one of the standout tracks from gigolos cd twelve compilation last year. now hell has invited two influencial dj/producers to bring m&ms hypnotic workout (and the voice of singer cleydys villalon) into new contexts. big!

we are proud to present solee (owner of parquet recordings) who has crafted a pick time tech, yet melodic bomb for our 20th dieb audio release.

another strong four track release by the new american techno label modularz which has been given heavy support & play by all the top techno djs in the international techno circuit. the revisted ep sheds more light on the various directions the label is headed as well as the attractive roster of artists that has helped make this label a must have for all techno fans both new and experienced. modularz focuses mainly on the grey area where techno & house have no separation tip!!!

max essa is a producer who has been shipping over his extremely coveted brand of disco and balearica from the land of the rising sun for some time now. having had a long running string of sought after releases on labels such as bear funk, nang, to is it balearic, max is now making his needwant debut with >how do you feel?< which includes an awesome remix from kim ann foxman

when saints go machine are a danish four-piece consisting of nikolaj manuel vonsild, jonas kenton, simon muschinsky and silas moldenhawer. after the release of their critically acclaimed fail forever mini-album in february of this year, they present to you the fail forever remix ep. the remixes on the ep are coming from the pan-american electronic masterminds of nicolas jaar, alejandro mosso and blakkat, who themselves have brought about an astonishingly beautiful collection of music over the past 12 months. the collaboration between when saints go machine and these three exceptional producers has culminated in the outstanding ep that lies before you.

when some collaborations occur, it feels like fate has been paying close attention, planning something special. on one hand: bugge wesseltoft, pianist, composer and pioneer of electronic jazz, on the other: henrik schwarz, one of the most sought after producers of electronic music who has remixed stars from michael jackson to ane brun. this combination may not seem as radical as once it might, as in the days before bugges new conception of jazz, but the results most certainly are: this does not feel like your typical electronic jazz outing. its a super-group in microcosm. wesseltoft comes from a jazz background and has moved towards electronic music. he started on the ecm label with jan garbarek, and later collaborated with club music legends like laurent garnier and francois kervorkian on stage. schwarz comes from the chicago/ detroit techno culture, and performs at music festivals and in clubs on all continents. he has been moving towards the jazz and improvisation

get ready for a new stunning ep from electric deluxe mastermind speedy j! with shoegaze ep speedy j has created another incredible body of work. a snapshot of a process, a form that emerges without intention - half dreaming and half awake -shaping relentlessly pulsing tracks, vibrant and effortlessly contemporary

summer, sun and ping! for 8 weeks, it has not rained, a constant 30 degrees day and night and again this track. in this year s summer ping! (leutral rec.) offers a small soft organs house number. la bella bella is the name of the track and promises not only a beautiful woman with an elegant swing of the hips on the dance floor. jamy wing (sonido / einmaleins / finebeatz) shakes the appropriate remix-cocktail with sun-ripened fruits from percussions and matching reduction.

cool, dark underground club monsters. being a top player in the music industry is not an easy task! but with 15years in the business and over 150 releases, 50+ remixes & 300+ compilation appearances the numbers of jeffs output speak for them self’s. jeff started creating music in 1994 and got hooked on it directly, but it took until 1998 before his first single was to come out on his own label maskros music. since that single he has released on labels like poker flat, night drive music, episode, treibstoff, kickin music, konvex konkav, plastic city, global underground, regular etc.

following his two recent singles on scubas hotflush recordings, london based george fitzgerald is back with his much-anticipated third release and his debut for aus music. titled silhouette, the three-track ep includes two originals and a remix from american producer john roberts. fitzgerald once again manages to create a world in which garage, dubstep, house, r&b and a host of other musical influences happily co-exist. on silhouette hints of warm acid, layered oscillating synth lines, propulsive beats and fitzgeralds signature use of vocal samples make this a peak time affair, albeit an incredibly lush one. reset is eight minutes of forward thinking uk garage combined with the melodic sensibilities of detroit techno. for the silhouette remix, roberts develops a relentless broken groove, occasionally punctured by brief piano interludes that recall the sounds of his 2011 debut full-length on dial records, glass eights. a breathtaking remix that sounds like nothing else out there at the moment. in addition to silhouette, fitzgerald currently has remixes out for french house producer brawther on secretsundaze and uk bass artist throwing snow, as well as an upcoming ep on hotflush and a track on the labels recent compilation, back and 4th. this year will also bring the founding of man make music, a new label fitzgerald is starting with friends.

