on the day today tonight, ethyl & flori launch their own imprint, e&f records. with dancefloor focus, efr001 guarantees crowd reactions reminiscent of clinton s welcome home after machine-gunning 400 buffalo.

tommy four seven presents a series of eps featuring guests from his new regular event, 47. keeping the focus on the floor, each release will include 4 original tracks, including one by tommy himself. 47 is a party with a simple philosophy: to showcase some of techno’s most promising new talent, alongside some carefully selected established live acts and djs.

jimi tenor has made an instrumental album mysterium magnum with the finnish national jazz orchestra, umo. umo is a professional 16 piece orchestra. specialized in jazz and contemporary rhythm music. throughout it s history umo has had a focus on finnish composers and has performed hundreds of compositions that were made especially for umo.

other people is excited to debut the work of 19-year-old russian producer gena volgarev, aka inlensk, with the obratno ep. translated as backward, or conversely, obratno seems obsessed with and frustrated by a sense of nostalgia that can never lock its focus. finely etched, highly detailed rhythms retain a cerebral cool fluttering over, under, and around melancholic digital melodies that bend and degrade sporadically. meanwhile, the tactile use of filtering, extreme pans, and hypnotic microprogramming reveals an interest in sounds ability to shift temporal perception and evoke a purely neural response

where to now? records are proud to present beatrice dillons follow up release to the widely well received * blues dances*. this three track 12 inch sees beatrice step things up a gear in terms of intricacy, experimenting wildly to add to her already astute palette of timbre and rhythm. face a leads the record with the unmistakable skronk of saxophone cutting and jamming over the skeletal pulse of beatrices signature dubbed out techno landscape. initially the inclusion of saxophone acts as an aural abstraction or diversion to extract a little freedom from the pumping cavern of dark dub techno atmosphere punctuated with the mechanical juddering saw-bass, but as the piece develops and we become deep into the groove the inclusion of wild sax snorts trips us up and become the focus itself as new levels of complex melodic and rhythmic detail become apparent within this otherwise structurally obedient space. taking its cues from rabih beaini, miles davis * big fun* era, dresvn and keith hudson, undoubtably face a is a compelling, complex trip… heads down but arms flailing. face b continues the theme but takes the listener far deeper into the cavern. here the concern is more the effects of space within song, a moment where beatrice allows herself to move away from the floor to find a little more room for playful experimentation. the saxophone is further treated with a plethora of effects to compliment the array of dub signals that scatter and skip around the basin. the record closes with sonnier (walk in the light) which strangely somehow manages to feel jazzier in its components, even in comparison to a pair of tracks riffing on a manipulated free-jazz sax part. it sounds strangely unsure of its world, adding to this whole loosely slung, loping feel which somehow fits amongst the stern, brooding, and efficient synth play. beatrice masterfully manages to create a piece here that grows in intensity without ever increasing in pace or texture, every drop is intended to stir the listener a little more than the last. theres a sense throughout all the pieces of having rhythm imposed or even inflicted upon the listener but this is certainly not a conflict of ideas… there is optimism, harmony and above all - wild groove nestled within beatrices world of mutant shuffle.

lars huismann records is a journey in technoid and industrialesque techno music, built in a atmospheric and pulsating frame. in january 2015 lars huismann founded his label, with the focus on deeply rooted warehouse techno. lhr001 is an obsession in hard drilling percussion, banging & apocalyptic synth-elements and drums, that roll in a more complex groove-pattern.

idle hands has been broadening its reach both sonically and geographically this year, turning to ambient electronic dub with portland’s strategy, atmospheric broken beat with london-based leif and stripped down house with german producer matt karmil. this latest ep brings the focus back to bristol with o$vmv$m, the latest project to emerge from the young echo milieu. comprised of neek (commonly found bashing out grime and steppers alongside kahn) and amos childs (of jabu and zhou amongst others), the eight track release marks a step into even more experimental territory for idle hands…

edit select delivers 2 excellent tracks for clr - lights off heads down action all the way, these are repetitive techno tracks perfectly constructed for the floor .. a less is more aesthetic is the main focus as you would expect from tony, but continuation part 1 + part 2 are perhaps his most effective tracks to date! clr is pleased to give you two of chris liebings most played tracks of 2015. a continuation ep by edit select - enjoy!

