another brutal speaker assault from the coinop camp! voted the worlds greatest label ever (repeatedly) by channel 4 viewers. nan-bangin says it all really - yet again the coinop massive (led by general mustard gunn) freak our minds and bootys with this, a very london affair....other than that theres not a lot to say for a label that has everyone hooked but our office highlight has to be the brilliant kanjis brand new vip remix of his own previously huge coinop track >drive you crazy<

new edition of this soul jazz records out-of-print classic album available now as a new limited-edition one-off pressing triple yellow vinyl album (plus download code).

the best of christmas - 24 festive classics on double vinyl.

finetunes lp the inner space will be out for the eighth release of slowdance, with a beautiful artwork concept by michael dope.

futuristic techno tracks that represent the different phases of an ideal dj set.

first solo piano album from michael wollny, playing cover versions and original compositions. pressed on 180 gram vinyl with download code included.

london s weekend circuit imprint returns with a 5 track ep from label owner michael wells entitled three marks of existence. the ep marks michael s debut on the label and is a signifier of his future direction as a producer - meditative, tense, unfolding electronics and monochrome ambient environments inform this release. the deepest of deep space is contained within ep opener antecedent , an almost menacing, enveloping track that engulfs us during it s 5 minutes or so of existence. verge follows and is driven by speaker puncturing taut, tribal drum programming and swirling satellite sounds, creeping further into the nexus. subtly heavy indeed. ‘three marks of existence mines an altogether different vein, an epic, widescreen vision of downtempo electro that is damaged, on the fritz, but containing enough melodic beauty to retain hope. souls in the machines. weekend circuit acolytes yyyy return to the scene of the crime with a monolithic remix of verge that opens the second side of this ep, showcasing their unique style and interpretation of the original mix, and following on from their previous split ep with stanislav tolkachev and their own ep ‘intention of mortal’. ‘ilmatar leaves us out and leads you into the cold night, the final transmission from the ‘three marks of existence signal. fierce drums punctuate the night sky and barren landscapes while somewhere deep inside, memories are remembered. equal parts thought provoking and anxious, the perfect end point for what will undoubtedly be a formative benchmark in the weekend circuit canon.

soul jazz records’ new space, energy and light is a collection of music by early electronic and synthesizer pioneers (from the 1960s through the 1970s), mid-1970s proto-new age gurus and 1980s guerrilla d-i-y cassette-era electronic artists, spanning in total over a near 30-year time frame. all of these artists used electronic advancements in music technology as a means of exploring not only space and the idea of the future, but also of looking inwards to the soul and of creating music in harmony with the natural world.
comes as a heavyweight triple vinyl album plus download code. artwork includes some of the earliest photography of the plieades star cluster dating from the 1880s.

finale sessions founder michael zucker steps into the limelight with his first full ep for the label in the five years it has been running. zucker has of course featured on a handful of split releases from finale but he doesn t waste any of the space afforded here with a quartet of superb and varied productions. leading the way, techno track his spirit bristles with life and percussive energy whilst inner city peace will likely raise some interested eyebrows in west london thanks to its killer broken beat programming. face down, zucker dips into his personal archives for an unreleased and rather crisp remix of introspective and jenifa mayanja hookup when the rain comes down whilst the wonderfully named spiritual graffiti ends the release on a high note

ly sander & michael j. collins join forces to bring you raoul06 via raoul, a deep, soothing ep. no response is a laid back and haunting piece, featuring warm bass and soaring pads. percussion is kept simple here, with the focus on the bass groove and introspective wording. home listening and chill out sessions arent complete without this air-y number. to bring it up a bit, the >deep space orchestra remix< lays a beat and a groove under the track and takes us to galactic depths. a cool energy is spread throughout and saucy percussion takes the levels higher. this is a late night dance track that gives goose bumps. it will certainly help to reconnect senses in the early morning. >russian roulette< displays nice use of delay and relaxed percussion. this hasnt got the boom of techno, but it does have the space-y synths and ambience to bring you up to your feet. when everything is in place, it feels right an afterparty delight.

beyond the realms of space and time lies a force majeure that emanates pure energy, sustaining all cosmic life forms.