in just a matter of months, life and death has swiftly established itself as purveyors of quality contemporary dance music, made by artists who would undoubtedly make anyone s short list of who i d like to invite to my afterparty . it seems only fitting then that with their newest release they ve recruited the undisputed kings of late night mayhem and madness for a paen tribute to that beautiful party after the party, the continuation of all things good and twisted.. the afterparty itself. not to take the issue of such a joyful celebration lightly, dop has gone on secret missions over the last 6 months, quietly (and often not so quietly) infiltrating afterparties worldwide and secretly extracting pituitary secretions from the rowdiest party goers at each of them. they then took these secretions, burned them in a special voodoo ceremony and immediately went into the studio to create a fitting tribute to the after-hours festivities we all hold so dear. once that was complete, friends were invited and even more deviants came to the party for some dirty late night remix action. clockwork (who s recently released it s you again on hot creations has already been the soundtrack to many an after party) are here, french wolf+lamb collaborator le loup is here, mas collective (who recorded on seminal nyc label strictly rhythm) is here and marius & david are here too.. everybody giving it their own special flavor. what an afterparty indeed.

remerc is no new face to the scene. he has been active for quite some time in the german techno scene and has recently remixed butchs track >muskatnuss< on the trapez ltd 100 anniversary compilation. he had his breakthrough in 2010 with the track >tiny calf< which ended up on the cocoon compilation >party animals< mixed by marco carola and nick curly. remerc opens his release with >ruhewolf<, a restless funkedelic rocker with a beat that juggles elements in a loose and totally cool way. the track is spiced up with elements of surreal bliss and could go on forever were there not the limitations of the vinyl. on the flipside we find an hanne & lore remix that tightens and fattens up the beat and pimps up the basslines. adding some twisted sounds ... making it a clubber par excellence. >just a bards tale< is a unique remerc track and stands out from all the productions he has done so far. here new wave coloured edgy vocals meet a post-detroit string-chord arrangement. sounds adventurous and daring? well it is to some degree... but recall >no more words< by carl craig from 1991 but executed in a dead modern way.

as the producer responsible for some of lil b and soulja boys weirdest, most inventive beats, and following on from a critically acclaimed, self released mixtape of instrumentals collected from his work over the years with various forward thinking hip hop artists, tri angle is very excited to announce the release of >rainforest<, the debut ep by clams casino. the five songs that make up >rainforest< find clams casino (aka 23 year old new jersey native, michael volpe) refining his ethereal, otherworldly sound, whilst taking it to a heavier and more intense extreme. what has set clams casino apart from most other hip hop producers is his skill in making records that sound just as good, if not better, instrumentally as they do with vocals, and if anyone needed it, >rainforest< represents the confirmation of this. its a record drenched in mysterious atmospherics, like a foggy memory of a far off exotic place, the details buried beneath the mist of distortion, but present nonetheless. none of the songs on >rainforest< have ever been released before, and in contrast to most of his other productions these songs have always existed purely as instrumentals, free of any vocal presence. >rainforest< is an incredibly powerful release which signals the beginning of clams casino coming into his own and operating as an important artist in his own right

after his last ep on stil vor talent in 2009, born-and-bread berliner sascha braemer is now back with three fresh tracks for the spring of 2011. in the meantime, his funky minimal jump-up tech-house has led him to release on labels as prolific as kindisch or dirtybird. things kick off with >belle<, a ferocious attack on your groove muscles and dancing bones. this tune glides as softly as the wings of an angel while shaking you around like a giant would a dwarf. the up-beat groove is based on a great cut-up vocal sample and some animating synthesizer stabs. sweet! then, >felicitous<, which is considerably slower than the previous two tracks. still, the vocal on this one and the deep electronic body come together perfectly to form a deep and dirty suckerpunch to your euphoria synapses. last up is >people< keeps the effected vocal approach and that really makes this tune. imagine a super deep bassline, some wonderfully syncopated hi-hat trickles and a constant groove to underline the power of the vocal. this track is club pop - so deep and yet so magic it will run shivers down your spine on the breakdown. sascha braemer seems to have put all his experience of peak-time club moments to early morning afterhour visions into his own transcript of signature sound. this is not be mistaken, this is simply on-point

ryo murakami, labelowner of panrecords releases a new 4 track ep that contains a remix of lunch of god by stereociti (mojuba /from tokyo) which has a deeply atmosphere. next track is very deep and has slowly beats its a very dub track from start to end. the last track has a synth phrase and some voice left to the head is impressive.

