limited first pressing of 100 copies on orange vinyl.
elisabeth dixon is a producer/live performer (melbourne, australia) specializing in experimental techno/edm. layering meditative drones beneath dark industrial beats, her approach to sound design is rooted in both hypnotic, trance inducing experience and the aggressive frenzy of industrial techno. having performed steadily since her emergence in 2015, dixon has played dance floors from the mercat to revolver, abandoned warehouses to lounge, alongside respected artists like daze, chiara kickdrum, sleep d & oake (berlin). elisabeth dixon’s debut lp, entitled “lp1&#8243,,,,,,,, is slated for release on october 5th 2016 on vinyl/digital through trait records (melbourne) and instruments of discipline (berlin).

das silbermond debutalbum von 2004 auf doppel-vinyl plus downloadcode.

played by gilles peterson on bbc
* i just do what comes , i don’t limit myself when i’m in front of the mpc, just put the power on and fiddle shit with it.*
the words of lyon based artist and new robsoul jazz signing lb aka labat, a producer on the rise and a young man who’s already caught the ear of mcde. with a devotion to jazz and hip-hop it s no surprise that both genres heavily influence his own work, but house music? well, that’s more a means to an end. “first and foremost i love to dj. i’ve discovered how much i love that feeling of sharing my music and whats the point of a live show if it doesn’t make your hips shake? thats why i produce house music.”2014 was the breakthrough year, when his track ‘more kindyness’ was included on the ‘le sampler des copains’ vinyl release on face records. since then his soulful, groove-heavy productions have impressed and lead to the current 2016 pinnacle of ‘disques solaires’, his debut album release on groovedge records. a new chapter now opens with his debut robsoul release. an impressive five track selection that sashays through styles and sound to present a perfect picture of lb aka labat. house, soul and hip-hop feed our soundtrack, powered by a sublime sample selection. swing ghetto vol.1 … enjoy!

midgar welcomes the bordeaux based von grall delivering four dense, immersive cuts. first of the list, *a secant line*, is an acidic and powerful mantra, opening the gates of sonic virtuality. in the second track, *the slope*, fast paced rhythmics and cold ambiances bring some severity to the record. on the bside, the melodic and slightly dreamy excursion *apply the definition*, while *limit value* close the record with a solemn concoction of offbeats drums and mechanic nightbirds.

in the music, such as in the life, musnt exist infrastructures which could block or limit feeling transmission and irrationality in thought. beautifull and retrospective sound theories from cobo, k alexi and gari romalis.
each track here is different from the last, and each remixes is a refreshing proposition, from two house masters, of a chicago sexy tune. dont miss flamingo hipanema

a year on from the first release, cleric returns for the 3rd edition on clergy.

kolde is a side project from a wellknown artist who wants to push anonymous, a new techno experience without limit, this release is a proposal of 3 underground techno weapons and a remix from arnaud le texier

fulgeance drops his own vision of club funk and future beats. 4 original tracks that prove fulgeance has no limit in sound. from dreamy vocoder poetry to broken dance moves, this ep is complete. even more with 2 remixes from claude (fulgeance bipolarity project) this one is for the 4/4 djs dollkraut the new sensation from amsterdam, analogue sound wizard as they’re calling him.

the great japanese producer takeshi kouzuki return on hotmix with an amazing four deep-chicago tracks ! intense atmospheres, strings and obscure pads, rich basses, the result is a fatastic ep. pay also attention to the track -super naturl- sung by the famous singer of dream 2 science gregg fore !

brendon moeller returns to third ear after some years, following up his lauded jazz junk safari trilogy of eps with 4 peak time bombs. all 4 tracks blow up the dance floor. brendon moeller known for his sound design, has taken his sonics to extremes on all four tracks, pushing, twisting and teasing frequencies to the limit. the bass on all tracks is phenomenal. it s just as well that a master engineer like pole has mastered these tracks, maxing out the sound yet protecting the sound systems that these bombs will be played on. super fun.

