mineral follows up with a vibrant release by les gars, les fréres, les homies: nabil & ilies. word on the street is that these tracks are worth up to 3kg of fresh aromatic spices at your local bazaar in algiers.

this is the 6th release on riot radio records, an independent techno label based in scotland. for more than 15 years the cannibal cooking club has been bangin’ out the shizzle with its rough and varied cuisine. not only cooking for the german locals but for their larger international clientele with a unique selected palate of ingredients. these two chefs satisfy even the most demanding of guests with their special technoid recipes. the menu for this release includes two original tracks by these crackerjack cuisiniers and two exceptional remixes by their chef de parties, subhead and dj ze migl. this is the 1st of many release to stem from our 5th release ‘stay tuned sampler – vol. i’ whereby each artist on that compilation will be getting their own individual release. ccc poured us the most devine ‘romulan ale’ on that one for starters ……….. this is the main course. so get your forks n’ spoons n’ dancin’ boots at the ready for this sumptuous bangin’ repast.

when i found myself on the main dance floor of about blank during berlins most beloved party, buttons, i was immersed by the sounds of shingo suwa. he has honed his skills as a resident dj and producer for many years. in this record, you will hear how his experiences have heavily influenced his productions. we are excited to release shingos debut album and the first album released by acid camp records. the album includes a bonus remix from mixmaster eric cloutier. catch shingo and i reunited for our tour of japan this august.

anniversary edition in original “beggars banquet” gatefold jacket with 12” lp remastered on 180 gram vinyl. the 2nd vinyl contains “sympathy for the devil” 12” original mono mix with etched back. also contains a bonus 7” flexi disc with “hello! this is mick jagger” london to tokyo april 17, 1968 interview and a download code.

andrew red hand finally joins the lobster main family following on from our cheeky m8y projct 1Ø pills mate plus scorcher releases for mos. the red hand returns with four of his finest works, channeling the spirit of romanian resistance and some serious dungeons & dragons spooky haunted house shiiii on that a-side. elsewhere, chicago grooves overlap with roaring 303 work and drum machine battery. arh staples abound, this is a killer club quartet

taken from his critically acclaimed new lp long way home, lazy days s main man invites three a-list producers to revisit some of the highlights from the album. andre lodemann & fabian dikof give by day feat. sio a techier and deeper mood. perfect for those late hours of the night. ian pooley brings his classic sound to silverlight featuring jinadu while lauer explores the balearic side of wherever you go. there s also an additional reversion of by day by fred, taking the track in completely different world than his broken beat original.

new label from frankfurt/main focused on techno. the first release is made by korean klinika member klof as instant noodles. teamed up the last two years and played several gigs together. vital sales points: - first release of klinika - producer from seoul/south korea - focus on analog producing techniques - focus on underground

funky disco house with female vocals

after her hugely successful offering on ugongetit, frankfurt talent luz1e crosses over to the the lt main label with a hard-hitting, machine-driven ep of electro that segues from slow rhythmic deepness into warp-speed acid jams. expect a warm wash of purifying synths and building rhythms on the a-side before entering into twilight territory on the flip, with dustings of wavy 303 lines, oscillating bleeps and convulsive percussion.

limited rsd 2018 release with download code included.

timeless house tracks from nature boy. prev. unreleased stuff from 1991 & 1992.

oufoufof represents the beginning of a new turn for shxcxchcxsh, one born out of a fresh conceptual approach to rhythm. having concentrated in recent years on music for more experimental scenes, shxcxchcxsh wanted to create music for the club, but not with the usual 4/4 approach. ...the main focus being our relationship with the dancers minds and how we do our best to fuck with them . stylistically, the project began with a discussion about rhythm, about what is interesting and what is not. the result is a conceptualized approach, one in which multiple sounds in each track are based around a single rhythmic pattern. this concept has been extended holistically, to track names and artwork. ultimately, what began life as a series of records has evolved into an eight-track lp of twisted, polyrhythmic studies in pattern and texture. fresh off the back of shulululu ep for avian, oufoufof, is the fourth studio long-player from the swedish duo and will be released on their own label rosten

alex metric & ten vens transmission 1 is their first release on diynamic, although their productions are not unheard of in the labels orbit as solomun has been supporting them heavily in his sets throughout recent months. opening track the q, much like the closing track plates, are reminiscent of old uk garage raves with a hint of acid. minuscule shifts in the pitch give that certain cassette-nostalgia, transporting the listener back to the early 90s. the centre piece titled nebula is a driving melodic deep house tune with a hefty break that brings things to a halt right at its centre, only to return with the catchy riff that is its main feature.

