since the release of his previous album paradise for all, the profile of guts has grown a lot to become one of the main french producer and a recognized name on the european scene. his hit brand new revolution was played by many radios worldwide and even synchronized in grand theft auto v. his compilation series beach diggin is now a reference for summer and quality music.

tief music mainstays sisterhood release their second ep for the label following up their hugely successful call me ishmael released back in 2013. tunnels features three original tracks showing the london based duo s versatility and maturity as producers. the ep kicks off with doublespeak , a hard-hitting peak time track, filled with arpeggiated synths and dubbed out fx. tunnels is deep and sparse, slowly building throughout its 7 minute run. bicep reconstruct the title track, morphing it into a punchy, bassline focused roller with piercing atmospheric pads. believe closes the ep, a dreamy, sample based track utilizing beautiful floating chords to great effect. dj support : axel boman, efdemin, marcel dettman, bicep, johannes volk, locked groove, ame, iron curtis, manuel fischer, xxxy, marcus worgull, will saul

friebe, der klügste und schönste deutsche pop-hedonist geht zurück zu seinen wurzeln, punk, wave und chansons - und zieht aus ihnen blühende wundergewächse, wie das episch- euphorische titelstück mit scott-walker-würdigen streichersätzen. auch live wird in friebischer manier wieder ein feuerwerk aus wortwitz und schlechter laune geboten, musikalisch untermalt von chris imler die coole sau, der der show als drum- und sampler-wizzard, sowie vorzeige-dandy glanz und fahrt verleiht. kommt, staunt und jault.
die vinyl-lp erscheint inklusive cd-version des albums.

balearic maestro max essa joins the dots seamlessly between the ambient imaginings of sakamoto, the krautrock rhythms of neu and the beach pop of chris rea, while making them all dance together like waves on the beach. this is some of his very best work to date and demonstrates a producer at home at the controls and a real musician with a vision. your carnival sounds like this…

deetroit drops a confident 6 tracker that is going many places while still keeping the die-hard udr fans fed with that raw sound they want! with this fourth 12 inch you should know by now what to expect. if not, just ask “the underground, they understand-. jack-acidy deep house. stamped white labels.

todd osborn ftw again. this time with music to go with the beats: acid, house, idm and lots of fun. starts with two mixes of put your weight on it. one for lazy djs from frankfurt and a shorter one for hard working windy city selectors - in any case heavy stuff. flip features the softer side of the michigan maestro with the downtempo love poem medium and the contemplative markert. todd is g(o)od.

nice price deal !!! thats how we like it! subtle and hard knocking grooves which will defo cause damage on the floors. new amazing wood n bass is here.

rotterdam based drum & bass label citrus recordings presents its 60th vinyl installment. on the bill we find long time veterans state of mind and exciting newcomers soligen & type-2 delivering two hard hitting pieces of dark, neuro flavoured drum & bass.

more 80’s luc marianni unreleased material remixed on the flip by london producer bass clef (punch drunk, idle hands…). after timeless remix by fxhe’s o b ignitt on ddd, best 2012 album nominee bass clef samples 3 tracks in one providing an extended crazy minimal tech à la matthew herbert bass track (yes it exists now !).

david k is the parisian-turned-berliner producer who has been a prominent artist within the underground house scene since the late 90s, having first joined forces with dan ghenacia of apollonia when releasing his bestseller * boul de nerf* on freak n chic. a fruitful career in production led to music on labels like cocoon, visionquest, supplement facts and bpitch control, while his new album * out of range * is just about to drop. ten years in the making and signed to tiefschwarzs souvenir, david proves his music is still as relevant today as ever. as one of the main artists on freak n chic, david k seemed a natural fit for apollonia to approach...* david is an old friend and talented produced who we have known from the beginning back in paris. of course we wanted to see what he could do for the new label, as you know by now we apollonia are always referring back to our roots. a 2-track package, * middle-aged romance* is characterised by its bell melody and hard-hitting bassline, an electric story moving between ethereal wonder and an intense workout. * drop the beat* perfectly demonstrates the classic chicago house style david k and apollonia first enjoyed together all those years ago, but adding a very modern, textured touch. coming 2014, apollonia invite premiesku to the label – the combination of livio & roby and their pal george g – and also the newest addition to the lola ed roster.