as their passion for electronic beats knows no limit, they have initiated themselves in the wonders of music production, creating an impressive collection of tracks faithful to the genre, some of which charted real high along the way in the digital industry. after several years of committed effort, which involved studies in their chosen field of music, long sessions in the studio and many sleepless nights trying to integrate their own unique sounds into the underground techno music scene and propose a heady mix between the soul of techno and the irreverent expression of romanian underground musicians.

pumping harder prime time techno

"you wake from sleep, the door closes by itself and the walls run with slime and rain. a shadow moves, almost familiar, welcoming and simultaniously intimidating. the candle flickers and snuffs out. a noise. your torch is dying. something takes your hand. long fingernails and old skin. you mark the floor, chant the incantation. together. in the first of our split series we present two modern artists who’s imaginations know no limit. abstract drones, anchient machinery, neon cities within the shadow of the overfiend. heading up side a is the legendary cristoph de babalon, whose work in the late 90s on digital hardcore and his own cfet proved to be some of the most unique and timeless of the period. seperated by european boarders, the reigns are taken by triames, cutting the rhythms to explore techno as a more abstract concept, beautifully detailed work in between lustmord and emptyset. giallo disco is proud to present ‘invocation of the demon twin vol. 1′ possibly the most sinister and atmospheric release to date, and also one of our most special. art by eric lee."

kolde is a side project from a wellknown artist who wants to push anonymous, a new techno experience without limit, this release is a proposal of 3 underground techno weapons...

massive package on broadband noise!

after the legendary dj stingray, greek imprint lower parts strikes again with a heavy hitter. for their 8th release japanse producer keita sano delivers four experimental rough cuts that will push dance floors to the limit. known for his releases on mr saturday night, 1080p and spring theory, 2015 is the year where sano really opens out. freaky minimalistic explorations with an industrial twist, four jams for every moment of the night.

after 4 years, lowroller comes back on future sickness with his renewed vision of crossbreed. in this latest installment, hardcore and drum & bass stand in perfect balance creating unexpected combinations. despite the dark nature of this release, it already received support from both underground and mainstream deejays like evil activities, hellsystem, negative a, ruffneck, miss k8 and more. with *heartless machine* and *dreams of violence* lowroller pushed his sonics to the limit alternating disturbing atmospheres with insane dance floor drops, engaging with the crowd in brutal mosh pits. if you are looking for a shot of sickness look no further, we have your fix.

wow. such limit. very handstamp. much deepness.

r&s new boys also, appleblim (laurie osbourne) and second storey (alec storey) continue pushing their creative boundaries to the limit with this second installment of an ep trilogy. formation picks up the thread from ep01, another spaced-out jam crammed with swooning pads and pulsing subs. while on the flip rant check pts. 1&2 serrated p-funk bass and stuttering percussion flash by in ever more intense waves over the course of 12 lysergic, dancefloor pinning minutes.also is pan genre, pan generational, emotive electronic music at its best, truly something special and a fine addition to r&s rich heritage of forward thinking dancefloor sonic artistry.

kolde is a side project from a wellknown artist who wants to push anonymous, a new techno experience without limit, this release is a proposal of 3 underground techno weapons...

nice price deal !!! flight to the moon is the result of a year-long journey by dutch producers dimi angelis and jeroen search. it is both their first album as a&s and their first full-length record together. like the explorers whose journey is musically documented by flight to the moon, angélis and search set out to discover where this record would lead them. throughout the course of twenty tracks flight to the moon tells the story of a group of spacetravelers. it chronicles their ascent into the vast unknown and their uncovering of things as of yet unrevealed. what will they find? and what will their findings tell them? the tracks on the album – which they will release on their own a&s imprint – are diverse yet homogenous. they meander, transferring a sense of dangerous and potentially deadly encounter at one moment and then capturing a feeling of exciting amazement at another. most crucially, flight to the moon is more than just a collection of techno tracks. in fact, to think of it in cut-out genres is to limit the scope of the album’s musical offerings. search and angélis aimed to shape a record that would defy their own notion of techno. that journey can now be heard by all.

