lp limited to 500 copies

first vinyl release of the 1996 album from linda smith. pressing on bone coloured vinyl.

1 x 140 grs black vinyl , 3 mm spine sleeve with uv gloss finish, black dust inner sleeve, front sticker

metalcore, transparent curacao blue vinyl

ltd. col. lp: (black & white marble vinyl)

multicolour splattered vinyl

ltd. col. lp: (silver nugget vinyl), das neue album der britischen metalcore-Überflieger!

wenn es in den letzten beiden jahren einen newcomer in der clubszene gab, der weltweit für ganz große furore gesorgt hat, dann war dies john talabot aus barcelona. auf seine zweite single my old school , erschienen beim münchner vorzeigelabel permanent vacation, konnte sich die internationale dj-elite einigen. die tracks von john talabot sind ungeschliffen, sie basieren auf hypnotischen loops, die von einer mächtigen kickdrum vorangetrieben werden. in den vielseitigen tracks des spaniers treffen sich vielfältige einflüsse wie afro beat, detroit techno, chicago house, cosmic disco, northern soul oder auch flamenco. unter john talabots fans finden sich größen wie james murphy oder Âme. verglichen wurde er bereits mit leuten wie james holden, four tet oder caribou

cocktail d amore showed the breadth of their tastes when they reissued ukranian composer iury lechs 1990 album musica para el fin de los cantos last year. now the label has commissioned a raft of remixes from some label regulars, with wonderful and diverse results. powder drops her signature snaking rhythmic trysts over barreras, while -cuando rocio dispara sus flechas benefits from an abstract, ambient reworking from suzanne kraft. hatchback takes to posmeridiano with a delicate touch, all lingering 80s synth motifs in a beatless reverie, and zavoloka lays the cinematic intensity on heavy with the icy strains of ukraina.

alexander kowalski has been immersed in techno for a long time, and his sound is massively representative of the reduced, late night berlin sound. as d_func. he s contributed many times to marcel heese s finitude label, and now he s back to pay tribute to uk free party techno legends spiral tribe. kowalski s own interpretation may be more minimal and hypnotic than the wild, raucous energy spiral tribe was best known for, but his trancey approach comes on like a nostalgic vision into the early 90s, while also aligning with the modern masters such as donato dozzy and peter van hoesen.

iury lech is a transdisciplinary artist of ukrainian origin part of the few pioneers in the spanish electronic and digital audio-visual scene that began to develop during the 80s. his open and unclassifiable style made of eerie sonic atmospheres, arrhythmic structures and dense textures create hypnotic ambiance and a new way to conceive experimentalism. wrongly described as new age music at that time, musica para el fin de los cantos is a stunning and deeply emotive ambient work, that stares down at the eternal enigma, giving a glimpse of iury lech s classical music of the future. iury recorded this blissful masterpiece in his barcelona s studio in 1989. it was then published in 1990 by the unique spanish label hyades arts. its 2017 and its time to unearth this magical piece of vibrating chords to please your sensitive yet hungry ears. sit back and enjoy the meditative state.

for finitude music s 5th release, label owner marcel heese and alexander kowalski aka d_func. share their visions on thought control. both tracks on the ep harbour the same intent, but each of them approaches it in a different way. d_func. s take revolves around sahko-like bleeps, if you are into early mika vainio or sleeparchive, look no further! but instead of being loopy, it s definitely a builder. its original trance track-like structure is sure to rock many an underground dancefloor. marcel s vision is slower and less straight-forward but creates and maintains a high tension. based on dense a bassline and intricate soundscapes, it builds up slowly, only to explode halfway through. an extra payoff also comes at the very end of a track, its noise/ambient outro making a perfect way to wrap up an amazing party at 8am somewhere deep in the heart of berlin.

nice price... incl huge luetzenkirchen remix!
criss source, born in essen, was known to be one of the most talented djs of nordrhein-westfalen already in the early 90s. his track >hugs n kisses< (mauritius music) advanced to be one of the most played tracks in electronic music worldwide and became a must-have for many international djs. he followed up with releases on labels like circles, echoplast or supra. and of course his new single saxphunk & dubphunk on our imprint blufin.

#name?

abyssopelagic is the third release on tresor berlin resident marcel heeses label finitude music. this time he teamed up with d_func. aka legendary berlin producer alexander kowalski who has been around for almost 20 years and surely needs no further introduction. the title track is a slow piece of nautical techno aiming at the bigger floors. as the title suggests the b-side includes a stripped-down version of abyssopelagic for the deeper moments on the floor

-aqua- is the second release of finitude music, the label operated by long-time tresor berlin resident marcel heese. the a-side title is from the same recording session with spanish producer p.e.a.r.l. like -entrance- from finitudes first release. this ti

-entrance- is the inaugural release of finitude music, the label operated by long-time tresor berlin resident marcel heese. for this first release he teams up with spanish producer p.e.a.r.l. who has been releasing on warm up, audio assault, tsunami and m

simultaneously with the announcement of our 15th watergate-compilation, we are also proud to present the number 15 of our vinyl series

