perfectionist comprehensive techno compilation - warmly recommended! (played by nastia, r.hawtin...)

solar phenomena is a brand new label on an exciting astral crusade. the take-off pilot for our virgin mission is none other than decorated polish producer echoplex. one of the country’s first breakthrough international techno artists, his body of work dates back almost 20 years while often taking us 20.000 light years forward. this is no exception.

15 years of pornographic is now limited available as 4 separate 12” vinyl.

emotional rescue and malka tuti recognise their shared passion for globe-trotting sounds and team up to present this album from c cat trance, a project from john rees lewis who was formerly of post punkers medium medium. it s no surprise to learn that this was a project of the 1980s, as all the hallmarks are there. with the same outernational attitude that made the work of eno, hassell, czukay, wobble and scores more so alluring, this collection shines a light on a true gem of the era and provides a fresh pressing of some stone cold leftfield party groovers like shake the mind.

2diy4 (to die for), das sublabel von diynamic music, geht neue wege. mit dem neuen release beginnt 2diy4 ein neues kapitel, in dem es sich vom klassischen 4/4 house-schema wegbewegt und stattdessen in die gefilde von indie-downtempo-electronica wagt. mit hohem künstlerischen anspruch versehen, zeichnet 2diy4 ein ganzheitliches bild von sich auf auditiver und visueller ebene. der rote faden, der sich dabei durch alle releases zieht, ist die zentrale frage what would you die for?, welche auf kreativem wege von den künstlern beantwortet wird. die ersten künstler der neuen label-identität sind die zwillingsbrüder emre und mert aus istanbul. ihre antwort lautet: we would die for each other, so the first thing comes to mind is twinhood. zusammen mit october’s child aus l.a. on vocals liefern sie die erste von vielen chilligen electronica-eps für 2diy4.

nach zahlreichen reissues seiner werke auf all saints, glitterbeat, light in the attic, stones throw und soul jazz records begab sich electronic-mystiker laraaji im august 2016 wieder ins studio, um mit engineer davey jewell (flaming lips, peaking lights) und mixer carlos nino (leaving records) gleich zwei neue alben aufzunehmen (letzterer wird ihn auch auf seiner neuen live-tour begleiten). -sun gong- besteht aus zwei längeren drone-epen und erscheint vorab als limitierte lp auf klarem vinyl, bevor dann zwei wochen später das hauptalbum -bring on the sun- als doppel-lp.

white double vinyl plus 16 unique emblem stickers and download code.
seattle rapper/producer grieves emerged in 2007 with his independently released album, irreversible. in the years that followed, he wholly devoted himself to touring, writing and recording, honing his craft and defining his sound. his 2011 rhymesayers debut, together/apart, was a career landmark and a testament to his growth in both, his writing and delivery, and this progression was re-affirmed by his follow-up, winter & the wolves, in 2014. now, after three years, grieves prepares to reveal further evolution with the release of his new full-length album, running wild.
on running wild, grieves teamed up with swedish producer chords. together, the two have produced a modernized sound that is lush and intoxicating, pairing punchy drums with thick layers of synths and warm bass lines, all accented by soulful keys, horns, or guitars. whether dark and moody, or upbeat and jazzy, grieves navigates and complements the soundscape, penning verses that range from vulnerable and confessional, to fun and carefree. grieves is most certainly breaking boundaries, truly running wild, all while remaining honest to himself.

2017 repress !! slammin chicago house four track vinyl

best of ... woowwww

the companion album to the ron howard film “eight days a week - the touring years”. remixed from the original multi-track, featuring previously unreleased tracks. housed in a gatefold sleeve.

streng limitierte lp-veröffentlichung des für vinyl sorgfältig remasterten soundtracks von kenji kawai zum 1987’er animationsvideo “devilman”, basierend auf dem populären manga-klassiker von go nagai aus den frühen 1970 ern, der 2004 auch als japanischer realfilm erschien. schwarzes 180g vinyl im gatefold inkl. poster.

over his twenty year the hacker has traversed a spread of styles, from frosted electro to raging techno slammers. -midnight bliss- shows another side of this multitalented artist. warmth flows from the title piece. clean rhythm patterns are spiked by synthlines as liquid melodies are swirled into a carefree cocktail that simply radiates. -heavy duty disco- takes over the flip and runs headlong into speakers. the hacker builds a track of generous proportions. textured keys weave through columns of toms and snapping beats before bruising basslines descend for a late night encounter of formidable intent. without doubt, a future classic from a classic creator.