last year s disco (a fine selection of independent disco, modern soul & boogie 1978-82) compilation from soul jazz offered undeniable proof that few diggers deserve their reputation as much as dutch discotheque scholar disco patrick. given the reception, it s no surprise to see that the london label have commissioned patrick to undertake a second assessment of the genre s lesser known gems with the focus here on the years 1976-80. the first of two double lp vinyl samplers to accompany the full cd release finds pat pulling out gems like the extremely pricey skip jackson curio micro wave boogie and t.k. disco treat cosmic funk by mad dog fire department.

billy meier, the third record in the untold stories protagonist ep series, is by suokas, and includes a remix by alka rex. the works stem from the remote town of petrozavodsk in russia, where the artist suokas lives a life of diligent focus. the album is dedicated to billy meier whose extensive writings and transcriptions document his contact with extraterrestrial beings, largely from a civilisation called plejaren located a fraction of a second shifted from our own dimension. his works are devoted to widening consciousness and challenge what we conventionally accept as true. similarly inspired, suokas says my music is about things that cannot be proven by conventional methods.

when a label within thirteen catalog releases has only one of them branded as various artists, than the focus on this release seems to be really interesting. exactly that is the case with dreizehn and its three protagonists.

new single following the critically acclaimed yugen ep and sees something of a shift away from the stark and cinematic sound, with more of a club focus this time. 3d business for soundsystems. huge cuts.

ltd 50% deal , rote liebe releases tim keilings new album under his erdbeerschnitzel moniker. in contrast to his recent dancefloor-oriented eps on delsin records, the attendants is hovering over more subtle grounds, featuring a mixture of contemporary electronic composition and hazy experimental pieces just outside the dancefloor proper. rote liebe is a cologne-based collective, founded in 2006 with a focus on events in various off-locations and clubs around the city. 2013 marked the launch of the rote liebe label with the aim to build a catalogue which features a broad musical spectrum, featuring house, techno, broken beat and experimental electronics just as the regular rote liebe nights.

the first release from the contrast-wax sister label, no more to roam, shifts the focus towards the real soulful elements of house music, the debut here comes from north-east based neil bilton aka fatdog, starting life as an independent record store owner in middlesbrough, fatdog has made a tidy progression into production, with releases on laaks austere recordings & his own imprint fatdog records now fatdog opens the running for no more to roam with a 3 track ep of down-tempo, laid back house music, layered with subtle synth lines, chord progressions and vocals throughout.

long-time techno protagonist and figure mainstay johannes heil returns with a new 4-track package under his cryptik pseudonym. continuing the focus on a more leftfield, experimental sound, cryptik emerses the listener into a soundtrack world of rich sound, depth of field and versatile, changeable moods. by no means a simple club record, all four tracks offer subtle and rich musical content, each telling a story with beautiful melancholic melodies and rushes of endorphins. from elongated 10 minute journeys into the more reflective zones of heils techno world, snaking and building, showing off all the skills he collected over his 20 years-plus career at the top of his artform, crypik is a dance on the senses. from the cinematic elegance of >the gate<, or the bleep-laden epic of >radiance<, to the post-house piano led drama of >messenger< or the heavyweight synth swarms of >belief<, the ep is full of passion and life, capturing truly magic moments.

limited to 300 copies. support from josh wink, luke slater, dvs1, pfirter, marco bernardi, markus suckut, ambivalent, ben sims, marcel fengler, randomer & mosca.
brack, the new imprint from uk-born berlin-based producer bnjmn, is back in quick succession with another strong transmission from the label boss. after plunging into dirtier, darker sonic waters on the pitchfork-tipped brack001, chromed continues the descent. while the propulsive rhythms and skilfully stacked samples remain intact, these 4 tracks are imbued with subtler elements that become more apparent with repeated listens. drums don’t just bang, they scrape, stab and shudder, and the typically mesmeric synth-lines are swathed in analogue hiss and seething low-end. idiosyncratic aural details have always been a specialty of the young producer, but here they rise to the fore. the rapidly flourishing sound world that is brack comes more into focus, and it appears it is even more intricate and musically rich than on first glance.

last time round for finale, it was label boss michael zucker offering some rare insight into his prowess behind the buttons. here zucker adopts the more familiar curatorial role, easing the finale focus towards the new generation of parisian artists prospering in the french capital. ka one & st sene oversee the prospering flyance records and arrive on finale with the french connection 12inch after a recent turn out on london s ornate music. the four tracks suggest ka one & st sene are developing into a truly diverse production unit, with the crisp motor city utopia of smokin joint a particular highlight.

