neue versionen der größten modern-talking-hits plus pop-titanen megamix in 3 varianten. pressung auf transluzentem vinyl.

diy - also „do-it-yourself“ - hat eine große bedeutung in joey agrestas leben. er stammt aus new jersey und lebt über einem ersatzteile-shop. „let’s not talk about music“ entstand in über drei jahren, in denen joey agresta die lieder in seinem schlafzimmer-studio einspielte. computer wurden für die aufnahmen bewusst vermieden, neben regulären instrumenten nutzt joey agresta selbstgebastelte gerätschaften und bannt die klänge auf mehrspur-kassettengeräte. lo-fi als bewusste ästhetische entscheidung. unter pseudonymen wie joey pizza slice, son of salami oder salami junior hat er diverse kassetten veröffentlicht und so die aufmerksamkeit von bands wie future islands und the parquet courts gewonnen, die erklärte fans sind.

in mid-seventies, nigerian bands came and went with alarming regularity, rising meteorically from the slums to stardom and falling back again just as quickly. masisi mass funk from anamara state was one such band. but during their brief moment in the stratosphere, they produced a funk gem in i want you girl.

shag edits series hits volume 7 and in great style. we welcome oli furness to the shag party and he delivers two outrageous cuts. u can is a disco bomb hitting you in all the right places, from the hands in the air, to the guilt free sing along moments. kick it rocks a hip house feel, holding real grit and groove throughout. jamie joins oli on the a side with woody dunked, anyone who knows jamie s work will recognise the style, always grooving, hard hitting snares and heavily sampled. bress underground ties up the b side with another disco gem. again its a let your hair down, vocal groover with a carefree attitude.

inwave is pleased to present its 8th vinyl only release, made up of the production by the villalobos-luciano boys felipe valenzuela, felipe venegas, dani casarano and the eclectic inwave homeboy producer niimm. journey through unique brand of melodious and elegant techno, minimal-house sounds delivered in a totaly underground and manner style, open to diverse sounds from around the globe- this wax is full of grooves. from italy to chile, to europe and beyond, this four tracker is going to win the hearts of open-minded djs and dancers alike... warm, trippy percussions and joyful, hypnotic vocal samples sure to bring smiles to every dancefloor.

repress 2017 , allez! as the curtains come down on another crazy summer of love, apollonia drop their latest release courtesy of io mulen - the ukranian rude boy who appeared on the label at the beginning of the year with ‘unknown to the unknown’. he’s back with a hefty six-track package which is sure to please his fans, and win him a whole new army of supporters. we get straight to business with the first track, ‘rdm37’, one of those trusty apollonia bouncing bombs. skittish beats work off a sublime groove, while io keeps the background full of interesting sounds, boings, cheeps and all manner of whimsical effects, introducing more and more as the track progresses. by the midpoint you’re so gripped by the track that your whole body is moving uncontrollably, super glued to the rhythm. next up, it’s ‘xdt54’ coming through with a deep, persuasive bassline that jigs around in the low end luring you into its web. simple, polished percussive elements keep things moving at a pace while subtle keys and barely-there vocals add further layers to this catchy little number. the third track in on this lengthy ep is ‘mpc13’, a walk on the sensual side. vocal snippets are interspersed among sultry pads, skipping four to the floor beats and a sleazy b-line to create a delectable slice of dance floor naughtiness. this one flirts with you as it writhes around, taking you ever deeper…four tracks in we have ‘zgb41’, another alluring cut that has all the hallmarks of a deep house classic. those shimmering pads, a bassline that feels like it was born in nineties chicago, diamond-cut beats and a general feeling of what we would call ‘true house music’. there’s soul, there’s funk and there’s realness, what more can you ask for?ypt58’ keeps us locked in to that hypnotic groove with an insistent b-line holding things down - together with the infectious rhythm cultivated by the drum arrangement, it’s a killer combo. put those together with the smooth atmospherics plus synth lines staggering in and out of the background and you’ve got yourself a roller. last but definitely not least is ‘zxy22’, a wistful slice of technoid funk which has a delicate melody at its foundation. as it develops we get sucked in to layer upon layer of beauty, from the analogue low end to the electric guitar riff – each layer complementing the other and creating a symphony of sounds that acts as a perfect way to close out the ep and will no doubt end plenty of dj sets, when it’s released. so monsieur io (mulen) returns to apollonia with an instant classic, make sure you snap it up right away. magnifique!