like any group enthralled by the history of electronic pop, the fascination movement love remixes. on the heels of their 0.5 ep, and to keep you busy while they put the finishing touches on their debut album, they give you remix vol 1. starcluster twists “radio” into burbling new dancefloor shapes with a tinge of 90s proto-house including 808 drums and roland baselines, alba (a new project with roland sebastian faber and michael black of unit 4/jupiter black) reworks “down again” into something sweeping and nocturnal, adding rock flavored live drums and a new shimmering melody on top. elitechnique stunningly suspends “just pretend” in space with spinning organs, transforming it from a propulsive pop song into something wholly different. in the days of dime a dozen remixes that consist of nothing more than retro-fitting tracks with a 4/4 beat, these beauties show off the originals in new and surprising ways.

limited vinyl box set including 6x purple 12inch vinyl & download code

reissue - tipp

ltd colored

new edition of this soul jazz records out-of-print classic album available now as a limited-edition one-off pressing special yellow cd edition.

bureau b invites us on an expedition to silberland, a singular span of spacetime created by germany’s sonic futurists of the seventies and eighties.

180 g vinyl

reissue , classic !! marbled vinyl

this latest instalment in soul jazz records’ successful deutsche elektronische musik series delves deeper into the german nation’s vaults to bring a fascinating new collection that again brings together a selection of classic german electronic and rock groups, including neu!, cluster, popol vuh, la düsseldorf, agitation free, alongside a host of rare tracks by lesser known artists which includes michael bundt, bröselmaschine, dronsz, achim reichel and others. the triple vinyl release includes a download code.

rsf is a continously forward moving mesmerizing electronic/technoid trip through space and time. it is truely the most fascinating piece of 1970’s / 1980’s inspired music for decades. a new favorite album for fans of italo disco, 1980’s synth pop, berlin school, krautrock, techno,... released by berlin’s private records label which is spinning it’s circles already with a lot in demand musical pieces like black devil disco club, italo disco legacy, sex fever, captain future, starcluster & marc almond,... the musician behind rsf is roland sebastian faber. professional artist from london and producer of boy george, george michael, marc almond (soft cell) and a lot more dope stuff. album artwork by emil schult (former member of german cult electronic band kraftwerk). he was not only working as musican with the band but is also responsible for some of the most iconic artworks in history of music as for example autobahn, ralf&florian, radio-aktivität, trans europa express,... limited edition. this record looks awesome in your vinyl collection but will kill also all dancefloors around the globe. download code included!

following the u.s. army’s liberation of munich in may 1945, the world’s first amerikahaus was inaugurated there with a library, a magazine reading room, a children’s library, a record and lm department, and lecture and seminar rooms, together with a concert hall and exhibition space. up to 80.000 people a month utilized the offerings of amerikahaus during its early years. beginning in 1953, the united states information agency (usia), an institution founded as an instrument of the cold war, began to finance amerikahaus. in addition to representing the u.s., its principal task in west germany was to democratize and denazify the postwar population. after the beginning of the cold war, many of these re-educative measures also served as propaganda in a programmatic linking of democratic and economic principles meant to strengthen transatlantic relations against the communist bloc. in 1997, the u.s. government concluded its work at amerikahaus in munich and shipped almost all its items back to the states. however, 1.630 long-playing vinyl records from the library were left behind in cardboard boxes in the basement. when michaela melián looked through this forgotten collection, one of the first things she came across was don gillis’ 1940 tone poem »portrait of a frontier town«, whose second movement is entitled »where the west begins«. don gillis, a composer and radio producer, used the musical styles and genres of that decade to create an explicitly american program music. michaela melián’s »music from a frontier town« is fueled by the diverse sonic material of this extensive record collection once considered as an instrument of cultural education. this record has been produced in addition to melián’s twenty-four hour performative music installation »music from a frontier town« in the garage of what is now the bavarian center for transatlantic relations at karolinenplatz, munich (4-5 may 2018).