last year japanese public broadcaster nhk aired the animated superhero series “the reflection”. the legendary english musician/producer trevor horn served as music producer for the anime. the story of “the reflection” is set in a world where a mysterious atmospheric phenomenon known as “the reflection” killed many people all around the world while causing the survivors to spontaneously develop superhuman abilities. some people become heroes, others become villains...
while achieving great success as a member of the buggles, yes, and art of noise, trevor horn also worked as producer for many popular musicians, such as paul mccartney, frankie goes to hollywood, tom jones, cher, grace jones, seal, tina turner, lisa stansfield, pet shop boys, simple minds, and mike oldfield.
the reflection release includes a 4 page booklet and is available for the first time on vinyl. the limited edition of 1.000 individually numbered copies is pressed on pink coloured 180 gram vinyl.

very cool mixture of of funk, soul, jazz, reggae sounds

please find enclosed the first release from our vinyl only 12” series. two edits with our least favourite bits chopped out to create a more cohesive dance floor friendly record.
the less said about these sneaky edits, the better.
yours sincerely,
unknown artist.
x

after his two 7inch releases on star creature, ourra drops an 8 track lp full of lush soundscapes composed of vintage synths and thematic astro vibes. this is true to the modern funk style and movement-a mix of futuristic spaced out deep house and vintaga analog balaeric boogie grooves.

stocker s revenge takes place as a short story inspired in a vampire theme where the author transmits his homeland legacy to a contemporary musical field, sotries and legends of chaste lineage that have inspired musicians and artist for centuries with concerns for the tenebrous chronicles , making different recreations of it with cruelty and vileness as its main element. orlock 101 is a new talent in european scene which inspires his artistic framework in the myth created by bram stocker, this transilvanian artist debuts as producer with the next soil records release.

up next on phonicas main label we present harrison bdps life unlimited 12inch. over the past few years harry has burst onto the scene with a prolific run of releases for labels such as lost palms, piff and music is love, displaying a wide-ranging sonic palette whether it falls under classification as house, techno, electro, garage... or whatever else he turns his hand to! the 12inches lead track life unlimited starts off as a euphoric italo-flavoured piano-house banger before breaking down into a bleep-tastic middle and back again. it hits all the right spots and will no doubt tick all the boxes for djs looking for a sure-fire peak-time jam! on the b-side the music takes a deeper turn with the immaculately produced dub-techno of fish in the tank which is then followed by the stunning uk garage inspired its all good - this one gets seriously under your skin! its rare for a producer to nail such a variety of different styles on a single record, yet we feel this 12inch truly underlines harry’s versatility yet still displaying his signature sound. three very different tracks, all recognisably harrison bdp.

pal joey (aka joseph longo) came up in the heady days of new york street culture, amidst b-boying, boom boxes and an unusually entrepreneurial spirit of beat-making. beginning with crude “pause tapes”, he was soon making tracks with drum machines and sampled vocals, all painstakingly assembled with razors and reel-to-reel. working at vinylmania, where larry levan might be found shopping for records in his pajamas, helped joey’s entrance into the city’s nascent house music scene, and he was soon working with everyone from krs-one to sade to the orb, whose “little fluffy clouds” he tweaked for stateside tastes.
true to his city’s inclusive spirit, pal joey consistently blurs the lines between disco, house and hip-hop, dropping scraps of old soul and recent rap alike over his skipping drum patterns and head-nodding keyboard lines. joey’s records (under his principal moniker and also aliases like earth people and soho) have appeared on jive, epic, talkin loud, wave and coco machete. he also has run three labels of his own - loop d’ loop, cabaret and footstompin records.
limited pressing, be quick!