bereits im letzten jahr veröffentlichte parlophone records mit »five years (1969–1973)« und »who can i be now? (1974–1976)« zwei boxen, die david bowies studio- und livealben aus den besagten jahren versammeln. fünf dieser longplayer erscheinen nun auch einzeln, und zwar als cd und lp. mit dabei ist unter anderem die 2016 gemasterte version von »young americans«, gepresst auf 180 gramm vinyl.
»young americans« ist das neunte studioalbum von david bowie. es erschien ursprünglich bereits 1975. was die musik auf »young americans« angeht, so verließ bowie sein gewohntes rock-terrain und arbeitete stattdessen mit verschiedenen soul- und funkmusikern sowie mit beatles-legende john lennon zusammen.
das album landete auf platz zwei der uk-charts. in den usa erreichte es platz neun. zu den erfolgreichsten singles gehörten der titeltrack »young americans« sowie der song »fame«, der es in den usa bis auf platz eins schaffte.

the 4th album from shaun escoffery as double vinyl in gatefold sleeve.

ltd 2018 repress - having seen the first two releases on his self-run unison wax label win plaudits from critics and contemporaries alike, berlins diego krause starts 2015 with a fresh ep of deep and textured house music, * vinyl only* release

inspired by his love of &#8203,,,,brazilian beats, transatlantic hip hop and classic house music, dj/producer mele&#769,,,, debuts on edible with a single that perfectly encapsulates this young artists sound and energy. having built up an impressive production cv by remixing for the likes of tiga and disclosure, as well as releasing original tracks like the 2015 tribal house anthem, ambience, the boy from the wirral lets rip on eats everythings label with 2 killer club tracks. frenzied tribal rhythms are in full effect on scouse afrika, a track thats already picked up heat and featured in jackmasters recent radio 1 essential mix. functional and rolling beats come alive with chopped vocal refrains dipped in delay the rumbling low end supplying an irresistible groove thatll no doubt whip up some dance mania in the local discotheque. more high-octane sounds are packed into sleepless the percussive elements providing the hooks alongside choppy vocals and booming sub-bass, its perky arrangement never letting the energy drop for a minute. meles energetic and unique percussive sound has gained him prolific support and recognition from some of the biggest names across the scene, patrick topping, skream, jamie jones, annie mac and pete tong, and this single is sure to win over a whole new legion of fans. meles &#8203,,,,scouse afrika sleepless &#8203,,,,is available from 9t&#8203,,,,h&#8203,,,, december on edible.

ultimate crew presents 4 tracks of decimating future rave: peak moments of crystallized energy reduced to the most simple and effective dance-floor weapons known to man. entire nights distilled into mere minutes- providing you, the dj, with the deepest cuts for the deadliest win. side a: elastic / tak: acid dripping off the cuff. hip-house illumination via a saw wave cutting through the skull. watch your mind! side b: future / method: only time will tell. remember the future and wait for the break: it will break you.

debüt-ep des neuen warp-signings aus italien: lorenzo lenni offenbart aus der perspektive des ex-straight-edge-hardcore-punkers eine frische sicht auf den 1990 er hardtrance und seine auswirkungen auf edm und dancehall. allerdings sind seine emotions und sensationsstrukturen verfeinert und eindringlicher, was seine ep in eine reihe mit den arbeiten von sophie, plastikman, ennio morricone oder squarepusher stellt, die das schnelle auf und ableben in den zyklen der modernen musik überdauern.