durchsichtiges doppel-vinyl im gatefold inklusive downloadcode
das grammy-nominierte produzentenduo odesza (harrison mills und clayton knight) gelten zurecht als eine der populärsten gruppen im bereich der elektronischen musik und haben den ruf, ihre fans auf ihren regelmäßig ausverkauften live-konzerten besonders glücklich zu machen. anfang september 2017 veröffentlichen sie ihr neues, 16 stücke langes album „a moment apart“ welches über das ninja tune-sublabel counter records erscheint. anschließend präsentieren sie ihrem publikum das neue material auf einer ausgedehnten welttournee. „a moment apart“ präsentiert sich gereift, ein sound, der insbesondere auf atmosphäre setzt, auf funkelnde synth-lines – und auf gefühle wie nostalgie, zuversicht und hoffnung. die namhaften gäste auf dem album sind u.a. leon bridges, regina sektor und ry x.

for the a side, the young italian producer provides two heaters with acid lines tax-experts previously thought not possible. on the flip, strictly business with versatile tools designed for a bullish friday night after a long day of aggressive downsizing. buy low, sell high.

lkr records proudly welcomes vienna’s talented fingers of god to the family, presenting a debut ep which takes you on a journey to discover all the wonderfully dark, mysterious and sometimes beautiful moments of his unique and experimental techno productions. slick rhythms, encapsulating synths and personal flair light up the labels fourth edition.

almost a year has passed since the ghost of serena butler made its appearance on the realms of eerie - techno oddball marco shuttle’s label. now s/he and other beings gave birth to a new continuum, bene tleilax, where serena’s second ep, “from the cloud to our bodies”, has been conceived.
dub visions and found sound sculptures float over a maelstrom of skeletal techno remains, together with delicate melodies and vocal swarms from a realm where nothing is so sacred that it cannot be reengineered and transformed. this is a release which seizes alienation as impetus to generate new worlds while remaining still counter-trend to certain dark souls in modern electronic music. another biomechanical effort which sounds like the perfect nexus of fluid hopes and unparalleled roles.

art-aud is back to present his second release of the main series, after booming with the secret rave one. this release comes from a really important icon in the italian electronic-techno scene, a person that from the beginning of the 90s helped form what we enjoy now through his music, parties and writings. his name is andrea benedetti, aka sprawl. over the years he provided help to lory d in creating sounds never seen, founded his label plasmek, created a fanzine called tunnel and a distribution company with marco passarani, to name a few. this ep contains three tracks of pure electronic excursion and a remix by the rephlex-twins darcangelo. the track electrome was originally released in 1994 on his own label and now, after nearly 23 years, sees the light again with a remaster

yet more proof that rodents rule ok! those anonymous rework masters of the night the secret squirrels unleash two more mighty weapons of dance floor destruction. as is their custom they zig-zag across the boundaries of disco, italo, house and acid inspired squelch as they exorcise their dance floor demons. the results might just drive your dancers wild! dig in.

jerome derradjis past due records is proud to announce the first part in a reissue series of lee moore’s rarest and meanest boogie funk tracks, originally produced for his labels score records and lm records, circa 1981-85. alien changing times was produced by lee moore and paul zaleski for score records out of memphis. double sided 12inch, it is one of these future funk instrumentals that will light a fire on any dance floor. never reissued before today remastered. rarer than rare and so good!

the revenge is back at the controls for home taping!!! the scottish dj and producer kicked things off on the imprint back in 2009 with his forever in their debt release, which grabbed the attention of house djs around the globe. now he drops another timeless ep of killer house music on the imprint lost grooves part one demonstrating his musical depth and amazing production skills as he drifts effortlessly between jackin dancefloor trax, deep house grooves and looped up disco business. the result is a totally authentic and raw sounding homage to house music delivered by someone who has lived and breathed it over the last decade or so. home taping all night long!