nice price deal !!! the emergence of (another) very british sound in the form of dubstep some years back now has mutated into something altogether more cerebral. the chain are a product of this incipient sound and the many new strands that have splintered forward from it. dan foat is one half of the team that runs r&s, the newly invigorated label that is back at the forefront of contemporary electronic music. he’s also one half of the chain. dan & nathan boddy have for a while now had a studio near london bridge, which has formed into the r&s engine room, a hub for the second wave of their artists, pariah, james blake, space diimension controller et al who regualrly pass through the basement to drink tea and listen to new tracks.

david moleon is an expert dj and producer with 13 years of experience. it is common to see david share line ups with big names like dj pepo and cristian varela, who praise his immense creativity and talent as a producer. david has a special knack for producing hit tracks that have become essential parts of the sessions of europes most popular artists, including ben sims, pepo, cristian varela, robert natus, eric sneo, dj murphy, dj link, cesar almena and nuke amongst others.both his dj sets on 3 turntables and his live-acts are examples of high-quality djing, technical ability and force, making him a well-rounded dj, and particularly the stand-out artist from the south of spain.with over 50 records in the market, on labels such as patterns, submission, cobra, soul access, sp series, adult, etc. david has become the most prolific techno producer in spain. in europe, hes know as >la joya espanola< (the spanish jewel)

mental torments records has been found by dutch labelowner & artist mike drama, who is a well known character nowadays in the (hard)techno scene! bringing you the best (hard) techno that will put holes in your speaker similar to the impact of a 500 ton meteorite! and guarantee dancefloors shaking beats like earthquakes that mother nature even cant handle! so for all those who cannot sleep at night.., who can only survive by injecting dangerous drums into their system on a weekly basis - mental torments will be your saviour!

summer of danny is an exclusive vinyl ep about dwdk serial dancefloor gems to be released as digital singles only in the next months: as you probably know supersonic lovers is a project by ajello s dj rocca and marcello giordani (italo deviance blog), they teamed up with singer adam clay (of ricky l born agains fame) for one of the catchiest vocal tune of this summer. dutch rhythm combo feat isa gt has been 2010 secret weapon for many djs, this mix of latin, hip-hop, funk gets remixed by dwdk dons ajello for extra party time action. jadoo is another italo-nu-disco dream team (ajello, heels of love & rampi), the irresistible voodoo love features the vocals of the most famous disco queen around hard ton. huge huge huge. showroom life by hot duo ajello close this vinyl sampler with an up-tempo disco tune designed for mirroball dancefloors.

perspectiv welcomes french producer nhar with 2 sweet tracks that already got played on bbc radio 1 by seth troxler. the title track is backed by an equally impressive remix by john daly. tapping into human emotions, using vocals and touching on an almost neo-romantic feel, nhar has once again developed his sound further still. irish producer john daly takes the blissful original and adds his own touch of progressive rawness. the originals electronica edge is smoothed by dalys deepness allowing us to be drawn in yet further. johns dub mix is a stunning piece of beautifull house with an array of kaleidoscopic synths that sweep beautifully and boldly within focus. serious niceness, this dub mix! another great perspectiv release! played by: seth troxler, ripperton, deetron, soulclap, agnes, noze, nicolas jaar, d julz etc.

since decadence in june 2010 and seven eps released this year, dame music is a continuous story of success and has established itself in the underground music scene. the triumph of bloody marys >arabesque< ep on national radios was a turning point for the label which has defined its musical identity, a modern genre of electronic music blended with a touch of rock, disco, classic or new wave influences. last hits sierra sams >queen of spade< ep and komatons >dehunt< ep are an excellent representation of the dame-music signature. the artwork of the label has also seen a significant evolution by the quality of its covers and teasers which fully fits with the music. to celebrate its first anniversary and give a first overview of the label imprint, dame-music is proud to present potluck, a special compilation of unreleased tracks, produced by five duos (one of the dame-musics artists, plus one of their friend). bloody mary got this concept to gather the dame-music family (mostly consisted by marys berlin based artists and friends) to work hand in hand with the music and artwork. they shared talent, creativity, emotions and ideas.