“we are what you think we are” is a 3 part compilation celebrating 10 releases from new york-based label and promoters lost soul enterprises. the groupings of artists on each 12” represent slightly different sonic territory, from darkwave and synthpop, to acid and electro, to industrial techno, all of which together have come to define the identity of the label and the community surrounding its legendary parties.

for the past two decades, ivan smagghe has perfected the art of making spaced-out clubbers dance, has ridden a fine line and run his label les disques de la mort. rupert cross is a london-based composer who has worked with michael finissy and julian anderson as well as writing music for television and theatre. before/after ma, an album which sat on the fringes of experimental music passed through an industrial particle accelerator. s&c give you the tracks codenamed timothy dalton (according to ivan, the laser sound in the track reminded us of flash gordon). neither pop, nor psychedelic, nor ambient, nor house, nor techno, nor post punk nor even new wave are spared, but none are singled out. to nurture this proto-album, the duo also called upon the talents of tim felton, the outstanding guitarist from the cult band broadcast.

“we are what you think we are” is the tenth dispatch from the crew here at lost soul enterprises, new york city, usa. this compilation features a whopping 15 artists who together represent all corners of the label’s extended family, with frequent local collaborators paired with past guests of our various parties. it is served with love from us to you on 3 slabs of vinyl released in 3 installments.
each installment charts a different component of our sound: 10.1 highlights the influences of synthwave and postpunk electronics, 10.2 is comprised of razor-sharp acid and overdriven electro, and 10.3 delves into darker shades of industrial techno. together, all of these elements loosely sketch our little corner of the sonic universe. with this humble offering we tried to capture and share with you a little sliver of what we’ve found together in hazy rooms full of flashing lights and strange sounds.

thundercat veröffentlicht sein lang erwartetes brandneues album -drunk- mit gastauftritten von kendrick lamar, pharrell, michael mcdonald (doobie brothers), kenny loggins, wiz khalifa & kamasi washington!

the 4th ark to ashes release features various artists. 1st we have a collaboration between 2 of the analog room residents, shadi megallaa & siamak amidi. up next are the leftback boys, michael mclardy & dudley strangeways. the a-side features a new project called apse by shadi megallaa & sasha kaline of alka rex. lastly the ep ends with the linguinis remix of monotax which was previously released on igloo records.

mit seiner drawing ep zaubert der berliner second state audio-neuzugang michael klein drei herausragende tracks aus dem Ärmel. drawing, eine reise in sphären zwischen satten bässen und kosmischem durcheinander, eröffnet titelgebend die ep. mit illusive space in höchstgeschwindigkeit, angetrieben von mächtigen drums, geht die schier endlose reise weiter. auf der zielgeraden holt sich michael verstärkung durch die talentierte musikerin und sängerin genevieve marentette und bringt mit pattern movement eine gigantische mühle von pulsierenden stößen in bewegung.

leftback present their 4th release of the year by welcoming original material from och, kashawar & matt star alongside a new collaborative track from label owners michael mclardy & dudley strangeways. the ep offers a diverse selection of deep cuts from the spacey and dubbed out through to minimal techno and will appeal to new fans aswell as those already following the first year of leftback.

discrete formants ii zooms the audience deep into underwater landscapes, from bizarre and seemingly endless open space down to the finest organized microcosms. five tracks full of analogue warmth and idiosyncratic modular synthesizer interaction that are driven by semantic coupling between major phases and small details. as most dscrt acoustic patterns are growing characteristic complexity by situational combination and permutation of interacting sound sets, the 300 copies of this release are double-stamped, hand numbered and pressed in blue marbled vinyl, returning each piece of them to the product of a unique moment in space and time.

with dangerous released in november 1991, michael jacksons career really sustained its high. the album entered the billboard 200 album chart at number 1 and sold over 32 million copies worldwide in the space of 17 years. the riaa certified dangerous 7x platinum for shipping 7 million copies in the united states.
remastered audio on 180 gram audiophile vinyl.

djing and producing together since 2005, deep space orchestra (chris barker and si murray) have releases on a number of heavyweight labels and regular guest appearances at club nights and radio shows throughout the uk and rest of the world. recent highlights include being asked to record a guest mix for gilles petersons highly influential worldwide show and an upcoming mix for michael ruettens soulsearching show. they also run the use of weapons record label, which, although only two releases old, is already gathering much praise. deep space orchestra releases appear on delusions of grandeur, art, winding road, home taping is killing music, use of weapons and soon instruments of rapture, drumpoet community or tracky bottoms too. yes, these guys are hot!