hyenah, has, over the last few years helped forge strong ties between the deep house mecca of johannesburg and the cutting edge electronic scene in europe. with a handful of influential and pivotal releases and remixes on a few key labels (objektivity, drumpoet, poker flat, toytonics) hyenah has established himself as a major talent to follow. with his residency and label night rise at berlin institution watergate going from strength to strength, a busy touring schedule taking in ibiza, angola, asia and the u.s, we’re very pleased hyenah still found time to get into the studio so we can present you with the next instalment, the usuthu ep. lead track usuthu featuring the vocals of b’utiza opens the release in fine style with crisp, percussive beats laying the foundation for the precision synths and trademark hyenah afro vibes. those who loved the wish, tale of the dirt and the idea will love this worthy follow up! next up is a second original entitled phases featuring the hypnotic tones of nonku, a much deeper affair but with no less energy and atmosphere. just a more heads down groove for the warm ups and wind downs, nonku’s wonderful vocal elements adding the perfect soulful touch. flipping over we have a wonderful remix from the inimitable mr raoul k. the ivory coast native now residing in berlin has continually wowed us here at freerange with his boabab and mule musiq releases. with his collaborative release alongside manoo just about to drop on innervisions (including a killer dixon edit!), we’re excited to bring you an epic mr raoul k remix of title track usuthu. setting the mood with lush strings and a beautifully paced, beatless intro, raoul k slowly introduces the beats and keyboard parts, layering up the elements and building the energy in the process, resulting in a very special, dynamic version that will connect on a deep level with all who experience it on the dance floor.

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black ivory was the pride of harlem and new yorks answer to the philly-fine delfonics but with infinitely more teen sex appeal. this silky-smooth 70s harmony trio featured the fabulous falsetto lead of leroy burgess (nephew of philly soul legend, thom bell) and charted four top-40 r&b singles and two top-30 lps under the guiding hand of their manager and today records driving force, patrick adams. songs like, you and i, time is love and dont turn around (which they performed live on soul train) are acknowledged sweet soul classics. and as the decade progressed and tastes changed, they successfully conquered the disco dancefloors with fave-raves like, mainline and walking downtown (saturday night) for buddah records which were liberally sampled by the hip-hop generation a true testament to the staying power of their incessantly soulful sound.

iron curtis back catalogue is a formidable beast within the realms of deep and tech house, touching on labels like morris audio, jackoff, sudden drop and mule electronique. he s intermittently popped up on hudd traxx as well, and he returns with a fulsome new ep that hints at a forthcoming second part.lights- is a bold, chiseled peak timer with some emphatic string stabs coursing through it, while captured takes a slinkier route without dulling the impact of the curtis studio approach. 22 days is a funkier concern that lets the low end synths do the brunt of the work, and then my humming machines rounds the ep off with a warm and bubbling deep house roller for a cosier part of the night.

that crystalline moment we all know too well. what was saturday night has become sunday morning. pleading with sleep to come while piecing together the last few hours of the party you’ve just left. few would claim to be at their most productive at this ungodly hour. not hekkla, this is when he gets down to work.
the nachtbraker ep is the product of several of these post club jam sessions. or in the words of the artist “the same places revisited again and again in the midst of night.” translated from the dutch word “night owl”, hekkla’s latest extended play delivers on it’s promise, serving 4 cuts of floor filling goodness ready for breakfast.

conceptual drum n bass album by kos.mos.music, which has been prepared for several years and consists of tracks united in their unordinary commonness. in a word, the general genre of the album is drum n bass, but all the tracks and each in particular are a mixture of different electronic genres based on drum n bass and jungle rhythm. one can hear sounding of idm, ethnic patterns, feel a strong influence of psychedelic electronics and in patches even some techno.
the album is opened by the harsh reality by loucura & dailiv - a powerful halfstep based on kick and bass, hypnotizing pads and drones with putting in trance melody. further dynamics of the album varies from dancefloor rolling tracks by electrosoul system, liquitek, vortex involute to avant-garde dissident & marginal, deep liquid tracks by nclear, triple sky, nummix, basic maneuver, bop & electrosoul system collab and breakbeat/jungle track by pryzma. the album is closed by shamanic bass track by light monday.
the vinyl version contains exclusive track by m25 & first function with more predominant idm texture and includes a cd-copy of the full album.

a leading light in explorative techno mininalism & drum & bass revivalism at the same time. highly recommended! tip!

