limited repress. the mind is the subject in which ideas inhere. label based in bucharest romania.

very limited repress! the mind is the subject in which ideas inhere. inhere is a collective of like-minded artists based in bucharest, romania. vinyl only.

the mind is the subject in which ideas inhere. inhere is an artist collective.

huge detroit inspired electro longplayer on double vinyl. high recommendation.

electro/techno 2lp

ltd. red transparent/black splatter vinyl. nach der cd veröffentlichung im september, jetzt auch als limited colored vinyl. mit ‚inherent brutality erscheint das debütalbum der berliner trash metal band annexation. sie wurde 2015 von lizard gonzales a.k.a. uncle crocodile gegründet. mit der grundintention schnellen und aggressiven thrash metal zu spielen, inspiriert von bands wie slayer, exodus, demolition hammer, power trip und violator, und dem ziel, brachiale gewalt in den vordergrund zu stellen.

season by season, we raise a toast to our artists and guests by creating a new collection of sounds. cafe soda selects volume one captures all the memories of the past year. the a-side starts with crymes <sun synchro>. the track captures the essence of summer with its vibrant dub rhythms and sultry 90s vibes, featuring irresistibly sexy vocals that embody pure feel-good energy. a2 sets the stage for ben balances <you got this energy>, a vibrant track that seizes the eclectic energies of people, weaving together dynamic rhythms and the deep essence of souls. it is a musical journey that celebrates the unique spirit and rhythmic soulfulness inherent in us all. on the flip, check out the two originals from fmn, the latest project by frag maddin and najeh. <for you> is a catchy groove that easily grabs every dancer with its rolling bassline. the song has no breaks, allowing ravers to stay in trance. with <rave>, b2 celebrates a raw house anthem with a memorable theme, thick kick, banging clap, and a wild hi-hat swing. an homage to the 90s powerhouse era.

decks tipp

fantastic house ep

linea aspera return with their second full-length lp, combining analogue production techniques with evocative emotional authenticity that ties themes of inherently human experience to cosmological concepts of physics and astronomy.

black vinyl..linea aspera return with their second full-length lp, combining analogue production techniques with evocative emotional authenticity that ties themes of inherently human experience to cosmological concepts of physics and astronomy.

donnerstag. in german, day of thor, the scandinavian god of thunder, where the strength of this curious ep lies. this vinyl travels along a path of different textures of sound and style. starting with mirnha s -the label s founder-dancefloor techno to open a second door to omar amo s -aka magoo- groovy techno. the b side delights us with touches of excellent acid by diego cid (arg). both artists are members of the notorious group -urban groove-, which has edited in solid labels such as kumquat records, illegal alien records, beathey recordings, among others. the disc tops off with progressive techno in charge of lucas vazz (cl) -inherencia s resident- impregnated with fine and cosmic berliner sounds.-

limited repress! stomping grounds was never about riding the waves, but building things in a slow pace and mantaining the balance. since the very inception we have gone on to feature emerging talent as well as paying homage to scene established artists. this release is no different than the others, featuring v.i.c.a.r.i., discret popescu (aka crihan), jay bliss and some fresh blood from stav (aka inhere) and dragos ilici. all four cuts on the record are built around stripped-back and hypnotic grooves, sprinkled with melodic and sophisticated textures on top. as always, final touches are from berlins schnittstelle mastering.

regular black double vinyl release with download code included.

limited edition of 1000 copies on custom mixed iridescent mother-of-pearl coloured triple vinyl, including the bonus album pianoworks vol. 2. comes with download code.

emad dabiri, born in iran, began operating under his alias sarin six years ago with ebm, techno, and audiovisual experiments in toronto before moving to berlin in 2014. kuleshov effect marks his fifth release and displays an evolution forward in his productions that are exemplified by cutup sample techniques, mechanical basslines, and piercing drum sequences seamlessly blurring the fine line between puristic techno and bona fide electronic body music. the ep title refers to a cinematic technique developed in 1920s russia in which two images with different inherent meanings are played in sequence creating a third definition by the juxtaposition. from this concept is where the audiovisual montage and sampling approach of sarin is developed. with regular and infamous performances in the berlin club circuit as well as the rest of europe, dabiri expertly implies how his precise methods of production articulate themselves into the techno framework with music that is pure and mechanical yet incessantly funky and addictive. obsessively sampling from films of espionage, tension, conflict, and war, sarin fuses this imagery with his meticulously curated compositions to force through a new sound.