for the second and last ep of contemporary spaces remixes, dynamic reflection welcomes yet another batch of talented producers to the label. just like the first remix ep, it is a mix between household names, and up and comers. first off, it’s perc’s interpretation of glide. the uk based artist, who is known for his use of distortion and aggressiveness, takes it down a notch on this occasion. he has made glide into a echoing and glitchy track that doesn t reach its energy peak until the last couple of minutes. matrixxman takes overwith his biohazard mix of future existence, which contains a tensive synth, confined by a filter that gradually opens,and than closes again, retaining your attention at all times. on the bside, shdw and obscure shape reshaped the hunt to provide the first outright dance floor track of the ep. with its thumping kick and epic pads around the breaks, it’s bound to win crowds over in the club. dutch talent ben buitendijk also remixed future existence, in his own distinctive, hypnotic style. a deep, though energetic track with a very mature sound.

great 2016 re:issue of this 1981 classic

with his -planet a ep- utrecht-based anil aras makes his debut on soulfood. while listening to a broad variety of music, anil discovered his deeper love for all kinds of electronic music, which you can clearly hear in his productions. ranging from house to techno, from funk to dub, it becomes clear that anil doesn t care about simple minded visions. packed with solid grooves and catchy lines, anil finally gives us a peek at the secret weapons he s been on holding to himself for quite a while... but it is very safe to say it has been worth the wait, with four solid club bangers for the win,-planet a- is ready to shred dance floors all summer long.

reissue of the 5th album by william onyeabor, originally released in 1980.

a classic 1968 marvin gaye & tammi terrell album back on heavyweight 180 gram vinyl with download code included.

for the second elastique music release we could win great artists over to our label. daniel madlung takes it to the next level with an energetic and minimalistic track, which nearly seems to explode. the tunes on the b-side, one by christopher lawrenz and one by nicola koch will certainly move your feet. you’ll definitely cut the rug to these tunes.

shaw cuts is happy to present its third release, which includes 4 tracks produced by farron under the title ‘death duel’. the story of this chapter is simple: the third master is respected as the unrivalled and undefeated swordmaster of the day. his strength and skill saw many opponents who sought to slay him and win his title. all failed. there was only one rival who might sever his crown. it is only a matter of time until the ultimate duel… ‘we don’t make no sense’ rings in combat with a dirty break-beat drum pattern combined with deep, melancholic pads, circling the scene before one of the masters makes the first attack. warmer in tone, ‘tangency’ is the first intermission, a lull in bloodshed and impending annihilation. short-lived… the b-side brings back battle mode with ‘centro’, a rough and rolling thunder with churning synth action and distorted drums. the duel ends with ’par 2’, its sharp percussions, goliath bass drum and spheric pads reverberate victory. an open breast and sword glazed red. fatal hemorrhage…

tresor records proudly presents the second chapter in mønic’s musical journey on the label. head of osiris music, mønic is an accomplished producer whose style can be defined as raw yet exceptionally refined, allowing for a certain industrial inspiration to ooze from his exquisite sound design. ‘four sides of truth’ opens a conversation between pristenely defined low frequencies and an infinity of fleeting, chirping synth layers. this discussion will continue throughout the record, taking additional drums into the exchange and swirling into ‘point to the sun’ in full panning effect. on the other side, lower frequencies undoubtedly take over and win the argument in ‘self doubt is worthless’. uk-based kamikaze space programme contributes with a revisited version of ‘morse’, initially released on the parsons hill ep. preserving the abrasive textures of the original, ksp dramatically raises the track’s thrilling factor.

spell pets backwards to get step. spell step forwards to find pets going back to basics. step is the new concept vinyl only label from the founder of pets, catz n dogz, that highlights the rawest forms and root functions of quality club music. step finds the fundamental groove with undertheradar house and techno that is isnt afraid to be rough around the edges.

