like always on kromatones, it s limited to 300 copies pressed on 140gr. 12- vinyls coming coloured, this time with transparent blue. so, obivously we got here some rather stealth yet smashing tactical cruise sonic machine!

obscure dutch private pressing from 1977. laid-back instrumental psychedelic / progressive sounds with jazz-funk-groove and abstract / experimental / latin-indigenous touches. stoned homemade atmosphere with treated / distorted electric & acoustic guitars, flute, electric piano, primitive drum machines / homemade electronics. much in the vein of the experimental-underground scene of france & germany during the early 70s but actually recorded and released in holland.

back in april, phantasy unveiled future four, the exciting new alter ego of andy meecham: the brains and brawn, behind the emperor machine, bizarre inc and chicken lips. the debut ep release was titled this is the sound of future four, a trio of tracks that paid homage to the raw, unfiltered and brazen warehouse sounds of the early 90s, brilliantly harnessing the hedonistic spirit of electronic music of the early 1990s

after the epic global surveyor phase 3 triple album, germanys electrofunk resistance dominance electricity proudly presents a new milestone in new school electrofunk ...
blastromen >human beyond< (dr-044), the long awaited debut album by the finnish duo, known for their previous two ep releases on x0x records, is pure futuristic electrofunk madness in perfection! the eleven uniquely uplifting and boombastic produced tracks are packed with heroic synth melodies, haunting electro breakbeats and evil synthetic vocoder voices. take us to battlenet!
artwork by the zonders for dominance productions.

after the epic global surveyor phase 3 triple album, germanys electrofunk resistance dominance electricity proudly presents a new milestone in new school electrofunk ...
blastromen >human beyond< (dr-044), the long awaited debut album by the finnish duo, known for their previous two ep releases on x0x records, is pure futuristic electrofunk madness in perfection! the eleven uniquely uplifting and boombastic produced tracks are packed with heroic synth melodies, haunting electro breakbeats and evil synthetic vocoder voices. take us to battlenet!
artwork by the zonders for dominance productions.

after the epic global surveyor phase 3 triple album, germanys electrofunk resistance dominance electricity proudly presents a new milestone in new school electrofunk ...
blastromen >human beyond< (dr-044), the long awaited debut album by the finnish duo, known for their previous two ep releases on x0x records, is pure futuristic electrofunk madness in perfection! the eleven uniquely uplifting and boombastic produced tracks are packed with heroic synth melodies, haunting electro breakbeats and evil synthetic vocoder voices. take us to battlenet!
artwork by the zonders for dominance productions.

after the epic global surveyor phase 3 triple album, germanys electrofunk resistance dominance electricity proudly presents a new milestone in new school electrofunk ...
blastromen >human beyond< (dr-044), the long awaited debut album by the finnish duo, known for their previous two ep releases on x0x records, is pure futuristic electrofunk madness in perfection! the eleven uniquely uplifting and boombastic produced tracks are packed with heroic synth melodies, haunting electro breakbeats and evil synthetic vocoder voices. take us to battlenet!
artwork by the zonders for dominance productions.

after the epic global surveyor phase 3 triple album, germanys electrofunk resistance dominance electricity proudly presents a new milestone in new school electrofunk ...
blastromen >human beyond< (dr-044), the long awaited debut album by the finnish duo, known for their previous two ep releases on x0x records, is pure futuristic electrofunk madness in perfection! the eleven uniquely uplifting and boombastic produced tracks are packed with heroic synth melodies, haunting electro breakbeats and evil synthetic vocoder voices. take us to battlenet!
artwork by the zonders for dominance productions.

after the epic global surveyor phase 3 triple album, germanys electrofunk resistance dominance electricity proudly presents a new milestone in new school electrofunk ...
blastromen >human beyond< (dr-044), the long awaited debut album by the finnish duo, known for their previous two ep releases on x0x records, is pure futuristic electrofunk madness in perfection! the eleven uniquely uplifting and boombastic produced tracks are packed with heroic synth melodies, haunting electro breakbeats and evil synthetic vocoder voices. take us to battlenet!
artwork by the zonders for dominance productions.
limited edition colored vinyl plus poster.