a diverse and damaging three track ep from bone, exploring and exhibiting detroit techno musically, figuratively and spiritually. a1. here to stay (won t fade away) a nod to detroit as an ever-present - a marker by which others are measured, bone s first track on the detroit ep, here to stay (won t fade away) makes a statement above and beyond just being a fine example the music it refers to. the sumptuous melody that opens the track is accompanied by a substantial yet soft, almost warm, kick, a combination that somehow provides an atmosphere and depth way beyond merely the of the sum of its parts. more rolling percussion and drums are crisply ushered in before the here to stay (won t fade away) vocal begins looping over the composition. linear, straight up loops, grooves and rhythm give a consistent sense of railroad-esque motion atop of an ever-present vein of lush synth and melody. a track that is certainly here to stay. a2. detroit is ... soul with more of an emotional focus than symbolic this time, it s clear this one is from bone s heart. detroit is ... soul, ducks and weaves in the grey area between house and techno, the initial percussion that is brushed over the kick giving more of a house swing than a techno groove. the on/off, cut-and-dry synth chords contrast with the looser fluidity in here to stay (won t fade away), and gives a real sense of intent and desire. the real focal point however is the profound vocal that comes swirling over the top, -detroit is what i love, detroit is what i need, detroit is where i m from, detroit s the air i breathe?- no explanation necessary. b. detroit is ... hard bone rounds off part 1 of his detroit ep with aplomb. where the previous two tracks have drawn on the emotional and symbolic significance of detroit as a place and as an ideal, detroit is ... hard, cuts straight to the chase. utilizing the same vocal sample as detroit is ... soul, bone feeds things through the grinder and comes out with a late night dancefloor destroyer that blends millsian fury and red planet mystique with the archetypal subject detroit aesthetic. chaotic arpeggiated melody, indignant claps and breakneck drums and percussion are the chosen company for bone s words on this flipside to detroit is ... soul. detroit is ... hard, undoubtedly to become a mainstay for sweaty after-hours affairs the world over

dark pool is the new studio album from black rain, the projects first in 18 years. produced in new york city by stuart argabright, black rains founder and figurehead, dark pool is a work of hard-edged sonic fiction rooted in cyberpunks quintessential neo-noir cityscape/dataspace but projecting into a farther future of biotechnological advancement and alienation.
the vinyl lp includes a download code.

the supremely talent william burnett makes a belated return to emotional response, and this time he s got brooklyn-based studio pal john beall in tow. those who enjoyed the duo s release on the l.i.e.s. white label series should lap up shimmer. it hits hard from the off, with -snaker charmer- delivering a velvet-clad punch to the guts. it s techno right from the top drawer, with darting electronics and drawn out pads riding a thunderous groove. the title track is impressive, too, with surging electronics and throbbing synths riding a techno-tempo groove crafted out of an old hardcore breakbeat. there s some more considered fare on offer, too, with the shimmering ambience of -hold me take me leave me- completing a superb package.

antoni maiovvi joins the crimes family in a perfect match of italo horror running out of the disco, leaving behind the gentle thud of dark techno in a dark roman alleyway.... junior fairplay s inaguaral remix takes us out of the darkness to a happy ending in sunnier climbs on a beach somehere in portofino...

valcrond video, the label run by sound and image artist luke wyatt (torn hawk), apresents vv-013 russos *wild metals*. russo (ari russo) is an nyc based multi-artist whose engagement with abandoned media finds an outlet in the video bursts he culls as officefern. as a programmer, he has produced innovative music generation tools such as the diamond arpeggiator. he returns to his own music with this collection of challenging and transporting structures. wyatt and vv are eager to endorse russos latest report on crossmodal perception, a true exercise in synesthesia. *wild metals* sounds like ferns and orchids infiltrating a tableaux of black plastic electronics, the breed of black plastic that russo and wyatt both found sinisterly inserted into the grid of their childhood. it provided the skin for some of their favorite toys, and its general resonance was aligned with the fast cars, women, and architecture that dominated their imaginations.

der meistercompilierer hans e. platte hat den großen namen und seinen lieblingskünstlern die kleinen feinen stücke abgepresst: von adolf noise, die sterne, erobique, rocko schamoni, kid kopphausen, almut klotz & reverend dabeler, saal 2, heinz strunk, felix kubin, schorsch kamerun, jens rachut, lambert, tocotronic bis deichkind. unter anderem! und nur unveröffentlichtes!

here are three unreleased sprinkles remixes for hard ton. enjoy timeless sprinkles house

200 bpm killer, focusing one the 90 s oldschool hardcore, with this melt of melodies and hard kickerz. blaster.