mr trum* wakes up at his manhattan residency a bit dizzy from his late night scotch and cigars with some right winged peers. after his classic raisin and bran breakfast, he decides to flirt with the raver community in order to win some votes for the upcoming elections. his decision seems irrevocable now, the first measure he will adopt if he gets elected is to build a wall of sound on the whole mexican border and start a macro rave under the premise of -we are all immigrants-. inspired by this extraordinary situation, 4 producers (hack force one, pau roca, scott ferguson & the enigmatic 3%) reached a sonic epiphany and the second ep of black money records emerged.

a classic 1969 marvin gaye album back on heavyweight 180 gram vinyl with download code included.

we are pleased to present with * black hole* by meta.83 the work of a consequent defender of the art of analogue production. the soon available track * black hole* by the liebe*detail co-founder jinxed us from the very first moment and it was clear to us, that we d like to add a number of top-class remixes beside the original. for this we were able to win no one else then the tobias and borrowed identity (after his recent release on pastamusik * crack in the box ep*). the powerful acid bassline in the original version as well as in the gravity version creates from the very first moment a hypnotic undertow which seems to keep increasing throughout the track. its masterfully celebrated how to generate effective hits by carefully chosen elements and canny used effects. tobias also devote the focus in his interpretation on the acid aspect – but with more dynamics and with a higher beat frequency which will make every techno-djs heart beat faster. when carefully set tones are fading in and out this version gets a brilliant final touch. the remix of borrowed identity sounds in its structure more dirty and rough and though at the same time very fragile. a wonderful gem in pure culture drifting towards a black hole ..... perfect.

first reference written and produced by alex guerra,is making his debut here on ums recordings this ep accomplishes dark deep style, effective, groove, mainfloor and diverse dj tool techno. three relentless tracks play any of these tracks at any time in any venue and you will win over the crowd (a 100% guaranteed fool-proof dj)

• perc returns to perc trax for his first solo release since last februarys * the power and the glory* lp
• features full printed jacket designed by jonny costello

it was in the disco era of the mid-1970s that hot chocolate became a big success. a combination of high production standards, the growing confidence of the main songwriting team of tony wilson and erroll brown, and tight harmonies enabled them to secure big hits such as *you sexy thing* and *every 1s a winner*. pressing on audiophile 180 gram vinyl.

hymnenhaft harmonisch: zweites album der englischen folk-pop-band. das 180 gramm vinyl erscheint im klappcover, inklusive cd-version des albums.

few if any producers have managed to make the transition between hip-hop and house as successfully as vincent williams, a.k.a. dj spinna. but until now his hip-hop career has been better documented. here, for the first time, is a collection of the cream of spinnas house remixes, a collection likely to win a place in the homes of anyone who loves their house music with a deep and soulful twist.

few if any producers have managed to make the transition between hip-hop and house as successfully as vincent williams, a.k.a. dj spinna. but until now his hip-hop career has been better documented. here, for the first time, is a collection of the cream of spinna’s house remixes, a collection likely to win a place in the homes of anyone who loves their house music with a deep and soulful twist.

limited 12inch 180g records, single press, hand stamped, individually numbered, no repress, no digital. tusk says, -the title track from tw15 was conceived after a particular heavy tusk wax label party at renate in berlin. i went back to my old pal pork intl s place for a bit of drunk studio time and told him all about the living legend that is gizzy the fox. a couple of bottles of wine later and i was telling the story to a microphone and we were writing an oddity of a track. if you have had the pleasure to meet gizzy and spend time in renate you might understand the lyrics, if not, they ll probably just sound like the rantings of a drunk man, funny that.-

limited edition of 300 hand-stamped & -numbered copies.