for this ep, jófríður Ákadóttir has re-recorded some of the finest songs from her bands and solo-projects (jfdr, samaris, pascal pinon) with new string arrangements. these versions have a simple, inherent beauty that is juxtaposed with their seething, stark intensity.
to replace the original arrangements with strings was originally planned as a one-off event: when preparing a pascal pinon performance in portugal, jófríður asked nyc-based composer ian davis to help her re-arrange four tracks. after the show jófríður realized that the material deserved to be captured.

incl. downloadcode ... unnatural, uneasy, unexpected. the great filter keeps you on your toes constantly, it makes your fingers tingle with anticipation and the hairs on your arms stand up from the tension. it is eerily calm and controlled, while it takes you to faraway places in the twilight, that dont actually exist. subdued, bright yellow light with no sun in sight. wide plains with an inherent structure that can only be illogical. unorganic sounds, alien voices, excited synths and sobering organs. reality is so mundane. the way we are now expecting it from krink, he does what is unexpected and stretches conventions somewhere around techno and deep house. the music is driven by imagery rather than song structure. the ep puts cutting rhythms over comfort and sound over beauty. like a focused dream, it is concrete and abstract. lets get found in the universe

sent from a nearby star system, from one world to ours. wondering the streets with misguided importance. how du is new to our planet, but does not yet know why he is here, only that he must heal himself and all those he meets in order to find his home. an inherent feeling that he has arrived to protect and serve others from the deepest patterns of evil overwhelms him. evil that spreads through the mind in conscious frequencies of the brain. areas we call the shadow realms of oneself. unable to communicate in the correct language his correspondence with earth people can only be transmitted through sound and melody. music is his language and his tool. this is the landing. deep garage with a minimal spin and a broken beat format. a story in sounds. best served on the rocks. shouts to the bristol crew. banoffee x

spatial cues is a series of split singles sounding out main(void)s and kon jansons shared musical space. operating out of berlin and london, the two artists join forces to showcase their mutual vision of techno music. cues004 accelerates the series to 133 bpm and ramps up intensity with thumping kick drums and uncompromising arrangements that revolve around ceaseless chord stabs. with its hypnotizing chord pattern drifting in and out of arced echoes and subtle shifts in timbre, cues004 as haunting atmosphere radiates a surreal sense of weightless pressure, paradoxically soothing and violent at the same time. based on a divergent theme that contrasts upfront chord stabs and ruthless 909 cymbals with easeful pads and finespun textures, cues004 b builds up to a transition that disrupts the deeper elements with a stripped-down pattern, fully carving out the track’s inherent grittiness.

khalab has arrived onthecorner with ‘zaire’. ‘zaire’ is the beginning of a new narrative for the artist. in this first chapter khalab creates urgent compositions with layers of sound from the past, present and future. ‘zaire’ is underpinned by an intensely pounding heart of other-worldly percussion. the collaged loops frenetically jab in syncopation breaking off when the inherent swing casts its discrete groove to summon the dance. unrelenting waves of synthlines, basslines and rhythm find harmony amongst the melodic chants and distortion.

calling in the favors: marcel dettmann, roman flügel and scuba under his scb inversion disguise, take apart songs and tracks from tuff city kids debut album adoldesscent. dettmann, submisses to his new wave and em callings, keeps the song that is scared intact, but mangles it into a fast-paced pogo piece, while flügel uses his second take of rmancer (see the happy gerdy remix for reference) to push it into the k-lauer abyss, before scb inversion tones down the rockism of nordo and makes it inherently his own. to complete the picture, you get thorarium by tck themselves. a previously unreleased track that is basically a remix of a previously unreleased track

advance 12inch of the upcoming oscar mulero album >perfect peace<, semantica 70 with some deep electronix!