iraqi band babylon trio from brussels plays an electrified ravey mix of contemporary iraqi and arabic music styles, such as choubi choubi, dabke, maqam and electronic hybrids that put the dancefloor on fire. their debut album “habibi” features songs about their old life in iraq and new life in brussels, belgium, with topics such as separation from loved ones, love, beauty, honour and pure arabic party bangers. this year will mark the power of the contemporary iraqi street sound of babylon trio throughout belgium, europe and beyond.

die neue “soul togetherness 2018” enthält 15 modern-soul-highlights des jahres, die teils erstmals auf tonträger erscheinen. darunter sind grandiose songs von cornell c.c. carter, kenny thomas, jaki graham, john reid und james day (in teils exklusiven extended versions), die rückkehr von change und the richie family, die beiden künstler brian courtney wilson und lexi von motowns neuem gospel-label, dance-grooves der newcomer the apx und imaa, vintage-soul von ernest ernie & the sincerities, soul-garage-hymnen von dj spen und prefix one, sowie der fabelhafte mousse t feat. peven everett.

making his return to the label after last year s springtime favorite, everlast, is dorsi plantar. better listen s twelfth entry in the main run marks their first repeat of an artist, and the copenhagen man does not disappoint. tack farsan is a balanced sample-driven ep intended to milk the last of summer s flavors for the dancefloors enjoyment. the top side hosts sunny disco affairs in the release s title track, and a polished collab with label mate sune. the logo side, on the other hand, explodes into deep latin affairs.

korpus 9 records kicks off with a brand new ep from dubspeeka, featuring four tracks of high impact and atmospheric techno. korpus 9 records is a brand new techno label from russia managed by kwazalski. the main aim of the label is to release fresh and innovative material, not only digitally, but also on vinyl. all the imagery and influences of the label come from an abandoned research station that is deep underwater, where unusual events are happening around it on a constant basis. charged with the first release is shadowy bristolian producer dubspeeka, who has put out his music on drumcode, senso sounds and get physical, runs skeleton recordings and has a fierce techno sound. the opener here is garrison, a driving number with heavy drums and a warm but edgy mood. garrison 2 is more spaced out, with celestial pads baring a feeling of suspense above the firmly rooted drums. garrison 3 then has lumpy drums that bob up and down, as acid lines, water sounds and metallic hits all add atmosphere to the cavernous groove. last of all, garrison 4 is an eerie dub techno track with real drive but also plenty of thoughtful emotions. it closes out a brilliant first ep on this exciting new label.

als in großbritannien entspannter roots reggae den harten rude boy/skinheadsound ablöste.

* integral records proudly present the latest project from head honchos artificial intelligence. introducing the series -–season 1. as the title suggests, this fresh bunch of emotive and futuristic cuts comprises four unique listening episodes that will take you on an exhilarating journey spanning across soulfully-refined molten liquid jams, and signature a.i. heaviness. stay locked for the season 2 premiere!

2018 repress on black vinyl incoming!
snts is an underground techno label, commitment to the vinyl format as the main pillar and overall bring the electronic in the anonymity.

va&#776,,,stkransen records are proud to release the debut ep of stockholm s house savants hk. the main project of hampus ribbing and kristoffer banks, hk have garnered attention for their dynamic and unpredictable live sets. having spent five years in the studio engineering their deep and mesmerizing grooves, the duo now surfaces with “a kind of love ep”, featuring three original tracks and a remix from french wunderkind and d.ko head flabaire.
on the a-side, hk begins with the melancholic but captivating “a kind of love”. the duo then goes deeper on the hypnotizing, yet dancefloor-oriented, “hiccup”. on the flipside, flabaire presents a dreamy and jazz-inspired remix of “a kind of love”, after which hk sums up the ep with “angry bird”, a percussion-infused take on the rougher deep house sound.