kolde is a new side project from a wellknown artist who wants to try, anonymous, a new techno experience without limit, this release is a proposal of 3 underground techno weapons. supported by:marcel dettmann, chris liebing, rodhad, truncate, joseph capriat

d3 recordings offshoot d3 elements is only three releases deep, but already their releases are reaching must-check status. following their recent release of a superb ep from us deep house veteran brian harden, the paris-based imprint offers up something a little different - an ep of gorgeously deep and melodic flavours that joins the dots between head-nodding instrumental hip-hop and floor-friendly 4/4 fare. there are plenty of surprises, too, including techno stalwart terrence parker delivering a flute-heavy downtempo head-nodder, some gorgeous beatdown from detroiter mike clark, and a thrillingly string-laden chunk of deep house bliss from the aforementioned harden.

limited to 100 black vinyl. holy shit! it is what it is - deep and raw jackin acid house produced the way it has been done back in the days by our brothers from chicago. fatjack kicks it to another level keeping the mood real and providing a message from beyond by tweakin the 303 to the limit … amen!

limited to 100 transparent red vinyl. holy shit! it is what it is - deep and raw jackin acid house produced the way it has been done back in the days by our brothers from chicago. fatjack kicks it to another level keeping the mood real and providing a message from beyond by tweakin the 303 to the limit … amen!

following his 2013 releases for hivern and major problems and remixes for the xx and mano le tough, dublin producer new jackson steps into 2014 with a full flex ep for germanys permanent vacation. the four-tracker moves from his signature vocoder-led house bump through spectral boogie, detroit leaning melancholia and upbuilding wrong un dancefloor moves. cover and inner artwork by practice and theory. initial copies available on red vinyl.

in october last year, kompakt presented until the end of time (kompakt 288 cd111), a new full-length from hiroshi watanabe aka kaito putting an end to a long and meagre period of time for fans of the veteran producer who saw his last proper release and that was the way (kompakt 208) three years ago. as with hiroshis earlier full-length offerings, we are truly excited to bring you a special beatless version of the new album called less time until the end that shines a different light on the original opus.
the vinyl lp comes with a cd-copy of the full album.

after successful ep collapsed (r-n116) the bristol based project strikes back with a full length album on raster-noton. once more james ginzburg & paul purgas challenge the perceptual boundaries between noise and music and the potential for both technology and architecture to embed and codify themselves within sound

drei lange jahre sind vergangen seit kaitos letztem regulaeren release and that was the way (kompakt 208), zu lang fuer fans des altgedienten produzenten. nachdem die hungrige meute bereits mit der vorab-12inch behind my life (kompakt 284) angefixt wurde, präsentiert kompakt nun ein neues album mit dem titel until the end of time. das doppel-vinyl erscheint inklusive cd-version des albums.

the ny duo land on ttt with four chapters of toxic, virus-ridden techno-house amalgamations for the bravest of heart. taking the boundaries of the genre to their very limit and further - another instalment of wacked-out electronics from the london institution

no limit. no genres. no market anxiety. only music. the party and his soundtrack above all. like the 90s spirit!

limited triple vinyl, contains here we go! ep (aa-16) and i m a hotshot robot (pkglp24).

welcoming both tom demac and glimpse to drumcode limited, they storm onto the label with a weighty ep that pushes their raw and analogue sound to the limit.

the weird house music composers from brazil strike again with four slices of spaced-out dance floor sounds. psychedelic is just one of the adjectives that come to mind when hearing brazilian duo colors sound system. on their first single for lovemonk, sao paolo brothers jota wagner and wander a, who call themselves weird house music composers, continue on the path to a higher state of consciousness with four slices of mind-altering disco and house splashed with spacemen 3-like vocals and seventies prog guitars and organs. just listen to the almost eleven minutes of *ar* if you dont believe. or *1974*. or *poeira lunar*, for that matter. the beatless title track is the only one staying under the seven-minute limit, and it is also the last track on the ep, like a much-needed comedown. space is the place, as the great sun ra said.