hailing from leipzig in germany is an artist whos music has been pricking up many ears across the global underground over the last few years. its hard to put a finger on what it is about kassem mosses productions that make repeated listening a must, but the intricacy, fresh arrangements and musical depth definitely play a part in attracting labels such as the highly respected techno imprint workshop, the legendary soma records and now nonplus are honoured to present his latest 12 inch. a) kassem mosse – >we speak to those< first up on the a-side we have >we speak to those< a 4/4 track of the highest quality that keeps you guessing from start to finish. the rugged and raw kick and bassline immediately set the foundations for the incoming awkward chord stabs whilst reversed beats lazily slur in and out over the main groove giving the track the unnerving feeling that its almost changing tempo. random sound effects and a non conforming arrangement make this track about as predictable as the english summer. one listen to this and youll immediately understand why this artist is getting love from some of the scenes biggest players at the moment. aa) kassem mosse – >hi res< phased drum machine breakbeat patterns and stutered percussion redolent of the early detroit techno uprising give this track an outstanding quality of being able to conjure up the same feelings of hope and optimism for electronic music that the aforementioned era managed to. thought provoking chord progressions take your mind on an excursion to the future and leave you gagging for an extended trip. think skyways, flying cars and towering metal buildings footed with dark abysmal underworlds and youll get the drift. they don t come much deeper than this one

new ep from detroit techno and graphics legend alan oldham.
following up the more experimental >johnny gambit 01: the prodigal son< graphic novel/soundtrack (pure18lp), alan d. oldham a.k.a. dj t-1000 gets back to basics with the >blaster ep<, phase two of the pure sonik records restart.
>blaster< kicks off the proceedings. a dirty, tracky, and bitcrushed statement of intent, >blaster< is a 130 bpm love letter to all the hard techno fans in germany and spain who have kept the faith and supported dj t-1000s international dates all these years, and the definitive statement that pure sonik records is back!
on the b-side, oldham goes electro with >i rock shit everyday<, a dark, dirty, detroit electro-groove inspired by one of his all-time favorite detroit electro acts, ultradyne. the ep closer, the lo-fi >machines<, is the sound of your laptop, tv, and coffee maker conspiring against you in dial-up modem code. what happens when your microwave starts thinking it can cook better than you? you better watch out...

great electro 2x12 various artists

great double cd from global surveyor sampler.

24 detroit electro stuff on 4 vinyls... well done guys!

terence fixmerÕs path through the changing techno landscape of the past 20 years has been anything but direct. indeed, the french born producer, musician and planete rouge label founder has long been influenced by the periphery of continental european dance music subgenres from electronic body music, new beat and acid, before combining them into his own pioneering hybrid of futuristic, ebm-inflected techno with classic releases such as 2001Õs muscle machine or the collaborative between the devil lp with nitzer ebbÕs douglas mccarthy as fixmer/mccarthy. while the sound in recent years has been rediscovered and recast in diverse contexts by a new generation of producers, through the cortex sees fixmer gravitating toward a different kind of industrial-tinged electronics, led as much (or more) by analogue sequencers, melodies and ultra-saturated sounds of synthesizers than drums and percussion. across eight tracks at a compact but varied 40 minutes, the lp touches on an aesthetic hinted at in recent ostgut ton releases (2016Õs beneath the skin ep and 2017Õs force ep), revealing a sonic narrative through noisy, screaming synth/vocal riffs with a jagged, guitar- like post-punk sensibility.

ltd repress! club style is the pseudonym used by 2 all-time chicago legends, a truly all-star line up on this record, that s right, the pairing of paul johnson and robert armani. say no more really. crazy wild is a 4 tracker of infectious, grooved out, jacking and tough house jams, both producers fingerprints are all over this one. narcotic, driving drum machines, phased out loops, armour piercing claps and basement trembling basslines are all over this ep, originally released in 1994. this one s a bit of a cult release from dm, collectors and freaks rating it highly. as usual it s a tough one to try and track down, changing hands for some hard earned cash too. this is the first time crazy wild has ever been reissued in full, just as it was originally released in 1994, complete with original dance mania label artwork. 100% legit, reissued in conjunction with dance mania records, chicago il and parris mitchell. don t sleep.