incl. 3 brennan green remixes !!! supported by horse meat disco, cosmo vitelli, tim sweeney, space ranger, inflagranti, massimiliano pagliara, marcello giordani, bottin, discodromo, michael reinboth, luke solomon… danny was a drag king is back with an hot tune. chocolate black leather is ajello new single. driven by the one and the only hard tons vocals the track is an orgy of vintage synths, bouncy bass, a sure winner for the italo disco fans. brennan green needs no introduction, when he dust off his 303 and everything goes acid disco paradise... you really cant get any better.

re-issue of this timeless 1977 electronic release by michael bundt, way ahead of its time.

nick fiorucci must rate as one of canadas most important producers of the past 20 years, and remarkably fresh, he delivers the hottest tracks coming from his native land. the a side has shades of dadmau5 along with a tough hatiras remix. fiorucci takes production details himself on the flip and goes on a pumped up jean michael jarre space voyage, slammin.

2cd compilation incl. gutterpunk, micha moor, dj discipline, gold & diaz and many more

finest rockin house stuff with remixes by sandy vee & daley padley

excellent 12 inch album teaster with excl unreleased tracks, from deeper space disco on the a-side to funky jazzy house tracks on da flip!!

nice price

micro orbit presents the second volume of pioneer series, a new space program with a message of love to infinity and beyond.

damon wild and david sumner (aka functions) relationship dates back to 1991 at lord michaels future shock, limelight, new york city when damon was running experimental records via northcott productions. at the time, he first saw something in dave and added him to brand x, a record pool run by moneypenny. but their bond is based around a period 5 years later when dave had an apartment above rogue music at 251 west 30th street in midtown, manhattan. it was during this time damon developed him as a synewave artist and released his first ep as function in the fall of 1996 catalog number, sw-24. falling in and out of touch over the years, across continents, the two have somehow remained on the same cosmic path. so its not a coincidence that now damon has turned to dave to release his first album in 13 years, during the time he is reissuing that first synewave ep on recompiled i/ii & ii/ii (a-ton lp02/03). this is where those paths cross again 21 years later, this fall, dave will release cosmic path on infrastructure. the cosmic connection.

180 g yellow vinyl / limited and numbered out of 1000

classic from bushwacka & dj vorn

remixed with love volume 3 is the latest edition of what has become the industry-leading disco remix series. no one knows this era of music better than dave lee, who under his joey negro alias once again turns his impeccable hand to some of the best-loved records ever committed to wax.

echodroides is a collaboration between chicago natives frank de la mora & miguel martin. their sound can be described as a trip through space with analog synthesizers and drum machines. they came together in 2011 first working on remixes then shortly after decided to work on original material. their music has been featured in tv shows, movies, promotional videos from peugeot, fashion labels and the ubisoft video game, watch dogs. for this special and limited release they re-created a track from 80s us studio project, experimental products, - paying tribute to -glowing in the dark- original and an instrumental. (words from the artists) experimental products has always been a massive influence on us from the very 1st time we heard them back in the 80s. glowing in the dark, in particular changed everything for us. mark wilde and michael gross were way ahead of their time. we wanted to pay tribute to them by re-creating this song from scratch.

strut presents the brand new album an angel fell from cosmic jazz travellers the pyramids, led by saxophonist idris ackamoor. produced by malcolm catto of the heliocentrics, the album was recorded during an intense week at quatermass studios in london. some of the many highlights include the poignant title track depicting a fallen angel in purgatory, outrage and grief on the powerful, hard hitting soliloquy for michael brown and the lilting, beautiful album closer, sunset. the pyramids originally came together in 1972 at antioch college, yellow springs, ohio where teachers included renowned pianist, cecil taylor. after forming in paris and embarking on a cultural odyssey across africa, the group recorded three independent albums,‘lalibela (1973), king of kings (1974) and birth/speed/merging (1976) and became renowned for their striking live shows, mixing percussive, spiritual and space-age jazz with performance theatre and dance.