if psychic health s self-titled debut album took the lessons the la duo learned in the teeming clubs of berlin and melbourne, their latest lp, exclusion, look inward, a document of the duo tunneling down the studio wormhole. as such, exclusion is a remarkably dynamic effort, adeptly jumping between evocative ambience (-jamaica 88,- -ryso-) and equally expansive dance floor fair. examples of the latter, such as the album s obvious centerpiece and titular track, exclusion, document gabriel mounsey and devon steffens’s harnessing modular beast technology for peak techno utility, finding a clear thoroughfare between the soaring strings of derrick may s classic transmat releases and ostgut ton s current ebm-inflected precision. as you d expect from mounsey s background in film composition, exclusion whirls with imagery. it s a los angeles album, but focuses on raw beauty of the city at night—the lights in the distance, and the desolate downtown streets where kickdrums often waft from disused warehouses. while their debut album opened notable doors for the group, landing distribution from hard wax and featuring in the netflix series sense8, exclusion is an altogether masterful turn for psychic health, their complete studio immersion easing the listener into deeply hypnotic states.

los angeles-born, berlin-based talent huerta unleashes four remarkably rich cuts for three fingerz musique s latest 12inch. this follows an outstanding run of releases on dirt crew, amadeus and let s play house.

dutch producer sota is the latest to be snapped up by ornate music, presenting his second ever release having first come to light with his own talaman label earlier in the year. subsonica rides on a tough house groove, keeping the elements as spartan as possible while heading straight into the deep end of the night. inverse is a skippier affair that deals with heavily processed synth flares and a deadly swinging groove, and then chatka finishes the ep off with a dreamy cut peppered with delay processing for the quintessential dubby trip through refined 4/4 dance music.

jamie paton has been a regular fixture on emotional especial since the label first came to light, conjuring up a seductive blend of leftfield dance music with a broad range of influences. this time around he s turning out some of his remixes, leading in with the sweaty, dense throb of sexy merlins see you in the dark. guy schlaloms habibi by way of contrast becomes a lighter confection peppered with bubbly synth lines and an almost poppy persuasion. blancmanges feel me has a more cosmic lilt in its voluminous tones, and overdrive by gatos negros drifts out on an off-kilter kind of boogie for all manner of deviant dancers to get head-nodding to.

having helped launch the sugarhouse label with his paradise forum brethren, jamie paul gets a chance to show off his talents on his debut 12inch, adding to the labels already impressive catalogue with another swathe of classy house jams with a modern twist. double g definitely sports the chops for the peak of the night, but it s also shot through with a welcome weirdness and a fuzzy warmth that should find favour with a wide range of djs. even so is a more laid back, bumping affair that matches the smooth finish of the a-side, but says something different altogether. label mate maurice jnr meanwhile serves up a remix of even so that nudges the delicate tones in a techier direction

double 12 inch vinyl, including the soundtracks from the original series, the next generation, deep space nine and voyager.

1977’s fire woman is perhaps the finest (and rarest) of foundars 15’s albums, offering a spicy buffet of groovy pop, reggae, native rock and dense, off-kilter funk. long sought after by aficionados, fire woman has been an lp that is more often heard about than actually heard.
that is about to change.
comb & razor sound is proud to present a new, fully-authorized reissue of fire woman, featuring eight crucial cuts representing the gold standard of the golden age of nigerian pop music. here’s your chance to catch the fire!

>dusty ... definitely< from 1968 is considered one of her best albums. more a pop production than its predecessors, on it she explored more and different genres than she had done before, the cover >take a little piece of my heart< and motown-styled >aint no sun since you ve been gone< were produced by a young john paul jones (who had just gained fame with led zeppelin), and the album also features >who<, written by charles aznavour, and the indelible >think its gonna rain today<, written by randy newman.
music on vinyl is proud to add yet another legendary artist to its roster. and dusty is legendary... definitely!
pressing on 180 grams audiophile vinyl, innersleeve features picture of original mastertape.

“good as i been to you” from 1992 is an album with modest ambitions. recorded at his malibu home in his garage studio, it is filled with traditional folk songs, bluegrass standards & other covers. there isn’t an original composition in sight, still its an intimate portrait of a legendary musician.
original vinyls arent easy to come by, so it was a no-brainer to re-issue this classic album on 180 grams audiophile vinyl!

leonard cohen is indubitably one of the most legendary and successful singer-songwriters from the 60s. however, his label at first refused to release “various positions”, his seventh studio album, saying “look, leonard, we know you are great, but we dont know if you are any good.”
the success of the album proved them wrong, giving us one of his most beloved and arguably his most covered song “hallelujah”, along other gems such as “heart with no companion” and the gainsbourg-esque “dance me to the end of love”.
this is a nice addition to the rest of cohens releases on music on vinyl. pressing on 180 grams audiophile vinyl.