hand-stamped whitelabel, repress of the 2014. on the third release by rote liebe, marquese combines ambient soundscapes, a sun-drenched breakbeat workout and groove-centered house to form a versatile release. rote liebe is a cologne-based collective, founded in 2006 with a focus on events in various off-locations and clubs around the city. 2013 marked the launch of the rote liebe label with the aim to build a catalogue which features a broad musical spectrum, featuring house, techno, broken beat and experimental electronics just as the regular rote liebe nights.

repress 2015 - following an impressive string of productions on labels like leftroom, murmur, and vitalik, london based, new zealand bred hugo barritt is set to present arguably his most accomplished work to date in the form of the penumbra ep this october. the release will be the second for young uk label construct, which has already worked with the likes of swayzak and the mole, and garnered the support of craig richards, heidi, tensnake, and midland. taking a step back from things over the last 12 months hugo was able to focus genuinely on what he loves: making dance music. and his patience and unadulterated passion shows. >penumbra< is impressive and understated. with a solid a side comprised of barritts driving yet subtle house cuts, and classic remixes from tuff city kids (aka lauer & running back label boss and panorama bars secret weapon, gerd janson) on the flip, the penumbra ep will looks set to be a mainstay of dj sets for many months to come.

belgian label with focus on the deeper flavors of house music from already established artists and new upcoming talent.
the first vinyl release is a fact and its an ep by plastik people recordings label boss marc cotterell with remixes by four walls (kolourltd, handsoff, traxx underground) and khillaudio (gents & dandys, melodymathics, two house).
enjoy this first 140gr sexy limited black vinyl run :)

after releasing her debut album on jus edas underground quality label, dana ruh returns here to her own label, brouqade, with this stunning 3 track ep >yardang<. this release is all about deep vibes and atmospheric sounds, even though the focus never leaves the dance floor!

giant records is the new label from grant dell, a man that has been at the forefront of the tech-house scene for over 15 years and has amassed a truly enviable back catalogue of releases. giant s first release is from mark allister, whose skill for crafting a proper old school tech-house groove on -not going back- is more than matched by his talent for laying down vocals. complementing this original, jay tripwire turns in a self-styled marimba machine redux, whilst label head grant dell chooses to focus on allister s vocal for a remix that possesses keys that wouldn t sound out of place on a kraftwerk track. supported by mr g, doc martin, eddie richards, john digweed, richie hawtin

maintaining the focus firmly on the underground and keeping that no-frills party vibe running throughout their output, music is love keep things flowing at a steady pace with their 12th release. dedicated to continually curating original ideas, the premise behind mil012 is all about the label paying homage to their most prominent musical influences. leading the way behind the new concept entitled tribute, head-honcho oli furness teams up with one of his favourite producers - chicago house legend paul johnson - for a four track ep, with two tracks from either producer intended to highlight the impact of johnsons impact and influence as an artist.

few labels could claim to share the creative purpose and pool of talent that cosmo records does. operating out of casablanca, morocco, the imprint has made its purpose clear, to fuse experimental house and techno with traditional african musicianship in a cultural dialogue that spans generations and continents in search of thrilling new musical forms. over the past five years, cosmo has called upon some of the finest producers in the most adventurous corners of 4/4 dance music to collaborate with players of the kora, guembri, lute and many more forms of percussion and melodic instrumentation. the chosen artists congregate at the cosmo recording studios in casablanca, which acts as a hub for these disparate musical energies to come together in a fusion of seasoned, learned performances and hyper-modern electronic processes. amongst the most notorious artists that have contributed to the label so far are masomenos, radiq, argenis brito and ricardo villalobos, while moroccan producer adil hiani provides a local focus to the electronic side of the creative process, as well as conducting the a&r for the label.

few labels could claim to share the creative purpose and pool of talent that cosmo records does. operating out of casablanca, morocco, the imprint has made its purpose clear, to fuse experimental house and techno with traditional african musicianship in a cultural dialogue that spans generations and continents in search of thrilling new musical forms. over the past five years, cosmo has called upon some of the finest producers in the most adventurous corners of 4/4 dance music to collaborate with players of the kora, guembri, lute and many more forms of percussion and melodic instrumentation. the chosen artists congregate at the cosmo recording studios in casablanca, which acts as a hub for these disparate musical energies to come together in a fusion of seasoned, learned performances and hyper-modern electronic processes. amongst the most notorious artists that have contributed to the label so far are masomenos, radiq, argenis brito and ricardo villalobos, while moroccan producer adil hiani provides a local focus to the electronic side of the creative process, as well as conducting the a&r for the label.