continuing his prolific run of new material for the label, johannes heil continues to push forward with his >transitions< series, here collecting four more unique tracks for volume 2. opening with the serene calm and krautrock influenced >transition five<, a five minute piece that opens up a rich synth landscape full of space and texture, we then move onto the first of the eps two full-spectrum techno trips. hotly tipped for the summer as an essential festival and open air moment, the powerful and optimistic energy behind >transition six< is hard to ignore. that combined with heils extremely well sculpted and high-end production, the scene is set for madness to ensue… on the flip side we visit more paranoid zones with >transition seven<. building from a minimalistic stuttering rhythm, a soaring sci-fi soundtrack of strings and intricate synth patterns lift the tension, while dramatic sound effects crash and shimmer across the spectrum. this then prepares us for >transition eight<, in which we find johannes working his refined club-sound into yet further directions and angles. at once hypnotising and dominating in its driving bass register and captivating arrangement, a highly charged minimalist club tool for 2014 awaits!

for the second release on cb sessions christian teamed up with his old friend tomio tremmel, who is better known as -the sushi club- the guys spent some all night long sessions to tweak the gear. influenced by modular systems, the virus ti, tanzbär and the jomox 888 this ep offers a widespread variety of club sounds and results in three different electronic tunes, which are hard to describe … so you have to listen to it! also represented on this ep is italians best markus fix. since he has first heard christians -doubledub- he secretly trained everyday to sing the -supi dubi- hook. finally, after six years, he had the chance to present his skills in christians studio. don t miss the final tune - just supi dupi!

crystal structures brings three very special people together for its third release christian rindermann (c rock, dubstar) of germany & the icelandic dub techno artists exos & thor. the a side (icelandic side) consists of one part hard hitting acid techno courtesy of thor - pleasure dome.

finally the time has come! after a long 6-year wait the third edition of the popular computer incarnations for world peace series is due to release very soon. the idle time will be rewarded with a bunch of stunners: tracks by georges rodi & dave sarkys, brenda & the beach balls and anna domino will be featured on the compilation selected by sonar kollektiv-a&r-manager alex barck. of which more later, when the release is ready. to start with, an outright highlight of this set is gonna come out as a pre-release 12inch including two contemporary reinterpretations.

the new soft-spoken, hard-rocking group from baltimore debuted their full length live show at the wolf + lamb marcy hotel this march. following in the footsteps of greats like nicolas jaar and pillowtalk, they were the first invited guest in over 2 years to perform at the legendary brooklyn proving grounds. life on planets is a duo that met in the studio lofts of their east coast hometown, whereby a collaboration fusing indie artrock and electronic music began to take shape. it was a pairing of two dramatically different personas, merging as one for a serendipitous, romantic sound that s now been signed to the double standard label. life on planets has also released music through better on foot, where the debut single apollo made waves in early 2014. the touring act features live vocals and guitar, backed by a dj/producer, dawning a long-awaited return to authentic songwriting in dance music.

scherbe is back on uncanny valley with his second full length ep. after his recent contribution to the uv20-compilation and a record on fourth wave he returns with the aptly titled >late nite safari< and shows off again his knack for rumbling beats and fuzzy synths

taken from a mysterious acetate cut by derrick may in 1987 this release was originally penned for kms offshoot pheerce citi. both these sides were later released - the darkside = as a relic (by longer than long ago) and tic tic tic was later released on the limited edition compilation as music institute 20th anniversary as untitled. both tracks are however, very hard to get on vinyl and have now been re issued as loud 45rpm pressings in pheerce citi artwork and remastered for 2014. great techno obscurity!

bubbletease communications and running back team up once again. taken from the lp bt06 mutsumi, look down at your feet below and 58, 26, 34 & 2&#8243,,,, are two hard-hittin-freak-out dance tracks carrying the lyrical genius of mutsumi formerly known as mu. watch out! produced by maurice fulton.

• superb hard techno from this new london based label from the club of the same name
• features slamming remix from sought-after remixer and pennyroyal artist, j.tijn
• limited to 300 copies only

• vinyl reissue of impossibly rare hospital productions cassette tape
• comes in a brand new die-cut house jacket with title specific inner sleeve
• big support from the usual avian fans...
originally released on hospital productions as a limited cassette edition of 42 copies, avian is now proud to announce a vinyl reissue of dual actions auto body. behind dual action stands mathew folden from k.p., who presented his first solo cassette release for dominick fernows label in 2012. dual action combines the eerie atmospheric sound collage of crowded chinatown streets with the deafening silence of a new apartment and the hard industrial beats of subways and freeways. a dynamic, physical autonomism. body complete

its hard to think of dutch wonderboy franky rizardo without inmediately associating it with his massive contributions to the defected catalogue or his broad spectrum of mainroom hits including collaborations and remixes work for some of the most important names in the game. this time he proves his versatil nature by submerging himself into a more underground vibe, the type we learned to love so much at off headquarters. we didn t take long to decide once we heard what he had in store for us, the tracks were loud, sexy and intense.