london s weekend circuit imprint returns with a 5 track ep from label owner michael wells entitled three marks of existence. the ep marks michael s debut on the label and is a signifier of his future direction as a producer - meditative, tense, unfolding electronics and monochrome ambient environments inform this release. the deepest of deep space is contained within ep opener antecedent , an almost menacing, enveloping track that engulfs us during it s 5 minutes or so of existence. verge follows and is driven by speaker puncturing taut, tribal drum programming and swirling satellite sounds, creeping further into the nexus. subtly heavy indeed. ‘three marks of existence mines an altogether different vein, an epic, widescreen vision of downtempo electro that is damaged, on the fritz, but containing enough melodic beauty to retain hope. souls in the machines. weekend circuit acolytes yyyy return to the scene of the crime with a monolithic remix of verge that opens the second side of this ep, showcasing their unique style and interpretation of the original mix, and following on from their previous split ep with stanislav tolkachev and their own ep ‘intention of mortal’. ‘ilmatar leaves us out and leads you into the cold night, the final transmission from the ‘three marks of existence signal. fierce drums punctuate the night sky and barren landscapes while somewhere deep inside, memories are remembered. equal parts thought provoking and anxious, the perfect end point for what will undoubtedly be a formative benchmark in the weekend circuit canon.

producer, dj and visual artist, dreams, has become a standout voice in the los angeles electronic landscape. the following he’s amassed locally is due, in part, to his own imprint, private selection, who’s focus so far has been split between releasing music and throwing events. an ethos that runs through both the his music and parties is indebted in part to house and techno, but also industrial, resulting in a mutated take on dance life forms that is becoming increasingly recognizable in his own records and dj sets. dreams’ first 12’, ‘twisted karma’, came out in 2015 via private selection. most recently, he released a record which saw light through greek imprint nous disques, and now, apron records.

newcastle born, melbourne-based producer cooper bowman steps out as roman nails with his first 12” for beat concern. following tapes on where to now? (uk), night people (us) + rhythm works (au), roman nails has maintained a steady flow of experimental techno over the last few years. utilising a minimal, cv-triggered hardware set-up and from a perspective rooted in improvisation, rn is a unique beast. the tongue-in-cheek titled, all hardware no tools, is his most concise and well-considered release to date, offering noirish synth tones, slinking basslines and captivating interplay between a 707 and 727. 300 copies.

toby tobias joins delusions again for what will be his sixth(!) 12inch entitled the rain. the prolific londoner whose releases have graced such venerable labels as rekids, esp intistute and lets play house, is back with a vengeance, delivering two mighty fine originals plus a remix from nebraska. in true toby tobias style, the rain got made on an mpc, sliced and edited from a single live take through the desk then accidentally deleted so no further mixing, sequencing or editing could be carried out. but what is an a&r mans nightmare, turns out to be the record buying djs gain, as the improvised, dubby vibe and raw as mixdown give the track an authentic feel and energy which could only come from the madness in tobys method. fresh from his brilliant releases on mister saturday night and razor n tape, we have our man nebraska do his thing on the remix of the rain. dropping down the bpms a bit from tobys more frenetic original, nebraska adds a healthy dose of moogy lead lines to the lo-slung house groove, perfect for warming up the dancefloor.

the arrival of marvin parks on today’s musical scene can be considered a very fitting addition to the renaissance of the afro-american jazz crooner panorama, deeply rooted in the black music tradition. having his roots in gospel and in the ’50s and ’60s jazz singers by the likes of nat king cole, johnny hartman and joe williams, marvin parks yet remains by all means an artist of today.
in his debut marvin shapes his light baritone colors within the sound of a well-established group of musicians under the direction and production of nicola conte. the main idea was to create a soundscape to give a different light to well-known standards and some originals.

they expect me to write something informative about the tracks on this ep here but i find it really difficult to express music in words. on top of it i went out last night, to club der visionõre, and i feel hungover and empty inside my head. so now im sitting here and all i can think of is, cant you just take a listen to the music?! the ep contains 5 tracks all made in the last couple of lousy summer months here in berlin in nostalgia for the better days. itÆs about house and a bit of electro, no gimmicks.