as one of fuse s original residents, rich nxt played a major part in the brand s evolution, helping take it from that sunday morning afters to being one of the most respected event brands and labels on the planet ever since the age of 10, rich nxt has been involved in creating his own music. thanks to his early training as both a drummer and keyboardist, nxt has an inherent musicianship fully apparent in his sound and style of production. taking influence from the london rave scene of the early 90s spanning drum n bass and jungle and later the minimal and tech-house scenes of europe, nxt s output found a platform on the now world-class fuse london label (launched in 2011). a core artist for the label, with five solo eps and a collaboration alongside seb zito, rich nxt has been integral to fuse s trademark sound with his debut ep bristle and quixotic ep two of the labels defining moments. nxt and zito s chemistry in the studio is clear with a further two collaborations on fuse sister label infuse. alongside his own productions, nxt s remix catalogue includes seb zito s never with enzo siragusa and his original breakthrough remix of jon maker s seeker , which was championed by tini and many other leading djs in the minimal house scene. by the end of 2016, a residency at amnesia ibiza with hyte x fuse alongside dates at off week in barcelona and several stand out events on fuse s 8th birthday tour including an epic after hours set at berlin s hoppetosse proved nxt is on top of his game. nxt also launched his own imprint nxt records that year, another platform for his own consistently quality output. several releases down the line, nxt s distinctive style layered with intricate percussion, obscure synths and ethereal pads combined with punchy snares and atmospheric vocals is marking out the producer and label as a prime source for djs and vinyl lovers. 2017 sees the launch of a second vinyl only imprint what nxt, a home for musical discoveries that end up buried deep in his own record bag. featuring both emerging talent and established artists from the uk and beyond, what nxt? all roads lead to the rave.

nice price deal !!! founded in september 2015, silo is a collective of young artists. the silo project concentrates both a label of contextual and experimental music as well as a publishing house practicing both lead and digital. its fields of research, experimentation and dissemination are therefore inherently multiple, local and dispersed, poetic and political. the collective silo organizes each year, during a month, time of meeting and residence within the place of which it bears the name. fonde en septembre 2015, silo est un collectif de jeunes artistes. le projet silo concentre a la fois un label de musique contextuelle et experimentale ainsi qu une maison d’e&#769,,,,dition pratiquant tout à la fois le plomb comme le numerique. ses champs de recherche, d experimentations et de diffusion sont donc par essence multiples, locaux et disperses, poetiques et politiques. le collectif silo organise chaque annee, durant un mois, des temps de rencontres et de résidence au sein du lieu dont il porte le nom.

the 9th release of lanthan.audio will present you the sound of the los angeles based duo motionen. the audio/visual project created by carlos matamoros (a.k.a altrd being) and matt salamone presents its solid reputations on dancefloors throughout the city of angels with growing response and more shows to follow at the whole us ground and over it boundaries. furthermore they founded their own label ascetic limited last year with a very promising path already. also we are glad to welcome back claudio prc for a interpretation of motionens erudito . claudio is part of since the very first release and so a inherent part for lanthan.audio. the other version for the track balance theory comes by christian gerlach cover – photography and press : christian gerlach

john shima has been quietly plying his trade in techno soul since 2010, shoring up on labels such as boe recordings, contrast-wax and firescope. now he inaugurates distant worlds with another fine clutch of introspective beats delivered with a classic early 90s feel. it s hard to ignore the influence of b12 on -renegade-, while -machine works- takes on a moodier tone without losing that inherent warmth that makes his music such a pleasure to listen to. -veloc- reaches for a heavy-lidded euphoria, and then -troglodytic- makes for the consummate b2 track by heading out into ambient pastures, showing off shima s synth skills in fine style.

the black mask - snts debuts on horo in the wake of his experimental leaning losing sight lp. ep opener origin of light dazzles with its shimmering waves of corrosive ambience, while ancestral reflection and figures in the mist are more familiar, vital snts dance-floor rituals, built with the inherent snts intoxication. resurgence notches up the intensity to close the ep with a grinding heave.

chris barker and si murray return to the fold as deep space orchestra on moreaboutmusic and deliver three tracks of quality across this 12” - from the detroit influenced ‘high priest of junta’, and ‘medina’ to the heavy jacking sounds of ‘inherent risk’.

real d, jus jam, kerstone and robin riccitiello joined forces with the creative director morning gradient to launch a vinyl label : khasia hills. located in meghalaya in eastern india, the khasi hills are hosting some of the most majestuous palm trees in the world. for its first release, the french record label has been willing to serve 4 house traxx of its founders with a strong themed artwork.

the dj and producer from cantabria comes back into the picture with this ‘seconds of light’, which is released on his own seven villas music. boli&#769,,var goes deeper and deeper into velvet soul deep-house, with a dreamy touch which is especially present in the track which names the ep. therefore, it counts on a soft groove and an inherent club vibe which makes it perfect for summer sophisticated sets, or even for listening on one’s ‘me’ time. simo&#769,,n garci&#769,,a’s remix of ‘seconds of light’ darkens up the original, giving it an extra push of strong kick in order to take it to the late hours and the vibrating underground dancefloor. ‘all clear’ is under el txef_a’s approach, a modular, cosmic and disco kraut-rock space trip, with an acid reminiscence. illustrated escapisim whch does not forget about the dancefloor. ‘leaves without shadows’ was a track which was originally included in bolivar’s last compilation ‘the obscure figure’, also released in seven villas. pablo enjoys this time the collaboration of upercent from valencia, and also includes a remix by berlin’s duo youandme. deep but rhythmic, almost martial tech-house, which is as well danceable and in constant emotional progression. through his new ‘seconds of light ep’, pablo boli&#769,,var makes us involved in his sound imaginary, which is always wide, varied and gets given qualities which are linked to his music bet: quiality, good taste and international scope.