the seventeenth studio album by the scorpions on 12 inch vinyl.

shameless toady are delighted to announce their latest release from london-based rising star pip williams. >analog sequences< is a limited 4 track ep on heavyweight 12 inch vinyl. clearly not one to limit his style to any one genre, toad007 features a wealth of cutting-edge uk bass music spanning electro and dubstep through to subtle and melodic modular ramblings.

tm404 is a new concept from analogue mastermind andreas tilliander aka mokira (kontra-musik, raster-noton, type). tm404 uses a multiple set up of the classic roland machines tb-303, tb-606 and mc-202 to create a mesmerizing acidic techno-drone. tm404 will release a full-length album on kontra-musik in late january and we are very much looking forward. but before that we have another great release to present. kontra-musik 028 is by far our most radical release on so far. this is dance music really pushed the limit. what you are about to hear is the result of morphosis (morphine records) remixing tm404 using his favorite korg machines – the ms20 and the sq10. rabihs own words on the music: quite challenging and not really ordinary dance music. i believe in moving forward with things, with whatever chances and possibilities i have, it is my contribution to this world.

200 records has selected 4 top releases for a special price package. vinyl only! the package comes with label stickers. contains releases number 002, 003, 008 and 010.

keeping with tradition, the second italojohnson release of 2012 once again presents itself in the likeliness of a 12inch wax with three tracks. the one-track mind repeats the same funk-nationalistic character of italojohnson and once more shows its simplicity. this tune comes to its rite where it is loud and dirty but even headz sitting at home will be able to feel the sun rise. boom shakalaka. the double-track side has some surprises in store for its listeners. for those in the know, the first track is also known as >bootytrack<. this track always pushes the low end to the limit and under the right circumstances guarantees some hip swing. number two may sound familiar, but even if you dont know its rootz, youll still be down with each other

founded in 1996, adam beyers drumcode has become synonymous with all that is exciting about techno. having completed a landmark year in 2011 with the labels 15 year anniversary celebrations that included a 12-date club tour and a 28-track various artist compilation, drumcode gets back to the future in 2012 with a busy schedule of releases. followers of the label will recognize lost of familiar names within the schedule with projects confirmed from adam beyer & joseph capriati, ben sims, alan fitzpatrick, kaiserdisco, slam, jay lumen & gary beck, sam paganini and nicole moudaber. having notched up 15 years of service within techno, most followers of the scene would say they know what to expect from drumcode. nononsense, dancefloor orientated techno that has managed to steer a path through the maze of genre hopping trends that to create a sound of their own

as the range, james hinton has released previously on astro nautico, alongside other such rhythmic alchemists as obey city (now signed to lucky me), time wharp and howse (now signed to tri angle) as well as appearing on remix duties for kuhn on the london based civil music label. outside of this moniker he released >cower<, a full length under the alias stegosaurus, on his own sqwal recordings imprint.
operating out of providence ri, james hinton fuses snapshots of global electronic music into a heady brew of deep sub bass, rattling footwork drums, juiced up junglism and dirty south rap beats. here we present the five track >disk< release, bristling with frenetic energy, complex percussion and cerebral melodies – >disk< is as suitable for the home as it is for the club and marks the latest evolution of the range sound.

summer edit featuring a special track for free parties, plus includes an uncommon track with overdrive percusions. brandcash has a real addiction for sophisticated synths, timetothink (purpose mix) seeks to go as far as it can bewith such sounds in a techno way, pushing the limit ... just before the core music.
whereas the planck constant mix is kicking a hypnotically lead-sound, turning detroit influenced at some moments. jayg05 ends with a very loud side b, focusing on 2 basic elements: kick and percussion. drummer 404 on side b features a real massive kick and saturating percussion. a sound you havent heard in a long time.