joe lewandowski, explores new territories to deliver a 3rd ep that blends afro, jazz with house music. his main idea was to offer music that blurs frontiers between samples, organic instruments and recorded sounds. the Ô3rd baseÕ ep comes with an additional reinterpretation of flabaire, runner and co-founder of the french label d.ko records

the belfast based dj & producer, garry mccartney, otherwise known as ejeca, has been steadily and consistently building his sound and profile over time, through a series of impressive releases for aus music, unknown to the unknown, w&o street tracks, bpitch control and last night on earth, amongst others.
ejeca carves out an energetic slab of audacious party house on ‘unloving’, resplendent with rolling beats and stabby chords, and topped off with dramatic strings and vocal chops. elsewhere on the ep, ejeca unleashes some 303 bassline action and dark vocals on ‘standard acid house track’, which thankfully rises well above anything standard! and on ‘crystal maze’, ejeca harks back to the darker dance energies that were a staple of the late 1980s uk acid house boom. wrapping up the ep, ‘iswhatis’ gets ever so slightly twisted with an orbiting synth hook and weighty stabs over a spirited rhythm section.

austin hip-hop beatrepreneur the deli made serious waves with previous cold busted album vibes 3, featuring the song “flowers.” this track shook up the spotify world with over 14 million plays and inclusion on at least 500 playlists. anticipation is strong for a follow-up from the deli and, with his new album jazz cat, he delivers with gusto. filled with the smoked-out, laid-back cut-and-paste rhythmology that the deli is known for, jazz cat contains 15 enticing beat compositions. the title cut shows where he’s at, transmitting an old-is-new-again feel through scratchy snare snaps, looping piano chords, and faraway — both in time and place — city sounds. other highlights include the dreamy lounge pressure of “virgo flip,” “fractals” and its shimmering vibraphone atmospheres co-produced by lungfulls, the ‘hip-hop party happening down the street’ vibe of “spring,” and the crucial, jazzy beat construction of “going home.” dig in ... with jazz cat, the deli trips the night fantastic.

limited ddition of 750 individually numbered copies on orange 180 gram vinyl.
hot shots of reggae is an recording on which a bunch of popular reggae songs are brought together. the album was originally released in the autumn of 1970 and compiled by the legendary chinese-jamaican producer leslie kong. he had enjoyed many hits in in europe and selected some of the true pearls from the reggae music to shine on the album. the album includes the maytals hit monkey man, the sparkling so much love by joe white and the fine rythms of ken boothe’s freedom street. the influential producer leslie kong once discovered jimmy cliff and recorded him on his own record label beverley’s. in 1962 he recorded bob marley’s first single and through the 60’s het became known as the producer of many big artists, like desmond dekker and joe higgs. he died of a heart attack, at the age of 38, in august 1971.

a much in demand reissue of two of nyc born-and-bred, pal joeys, classics from his joint label with reynald deschamps, loop dloop. first up, party time which harnesses that 90s nyc underground house energy with a rawness that was to emanate through many of pal joeys subsequent productions. scalpel in hand, joey expertly crafted this sample laden groover, his trademark stuttering, off-kilter rhythms, loops and fills keeping listeners on their toes throughout, never knowing how the next phrase might unfold. on the flip, raw love utilises a seminal disco classic as its main sample source, looping it in a way only pal joeys mind knows how, adding percussive hits and extra effects to create an innovative, animated and exhilaratingly rhythmic dancefloor bomb. both tracks are perfect examples of the simplicity and seeming effortlessness that pal joey maintains in his productions, adhering to the mantra that less is more but with a resonating rawness that touches deep down in the soul.

k.a.c.z.m.a.r.e.k”, from the title to the sounds, is intended to be a more personal project for paul ritch – indelibly closer to the confluences of sounds that he hears embodying the spirit of kaczmarek. he drives the mind’s eye deep into the inner-ear with the album’s spacious opening tracks, only to leave your head bobbing with the extraterrestrial rhythms that emerge as the main body of the album. moody and foreboding, loaded with the scattered, staccato and broken beats, more ovular than linear in composition and ranging from vaporous-ambience to hyperventilating grooves, the nine tracks on this album defy categorisation. the “k.a.c.z.m.a.r.e.k” album will give the listener a deep well to return to. the vinyl release will be a fittingly rare issue – only 100 numbered copies are going out, while digital releases will run parallel. keeping with the dark and cryptic theme of the first releases russian artist, sasha sime, is back for his third kczmrk cover design

this double a-side e.p. is more than just a first glimpse of empirion’s forthcoming album “resume”. the techno industrial hybrid project from essex, uk is coming back with a bang of an e.p., and perhaps the strongest tracks as of their career yet. paired with strong remixes and two exclusive tracks the main 2 a-side represent each a style of the band. “i am electronic” is a grinding breakbeat/trance maelstrom with an irresistible vocoder voice arrangement that makes the track instantly re-recognisable and irresistible on the dancefloor. -red noise- represents the industrial roots of the band and is an update to nitzer ebb style ebm paired with idm elements and strong (human) vocals. in three simple words: an unmissable comeback!