it s only so long before liam geddes becomes a name you ll start hearing on the worldwide underground stage. having already churned out a number of uncompromisingly deep house tracks over the past couple of years, he comes armed with another exceptional ep on mil - the third release on the new music is love sister label - that further demonstrates his genuine dynamism as a producer. the with closed eyes ep should win this very talented producer the recognition his fresh beat work deserves into the wild gets proceedings underway, a ripping bassline paves out over rattling percussion shakes while oscillating dream like jingles play out during the course of the track. chopped vocal samples are introduced and tease against the shuffling drums which elevates the track with real drive and groove. close ya eyes for the journey packs the same layer of heat with its similarly groove-heavy bassline - a staple of geddes well-crafted sound. firmly footed, intermittent chimes seep into the track and are complemented by siren-like chords which grow truer in presence, until a hypnotic vocal snippet fulfils the deep terrains of the track. a saint is a tumultuous techno-fused roller with it s rip-roaring bassline and percussive loops which rhythmically swing out over shuddering pads, sustained chords and a cut up female vocal, brining a twist of colour to the arrangements of the track. there s a keen sense of tension and release, elevating this above your average and confirms geddes does depth and darkness with real conviction. broke will surely prove a high point for any decent dj set, and sounds like a cut you d expect from someone like delano smith. strings faintly play out over looped key chimes and a funk-like riff, while ticking hi-hats and a careful use of vocal sample gives the track extra heat, each element powered by the rumbling bassline.

the first part of another golf channel double header from the insanely prolific and scarily on form combination of dean meredith & ben shenton. a side *c.e.r.e.m.o.n.y.* has been dubbed the barnyard stomp by split secs / sonns travis kirschbaum (aka tk disco) - 11 minutes of bluesy peyote riot that features derek holt of 70s black country legends the climax blues band. b side *hiding from my shadow* is ripe with the funk too, but takes us away from the fertile stench of the psychedelic session in the barn and instead channels minneapolis via stafford as p-funk squiggles give way to mr. meredith’s trademark chugging bass. metal and technology vs mother earth in an elemental battle - both sides win! golf channel every time !

with his previous releases on nervous, hotfingers and frequenza, angel stoxx is on our map since a long time. he brings us two house party slammers par excelence. the perfect mood for our summer vibes. as a remixer we could win our favourite clown from brighton: enzo siffredi who brings us a deeper version of hoola high with a lovely bassline. the second remix comes from deep bros & monodeluxe. they strip down the original to the main elements, add a nice guitar and create a sexy house track. get your cocktails and put on your sunglasses.

trulz & robin are trulz kvam & robin crafoord, hailing from, yes off course, olso. and producing a mixture of deranged (in a great way) and extremely deep detrot influenced transmatesque slow electronic house. which they rightly call >acid-house gone organic<. i takeskogen and mosemannen are 2 moving and seriously mezmerising killer tracks that win and win with each listen and totally stand out of the mass of todays releases. tip!

supported by andreas henneberg, hanne & lore, acid pauli, animal trainer, mollono.bass, richie hawtin, sam divine, bara bröst, agent!, andrew grant, franco bianco, chris fortier, ryan dupree, bastian schuster, vanilla ace, daniel bortz, king unique, marco fender, stanny franssen

for those who have been following macadam mambo from the beginning, you must have noticed that eclecticism and craziness are definitively the main lines of the label. well, this new release will prove it once again. we are honoured and have great pleasure of welcoming two new artists to the label. first we have the head of nation himself, hailing from chicago: traxx! and on top of that npnk , his agent, best friend and head of we like booking. a real family affair… they have prepared 4 stunning edits especially for us. exploring industrial, minimal synth pop, ebm, post punk. these are four raw, loud, insane, absolute must-haves. cut short: just sik!

pauls rather unique vocals lie somewhere between david bowie and richard butler of the psychedelic furs. all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. each lp includes 2 postcards with live photos, a list of instruments used and quotes, that are suitable for mailing. this collection highlights a lost duo with a big sound on par with ultravox, human league, omd or devo.

french kitchen records is back with a bang just in time for spring! as a first 2014 treat, the label is proud to return with a new uplifting various artist ep including 4 unique tracks by luna city express, ferro, alfred heinrichs & möggli. no doubt, the fk003 will win the likings of many djs & crowds across genres!