played and supported by chris liebing, dvs1, marcel fengler,inigo kennedy, bas mooy, oscar mulero, truncate, markus suckut and more.kike pravda presents his first release on his own label called senoid recordings, including a remix of ben sims. the vinyl starts with the track exalt.it includes a roland 909 very processed, aggressive and distorted sound until the end, accompanied by a sequence of a dark bassline and dynamic,which kike pravda takes it to the limit of its frequencies in constant evolution.a track that makes it the letter of introduction of senoid. in b side, ben sims remix scared to the most pure style of mr ben. hi-hats unstoppable, unmistakable grooves,giving back to the sounds of the original, essential for its most faithful followers.closes the record the original version of scared, a continuous arpeggio with an accompaniment of a 909 ride pure, brilliant, subtle.scared evolves from beginning to end, with touches of dark, analogic, atmospheres and glitches, which turns it into a space trip.

memory ist nicht unbedingt eine abkehr von lazer swords frühen stücken, aber diejenigen, die peitschende hip hop-beats und gecuttete vibes erwarten, werden überrascht sein: antaeus roy (aka lando kal, neuberliner) und bryant rutledge (aka low limit, san francisco) haben sich zurückgenommen, aber gleichzeitig ihre soundpalette erweitert. sie präsentieren eine schlankere, sexiere, cluborientiertere version von lazer sword, die auf 80er electro, detroit techno und verschiedene uk futurism-einflüsse zurückgreift. die palette reicht von klassischem techno, über einflüsse von juke und footwork, infiziös-mutiertem 80er freestyle bis zu gastproduzent jimmy edgar mit seinen berühmt-berüchtigten roboter-sex-vibes.

nice price deal !!! vae victis is back for its 2nd release and is glad to welcome the very first debut of nightjars. with this 4 tracks ep the label shifts on a different musical path, sound and style wise. sound wise, both sides are written, mixed and produced on hardwares and polarized on a ferromagnetic tape. technically, side a (raw side) is mixed with a tough multitrack mixer brought to its saturation limit: the sound is indeed distorted, raw and unfriendly. while the flipside (clean side) is instead mixed with a big class a vintage studio mixer. the sound is brighter, richer of harmonics and the infrasounds are charged thru a wide dynamic range. style wise,the label shifts on a more broken beat field, lets call it bass, dubstep or whatever, but anyway something which should put this vinyl in the records bags of all the lovers of shed, peverelist and horsepower productions to name a few.

brilliant detroit piano house nuggets - dj john collins edits....features productions from mad mike banks

sounds sane / klock ist die perfekte vorabsingle des im april des kommenden jahres erscheinenden zweiten lazer sword albums. als limitierte 10inch im vollcover color vinyl reflektiert sounds sane / klock den typischen lazer sword sound: electro-funked dancefloor hip hop-sound vermischt mit uk funky und uptempo glitchy electronica! fragt man lazer sword nach lazer sword bekommt man folgende antwort: lazer sword sind low limit lando kal. unsere musik ist wie surfen im inneren eines vulkans. catch the wave! uns als record label hat die welle mit voller wucht erfasst. lazer sword sind bindeglied zwischen modeselektor, elan und siriusmo und passen mit ihrem sound perfekt zum label. im oktober und november sind lazer sword auf mini-tour in europa um ihre neue single vorzustellen.

akira kiteshi has carved a special place for himself in the hearts of many by skewing the instant gratification of dubstep bangers to preserve his roots in the wonky and broken. in the run up to his forthcoming album akira kiteshi throws yet another curve ball into the face of those who seek to label and limit the electronic music pioneer.
>transmission< is a slice of hands in the air euphoric anthemia in the key of joy o or jamie xx.
>give it up< in yet another massive turn left ak twists the beats into uk funkee mode to produce yet more dancefloor detonation.
support: huw stephens radio 1, mary anne hobbs xfm, jackmaster, fantastic mr fox ...