3 tone dorsal fin, a new international band from berlin is pleoavcee from san diego, djcksatron from dallas, nora lune from switzerland and the producer count frankula also known as frank muller or beroshima: glistening is a tingling feeling in the skin as well as being perceived by sight or the hairs in your ears. perception of a sensation throughout our whole body - says the artist. lets see. listen up. or glisten up! all introduced by a distorted pitched alien space child rambling incoherently until shaken up by hesitant laughter. raps that rhymes euphemism with hypnotism and swagging with lagging better be good.

john talabots debüt-album wird international als album des jahres gefeiert, was elektronische musik angeht. zu den fans des spaniers gehören auch the xx, die ihn für das vorprogramm ihrer aktuellen tournee ausgewählt haben. nun endlich erscheint die erste von zwei eps mit brandneuen remixen von tracks aus dem anfang des jahres erschienenen album fin. fin remixes part 1 erscheint als doppelpack, bestehend aus einer 12inch und einer 10inch. die 12inch enthaelt drei superbe remixe des tracks when the past was present von den pachanga boys (superpitcher und rebolledo), die dieses jahr mit time einen gewaltigen clubhit landen konnten. auf der 10inch finden sich destiny im bullion-remix und last land in einer version des daenen kenton slash demon (tartelet)

roughly translated, hasta el fin means >the very last number of the night<, appropriate when you consider this is gigolos final release of 2009. the a&r process at gigolo is a constant and very simple formula! if hell likes it, plays it and gets a good reaction from the crowd then it needs to come out on his record label! no other record fits the criteria more the >hasta el fin<. this is a record that featured heavily in hells festivals and club sets and was played at the end of every after-hour he found himself. but its beginning is a little less finite.
the genesis came late last year when oliver ton invited various musicians for a jamming session. in the spirit of some masterful moments in music oliver ton and production partner ronald christoph captured something unique sounding with a dance record built largely around a vocal, guitar and piano performance. it was immediately signed to berlin based white records and assigned the fitting cat. no. of white999!!!
hell, an early supporter of both the record and label was smitten, personally requesting the license for gigolo. once this was granted he approached tony lionni for a remix. for many djs, including hell, tony lionnis >found a place< is without doubt one of the biggest records of 2009. so combining the talents of these two artists would appear to be a no brainer, and the results speak volumes. taking the vocal hook, layering it over a tough piano stab and italo style disco rhythm is the order of the day. as we approach the end of another decade for gigolo and the first of new millennium we are proud to present our last number of the 2009!

played by: baby ford, trickski, julius steinhoff, anthony collins, philip bader, dirty doering, lil tony, kotelett & zadak, karotte,.. _ very special one sided 12 inch_ once again the latest white release is a reinvention of the label itself and pre-announces its early ending years in advance. this release is a very special one... it is from oliver ton and can be understood as the >very last number of the night<, that is why it is catalogued as the white- 999. oliver ton invited many musicians for jamming sessions into the studio of his production partner >ronald christoph<, in order to create a unique sounding. the final results are >hasta el fin< a song, which will turn every afterhour upside down, especially during summer! the song simply has it all. we love its humor and see it as an ironic statement of the minimalhouse hype.... thats why it matches so beautiful to white... or not.... and thats what we love about it, say the creators of white.

areal diesmal aufgeräumter & nicht so verzwirbelt, dafür aber genauso verpeilt. unsere feste größe in sachen freak techno.

recordings by bernard mondet (1978) and vincent zanetti (2019)

wenn es die letzten beiden jahren einen newcomer in der clubszene gab, der weltweit fuer ganz große furore gesorgt hat, dann war dies john talabot aus barcelona. unter seinen fans finden sich größen wie james murphy oder the xx, die den spanier für das vorprogramm ihrer diesjaehrigen nordamerika-tour ausgewaehlt haben. verglichen wurde er bereits mit leuten wie james holden, four tet oder caribou.

wenn es in den letzten beiden jahren einen newcomer in der clubszene gab, der weltweit für ganz große furore gesorgt hat, dann war dies john talabot aus barcelona. auf seine zweite single my old school , erschienen beim münchner vorzeigelabel permanent vacation, konnte sich die internationale dj-elite einigen. die tracks von john talabot sind ungeschliffen, sie basieren auf hypnotischen loops, die von einer mächtigen kickdrum vorangetrieben werden. in den vielseitigen tracks des spaniers treffen sich vielfältige einflüsse wie afro beat, detroit techno, chicago house, cosmic disco, northern soul oder auch flamenco. unter john talabots fans finden sich größen wie james murphy oder Âme. verglichen wurde er bereits mit leuten wie james holden, four tet oder caribou

post punk / wave

black vinyl

ebm / electro / wave on 2lp

standard weight black vinyl

electronics

picture vinyl reissue of the 1980 album from andalusian rock band triana.

full of perfect summer tunes .. big decks tipp! super limited double vinyl no repress on 2x12inch 180g vinyl comes with cutout cover, stamped

momentaufnahme i and ii by faust now available as stand-alone releases.

standard weight, double black lp

lp with picture sleeve

faten kanaan’s fifth lp afterpoem is a mysterious, smudgy, bittersweet, and uniquely playful album.

gatefold vinyl, liner notes by gerd janson

cassette / tape