listening to the sound of konfetti klub ensemble creates associations of those sparkling drops that run down the side of an ice cold drink on hot summer days. it’s a very refreshing and delicious listening experience, it’s both stimulating and soothing. if you think the formula brass players + club groove is somewhat worn-out, you will be pleasantly surprised. pomelo comes with bouncy offbeat rhythms, and when the trombone hits in there’s clearly an air of balkan sound. however, around the middle of the track it turns into a joyful freestyle session. mollono.bass puts a bit more emphasis on beats, bass and pressure in his version, in other words: even a bit more emphasis on the dance floor. rotwein und sommerverbot gives a groovy hint why konfetti klub ensemble describe their sound as live brass house – it’s extremely jazzy and casual, a live session rather than a programmed arrangement. even more so schwankel, as it vibrates effortlessly between intricate musical deepness and sheer to-the-floor euphoria. last but not least there is a track exclusively for the digital release: stranddub – beach dub. let’s put it like that: there’s a damn good party happing at this beach.

let s welcome to the reference 005 of kubic records vinyl (limited vinyl 100 copies) the first track twister is a techno track in which highlight acid analog lines, strong rhythms, and voices that take a long time to fade from your mind,the second track starb start with hard kick and development becomes with bass and techno atmosphere. we bet for this sound this year.

this is for those with hard heads, black lungs, and scarred hearts. it is for the dreamers who construct darts on loose-leaf and those revolting against corporate life and casual fridays. it is castles return of the gasface, released on mello music group, remixed by has-lo with a new track and revamped verses. the new record tilts at a different angle, but the beats still bludgeon without sacrificing soul. the raps are rugged yet introspective. the north carolina natives voice is grizzled and shot through with the fatigue that comes from late nights, cigarettes and coffee. has-los beats coax a deeper melancholy out of castles hymns.

second release on the fresh italian imprint universal consequence is coming from the hamburg duo silky raven and features 6 special tracks produced as a session in early 2013 and will show us their eclectic and intelligent idea of electronic entertainment. jakob seidensticker & henrik raabe who are also part of the well known project wareika will break new ground as silky raven with more focus on the dancefloor!

orion muzik #20 and iside music #1 as special double pack!
italian techy sounds at their best. danilo vigorito knows how to balance out his sound on this splendid 12. chordy but rolling techno patterns and atmospheric topsounds. this is hard to place in a box which makes it extra fun. where dark star is a somewhat mysterious and ethnic sounding opener the remaining two tracks are chordy techno at its best. danilo vigorito knows how to deliver.

as our true fans know, every now and then we leave our comfort zone to bring something else than techno. this season, we gave dib from italy the honor to be the unusual one. three tracks, three times basic, stripped down house that does well as a tool or a track in the early or deep hours of the night. or just for those people working hard at the office and wanting some deep house during their officework. all tracks have a very old skool vibe to it and breathe true deep house: not the filtered down vocal kind, but the breed that just lets a 909, 808 shine and some rhodes or warm analogue synths do the work. the first one is rather detroitish - with a nice acid stab and some strings setting the mood, the second one is more dance floor oriented and the third version is a bit of both. does it need to be said that dimitri andreas mastered it again? and that it is available on vinyl?

limited double vinyl, including the full album cd (dreadcdlp029).

limited edition of 300 numbered copies on colored vinyl: 1st record white with black splatters, 2nd record transparent with black splatters.
ah the humble double pack, isnt there something so very satisfying about this format? sccucci manucci evidently thinks so as the nine bows ep is the labels second release in succession to embrace the double pack. it s another high profile cast that contribute to the eight tracks here, with montel, mikki funk, jackson ryland and aashton all featuring. it is the latter, brighton-based producer who opens proceedings with *i cant shake it*, a summer house anthem in the making that showcases his love of a classic rnb vocal. maverick follows with *wait for u* which is not only his sccucci debut but also the parisian s first production committed to wax - hard to believe! the mood swings through various shades of house from here with *lemme hold u* from montel a mid point highlight thanks to a killer vocal hook.

universal cave featuring edits of forward, deep & free music for maximum summertime spins. soft rock for hard times, slow grooves for mellow moods and chainsaw euro funk brought to you by disco duos d. lord & werner williams, jaz & party dad, and universal cave. pressed on limited 7 inch vinyl.
*around the bend* is soft rock for hard times brought to you by universal cave. bongos high in the mix, a breezy beginning builds towards guitar glistening over a mega kind groove. a tune fit for hang gliders, rock climbers, and summer sundays. sunsets and sailboats. slow grooves for mellow moods. side bs *riding* is flipside meets ripside, no nonsense shredding over a driving drum beat. long haired beardo disco rock that never quits.