i-lp-o in dub is the solo project of pan sonic member ilpo väisänen. capital dub chapter 1 follows the 2015 debut communist dub - a year marked by further descent into economic crisis and instability. the usual business cycles of production / distribution / consumption running alongside macro cycles of boom and bust have been replaced by ossification, austerity, the machine seizing up.
ilpo’s “circular riddims” complement the ebb and flow of the circulation of money + commodities and are mirrored by his field recordings of barcelona rain – the final phase of the cyclical movement of water. but of course the smooth running of “paradise capital” is unsustainable. destroyed techno and open spaces contend with sinister swarming atmospheres. a cash machine flickers. zeros and ones displace another factory. dub as decay – the ghostly remains of tracks eroded by time and technology. the “invisible hand” of the market spasms with tremors.
ferocious textural feedback as music for stock exchange crashes. the soundtrack to heaps of money hoarded by the hidden class. capital is value in motion, but there is nowhere to go. after the collapse, picturesque ruins. capital dub chapter 1 simply asks the question: what next?
the vinyl release includes a download code.

private eyes, a duo made up of interstellar funk and jeroen, two storied members of amsterdams underground electronic music community. 500, vinyl only. tip! their safe trip debut consists of two analogue-heavy electronic workouts that tend towards the atmospheric. a-side -mirror image- is spacey and melodious, with an italo-disco inspired arpeggio bassline underpinning galactic chords and memorable piano lines. it s a collection of complimentary analogue elements tweaked for maximum late night enjoyment. on the flip you’ll find -anasazi-, an altogether deeper, more hypnotic affair. its distinctive rhythm comes not from bold drum machine beats, but rather the rising and falling of intricate, micro-house style melodies and looped electronics. it feels like it was influenced by the aural textures of dub techno, the phase-based minimalism of steve reich, and the deep space ethos of early 90s european ambient music.

ltd to 300 copies
das komplex emerged from thin air last year with a series of tasteful 12 s that piqued ears from producer peers and vinyl seekers alike. near me , the latest offering from the polish impresario s coastal collection of body movers and mind melters, is a warmly welcomed fit for young adults 10th release. openwork socks kicks off the festivities with a sultry slab of machine music for soft humans. while tortuous thoughts dusts off the flutes, strings and soulful vocal samples for an all out disco-boogie jam that will fill floors with ease. the title track, near me, tips its cap to kraut and liquid liquid backbone elements as it chugs its way into a squelching 12-minute opus. finally pralina pounces on its way out with dubbed-out funk licks and slick phase shifts.

the first prodigal son release features a newcomer from france, known by the name exal. he is a resident dj for blocaus in paris often held at la machine du moulin rouge. his first ever record is sure to make an impact with two excellent originals already proven to do damage to dance floors with good results and they are backed up by two stunning remixers on the flip side. inigo kennedy and hector oaks both put their own uniquely epic spin on exals original tracks. the vinyl has been mastered by matt colton at alchemy studios here in london and the artwork story begins with our guy sariel keslasi from tel aviv.
already supported by: abstract division, bas mooy, dustin zahn, dvs1, etapp kyle, francois x, henning baer, j. tijn, jeroen search, johannes volk, len faki, marcel dettmann, oliver deutschmann, paul mac, peter van hoesen, sandrien, samuli kemppi, sigha, truncate, phase...

delusion men were here before time started to flow and it seems they will stretch out their existence way beyond doomsday which probably explains their archaic impulses reverberating in a foggy, lost future. what they deliver are pieces of straightforward punk plunged into disco depths, kraut derailment and swirling drum machine melancholia. if you are looking for retro-future dystopias with no space for healthy minded horizons, this is the thing for you. delusion men walked together since the inception of future nuggets, although for them the time will never come, we snatched their debut ep. it feels as if through them the old ones are channeling the last messages of hopelessness for dance floors and dining rooms.

the soul notes imprint has never restricted itself to just one sound. ever since it emerged in late 2011, the basque county based outfit has shown several sides of its identity and has developed into a diverse and well balanced home. one of the labels usual suspects is cologne native, adryiano. after reaping some havoc with his efforts on the snx series early last year, adryiano has been crafting his down south ep (ironically) somewhere in the north rhine-westphalian concrete jungle. the down south ep is buldging with deep sine basses, fine rhythmic synthwork and lavish but hefty beats. the title track showcases these exact things best. the essence of adryiano s latest effort is still somewhat hard to pin down. a lot of different moods are going on throughout the ep while the overall sounds maintains it s own glance. from the deep machinefunk on down south to the broken beats of feel what you do. all of these bits have a nice theme to them.