rumore is a nomad, an artist who belongs to many places but inherently returns to his native venice through his sound. with each release, his tracks become progressively more energetic and subtle. del mare plunges us into his world, a dream submerged in the water flowing through the vast number of canals in the italian city.

both sides evoke the ubiquitous tension between anxiety and gratification inherent to a curious human experience.
driving bass and organic percussion sit within a subtly evolving context, as the tone oscillates between claustrophobia and euphoria. the result is two ultimately uplifting techno tracks, equally relevant on the dance floor as in the hands of the home listener.

two cities renowned for some of finest underground techno europe has to offer. this time the fierce heat of madrid meets the icy cool of glasgow. hector oaks and sverca load the madrid side with some heavy ammunition to supercharge your prime time emotions while glasgows deepbass and edit select bring an eerie spaciousness and depth to the flip side, leaving you begging for more. this ep is not for the faint hearted.

we live a life in between exorcism and consumption stirring up a piece of sh-which might be the forgotten, the unexpected, the unusual, the left behind. dust as a metaphor for our repetitive culture, can t be better chosen to head the redust ep on formresonance. grainy and with a sixth sense of its pulse, the tracks do emerge into a wide soundstream. dust hereby transports a piece of wisdom: the sound signature. knowledge which is inherent in class-a circuits, vinyl, or tape and which can be barely re-produced. georg stuby is already a dj on stage, like burning man, club der visionäre… he resident in the zürich party scene, teaches at the school of sound and drops out some nice tips on his own blog: www.georgstuby.com the redust ep is his debut release. jonas & christopher lawrenz provide their experience with georgs music, even longer.
pressing on blue marbled vinyl.

discarded gems is a series aimed to the discovery of rejected musical gems, buried in live sessions, noisy tapes, old digital system, and reserve them a dignified space on a plastic disc. the first release is a man-driven machines excursion in multiple shades of house music. riding acid basslines, rooted rhythms, crackling samples and inherent chords progressions are the foundations of this ep.

electronic music has always had a special affiliation with space, and the sounds of the cosmos. an inherent love of all things sci-fi, galactic and otherworldy has always been a common thread, especially with techno producers, and so its always a pleasure to come into greater contact with the science of these sounds when creating new music. project alma is a new collaboration between lucianos cadenza records label and the alma sounds initiative that bridges two sets of individual passions, that of lucianos love for music, and alma astronomer antonio hales love of the universe.

the new analog solutions 018 , label owned by the spanish producer eduardo de la calle, will be released in may.this time presenting a various artists, by kristina and orbe, that combine an ep with a personal character, full of floating arrangements and inherently techno flavor, but sophisticatedly dub. it seems that the label analog solutions will take refuge next references on collaborations lauching a series of various artists so better to be alert.

hans berg and johanna knutsson return to the ufo station with their fourth release, a powerful trippy trip, through warped time and space. and guess who was waiting for them at the station? well,none other than fellow space traveller dungeon acid, who delivers a remix that just might knock your space pants off. the title track alien power is obviously inspired by the quantum fusion core phase shift warp power engine that drives the ufo station, a steady beat to keep you on the right side of the force, whereas the dungeon acid remix is a musical interpretation of the great warp speed interdimensional flux mishap of the year 2216. the track dubby is so named because it inherently describes the core feeling of the track! alien choirs and synched synths meet long delay lines in this dreamy piece.

electroacoustic experiments and filmic elements define the music that develops instinctively yet irrevocably, a sense of forward motion setting them apart. compositionally minimal, these tracks maximize their inherent potential all the way through to their logical and even illogical end. referencing electronica, ambient, shoegaze and at times modern classical harmonics, monochord builds and unbuilds in a slow heartbeat. introspective and filmic, its quiet and non-confrontational nature makes monochord move in the interzone between various spheres. their music escapes definition and that is its truest definition. its subtle pulse and evocative and drony feel invite and inspire.