>meletis journey< has been tested on almost every continent of the planet and the feedbacks are simply fantastic. its a floor filler club anthem. dario d attis is on fire with his latest releases on purple music and this is not a hit this is the hit a 100% burner for the twentyeleven summer.

savor musics second 12 inch release follows a rockin record by papol and ekkohaus. we are proud to present today some raw future classics that will quite simply tear the floor into pieces. lucas mari is a hard to catch butterfly that spreads his subtle wings on few carefully selected projects. a resident of the city of rosario in argentina, lucas mari appeared occasionally on the very fine argentine label greener, german imprint stock 5 and on us labels adjunct and airdrop. in true early 90s chicago fashion, the two original cuts feature some serious drum machine action, building a sturdy way to allow for some exquisite chord relief to flourish. gez varley, absolutely stunned by listening to the originals, decided to contribute to the release with a simple and hypnotic remix that only he, the one and only g-man has the recipe for.

as we build up a head of stream moving into the summer months, we turn our attentions firmly to the dance-floor with two bass-heavy hitters from subterra. those of you familiar with the guildford residing dj / producer / promoter will already be well aware of his drum & bass pedigree. clocking up releases on ram’s subsidary label frequency as well as dispatch and sudden def subterra has a staunch following that regularly attend his rotation events across the south east of england. >gutter mouth< is as dirty as the title suggests. swirling pads and percussion build the suspense before an explosion of contorted bass sounds and snappy high end beats. >cold shoulder< is a collaboration with long term dj / production partner bazil. with its warm atmospheric opening it creates a sinister mood before tearing into a stepping bass-heavy workout. dj support from goldie, jubei, lenzman, spectrasoul, london elektricity & dlr & octane.

we are back for another slab of genre-defying, ass-kicking, booty-shaking, timeless underground beats. get the curse music 07 features two cuts from the mysterious crackboy and two remixes from rising star gesaffelstein & toronto’s james teej. the question of crackboy’,s identity is burning everyone’s lips. who’s hiding behind this oh-so poetic moniker? theories abound, and rumor has it crackboy was last seen smoking on his pipe in the filthiest dens of the parisian underbelly. efforts to trace him since then have proved fruitless and until the next sighting, the enigma remains.
in spite of all this mystery one fact is crystal clear: with early feedback from ed banger’s busy p reaching the same conclusion that crackboy’s productions are solid gold, this is an ep with substantial crossover potential that will put the whole scene on the same wavelength.
support from joris voorn, steve bug, konrad black, laurent garnier, busy p, mathew dear, roman flugel, stephan bodzin, deetron, dubfire, kiki, gregor tresher, norman nodge, dj feadz, the hacker, remain, cosmo vitelli, arnaud rebotini, tobi neuman, erol alkan, ewan pearson...

behind nomaton hides one of uppsalas true techno veterans. erik möller made himself a global name in the beginning of 2000 as the stripped down house musics champion with releases on labels including force tracks and sub static. he has played all over the world - from ibiza to tbilisi, and the audience at the legendary berlin clubs ostgut and watergate has been able to dance to his live sets. as unai his subtle technopop was hailed by all sorts of camps: from new york times to the wire, from house-djs to to pop connoisseurs. as he now comes forward with a new name, it is very much a return to roots. with nomaton he takes us on a trip to the dark heart of techno. a heavy-bass thumping heart full of dirty basslines, grinding rhythms and ecstatic minimalism.

cisco cisco reappears on the spanish label apersonal music with more nudisco quality from the portuguese duo. 2 original tracks, higher the perfect weapon for the techydisco lovers and brothers in arms freshing up the release with an enchanting laid-down groove. a solid offer that reaffirms the promising relationship between this rising artist and apersonal, under which they debuted last year. apersonal always has excellent offers on the remix department. so its no surprise to see names as greg wilson on their catalog, a producer regarded as one of the most important figures on the uk dance scene. remixing higher he gives a different edge and tempo to the ep, with a faster version for the higher times.