john tareugram presents his first physical ep on tartine records. it includes four good groovy house compositions aligning strong rhythm sections. side a is very punchy and contains the title ‘panier de basket’ wich came out via le tournedisque last year. side b, more audacious and made up of two delicious snacks will make you hungry for more in the late hours of the night…

passport to paradise continue their winning streak with an exclusive release from man of the cloth, digger extraordinaire, john zahl / jaz. if you ve seen his video for thump, you ll know that jaz and his works are weird, wrong and wonderful: in a word, the ethos of ptp is alive and kicking in this release. first up, geisha chugs along in the cosmic dust of 80s synth assortments and flourishes of koto. scatter-brained brilliance from the deepest of osaka basements. a2, move to the beach, heralds a sleeker, sleazier side to jaz s episcopal offering. it builds itself out from a latent groove that ushers in the end of the night, carrying you to the empty seafront just before dawn, where a breeze ruffles the palm trees as you dig your eyes into the moon. turning the page, we have a rework from the same post-kraftwerk heritage, but this one is more potent synthpop roller, a straight-up, no frills edit for the toughest of dance floors. the final track, twin theory, is a lofty affair from the outset, its arpeggiated bass holding the track to ransom: it is playful yet very serious, sublime and sarcastic. this is what passport to paradise are bringing to your homes and dancefloors. don t miss ou

doorly s reptile dysfunction continues to prove itself to be one of the most vibrant and singular labels around, this time tapping up legendary producer jaydee for its latest release. jaydee is a dance music pioneer. best know for the seminal plastic dreams - a track that, somewhat terrifyingly for those who remember it the first time around, will be celebrating its 25 th anniversary next year - he has continued to be a leading light in innovative house and techno productions, releasing on r&s and ellum audio in the last few years. here, he teams up with fellow dance music visionary doorly for a searingly brilliant release on the latter s reptile dysfunction imprint. acid pressure ep presents two original cuts from jaydee, with supporting remixed from doorly and trooko. kicking things off, back into acid opens with stunningly heartfelt pads before building to a killer acid line via shimmering percussion and erotically charged vocal snatches. bring the pressure is more direct: a house roller softened by basic channel-esque chords and with added rhythm courtesy of the accompanying ragga chants. on the remix front, doorly flips back into acid into something far more menacing, with fierce synths stabs and rolling drums creating a head down stomper, while trooko chops back into pressure into pieces, crafting a thumping main room house cut from the constituent parts, complete with an epic, piano-led breakdown.

finally four guys from the deepest south of germany decided to share some of their shit on vinyl and hodenhouse is the result of this idea. as the name of the label suggests those four guys never takin things and themselves too seriously. it s a pure love thang. and love is limited. like our first ep, hodenhouse001, limited to 250 pcs, vinyl only. perhaps in the future there will be some more releases, perhaps not. we don t know jet and to us it isn t as much important at the moment. the ep includes tracks from mad lee, kaam and nly1p. be prepared. it will be released later this year. yo.

claiming a highly original sound that boasts strong roots in dubstep’s rich history, causa’s musical output delivers a fresh perspective on sound system music that holds true to tradition yet strives for innovation, a recipe that with undoubtedly help dictate the unwritten narrative of the genre’s future. with productions having already graced global dubstep labels such as surfase records, circle vision, fatkidonfire, artikal music and infernal sounds, this german badman continues to prove himself as a force to be reckoned with amongst the underground circuit. on top of his impressively nuanced and steady growing catalogue, causa’s productions have also received play support from prominent scene heavy hitters, with multiple tracks featured on j:kenzo’s rinse fm guest mixes as well as on vivek’s rinse fm mix and mesck’s chestcast mix. causa makes a bold introduction to sleeper’s highly prolific crucial recordings label with his new, three-track ep entitled juce (crucial013), the latest addition to the imprint’s standard-setting and ever-expanding vision for pushing multifaceted bass music. laden with laid back, minimalist vibes and understated swag dictated by massive bassweight pressure and infectious percussive patterns, causa’s release delivers the earthy meditation of dubstep’s powerful roots while keeping the energy dark, moody and forward-facing. each of juce’s three tracks: “minerals,” “struggle” and “juce” work together beautifully to orchestrate the creeping and commanding story of causa’s crucial ep, a story that sheds light onto the darker shades of dubstep production while simultaneously celebrating the significance of the genre’s foundation.

wiederveröffentlichung des 2010er albums mit mp3 download-coupon. pontiak ist eine us-amerikanische psychedelic rock-band, die 2005 in baltimore gegründet wurde. sie setzt sich aus den brüdern jennings, lain und van carney zusammen. auf ihrer farm in der nähe von warrenton, virginia, nehmen sie einen mix aus psychedelic rock und folk auf.