this is the sound of the future four. led by andy meecham, the brains behind the emperor machine, bizarre inc and chicken lips amongst many others, and captures the excitement, diversity, strangeness and harmony of the uk underground sound of the early 90s. we are talking about the sparse dub mix on side 2 of the 12 inch single, machines making mistakes and changing the course of history, the dark side of the rave away from the neon and the white gloves, future four points the way to the dimly lit corner of the dancefloor and makes you move. after a recent discovery of boxes of old s950 and mpc60 floppy discs full of sound sets dating back to the early 90s, all three tracks have been produced solely on the mpc 3000 in staffordshire, and in perfect unison of north and south, mixed by erol alkan in london.

kinda soul recordings is finally back with a 3 track ep featuring chet, mnks (a project by m.napoletano & ksoul), isoul8 & k.tatham. this time the label wanna focus on the hidden sides of our past experience before starting a new phase of our little history.

for uzuri 018 we return to one of our home grown artists – jitterbug. time has flown since his last release for us in 2010, but we have been quite eager to get some new material out from him for a while – and, based on feedback we have had, plenty of other people are keen to hear more from him too. both his raw winter and beaten trax eps were pretty popular releases for us and his dj appearances always create a stir, so we are pleased to bring you this, the arcane theory ep. the track sequencing on this record is pretty aggressive – front-loaded with the confrontational rise of the machines. a track that really lives up to its title, sounding like the production line at cyberdyne systems… all stomp and evil synths, like a bad mood e-dancer. fallout couldnt be further from that – relaxed and making no attempt at all to get in your face. itll win you over, though. just a nice, deep groove and a lovely, phased beat. could play it for hours… the whole of the flip is devoted to nomads, a chiming, acidic wander. nearly eleven minutes in length. the kicks never at the fore on this one – most of the action occurs at the mid and high frequencies – a resonant 303, lots of hi hats and, later, synths which expand on the eastern-flavour of the track title

side a brings the original sound of chicago acid sharply back into focus, subtly reusing the elements that made those records so special whilst bringing the sound up to date with modern production techniques and banging drums whilst maintaining the wigged out alien sounds of the time- for fans of everyone from todd n tadd to eddie fowlkes to sleep archive. the flip side brings a truly amazing track from rei loci again- playing with all manner of spaced out fx laden elements, and underpinned by the subtle interplay between machines- dreamlike, deep, intense and epic in all the right sense of those words this track sees rei moving into a more mature and complete phase in his production

played by: karotte, mathias kaden, sebo k, stefan goldmann... franklins early musical roots began with a taiwan drumset and a hohner organ. after some training years under the influence of metal, jazz, 70sprog/rock and live perfomances as a versatile drummer his transition to electronic music began with an amiga 500 computer. the trackermusic of this machine lead him to the early techno music of the 90s and early production experiments in his fathers home studio. first releases followed in 1995 to 96 on the label fusion records (w/ 303 nation member, patrick vauillaume). later he released as tichy on various frankfurt techno labels until at the end of the 90s his search for inspiration brought him to a very experimental production phase without the 4 to the floor presetting. from this he developed his distinctive trademark sound with straight grooves and frisky sound design. meanwhile franklin was gaining more international recognition with releases on well-known labels such as trapez ltd, karmarouge noir, einmaleins musik and treibstoff. his singles entered the charts of the german groove magazine, german dance charts and the charts of djs worldwide. after his last release on resopal red he is coming up with his debut on leena music.

jeff mills once again indulges his passion for classic sci-fi with this 2cd re-imagining of the score to harry kleiner s titular 66 flick. it follows his -cyborg 2087- recreation and imaginary soundtracks for -the power- and -the occurence- with a deep voyage of discovery. but unlike the aforementioned, the original film plot - about a team of scientists who re miniaturized and dispatched inside a human body to fix a blood clot - thematic scales are inversed and we re drawn to mills inner, as opposed to outer, space-scapes. the action unfolds across 22 tracks and 2 cds, from bleepin, womb-like viscera and hazardous noise bursts through archetypal rhythm arrangements and fluid programming reflecting the man/machine, organic/synthesized themes of the film and his own alien/human aesthetic. it s wonderful to witness mills maturing as a composer and refining his art to something beyond a soundtrack for dancefloor rituals, but without ever losing his original blueprint, and showing that the line between cinematic imagination and dancefloor functions can be a very fine one.