strictly limited vinyl with no re-press, silkscreened artwork by house of traps, clear vinyl, housed in japanese poly jackets, vakula has been releasing some quality tracks over the last few months but once again he delivers his finest work to the firecracker/unthank stable. a strong contrast to the debut unthank ep from bakey ustl, this 3 tracker contains influences as diverse as aphex twin, claro intellecto or even dbx. heralding the release of several vakula eps on both labels over the next 3 months, this clear vinyl 10 inch is strictly limited. the sleeves will, as ever, have silk-screened artwork wrapped in a japanese poly jacket. act fast folks as there will be no re-press!

mr beatnick has played an active part in the burgeoning uk beats scene which has produced talents like bullion and paul white. his best known track >i know all the bitches< featuring the vocal talents of ahu, became one of the anthems of this movement, thanks to numerous spins on the likes of bbc radio 1 and rinse fm. in his music you can hear the influence of whole generations of music from mantronix to the 90s bay area scene and beyond, and the new ep >synthetes< takes this approach up a gear, exploring a path between the crackling breaks and samples of old, and the dancefloor music of now. with early support from braiden (rinse fm), slackkk (numbers), bullion (young turks), mosca (nightslugs / fat city) and gilles peterson (bbc radio 1), the >synthetes ep< looks set to find a unique place in the record boxes of bass addicts and beat diggers alike this summer.

marius takes a break from his recent studio lp work with prins thomas and delivers another killer release on maxi discs. continuing his journey into ny influenced dance music, he unleashes >glow of filter & dub< an epic 10 min ride into the musical world of legendary clubs like the paradise garage and body & soul that inspired him. it even has an old school drum break to drive your dance floor crazy. you can smell the sweat on this one - work it! on the flip, deep house heads 6th borough project work their subtle magic on >love gun< and create a house vibe that is deeper than deep. while disco deviant dicky trisco strips back >glow of filter & dub< to the bare essentials and works it to the max in a tribute to early tony humphries proto - house style cuts like ma foom bey.

picture this...you are a bear who has just awaken from hibernation. hungry, thirsty and having listened to nothing but your own heartbeat through the cold winter months, you reach for brian kage s newest 12”, bear trax volume 2. on beretta red. pressed onto juicy salmon-red colored vinyl, brian kage (beretta / planet-e ) dives ever deeper into his sound to create an enviroment within the songs to fall into and get lost. exploring a world that is dreamy, aquatic, and organic, kage creates a completely different kind of house, one that harks back to the days of its very roots in classic detroit techno.

ahead of a shake it summer residency at amnesia in ibiza, alongside his dj/production partner layo, bushwacka releases his first solo ep of 2011 - the two-track west side / energy ep. westside - this monster is very personal to bushwacka! inspired from the sound of the biggest german techno dj on the planet, sven vath, and the musical magic he wove on the decks over the last ten years in ibiza, bushwacka! has drawn his feeling from this and countless memorable nights there and created a massive dancefloor weapon that has been tweaked and tested around the world. westside creates chaos and euphoria in equal measures and is pure peak time magic. energy is a very different breed of music, again influenced from parties, but this time his own - the morning sessions, the after hours, the dawn chorus - deep, sexy, melancholy, but tough and naughty - this is serious underground tech acid get down dirty music.

meine zarten pfoten ( my tender paws ) is the eagerly-awaited album by lady ada that everybody s been longing to get a hold of for so long. her second album after debut blondie truly is a revelation. ada has successfully cast off that four-to-the-floor yoke and has recorded songs that go way beyond all our well-known categories, hovering above everything in a state of serene disengagement. it s certainly ppp in its broadest sense, but ultimately it s a work of music that radiates such an amazing warmth and tranquility that it will even sedate the biggest nervous wreck into a state of subtle receptiveness. this record is your friend. it s a shining light of beauty, glowing from the inside. humans have feelings. and it s only the noblest of feelings that these nine songs arouse. after listening to them you’re left with a slightly sheepish smile on your face. and then you press play again

