colorado based dvs nme debuts on tiger weeds with a solo ep, delivering his signature sound with four straightforward electro cuts. limited edition of 300 copies on 10 inch vinyl.
limited edition reissue of throbbing gristle’s 1980 album on blue vinyl. housed in a gatefold sleeve sleeve with download code, exclusive photographic print and 12 inch booklet included included.
die wiederveröffentlichung von -the taste of tg - a beginner’s guide to the music of throbbing gristle- fasst das schaffen von throbbing gristle eindrucksvoll zusammen, erscheint erstmals auf (rotem) vinyl als doppel-lp im klappcover inklusive downloadcode. die sammlung umfasst, wie im original, tracks von verschiedenen tg-alben, live-aufnahmen und wird im rahmen dieser veröffentlichung durch den song -almost a kiss- bereichert.
20 jazz funk greats, das dritte studioalbum der britischen industrial-band throbbing gristle, erschien ursprünglich 1979 und wurde nicht selten als herausragendes album der band bezeichnet. es erscheint nun auf grünem vinyl inklusive downloadcode.
throbbing gristle gelten heute zu recht als die wichtigsten vertreter der klassischen industrial music. die band ging aus der aktionskunstgruppe coum transmissions (ct) hervor, die etwa ende 1969 von cosey fanni tutti und genesis breyer p-orridge gegründet wurde. 1974 stieß der im jahr 2010 verstorbene designer und techniker peter sleazy christopherson zu ihnen, im jahr darauf chris carter. zum 40. jahrestag seiner erstveröffentlichung wird am 03.11.2017 -the second annual report- als limitierte edition auf weißem vinyl im original packaging inklusive downloadcode erneut veröffentlicht werden.
in 2015s hip-hop culture, built on stale rhymes about sex, money and drugs, houston-bred, minneapolis-based artist, lizzo relies on inventive wordplay and an ability to seamlessly flow between rapping and singing to set her above the rest. her debut solo release lizzobangers lives and dies by lizzo s unique delivery and cadence, fueled by the depth of her pop-culture, social and historic references, ranging from lizzie borden to cogsworth to anna wintour. beyond the pop references and inventive wordplay, lizzobangers goes deep into challenging stereotypes, societal norms and the state of our culture in a rare matter-of-fact and non-politicized way. the vinyl lp includes a download code.
bostons legendary mc edo. g teams up with producer duo red & spinache for this new, limited translucent, purple colored 7 inch vinyl single. *the great divide*, pressed on a beautiful, purple vinyl is a soulful hip hop anthem. side b, remixed by bodziers adds a gritty, boom bap flavour to the whole package. 500 copies available.
2 amazing tracks from ramiro lópez plus a luxurious collaboration: german ss johnjon (baalsaal music/stil vor talent/dirt crew). housy - jazzy - groovy sounds with huge support from radio slave, boris werner, julien chaptal, ilario alicante, mr statik, mihai popoviciu, sergio muñoz aka delete, nacho marco, franco vianco and many more. played in the last winter miami conference, brunch in guadalmar is also included in the 3 snapshots tokyo album, compiled and mixed by radio slave.
recorded and produced during late night sessions from 2019-2022 while re-watching archive episodes of the german tv show space night from the late 90s.
one of the most eagerly anticipated albums of the year, alpha steppa meets nai-jah Òthe great elephantÓ. tge is the product of a year-long collaboration between renowned uk dub reggae producer alpha steppa and nige- rian-french singer / songwriter nai-jah. tge tells the story of nai-jahʼ,,,,,,,s reality growing up in nigeria, the album paints a picture of corruption, greed, and suffering, a narrative each and everyone accross the globe can relate to. nai-jah points to strength through unity and provides great inspiration and hope through his thoughtful lyrics and sincere delivery. steppas records is overjoyed to present all 10 original vocal tracks plus the full dub album as one. a truly unique and powerful protest album sure to provoke, inspire and uplift.
trjj is made up of several people that meet regularly since 2016. it is practiced collectively with interchanging names and roles, so the full control about disguised authorship would be guaranteed. everyone involved was set to meet half way. trjj is a filter for the kinship of many. its the freedom attained, once you have gotten rid of yourself. this heteronomic practice would be ideal to advocate against reasons which are claimed, biographies that are scripted, economies that are fueled and histories that are written to be recognized as something apparently truly valid and fully finnished.