sheik ‘n’ beik are a nyc based cohort specialising in promotion, production and outletting left­of­centre slices of electronic music. with previous releases from family members derek marin, voiski and peter corvaia their 4th release comes courtesy of danny wolfers (a.k.a legowelt) working alongside rush hour regular xosar under their xamiga alias. with this being xamiga’s 3rd release, the pair draw for their trusted arsenal of analogue gear and offer up the ‘bohemian grove’ ep, a woozy brew of foggy textures, gently frazzled hats and detroit­indebted grooves. the title track kicks things off with glassy pads sat atop a long­tailed thud and a sandy shuffle. a distant bass groove wades in ahead of a passage of intricate, band­passed percussion and a circling synth line before ‘cumulus versie’ sets sheets of ethereal vocals and synth strings gently ducking under a taught analogue pulse. ‘midwest’ then sets hissing kicks and frayed hi­hats alongside a rasping bass tone. pitch­bent synth lines then bubble into focus before ‘blizzard’ sets a dystopian tone from the off. a stout kick drum thunders under minor­key chord shifts and a menacing sequence that works to round off another fine addition to the sheik ‘n’ beik series.

the bunker new york is proud to announce the second ep from mehmet irdel, also known as lot.te (pronounced loat-tey), following his debut release on our label in 2014. lot.tes history of discipline ep features two distinct moods and detailed, industrial-inspired sound design with a firm focus on the dancefloor.

few labels could claim to share the creative purpose and pool of talent that cosmo records does. operating out of casablanca, morocco, the imprint has made its purpose clear to fuse experimental house and techno with traditional african musicianship in a cultural dialogue that spans generations and continents in search of thrilling new musical forms. over the past five years, cosmo has called upon some of the finest producers in the most adventurous corners of 4/4 dance music to collaborate with players of the kora, guembri, lute and many more forms of percussion and melodic instrumentation. the chosen artists congregate at the cosmo recording studios in casablanca, which acts as a hub for these disparate musical energies to come together in a fusion of seasoned, learned performances and hyper-modern electronic processes. amongst the most notorious artists that have contributed to the label so far are masomenos, radiq, argenis brito and ricardo villalobos, while moroccan producer adil hiani provides a local focus to the electronic side of the creative process, as well as conducting the a&r for the label.

hut vibez records is a london based vinyl label, with a focus on house and techno. hv002pt1 is designed for the club systems: the second instalment in the hut vibez records series is a rhythmic release, sure to work the crowd. jase is now delving deeper into the analogue world, creating music with a organic sound.through this latest production he delivers two intuitive tracks, which capitalise on the sound vinyl can offer. resonant and complex, these tracks demonstrate jases adept fascination with seeking out new ways to work, bringing a satisfying and exploratory sound to the techno realm.

nice price deal !!! b-stock! cover with bent corner. concealed sounds are very proud to announce martinez fourth studio album, -o-pen-. it has been about four years since he released his -paradigm shift- on moon harbour, and during this time he been busy experimenting in his studio to come up with a very mature sound rooted in the musical output we ve seen lately on his 12- releases for concealed sounds as well as other labels. on -o-pen- the focus is not to make any concept around the tracks or the album itself, but just to have ten full compositions that each have their individuality and not necessarily is the same genre or style. you ll hear more melodies again and instruments, as well as analogue drum machines and modular synths that creates the soundscape of this album. a very organic album, including all sounds from the usual house & techno to more dub, ambient and even jazz influences. we are very excited to release this piece of work.
early support from: zip, ricardo villalobos, raresh, s.a.m., thomas melchior, sylphe, fumiya tanaka..

anders enges interest in modular synthesizers comes from a desire to shut down conscious decisions about form and to focus on rhythm and timbre. this does however not land in traditional techno but rather in a riff-oriented style, the riff being both rhythm and melody and also a morphing entity in the music. drums and percussion attempt to follow this entity, while maintaining a link to the dance music pulse. the resulting style makes for a hybrid timewarped experience of travelling a parallell electronic music reality, a brooding technoid that grooves

rss disco remix masin by ya tosiba. the dj and producer trio from hamburg focus on the bassline and make the synth pads shimmer. the original ya tosiba song is about the sudden appearance of cars in the streets of baku in the 80s. its a perfect cruising track now. patric catani aka candie hank mixes a hilarious, bouncing version of molla, paying tribute to zuzus funky meykhana vocals.