this summer heidi brings her jackathon concept to a new physical format! the vinyl release features four exclusive tracks from soul clap, deetron, mathias kaden feat. gjaezon and lauhaus & kabale und liebe feat. wkd and is an irresistible mixture full of raw funk, shaking out those grooves until you can’t stop moving. heidi’s jackathon parties started october 2010 as a concept to bring some new life into the dancefloor. she invited some of her favourite artists and friends to play alongside her and to make the crowds bounce in berlin and then london. now the jackathon holds residencies in both cities, as well as paris, manchester and amsterdam, and it has brought the jack to many cities around the world. the jackathon is about energy and feeling and expressing something that lurks deep in the soul.

jin choi is a musician, producer, dj and live artist based in berlin, germany. equally focused on groove and melodic structures, his music fuses electronic and naturalistic sounds to move the head and body. once coined modern minimal, chois productions are equal parts emotion, melody and rhythm. full range is his first release on serialism records. in a recent interview, choi described himself as a burial loving music-nerd who is simply trying to create his own musical language. he has released on lessizmore, contexterrior, romanphoto & archipel, to name a few. for ser10, he joins forces with maceo plex (aka maetrik, the moniker he saves for his darker techno productions) to do just that. most known for his recent revered deep-house single, vibe your love on crosstown, plex makes the release the perfect late-night tool. first up is full range, a dubby tech-house number with ominous and increasingly glitchy repetitive vocals that remind the listener of what choi seems to already know - music is the universal language, music is no longer irrelevant. next, half baked, the eps star, manages to perfectly fuse industrial sounds with melody making a blissed-out, deep- house track. mysterious squeaks, hisses and factorial inner workings provide the backdrop while warm time-stretched freestyle vocals guide us through the production. maceos deep remix is around 9-minutes of chicago house inspired sounds layered with snappy high hats and emotive chords.

bullion announces his new single >magic was ruler<, for vinyl only release on 25th may 2011, featuring 3 full length version of track from his non-lp >you drive me to plastic< and one exclusive new composition. the title track is a sample-based tapestry, rich in jangly guitar chops and pert horns, it dances along with the merriment of a tropical beguine. >magic was ruler< is a crate-diggers journey to encompass all manner of musical styles from krautrock, leftfield disco, all the way through to afro inspired 70s electronics, and continuing on from 2009s >young heartache ep< (one handed records). the searching, syncopated track >you drive me to plastic< has all the dynamic of the non-lp with which it shares its name and new track >good news on her< has the pulsating verve of shep pettibone-era ny house, whilst packing bullion s signature hip hop punch. >too right< completes the set, supported by benji b and gilles peterson in the uk.

for all the wonderfully subtle shell-breaking he did on his full-length, mark e falls back on old, slow habits for his new single, >the day<. and welcomely, we might add. pitching things down to a basement lounge floor crawl, the midlands dj/producer wraps his always chugging kicks and snares in serpentine synth-bass, jazzy, tripleted hi-hats, and moaning, wordless soul vocals. its grasp is tantric—hinting coyly at ecstatic release, but never fully delivering. for the vinyl junkies that bought stone breaker and missed out on it the first time around (it was absent from that version), this release should be a no brainer. but >the day< isnt carrying all the weight here. a new track called >special fx< will have sample hounds—particularly those with a thing for classic electro-pop—salivating. and the oft imitated, never replicated prins thomas shows up on the flip for a (naturally) eleven- minute revamp of >the day<, livening up the bass and drum patterns, adding in strings, piano, guitar, organ, and ending up with something that totally could have emanated from a camaro at some point in the early seventies. (albeit, one owned by someone with interest in eleven-minute instrumentals.) it even has a fade out!

in the context of electronic music, 12 years is damn near eternity, and though those who have lived it may not remember all the stops along the way, the ones who have kept on top of scott monteiths deadbeat music project will tell you he has been no slouch. through 6 critically acclaimed albums for scape and wagon repair, as well as countless singles, remixes, compilation appearances, and last years radio rothko dj mix, monteith has explored the art of dub in a staggering array of contexts, and staked his claim as one of it s strongest champions. and while the last few years have seen him concentrate on the more dance floor oriented side of things, his latest album and first release on his new blkrtz imprint sees monteith returning to his roots in the headiest and heaviest of dub business.