some records are birthed through countless months or even years of studio hard yaka, drafts, followed by re-drafts, an eternal process of searching for that money shot musical moment. then there are albums that simply pour out of the collective minds of its creators more of a stream of consciousness and musical expressions that strategic beat creation

in what is a momentous occasion for soma records, we hit the milestone 400th release of the label and who better to see this in than label heads slam as they lead up to their new album due to drop this october. soma are proud to present the double a sided rotary/catacoustics. slam have been locked away in the studio these past months working hard on their latest album which sees them look to past machines and new technologies to form the base of this new album. these album sessions have spawned two raucous tracks that state where the veteran producers are with their sound. these tracks have the dance floor firmly in mind and display the years of experience slam have in knowing what exactly will whip up a storm.

where words alone can not convey emotions, dego speaks through his music, healing all that are willing to open their ears. through some bizarre twist of fate? luck? hard work? dego and blueberry records have come together on a 12inch, where we believe such epic words are necessary to guide this space vessel to its intended home - the heart and mind of the passionate music lover and the desperate soul of the everyday human seeking ascension.

at its very first start, the new label founded by conrad van orton proposes a vinyl of his own with two original tracks on the a side, november and captivity archives. and two great remixers such as vsk and the mysterious annuled user on the other. just as the needle starts to mark the passage, the classic four quarters give life to a beat that between one step and another compresses catapulting reality in a classic industrial scenario of mid-autumn where the clear sky gets marked by black and deep plots. a background noise accompanies the whole programming part of the drumming that gives off a relentless pace. on the a side captivity archives reconfirms the industrial nature of cvo with a look towards distant galaxies ..... with the needle still hot we turn around the record to the b side. here we find the vsk remix with a more ambient and crystal clear sound. to the original drum, vsk, choose an equally technical percussion. all home made. last but not least the contribution given by annulled user. trademark? techno! .. and there is nothing here to mess about with. 4/4 dry, hard which feel anger and rebellion desire. the kick, fairly present, is ripped apart by some demonic filters. the 5.30 min of annulled user are a reminiscence of the 90s.

cologne based lone ranger, producer, coffee drinker and occasional bike rider steffen baldo aka ugly drums has been fine tuning the spokes of his career for 10 hard working years. making early marks in the scene with his -next room ep- on german based label polyfon, which received support from moodymann, mcde and cemented his reputation early on. steffen later released dance floor workouts on rush hour, fifty fathoms deep, black key records, quintessential and kolor ltd

die roh are the legendary dj octopus (enlightened wax/hypercolour) and the mighty sagat (boss of noho records). for the fourth release of muscle records they have hosted in the brenta studios a southern talented musician known as okee ru (enetrbt/ deependence). the fruit of their occasional encounters are 3 craggy dancefloor cuts of disco infected technoid shuffled 808 beats and quirky samples, together they have blended old-school uncouthness with modern lechery. their dissolute country fellow lucretio (restoration/machines state) has delivered a methane-fuelled remix of -non è la rai-, adding illicit 90s happiness to the original beats. a remix that could easily cross-refer to his hard-to-find tunes on warm sounds.

a lot of macadam mambo’s records are coming in the same time those days, but we didn’t wanted to pass the summer without this new 12” of fresh edits. here is a selection of 3 warm/happy/sunshine disco, latino, and electrofunk tracks. as far as we can know, obscure and hard to find stuff, selected by sacha mambo (honcho at macadam mambo) and keeto (honcho at les disques superfriends) and edited by sacha mambo. this project started last winter after a gig at telephone rose in annecy (alpes), this is the 1st part of a special collaboration between keeto and sacha, a 2nd “les disques superfriends” ep is schedule for next winter. but for now, this record is the one you really need to bring joy and happiness everywhere, playable night and day

editions mego is proud to present the first recordings by edvard graham lewis released this century. having made his name in legendary punk/experimental outfits wire, dome and he said lewis has developed an exceptional voice with ceaseless exploration of a wide variety of musical forms.

the sequel to part i, just as insane and sinister! after more than 15 years back on vinyl, perhaps unit moebius darkest stuff ever made! the kuiken album project originally was released on the experimental hardcore label crossfade entertainment in 1994. now back on the motherlabel bunker who is doing a small re-run of this killer releass (which comes in 2 parts

after more than 15 years back on vinyl, perhaps unit moebius darkest stuff ever made! the kuiken album project originally was released on the experimental hardcore label crossfade entertainment in 1994. now back on the motherlabel bunker who is doing a small re-run of this killer releass (which comes in 2 parts)