dark entries are honored to reissue the 3rd full length from carolyn fok / cyrnai, an asian-american female solo artist from the bay area. originally self-released in 1988, this reissue adds 3 unreleased bonus tracks recorded during the same period. each copy includes a double sided insert with lyrics, photos and notes by carolyn. all songs have been remastered by george horn at fantasy studios.

33 years after it s first release rick clarke s street soul simmerdown on local records, love with a stranger gets a much welcomed official reissue, remastered from the original tapes. check the dub! just peep that og artwork to get a taste of how this one s about to go down. written and produced by john collins, known for producing the specials - ghost town , love with a stranger perfectly encapsulates that 80s street soul sound. distinctly soulful, synthy slow jams, heavy on the bass with a touch of the low-slung, lovers rock vibrations about them. rick clarke s sultry sweet nothings weave their way irresistibly through this five minute gem, but for those that want to provide their own rendition over the top, the dub has been affectionately cut to the flip.

alex is a dark, haunting and brooding synthwave record that sets the night on fire, taking you from darkness all the way to the shining lights of broadway. with hints of cyberpunk, outrun and other 80s inspired retrowave influences, alex has developed a true signature sound that is funky, groovy and totally rocking. x takes you on a futuristic, electronic music trip thats filled with nostalgia and suspense.

horrorfilm “the johnsons” was one of the biggest productions of 1992 in the netherlands. the film won international acclaim and became a cult classic in the u.s. and japan, yet failed to make an impact on the dutch cultural landscape. or so it was thought... 25 years later, the celebrated documentary “xangadix lives!” (bram roza & yfke van berckelaer, 2017), shines a new light on the untold story behind the film’s troubled production and the legacy it left behind... “xangadix lives!” the original motion picture soundtrack, is composed by award winning producer and deformer initiator, mike redman. it’s now available on limited edition blood splattered vinyl. get it now, because when we say limited edition, we mean limited edition!

repress! die gebürtige brasilianerin anna aus barcelona legt nach ihrem unglaublichen durchbruch mit speicher 101 zum zweiten mal in diesem jahr auf speicher vor. hidden beauties war 2018 zweifellos in keinem club zu überhören und anna berührte dieses jahr unzählige dancer mit ihrer aufrichtigen und unerschrockenen leidenschaft für techno und djing. auf speicher 105 präsentiert sich anna von einer anderen seite – ihre bemerkenswerten studio-skills glänzen weiter, wenn sie mit remembrance nach innen schaut. dieses tief aufgeladene meisterwerk musste wie in einem zweikampf gegenüberstehen: der gebrochene -main mix und sein four-to-the-floor rendering sind je ein abendteuer für sich. when i am only a dream setzt den weg fort, den sie auf speicher 101 eingeschlagen hat: höchste höhen und tiefste tiefen für den dancefloor von morgen.

the flamboyant and off-kilter title track from rones latest album, mirapolis is one of the last solo tracks that the producer composed in the spring of 2017: its one of the rare tracks on the album for which i thought about the live performance. while putting the final touches to it in the studio, i imagined myself at festivals via memories of previous tours. i wanted to record a festive track, which completely stands by its funfair vibe. with this new four-track ep (including three remixes), combined with a new video by aurélie castex, rone extends the carnival of electronic cultures of his latest musical citadel to the dancefloor – and our screens. johannes brecht, shadow craftsman of the hamburg label diyanamics studios, offers a refined reading throbbing with cerebral pulsations. appropriating the main theme in a subtle way, coated with multiple harmonic layers, his textures alternate white noise with organic basses that builds up to a delightfully classical cello outro. german-based figurehead of the south american scene, comeme label boss and founding member of the late closer music project, matias aguayo, has never ceased throughout his career to set off little revolutions on the planet of demanding dancefloors. playful and wild, aguayo sweeps in with a ritornello of chiptune sounds and orchestral arrangements, washing it over with a huge wave of analog synthesizers that destroys everything in its path. french techno scene boss laurent garnier embraces the original piece in all its meticulousness and its psychedelic lifeblood. a hypnotic and mischievous loop infiltrates itself without warning into the reptilian cells of the listeners brain.