continuing on the passenger 140 bass quest we have a new signing to the label but certainly not new to the scene by any means! 601 has been bashing out the breakbeat / jungle hybrid for a while now and is one reason why passenger and label owners aquasky are revitalised by the scene.

the fifth release on dresden-based label uncanny valley is the first artist-ep and with jacob korn and his she ep one of the artists that contributed to the label from the very beginning provides a great start for the new series. last year the eponymous she has already made the summer even more thrilling when jacob played it in his live set.

a1: the ghetto - tremendous edit which has been subject to some huge soundcloud loving. over 9000 plays and 500 favourites and counting! this track takes the basis of the original sample, adding some love with a heavy beat and groove, shuffling percussion. the soundcloud feedback cant be wrong! top track!
b1: for the love of soul - great original track, this suonho reloved version is even better! given a heavy beat, re-arranged and some brilliant percussion. this track really flows, proper groover!

just when you thought that greasy delicious extra helping of biscuits n gravy was enough to make a movement, flapjack records busts into the breakfast mix with >gut bombs< by our bowel friendly funmaker nate laurence. nate laurence of the famed duo scrubfish n laurence first appeared flapjack records back on flap003 with a snappin remix. since then nate has gone off on his own cooking excursion to get a little greasier and dirtier up in the kitchen. >gut bombs< is testament to his grits n gravy dance floor gut bombing new style. dig it, but stay close to a bathroom

as oscar wilde said music is the art which is most nigh to tears and memory which is why shinedoe has arranged this intacto release with all proceeds given to the red cross in an effort to try and ease some of the suffering in japan

steve lorenz is the guy you will have to look for in the next months. he works around many musical influences. the first track >overclock< evolves into fat basses, bursted kicks & percussions. >overclock< remix, operated by damon wild international acclaimed and legendary synewave boss label (joe beltram/ jeff mills / adam beyer…,), results in an energic deeper techno, mental beats & dubby influences, a mind blast! the track >viraga< keeps the finest line. industrial noises & subliminal female voices are twisting in speakers & surely ll keep your head! close your eyes & start the journey. closing the race, >viraga< remix was realized by narrow friend kane roth (smallroom / lessismore), south french producer who recently moved to berlin. her production means well being quality, there is no coincidence if she has been remixed by maetrik & monoloc some months ago. keeping essential elements of the original viraga , she dropped a muscle main floor edit! hands up!
support from deetron, renato cohen, angel molina, claude monnet, loulou players, ashley beedle (x-press 2), hector romero, southmen (yoshitoshi), aga heller, corbin dooley, tim richards, esben b, mister no (motor), crystal method, aldrin ...

the revenge has quickly reached dizzying heights in recent years, conquering a style that escapes labeling and crowned the king of the edit

new life is melodic hardtechno at its best.floating strings over rolling beats. coming combines old skool rimshots with strong techno and has a catchy and famous vocal break.limited edition on red vinyl.

dairmount selected 4 amazing tracks for this third episode of the midnight circle lullabies vinyl serie. this time, it is all about tributing the detroit sound which has been a major influence for many room with a view artists.
support from kink, deetron, laurent garnier, chateau flight, pezzner, roberto rodriguez, sasse, moodymanc, trus’,me, brother’,s vibe, funk dvoid …,...

vince watsons bio imprint is now back in full flow, and following on from >pressure< we now have the 2nd installment of the release, with some very exclusive guest mixes and yet another killer track from vince himself. first up is steve rachmad, who has featured on bio before, previously remixing the classic >aurelon< in 2004 ... so he is back this time to give >pressure< the rachmad treatment. a fantastic example of steves production skills and really takes >pressure< into a different direction. absorbing and hypnotic, but with the killer dancefloor twists ... this is what vinces bio music label is all about!

7 oz records co-founder goes solo for the first time on his own label. keep the faith is a two-faced release: one side is deep and soulful, while the other one is very groovy and it definetly suits the dancefloor.
the original mix plays it house with a great melodic spin. the remix has been produced by ivan iacobucci, one of the main artists of the italian house scene. his groove, enriched by and old school bassline, is ready to rock every dancefloor.