steve lees (the project club) above machine label returns with another superb release from acclaimed italian duo almunia their last single for am was a best-seller, and their celebrated output through paul mudd murphys claremont56 label, including the recent pulsar lp has seen the their blissful & uplifting balearic sound win over many a new follower *find my way* is a gorgeous, acoustic guitar led vocal number, conjuring up twilight beach side boogie, balmy breezes and ice cold drinks. marius circus gets to work on the b side, taking the irresistible melodies to a much later, darker dancefloor. laying a foundation of squelchy moog style bass and a toughened up rhythm track before heavily effected guitars sweep across the mix elevating the whole thing to near transcendental heights! a superb release and addition to the above machine catalogue.

lorca kick starts 2014 with forgive me love / naoko, his debut release on breachs (aka ben westbeech) naked naked imprint, joining the ranks of dusky, dark sky, midland, mak & pasteman and westbeech himself. the two-track ep follows up lorcas highly acclaimed 2013 if i told you ep on 2020 midnight visions, and his stellar remix of ghostpoets cold win which received widespread support, with midland tipping it as quite possibly the remix of the year. with highly lauded releases on dummy, throwing snows left_blank imprint and church, lorca has made a strong impression in the two short years he has been producing. his superb cant see higher / missed me ep in 2012 on dummy was the turning point, transforming him from a promising young talent into an exceptional one, gaining support from the likes of bonobo, rob da bank, deetron and scuba… this latest release meets building expectations, both tracks incredibly smooth, nostalgia-inducing and heavily textured, solidifying lorcas unique sound.

with david mayers share of keinemusiks current workparty edition still providing solid fuel for heated clubfloors, he already shovelstwo fresh loads into the furnace. km021 has just surfaced in a moment when electrified techno-music seems to drown in an ocean of preset-dullness. well, mayer has come to provide a rescue tool with his sunhole on side a. youll recognize this somewhat trademark-becoming percussive fetish of mayer as this tracks modus operandi. yet, it has rarely been as detailed and surgically implemented as in this banger. whats that – a second hand ticking? and over there – is it a woodpecker in the field? sunhole supplies all the answers in a thumping, yet no friskiness avoiding manner. youll get a stoically rolling beat, asphalting the floor, to build a cannonproof foundation for thisarrangements main attraction – a filtered and delay-heavy synth-affair.flip around and find a competitive jamboree of subtle background-brainwaves other would straightaway use as lead-ideas for their tracks. well, this matchingly titled lead comes in with a hard hitting kick and gets into the groove via filter-rides to peak into clanking noisy industrial-thunder that immediately will electrify every steel-toe in hearing range. generally - only roughness in this cut, crispy bounce and ghostly whispers all over. most definitely for the win, this double broadside.

28 original recordings by blues legend ray charles on 180 gram double 12 inch vinyl in gatefold sleeve.

well worth the almost lifetime of waiting, luaka bop present world psychedelic classics 5: who is william onyeabor. spread across 3 lps wit download code included, this is the essential collection of one of the most unique and mysterious musicians in recent history.

this is the third and last release of >unknown possibilities 3< trilogy. >unknown possibilities 3-1<, the first title of the series, was released in 2005, and the second one, >unknown possibilities 3-2<, followed in 2006. both of them were released only on vinyl from torema records. all tracks on this double pack were remastered by rashad of dubplates & matering to offer even more beat-oriented sound

now for the second central part we were able to win even more well-known and influential artists of the bernese music scene. on one hand, the world-famous and bustling starfighterz aka deetron as well as the versatile creative collective filewile, and on the other, morgan le fay aka benfay amongst many other things a member of the round table knights. in addition, mike machine (sinneswandel) and adriano mirabile (sinneswandel) join in to both present exciting pieces for diving into

philipp matalla is the latest stallion in the stable of kann. the label was able to win him for a beautiful artist ep in manner of his independent music selections as dj. after last years debut on prins thomas internasjonal he convinces now with two eclectic spring tunes to be no.14 of our catalog. mm/km, a masters collab between kassem mosse and mix mup, completes the journey with a unexpected outbreaking remix, straight from the street