the second volume of bushwick is melting features original unreleased material by brooklyn-based producers black meteoric star, lorna dune, and j. slusher. gavin russom apparently has a new black meteoric start lp on the way and we can t wait based on the epic, sweeping grandness that is the 18 minute a-side hogger unearthed arcana which is quite hypnotic when in full flight. the b-side finds lorna dune putting her experiments with the piano to one side to focus on some celestial house moves with reflux which will appeal to fans of legowelts more star gazing moments whilst the wonderfully named j. slusher closes out the record with the face melting techno cut night train

the kestrel (turmfalke) will rise in spring 2015, starting the new label by matthias springer with focus on physical media. the philosophy behind is to invite friends to this special cross-over concept. every artist presents an original in combination with remixing eachother. in the end 4 tracks on one release, no special genre is preset, everything can happen. frank hellmond is the special guest on the first turmfalke release, bringing in his unique deephouse flavour that features some pretty nice vocals from snowflake, while matthias is turning it into a combination of dub and acid ... but just have a listen.

herzblut is the musical platform of the bremen based techno producer stephan bodzin. its artistic focus is on contemporary techno music refusing any barriers. worldwide exclusive distribution. label logo, art and sound samples enclosed. the mysterious fledgling producer had already impressed the label family with early demos and it wasnt long before stephan, having road-tested the tracks, was snapping them up for herzblut.

nyctophilia is the love of moody darkness and this concept is weaved into this super deep and atmospheric techno ep by dorian gray, where he keeps a strong focus on meticulous ambient loops moving into hypnotic techno rhythms. sitting in the corner of a dark room and feeling comfortable...-nyctophilia-...he says.

now entering its seventh year, dutch label field records continues to focus on great album projects. after a triple 12- compilation in 2014, and ahead of a third album in the coming months, now comes a 12 track opus, in the wake of the dark earth, by d.a.r.f.d.h.s. aka swedish pair michel isorinne and jonas ronnberg.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
wd37 broadway kiss showcases the hair-split-contrast in our disco genre. 4 songs so good, they all deserve equal attention, pontchartrain delivers, lifesaver, an immaculate distillation of house and disco fused, buffed and polished. on the inside, osmose has bottled pure disco fire with broadway kiss, a perfect party starter for any warehouse with disco leanings.
flipping to the aa, seasoned jock, derek kaye has reworked holding on and in the process landed it (and a few others!) in greg wilsons top edits of 2014 chart. by now, you must know that we are very fond of a bit of cheese in our whiskey… rulefinn sidesteps the usual elements of la biondas i got your number to focus on the slick guitar, while retaining the vocals until the end for optimal impact.
after listening to this ep, you will feel like you have been kissed all over.

as the popularity of footwork has continued to soar, the range of sounds within the genre has expanded. from the angular, minimal beats of rp boo to the widely admired sound of sadly departed dj rashad, the genre has lovingly seeped into hearts and feet worldwide whilst continuing to innovate. until now most of the focus has been on the male dj/producers, but that is about to change. gary based producer jlin, who some of you might remember for her track *erotic heat* (bangs and works vol.2 – planet mu 2011), or from her moment in the mainstream light providing music for fashion designer rick owens f/w 14 paris runway show, is stepping further into the light with a stunning eleven track debut album *dark energy* showcasing her unique and bold new sound.

absolute tip of the cap to tom & jerry the originators of the cartoon 12 inches. putting sex beck into techno - no more of this rigid cold lifeless nonsense. we want the focus on the dancers, and arent afraid to be a little slutty ourselves.

argentina has a rich history when it comes to dance music and gonzalo solimano is one of the countrys finest electronic flag-bearers. with his unlock recordings imprint he has created a heavy back-catalogue that the likes of barem, guti, luca m and daniel sanchez have all contributed to. after a short break solimano is back with his *factor h* ep and the original mix is a tropical, cow bell laden treat, one that sums up the nation’s sound nicely. on remix duty is both fase and fellow argentinian maestro guti. the producers last full-length was the jazz-inspired *rompecorazones* and now a remix lp is set to follow but here we focus on his amazing edit of *factor h*. guti has maintained the percussive elements of the original but added a significant amount of groove and focused on adding in thick kick drums and more drive. it is one you can imagine on the terraces or at 4am in a darkened room and this is why guti is such a don. pressing on green marbled vinyl)