one of the most eagerly anticipated albums of the year, alpha steppa meets nai-jah “the great elephant”. tge is the product of a year-long collaboration between renowned uk dub reggae producer alpha steppa and nige- rian-french singer / songwriter nai-jah. tge tells the story of nai-jahʼ,,,,,,s reality growing up in nigeria, the album paints a picture of corruption, greed, and suffering, a narrative each and everyone accross the globe can relate to. nai-jah points to strength through unity and provides great inspiration and hope through his thoughtful lyrics and sincere delivery. steppas records is overjoyed to present all 10 original vocal tracks plus the full dub album as one. a truly unique and powerful protest album sure to provoke, inspire and uplift.
new glasgow electro and techno label tremors presents our first vinyl release - aftershocks volume 1, a collection of remixes of tracks from our bandcamp releases. the a1 comes from electro legend dexter, a man who needs no introduction, remixing old boy s tracer. next up is james shinra (analogical force) one of our favourite contemporary electro artists, remixing arctor memory gene. on the b-side we have patrick walker (forward strategy group) remixing arctor s selfish lover into a slamming acid techno banger. rounding it off is relatively unknown hungarian producer david harleydson who has been self-releasing highly impressive electro albums through bandcamp. he has applied his own unique style in a remix of arctor the gulf.
musically and emotionally, superpitcher’s third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus- years, emotionally. and full-length it is: the golden ravedays is an epic album of 24 longer than usual tracks that was released in january 2017 and is stretching over 12 respective chapter albums during a one-year period. the 12th and final edition of the golden ravedays album will be released on record label hippie dance in december 2017. side a is the ballad of late night skanking. true to the soul of skanking this track is weaving its delicate elements between the rise and fall of a monumental wave that teasingly never breaks. the main melody so seduces and hypnotizes that before you know it you’re a wide-eyed cobra waving away in a basket. standing ovation! hands in the air! he made it! the very last track of superpitchers epic golden ravedays odyssey is a jovial spree, a hullabaloo of merrymaking, the perfect celebration of the beginning to end of this heroic album. punky reggae party is a fantastic collision of festive sounds, beats and voices that bring us undecipherable messages and everything else that is far beyond nice, nice, nice. encore! encore!
musically and emotionally, superpitcher’s third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus- years, emotionally. and full-length it is: the golden ravedays is an epic album of 24 longer than usual tracks that was released in january 2017 and is stretching over 12 respective chapter albums during a one-year period. the 11th edition of the golden ravedays album will be released on hippie dance in november 2017. side a brings brothers. with two decades of spinning experience in disco’s, nightclubs, festival arenas, shady after-party zones and intimate studio soirees there is no doubt that superpitcher is seasoned in throwing a damn good party. brothers is party personified and a celebration of the night and the wise owls that respect its magical rituals. its ultra-chic disco groove and dreamy female vocals transport one to a carnival of blessings. side b features sleepy head, a hypnotic lullaby carefully tucked away in a hammock that rocks to and fro like dozing mermaids in a wavy curtain of seaweed. sleepy head is a smart artistic statement and whimsical pause just before the release of the grand finale of the the golden ravedays saga.
musically and emotionally, superpitcher’s third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally.
musically and emotionally, superpitchers third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally. and full-length it is: the golden ravedays is an epic album of 24 tracks that was released in january 2017 and is stretching over 12 respective chapter albums during a one-year period. the 9th link of the golden ravedays chain will be released on hippie dance in september 2017. where number 8 of the series took us to outer space, number 9 introduces two tracks that are an under-water celebration of all that is good and all that is sad. side a features hiding. imagine galloping sea horses pulling a christmas chariot filled with dreams-come-true past enchanting mermaids, smiling sharks, waving tortoises and nonplused eels, leaving a gifted blanket of mystical sound in their wake. hiding stretches and breaks into many layers of listening love without enforcing one particular sound. side b features flying. the piece is occupied by a subaquatic melody colored by whale sounds and the echoes of immersed guitar strings. flying is not about complex development or diversity but the weightless drifting of sounds that create a wonderfully hazy cloud to lose oneself in and fly, deliciously with the dolphins. rest assure, the ending is be speckled with whimsical chimes showers, paving the way for the softest of landings
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