numa crew and killa s army join forces on this banger that will represent the first release of the brand new label numa recordings. the first release of numa recordings is all about a mediterranean and jamaican alliance, an explosive blend of grime and reggae vibes.&#8232, killa s army is a crew from london formed by killa p, irah and long range, one of the most powerful trios in the contemporary uk grime scene, their own original style is distinguished by a -heavy- jamaican dancehall & reggae influence. the italian collective numa crew has developed their unique sound over the years, ranging from dubstep to jungle, through a limitless exploration of the different styles in the wide spectrum of genres in the uk underground scene. in the production of -we nuh tek talk- lies the essence of this musical journey. the main theme of the tune is the legendary motive of courtney melody s ‘ninja mi ninja chorus, adapted to a modern day grime beat. backing the title track is the we nuh tek riddim version by numa crew, the beat and the bassline are simple and heavy at the same time. it will be fire in the dance

seth troxlers definitive dance floor label play it say it has a real coup for their next single: a collaborative track from trendsetting and globally renowned brothers nic fanciulli and mark fanciulli, one that is likely to become an anthem for the months ahead. the high impact star is the sort of big, muscular main room tune that blows crowds away. built around barreling drums and rubbery bass, the track is brought to life with a classic vocal sample from rose royces 1978 hit wishing on a star that truly sets the whole thing on fire. creeping synth sounds add another edge to things and the results are sure to sweep up even the biggest of dance floors. the superb dub version has even more focus on the monstrous drums and allows the synths to breath that bit more for extra euphoric effects. this is a brilliant pairing and it s no surprise the prominent brothers come up with some real house heat here.

psp-dancer : the name says it all. this song is about electronic music between past and present, hyper funky, a glitter ball full with memories between flared pants and hedonism and yet straight forward for the year 2018. that s no surprise as for decades it would have been hard to imagine the rhine-main house and techno scene without frankfurt bedrocks pauli steinbach, sascha dive and patrick kunkel, not least because of their cocoon affinity. patrick kunkel and pauli steinbach take out the acid disco hammer full with endorphine acceleration towards dance floor. deep vibes recordingsimpresarios sascha dive and pauli steinbach form a disco reverb mix with a house-like depth between wild pitch and balearics, with kinky disco elements shimmering through again and again. try to take it high

limited edition of 500 numbered copies. the double vinyl is housed in a deluxe gatefold sleeve with download code included.
lucky brown is forging new paths by soaking up musical styles from all over the world to infuse with his own trademark sound. those who praise the cross-cultural musical experiments of mulatu astatke of the 1960s and menahan street band of the 2000s will love this album.

produced by tommy ‘tnt’ brenneck, love in the wind features a number of the players that have helped define the daptone sound including members of the dap-kings, charles bradley, and the menahan street band. and, at the heart of the record, there are the four schaldas: three talented brothers and the father who taught his boys group harmonies on the stoop of their staten island home growing up.
the vinyl lp comes with download code included.

part 1 of 2 , 2x12 inch vinyl, unmixed 80s disco, post-disco, proto-house

started at the age of thirteen with a crate of his big brother s records, dj matpat was introduced to an eclectic mix of music that has influenced his take on house music. racking up releases from labels such as madhouse, exploited, plant music, w&o street tracks, as well as derrick carter s persnickety all stars label, dj matpat has now combined his passion for production and house music to form his own label entitled clubby boy. with the artistic stylings of his philly party club congress and a remix by the bunker artist justin cudmore, the first release its time! (produced by the clubby boy himself) can be seen as a call to action either for these current times or to lose yourself with-in the dance floor.