*sintetizzatrice* is the first recorded document of the newly founded collaboration between spectrum spools veteran donato dozzy and female vocalist anna caragnano.
though his solo work, and in his collaboration with giuseppe tilleci as voices from the lake, dozzy has achieved some of the most remarkable vistas contemporary electronic music has seen in the last decade. by removing himself from his areas of mastery to shift his focus on the voice, he has achieved a new peak. *sintetizzatrice* is the first work on spectrum spools featuring anna caragnano, a vocalist based in rome.

office 04 circles in memories: the record is about johannes * iron curtis* palukas time at karl-marx-straße berlin where he used to live next door to label head baaz and graphic designer chris fladung. a1 track * magnet* is an ecstatic piece of house music holding all elements ics production is esteemed and loved for : heavy, unrelenting kicks, rolling bass lines, shimmering pads, topped with searing hot yet gamelan-like synts and an icing of slightly loose, detuned organ stabs predesting grand emotions on any dance floor. * what happened happened* surely marks up as another proof of curtis fearless takes on house music: distorted field recordings and blurred spoken words, a web of gossamer melodies and subtle clicks and cuts, all cohered by the louche bassline and the reshuffled groove in a true dilla-ish vein. adapting elements to their own agenda, clandestine groove explorers berg turn * what happened* into a true midnight roller: razor-sharp hihitas join forces with a steam-maschine like percussion, whipping relentlessly in-between kick drum and kick drum. berg cools off their take with prancing melody motifs and strung out pads of the original track, though never loosing focus of the * reductions* aim: keep the dancer dancing.

2nd release on the vienna based yoshi imprint. first one sold out in a flash, dont miss this one!

plenaque: heavy focus on the bass from the get-go sets the platform for a muffled kick drum to evoke a sense of impending danger. accompanied by effective synth layers the track bounces to a shuddering alien/deep marine sound, reminiscent of the productions dvs1 is known for. support by: seth troxler, stacey pullen, agoria, nick warren, dubfire

the mainz based label klamauk° are very proud to announce the upcoming release of the debut lp by roman rauch, which will be dropping on vinyl and digital in march 2015. romans pedigree as a producer is second to none and he has enjoyed long term collaborations with labels such as philpot, endless flight and also klamauk°. his focus has always been on dusty samples, slowed down grooves and weighty rhythm sections and his first excursion into the longplayer format is a tour de force. the 7 track (+ 3 fx shorts) mini lp draws on romans influences ranging from cut­up hip hop, years of digging for samples and also more dancefloor tendencies. roman weaves his way from slow­mo, broken beat excursions to more heads down deep house music that has equal levels of groove and intensity.

vinyl only! dragosh delivers with impact his track brinit . set on a traveling percussion loop, playfully adventurous and filled with an ever growing energy. a warm melodic female vocal in contrast to a technical voice cut draws the listener in to feel the energy with no chance to get tired. rhadoo and cezar take the voice out and put it into a new context. with their focus firmly on the groove, and adding some extra synths they create with finesse, a proper trip... reducing the vocals into whistles and layering a rather mysterious noise, they masterfully turn this remix into something totally hypnotizing...damn good too

the first release on the platform will be from the mighty welsh producer called harrison bdp. harrison bdp is set to share his magnificent craft with his appreciation for house music. the ep will feature a remix from the label founder -­&#8208,, myself aurhythm (last seen on crude wax). the focus of his ep is purely to provide an enjoyable experience for everyone who shares the love of this music. whether it be on the dance floor or in someone s bedroom. the goal of this wonderful ep is to make you move your body and feel good.

hello sailor is a party and record label based in brooklyn, ny founded by brazilian-born, new york based renata do valle. since 2012, the label has been staging events with an array of local and international artists. hello sailor recordings debuts with the focus on releasing only 7inch records and building its collection of significant disco, funk, afro, and balearic music.the energy of the tropics, sunset, and the beach informs the feel of this music. hello sailor recordings first 7inch release is a remastered african jam called muko wapi and an edit by french musician joakim. brazil meets africa via france!