ltd warehouse found! support by josh wink, nick curly, 2000andone, dubfire, matthias tanzmann, raresh, davide squillace, nekes and johnny d... the new jewel from mannheim, ray okpara finally celebrates after his great records on oslo, drumpoet and area remote his debut on cecille records. ray okpara belongs, together with nick curly and johnny d., to the rajo crew. hes an inherent part of the mannheim house scene. what you get is a strong three tracker with soul, heart and energy, a great constellation for showing up rays skills and style. dear friends and music lovers, check your case for the new talent! hope you enjoy...

nice price deal !!! darkstar bewiesen sich bereits mehrfach als vorreiter der britischen elektronikszene. sie arbeiteten u.a. mit künstlern wie actress, zomby und wild beasts zusammen. ihre frühen maxis auf hyperdub und die beiden alben north (hyperdub, 2010) und news from nowhere (warp, 2013) gelten als bahnbrechend. nun haben sie mit -foam island- ein werk geschaffen, das ihrer generation eine stimme gibt. die produktion reicht von expansivem uptempo-pop über dichte atmosphäre und mutierten neptunes-r&b bis hin zu ungezwungenen sound-experimenten. harte digital-rhythmen und live-percussion treffen auf farbenfrohe synths, in die aidan whalleys leadvocals nahtlos integriert werden. ein perfektes electronic-pop-album, das so nur in 2015 entstehen konnte.

la.-based producer/composer/dj matt lange delivers a darkly melodic breed of electronic music rooted in raw energy and emotion. hand-selected by deadmau5 as one of the latest signings to his label mau5trap, the lifelong musician now makes his full-length debut with the groove-heavy, intricately textured ephemera. as his first album release for mau5trap, ephemeras title reflects the restless innovation inherent in lange s musicianship. the albums really a snapshot of where i am right now as an artist, lange explains. it s this turning point where i have one foot in the world of dance music, and the other foot in a whole different direction.

the 3rd release by mutewax, various artsts 03, shows no signs of letting up. normally playing live, lyon-based pascal roeder smoothes out the rough edges with gentle yet subversive rhythms in “101,” a posh production that hints at what’s to come on his next mutewax ep. mutecell’s “vimana”, like the word itself, embodies multiple meanings at once - the track’s inherent mystery oscillates between emotion and intellect, ancient and modern, serene stillness and a bold drive into the unknown. relocating from denver to berlin, chad kaska, aka daegon, reinvents himself on his first vinyl release, “double speak.” the energetic track fights its way forward, advancing steadily against an antithetical undercurrent, finally assimilating it into its double-crossing rhythm. the founder of “hide & seek” in berlin, denise rabe hits hard out of the gate with her first vinyl track, “loaded.” building up energy, the track finally detonates and expands in phrenic waves across the dance floor.

releasing under the moniker misanthrop since 2002, michael brauningers music reflects a foreboding sense of darkness, something that has been prevalent in his previous releases with the likes of critical recordings, neosignal and subtitles. misanthrop has utilised unfamiliar ways to push the envelope of his twisted, sinister sound for new ep *i need more*.
the automated refrain on *capitalism* reflects the stark coldness of misanthrops work, before unleashing an onslaught of off-beat breaks to display brauningers deft, often unpredictable production style.
*rock n roll*, a more familiar tear-out drum & bass track, bolstered by pummelling percussive flourishes and flashes of distortion throughout.
gaining support from the likes of skrillex, goldie, skream, alix perez and more, misanthrop has spent his 13 year career carving a sound that is wholly realised in this latest release. brutal, uncompromising and inherently forward thinking.

to release a new piece of music, it would seem, is to enter a competition for approval and appearances: who will play that track and how many will follow. likes. clicks. transient signs of appreciation, or perhaps just vague nods of confirmation. but what about all those values inherent in music that just cant be quantified? if merely one single person would listen to these songs and find herself or himself genuinely moved by them, wouldnt it be worth it? we think so. we really do.

the second offering from brooklyn-based let s play house offshoot, room service, is, like the first one, a four-track solo ep by one of the most exciting house music talent s around. records features four originals by spanish producer kresy, who s already released a few 12inchs on the esteemed hivern discs as well as retrofit, freerange, and his own discomaths. the songs included here vacillate between hands-in-the-air feel good disco and jittery, shuffling house, though they re all unified by an inherent grooviness and bright tonality.

since then thyladomid has been an inherent part of diynamic, with new release information regular appearances on international label showcases, its own festivals as well as with multiple successful releases on the label and its sub-imprint 2diy4, including highly acclaimed collaborations with adriatique.